Jonathan Kellerman - Alex 17 - A Cold Heart

by A Cold Heart(Lit)

  Santos closed her door, looking worried.

  Shull lived in a house on Aspen Way, in the Hollywood Hills, and Stahl had been stationed down the block all night, with nothing to report.

  'How far is Aspen,' I asked Milo, 'from the Hollywood sign?'

  'Right down the hill and east. Not far from Kevin, either.' He'd dropped by soon after the meeting, kept busy on the phone, finally sat down at my kitchen table to toss things around.

  'Not far from the recording studio where China was recording,' I said. 'Or the Snake Pit. I'd say Shull likes his Hollywood comfort zone, but we've also got three murders on the Westside, not to mention Boston. This guy's hard to pin down.'

  'How do you see the affiliation between Shull and Kevin? Teacher-student thing gone evil?'

  'That's one possibility. I visit Shull, he gets nervous, tells Kevin to make himself scarce. Either or both of them pick up Erna and get rid of her, then Shull drives Kevin to the airport, ditches the car, takes a taxi back.'

  'I'll have my Ds check the cab companies.' He made

  another call, put in the order. 'What's the other possibility?'

  'Terry Drummond's right and her boy's innocent.'

  'If he is, he's also probably dead.' He went to the fridge, poured milk, brought it back. 'If Kevin did rabbit, I doubt it was to Boston. Shull'd be smart enough not to want Kevin there.'

  I knew what he was thinking: How many other cities? How many other bodies?

  His beeper went off. The coroner's office. He called in, and I went to my office and ran A. Gordon Shull through all the general search engines.

  A reference to Shull's personal Web site connected to an inactive notice. Thirty-one additional hits, two-thirds of them duplications. Twelve of the original twenty were citations of Shull's name in Charter College publications. Presiding over Communications Department symposia, papers he'd delivered.

  The Role of the Artist in Contemporary Society Advocacy Journalism: Acceptable Tool for Change or Subterfuge?

  Rock 'n' Roll Hoochy Coo: Sexuality As a Metaphor in Contemporary Music

  Linguistics As Fate: Why Noam Chomsky Might Be God-One title grabbed me by the throat: A Cold Heart: The Ultimate Fatalism of Artistic Endeavor

  No text summary, no reference. Shull had delivered the paper at a coffeehouse in Venice. A late-night party

  honoring the memory of Ezra Pound.

  I checked the venues of his other presentations. All were informal gatherings at cafes and the like. Padding the resume. Was that why Dr Martin disapproved of her faculty member? Or perhaps it went beyond that.

  I recalled Shull's easy manner with the coed who'd waited outside his office. Cool prof? Too-friendly slick-ster? Like politics, academia posed all sorts of possibilities for an amoral guy.

  Venice Coffee Shop. What relevance did the concept of comfort zone have in L.A.? Here, if you had a car you mastered your destiny.

  Then I thought of something else...

  Milo returned. 'The wounds on Mehrabian match Baby Boy's. So do the ligament striations. And guess what: This time our bad boy left physical evidence. Couple of short facial hairs, red-gray. Mehrabian had a beard, too, but it was long and black. The killer got in his face. Literally.'

  'Shull sports one of those five-day beards. Ginger-gray.'

  'Hey, Sherlock, coroner estimates the hair was five, six days old.'

  'So now what?' I said. 'You question him and get a warrant to pluck?'

  'We're a ways off from that, yet.'

  'Even with the hair?'

  'I phoned an ADA. They want more. Significantly more.'

  'Shull being a rich kid make a difference?'

  He smiled. 'ADA would shudder at the thought.'

  "This might help.' I pointed to the 'Cold Heart' reference on my screen.

  He said, 'Oh, my.'

  'Is Shull warrantable, now?'

  'Probably not. Literary pretension doesn't qualify as probable cause.'

  'What about this, then: There were six conventions in Boston the week of Angelique Bernet's murder. You mentioned one had something to do with the media. That sounds like something Shull might be interested in.'

  He whipped out his notepad, flipped pages. 'The media and public policy. Harvard.'

  'Who ran it?'

  'This is all I've got,' he said.

  'Want me to look into it?'

  'Yeah,' he said. 'Put that Ph.D. to good use. Please.'

  He left with a promise to return in an hour. It took nearly that long, but finally I had a copy of the mass-media convention's attendees in hand.

  Confidentiality and all that slowed the process, but one of my grad school classmates taught at Harvard, and I called him, made connections, combined shameless name-dropping with my academic bona fides, and spun a yarn about planning a symposium on the media and violence. Wanting the list so I could 'target the right people.'

  The final target of that lie was one of the symposium's cochairs, a fast-talking professor of journalism at the University of Washington named Lionel South.

  'That was mine, all right. Harvard let us use the K

  School - the Kennedy School - so we stuck one of their faculty members' names on it as a cochair. But Vera Mancuso and I - she's at Clark - really ran it. You say yours is going to be at the med school? What, a psychiatric slant?'

  'Eclectic,' I said. 'Meanwhile, I'm running interference between the med school, the psych department, and the law school.' Sometimes falsehood came so easy. In spare moments, I wondered about that.

  'Media violence,' said South. 'Great funding for that.'

  'Not bad,' I said.

  'Couple more schoolyard shootings, and you'll really be set.'

  I forced a collegial laugh. 'Anyway, about your roster.'

  'I'll e-mail it to you right now. Do me a favor and keep us posted. And if you need a cochair...'

  I found it on the third page, halfway down the 'S's':

  Shull, A. Gordon, Prof. Contm., Charter College.

  A bit of self-aggrandizement; Shull was a lecturer.

  That fit.

  Milo came back, and I pointed.

  'Oh, yeah! Great work... did Shull deliver a paper?'

  'No, he just attended. Or signed up to attend.'

  'Playing hooky?'

  'It would've been easy. Once he registered, no one would've checked to see if he actually sat through the meetings. Shull had a free schedule.'

  'Plenty of time to take in the ballet.'

  'Ballet might very well be his thing,' I said. 'Growing up with culture, and all that.'

  'Cold heart... son of a bitch.' He checked his notes,

  found the list of Boston hotels, began working the phone. Forty minutes later, he had confirmation. Shull had stayed at the Ritz-Carlton the week of Angelique Bernet's murder.

  'Not far from the ballet hall,' he said. 'He picks her up in Boston, takes her to Cambridge where he does her and dumps her. Because it's away from his hotel and close to the symposium... carve up a girl, be back for another bullshit lecture.' His eyes had heated.

  'Time for a warrant,' I said.

  He cursed silently. 'I picked the most agreeable judge I could find. She's sympathetic but wants physical evidence.'

  'Like the facial hairs found in Mehrabian's beard,' I said. 'But you can't verify the hair is Shull's until you have grounds to ask him for a sample.'

  'Viva Joseph Heller,' he said. 'At least we've got a target. Petra's retracing her steps armed with Shull's photo. I also talked to Small and Schlesinger about the hair. They said, thanks, keep them informed. My sense is they'd love to dump Mehrabian on us. My sense is also that's where Mehrabian's gonna end up.'

  He eyed my computer. 'Anything else interesting out in cyberspace?'

  'Shull had a Web site, but it's no longer operative.'

  'Covering his tracks?'

  'Or technical problems,' I said. 'An ego like that, he'd want to be out there. I'd like to know what he's been up to, recently. Dr Ma
rtin could help us there.'

  'Think she'll cooperate?'

  'Like I said at the meeting, my sense is Shull's not her favorite employee, so maybe.'

  'Let's do it,' he said. 'At her house, not her office.'

  'Why?'

  'Get her away from her professional comfort zone.'

  Elizabeth Gala Martin's office had been filled with antiques, but at home she preferred modern.

  Her house was a wide, gray collection of cubes set on a large lot in a good part of Pasadena. The landscaping was low-profile, Japanese-inspired, glossed by strategic lighting. A sculptural gong stood off center in the broad, impeccable lawn. Two cars shared the double-wide driveway: a silver, late model BMW sedan and an identically colored Mercedes coupe of slightly older vintage.

  Every blade of grass in place. As if the exterior was vacuumed regularly.

  Half a mile from Everett Kipper's place, but that didn't seem relevant, now. It was 8 P.M. when Milo knocked on the front door.

  Martin answered her own door, wearing a long, green silk caftan embroidered with golden dragons. On her feet were gold sandals. Her toenails were pink. Her hennaed hair appeared freshly set, and she wore huge gold hexagonal earrings. Behind her was a wide, white entry hall floored in travertine.

  Her initial surprise was replaced by flinty scrutiny. 'Professor Delaware.'

  'Thanks for remembering,' I said.

  'You made an... impression.' She studied Milo. I introduced him.

  'The police,' she said, evenly. 'More about Mr Drum-mond?'

  Milo said, 'More about Mr Shull.'

  Martin's hands flexed, and she let them fall to her side.

  'Come in,' she said.

  The house was rambling, mood-lit, topped by skylights. A rear wall of windows looked out to a softly illuminated garden and a long, skinny lap pool that traced the curves of a high white wall. Large, abstract paintings hung on the walls. Brass cases were filled with contemporary glass.

  Elizabeth Martin seated us on a low, black suede couch and took her place in a black leather sling-chair,

  'All right,' she said. 'Tell me what this is all about.'

  Milo said, 'Professor Martin, we're looking into possible criminal activity on the part of A. Gordon Shull. I'm sorry I can't tell you more.'

  Sounds filtered from across the dining room. Footsteps and rattles behind white double doors. Utensil clink, running water. Someone in the kitchen.

  'You can't tell me more, but you'd like me to tell you whatever you want to know.'

  Milo smiled. 'Exactly.'

  'Well, that seems fair.' Green silk rippled as Martin's legs crossed. She was wearing perfume - something grassy - and it drifted toward us. Body-heat activated? She looked composed, but you never knew.

  'Professor Martin,' said Milo, 'this is a very serious matter, and I can promise you that the information will come out eventually.'

  'What information is that?'

  'Mr Shull's problems.'

  'Oh,' she said. 'Gordon's got problems, does he?'

  'You know he does,' I said.

  She turned to me. 'Professor Delaware, when you came to me you said Kevin Drummond had something to do with a murder. That's not an everyday occurrence for a boring academic. That's why you made an impression.' Back to Milo: 'Are you now saying that Gordon Shull's suspected of being a murderer?'

  'You don't seem surprised,' he said.

  'I try to avoid being surprised,' she said. 'But before we proceed, you must tell me this: Is something highly embarrassing to my department fulminating?'

  'I'm afraid yes, ma'am.'

  'That's too bad,' said Martin. 'A murderer.' Her smile was sudden, feral, unsettling. 'Well, I suppose when too much garbage piles up, the best thing to do is to take it out. So let's talk about Gordon. Perhaps you'll be able to take him off my hands.'

  She recrossed her legs. Seemed amused. 'A murderer... I must admit, I've never thought of Gordon in those terms.'

  'What terms have you thought of, ma'am?'

  'Lack of substance,' said Martin. 'Gordon's a phony. All talk, no action.'

  The kitchen doors opened and a man stepped out, bearing a hefty sandwich on a plate. 'Liz?'

  The same gray-haired man I'd seen in Martin's office photos. He wore a white polo shirt, beige linen trousers, brown loafers. Tall and well built but running to paunch. Older than Martin by at least a decade.

  'It's okay, honey,' she said. 'Just the police.'

  'The police?' He approached us. The sandwich was a triple-decker, full of green stuff and turkey.

  'Something to do with Gordon Shull, dear.'

  'What, he stole something?' He positioned himself next to Martin's chair.

  'This is my husband, Dr Vernon Lewis. Vernon, this is Detective...'

  'Sturgis,' said Milo. To Lewis: 'Are you a professor, as well, sir?'

  'No,' said Martin. 'Vernon's a real doctor. Orthopedic surgeon.'

  'That comment about stealing, Doctor,' said Milo. 'Sounds like you know Gordon Shull, too.'

  'Mostly by reputation,' said Vernon Lewis. 'I've met him at faculty parties.'

  Elizabeth Martin said, 'Honey, why don't you relax?'

  Lewis shot her a quizzical glance. She smiled at him. His eyebrows rose, and he looked at his sandwich. 'How long will this take, Liz?'

  'Not too long.'

  'Okay,' he said. 'Nice meeting you fellows. Don't keep my sweetheart too long.' He continued across the room, turned a corner, was gone.

  Milo said, 'What reputation was Dr Lewis referring to?'

  Martin said, 'General amorality. Gordon's been a problem - my problem, since the beginning.'

  'Does amorality include theft?'

  'If that were all of it.' Martin frowned. 'Lord only knows what I'm doing to myself by talking to you, but the truth is I've had my fill of nonsense with that man. I run a three-person department, should have control over who I bring on.'

  I said, 'You were forced to hire Shull?'

  ' "Forced" would be too... coarse a word.' She looked as if she'd swallowed something spoiled. 'I was strongly advised to hire Gordon.'

  'Because his family's got money.'

  'Oh, yes,' she said. 'It's always about money, isn't it? Six years ago, I was brought to Charter College to create a first-rate department of communications. Promises were made to me. I had several other offers - larger schools, better facilities. But all were in other cities, and I'd just met Vernon and his practice was established here. I chose romance over practicality.' Small smile. 'The right choice, but... there are consequences to any decision.'

  'Charter broke its promise,' I said.

  'Broken promises are a given in the academic world. The issue is the proportion of truth to nonsense. Don't get me wrong. For the most part, I'm not miserable. Charter's a good school. For what it is.'

  'Which is...'

  'A small place. A very small place. That affords one the opportunity to interact with students closely, which was initially appealing and still is. All in all, the kids are a nice bunch. After five years at Berkeley, all the left-wing nonsense, Charter seemed positively quaint. But sometimes it's limiting.'

  'Which promises were broken?' I said.

  She ticked her finger. T was pledged a five-person faculty and got three; my budget was cut by thirty percent because several pledges dried up - the recession was in full force back then, donors' stock portfolios had tumbled, et cetera. My planned curriculum was severely attenuated, because I now had a smaller faculty.'

  'Which promises did they keep?'

  'I got a nice desk.' She smiled. 'I could've walked. Vernon's practice' is more than adequate in terms of financial support. But I didn't go to school for twenty-three years in order to play golf and have my nails done. So I resolved to make the best of the situation and set about enjoying the one thing they hadn't reneged on: "wide latitude" in hiring faculty. I was fortunate to snag Susan Santorini because she, too, wanted to remain in Southern California, her partner's a
film agent. Then I set about finding the third member of our tight little group and was informed by the dean that a strong candidate had come up and that I was highly advised to look favorably upon his application.'

  She touched a pearl earring. 'Gordon Shull is a joke. However, his stepfather is one of our wealthiest alumni. Gordon's an alumnus, as well.'