San Diego Lightfoot Sue

by Tom Reamy

  Harley was a pumper who had to make the rounds of a dozen wells every night and he wasn’t looking forward to it in that weather. I put my hands behind my head, leaned back on my stool trying to look as contented as possible, and grinned. My performance was lost on him; he’d already turned to watch Susanne fill coffee cups.

  She smiled at him. “Good night, Mr. Boone,” she said and took the tray to a table full of young cowhands in tight jeans trying their best to look like Paul Newman in Hud.

  Harley watched her with a pensive little smile on his leathery face. He seemed to undergo a transformation; his beer belly disappeared, the permanently grease-filled creases on his hands faded, his coarseness sloughed away and he was young again and trim and handsome with a lifetime of promise ahead of him instead of a lifetime of indifference behind him. But it was only an illusion, a self-induced and contagious state of mind generated by the presence of Susanne Delacourt.

  She affected all of them. Those young cowboys she was waiting on, so arrogantly aware of their own sexuality, acted like Sunday school children around Susanne. It hadn’t been quite like that when she started working for me six months earlier. Everyone knew about her and Billy Star.

  Billy Star wasn’t his real name, of course. He apparently had the notion the name made the object; if he changed his name to “Star” he would become one. But he was only a second-rate rodeo rider. No one could understand why she loved him, no one could see what was so special about him. He was no better looking, no smarter, and certainly no kinder than any of the young cowboys she served coffee, but she loved him.

  They had come in that night six months earlier to eat. He’d been riding in a rodeo at Lamesa and hadn’t done too well. They were driving through to Fort Worth and he was already a little bit drunk. He was feeling rotten because of the rodeo and he talked a lot. So everyone knew he wasn’t married to Susanne but that she was living with him. Then, when she went to the lady’s room, he paid the check, got in his five-year-old Imperial, and left her.

  Everyone in the place just looked at each other in stunned silence. Then they watched the door of the lady’s room until she came out. She looked at the empty table, then went to the window and looked at the empty parking space. She didn’t cry or get hysterical or ask questions. She just stood there for a moment looking out the window. The people turned back to their plates in embarrassment. Then she sorta squared her shoulders, came to the cash register, and asked me for a job.

  I hadn’t really needed another waitress, but I hired her anyway. I even let her have one of the rooms over the café. The place had been a hotel back during the oil boom in the ’20s, but when I bought it I had closed it up as more trouble than it was worth.

  Susanne probably had twenty propositions the first night she worked. She’d been living with a rodeo cowboy who had ditched her, after all, so most of the young bucks and a few of the older ones didn’t see any reason why they shouldn’t take his place. But she just smiled the way she does, not offended, and said she was waiting for Billy Star to return for her.

  It took barely a week before everyone loved Susanne Delacourt—and hated Billy Star for what he had done. And no one could understand why she still loved him or expected him to come back. I even asked Maurine Eubanks, the other night waitress, but she just gave me a pitying look and muttered something about “men.”

  Headlights flashed on the window and I looked out. It had grown completely dark and the sand was so thick I could barely see the neon lights of the Caprock Motel across the highway. The two state troopers got out of the patrol car, shivered in the cold wind, and rushed to the door.

  Just then the jukebox started playing “The Tennessee Waltz” and I looked over at Susanne. She was slicing fresh-baked pies with a wistful expression on her face.

  The door rattled open letting in a blast of icy air. Pete Rankin’s belly hung over the belt of his uniform making his gun hang crooked. “Wade,” he said and pulled off his black leather gloves. Davey Boyd grinned at me and looked at Susanne.

  She held up the hot peach pie and grinned. Pete and Davey sat at the counter, their leather holsters creaking from the cold. They came in every night at the same time; that’s why Susanne had the peach pie ready.

  Everyone thought something might happen between her and Davey Boyd. They hoped it would; he was the only man around everyone could agree was good enough for her. Davey was local. He was born in Caprock, graduated from the high school where he’d been a pretty fair football player, then got on with the state police. Everyone had always liked Davey and were a little bit surprised that they still liked him even after he became a cop.

  “She likes my harmonica better than me,” he said one morning sitting by the cash register over a cup of coffee looking sad and very young. Davey could play the harmonica better than anybody I ever heard. He could make it sing sweet and pure or he could make it cry like a broken-hearted woman and could bring a lump to any grizzled old throat.

  One night when the jukebox finished a record and didn’t start another one, he took the harmonica from his pocket while sitting at the counter and fiddled around with it a while then very softly began playing “The Tennessee Waltz.” Susanne watched him with big sad eyes then, when he finished, put her hand on his in thanks. He looked around and saw everyone quietly listening and blushed.

  Davey Boyd loved Susanne all right, and she liked him probably more than anyone else, but she loved Billy Star.

  It was later that night ten years ago, nearly at closing time, when the new International pickup stopped at the café. The sandstorm was howling and the temperature had dropped nearly to twenty. The window was fogged and I had to wipe it off to see who had pulled in. I didn’t recognize the pickup and I couldn’t see much of the man who ran in hunched against the wind.

  The café was empty except for me and Susanne and the cook back in the kitchen. I’d let Maurine off early because hardly anyone had been in since the sandstorm got going good. I was tallying the receipts and Susanne was stacking coffee cups. The door opened and he came in rubbing his hands together. The cook stuck his head out of the kitchen to see who it was and I could tell by his frown he’d already cleaned up.

  The man grinned. “Am I too late to get something to eat?” he asked. The cook’s frown deepened.

  Susanne turned to look. The man’s face lit with pleasure when he saw her, then it sorta crumpled.

  “Susanne,” he stammered. “What… what are you doing here?”

  “Hello, Cliff,” she said softly.

  “Where have you been? Billy… Billy wouldn’t tell us.”

  I should’ve figured he was a rodeo cowboy by the look of him, but I couldn’t figure what he was doing around here at that time of year. He and Susanne just stood there looking at each other while the cook glowered at me.

  “The kitchen’s closed,” I said. “All we can manage is a hamburger.”

  “Oh,” he said turning to me, rubbing his hands on his thighs. “That’s fine. Give me a couple… and coffee.”

  Susanne drew the coffee. He took the cup and went to a back booth. She finished straightening up, glancing back at him occasionally. He didn’t look up; just sat hunkered over the table.

  When Susanne took the hamburgers to the booth she sat down opposite him and they talked quietly while he ate. He finished but still they talked. The cook looked out at me questioningly and I nodded for him to go on home.

  Finally the man got up but Susanne kept sitting there staring at nothing, no expression on her face. He came to the register and paid, then looked back at her.

  “I’m sorry,” he said.

  “What did you tell her?” I asked, hating him for upsetting our tranquil routine.

  He looked at his hands, then back at me. He sighed. “Billy Star,” he said. “He’s dead.”

  “What happened? The rodeo?”

  “No,” he said, and shrugged. “He was drunk. Ran his car into a tree. Yesterday, near Lubbock. His folks live in Lubbock. The
funeral’s tomorrow. That’s where I’m going.”

  “Is Susanne going?”

  “No. I told her I’d take her and bring her back, but she doesn’t want to go.” He frowned. “She said she’d wait for him here.” He sighed again. “I wish there was something I could do.”

  “I’ll take care of her,” I said.

  He nodded. “Thank you. She’s special.”

  “I know.”

  He started for the door and turned back. “I’ll stop in on my way back.”

  I nodded. He looked at Susanne sitting in the booth but she didn’t look up. He went on out the door. I locked up and turned off the neon sign and watched the pickup back out and head west into the wind.

  I went to the booth and sat across from Susanne but she didn’t seem to see me. I put my hands on hers. Her eyes focused on mine and she didn’t pull her hands away. “Billy’s dead,” she said, her voice almost too low to hear. “I know.”

  “Billy’s dead,” she said again, but she didn’t cry.

  “Is there anything I can do?”

  She shook her head.

  “Will you be okay?”

  “Yes. I’m okay.”

  “I don’t want to leave you here alone. I’ll call Maurine. You can stay with her.”

  She shook her head again. “I’ll be okay.”

  “You know Maurine will want you to stay with her.”

  “Yes. I’d rather be alone though. I’ll be all right. You go on home.”

  “You’re sure?”

  She smiled and squeezed my hands. “Yes. I’m sure. You go on home.”

  So I left her there, still sitting in the booth, and drove the half mile to my house. I called Maurine and told her what had happened and asked her to check on Susanne in the morning. I went to bed and lay there listening to the wind and couldn’t sleep. The air was dusty even in the house and I felt as if I couldn’t breathe. An hour later I got up and dressed and went back to the café.

  That was the last time I ever saw Susanne. The next morning when Maurine went to her room she wasn’t there. The bed hadn’t been slept in and nothing was missing. Davey Boyd tried to find her for months. I knew he wouldn’t, that no one would ever see her again.

  When I went back to the café that night the lights were turned off, but over the sound of the wind I could hear the jukebox playing. I tried to look in the window but the glass was fogged and I couldn’t see. I opened the door as quietly as I could. It was dark but I could see by the lights of the jukebox. They were moving slowly, huddled in each other’s arms. They didn’t notice me, they were so absorbed with themselves, so I closed the door and left them there; Susanne Delacourt and Billy Star dancing while the jukebox played “The Tennessee Waltz.”

  2076: Blue Eyes

  2076—Screenplay

  Cast of Characters:

  BLUE EYES—About twenty years old. A warrior/hunter of the Wolf Clan, a happy-go-lucky buck, secure in his own life and beliefs.

  ROBERT SULLIVAN—About eighteen years old. A scholar searching for the truth through forbidden knowledge that could cost him his life.

  FALLOW—About twenty-five years old. A horseman of the Badger Clan. Negro. A bitter outcast from his Clan.

  RED TOOTH—The Prez of the Wolf Clan. A tough, leathery man nearing middle-age.

  THREE TOES—The Vice-Prez of the Wolf Clan. Early thirties.

  NIGHT RUNNER—The Proff of the Wolf Clan. Middle thirties, the keeper of the knowledge with the power of life and death over those who stray from Night Runner’s prescribed path.

  LONG EAR—The Emdee of the Wolf Clan. About fifty, a healer of sorts.

  BLACK SPIDER—The Prez of the Weaver Clan.

  TRUE FINGER—The Vice-Prez of the Weaver Clan.

  DARK WATER—Proff of the Weaver Clan.

  GRAYBEARD—The Emdee of the Weaver Clan.

  SWIFT WING—The Prez of the Eagle Clan.

  WILD BIRD—The Vice-Prez of the Eagle Clan.

  SHARP TALON—The Proff of the Eagle Clan.

  LONE FEATHER—The Emdee of the Eagle Clan.

  MIDWIFE—An old woman of the Eagle Clan.

  LONG KNIFE—A member of the Eagle Clan.

  LONG KNIFE’S WOMAN—A woman of the Eagle Clan who gives birth to a mutant baby.

  EAGLE TRADER—A dealer in antiques.

  A MASTER WEAVER—An artisan of the loom.

  WEAVER GIRL—A pretty young thing who is the object of Blue Eyes’ amorous intentions.

  RED CLOUD—A young warrior of the Weaver Clan.

  GRAY FOOT—A young warrior of the Wolf Clan.

  HIGH FLYER—A young warrior of the Eagle Clan.

  EAGLE SLAVE TRADER—A dealer in captured lives.

  WOLF SLAVE TRADER—The same.

  LONG POLE—Sub chief of the Badger Clan. Negro.

  STORYTELLER—An old member of the Wolf Clan who entertains the children with fantasies that pass for truths.

  OTTER—A crazed member of the Otter Clan destined for the stewpots of the Wizards EXTRAS Fifty to sixty members of the Wolf Clan; men, women, and children.

  Fifty to sixty members of the Eagle Clan; men, women, and children.

  Fifty to sixty members of the Weaver Clan; men, women, and children.

  Twenty to thirty Wizards; men, women, and children.

  Three young warriors of the Badger Clan. Negro.

  Twenty to thirty members of Robert Sullivan’s people; men, women, and children.

  Synopsis:

  In the year 2076 A. D., almost one hundred years have passed since the Earth was conquered by the Overlords, an alien race which attacked suddenly from space, killing 99% of the Earth’s population. The tiny remnant of humanity now lives in small nomadic Clans based loosely on the Plains Indians of the Nineteenth Century with a good many holdovers of the late Twentieth Century. The Clans live in uneasy truce and gather twice yearly for barter. Each Clan has a specialty: the Wolf Clan are hunters—meat, fur, skins; the Badger Clan deals in horses; the Weaver Clan in cloth; others are farmers, millers, winemakers, etc. —in an economy largely based, ironically, on an alien plant inadvertently brought to Earth by the Overlords. The graybeard plant provides food, cloth, soap, and building materials.

  It is at one of these Gatherings that the story begins.

  Script:

  Blue Eyes of the Wolf Clan is a happy-go-lucky young buck, secure in his way of life and his beliefs. When the Gathering is attacked by a sniffer, a large robot which gathers human specimens for the Overlords, the Clansmen disable it and rescue the people imprisoned inside. Among them is Robert Sullivan from a group of people living in the mountains, trying to find a way to overthrow the Overlords and bring back the lost Knowledge. Blue Eyes takes him as his slave and their beliefs immediately clash:

  Blue Eyes: The Overlords were sent, high and mighty Robert Sullivan, to destroy the Old Ones because they had become impure. They had become wicked and evil and sunk in wizardry. Their wizardry destroyed the land and they were wiped out by the Overlords. Now the Overlords sit in their towers with their all-seeing eyes to make sure the People remain pure and never again return to the old ways.

  Robert Sullivan: The Overlords came from somewhere in space, I don’t know where. They came because they wanted this planet for themselves, not to punish anyone. They hit every city, town, and village with some kind of radioactive gas. They killed over ninety-nine per cent of the population. Then they spent the next fifty years mopping up the stragglers. They have sensors that spot any kind of electrical or atomic energy. The Old Ones didn’t have a chance. For the last fifty years the Overlords have been sitting in their towers letting the sniffers keep the population thinned out. We never knew they operated by scent though. That’s a bit of information I need to get back to the keep.

  It is this clash of ideology, combined with the fear of a humiliating punishment for a minor offense and an insatiable curiosity, that leads Blue Eyes to help Robert escape and return him to his people. But the trip is frau
ght with many dangers and adventures.

  They set out on horseback to find Robert’s steam car and camp the first night near a radioactive city. They are captured by people still living in clear pockets within the city, but the nearness of the radiation has caused them to mutate strangely. They escape the cannibalistic mutants but are unable to find their way out of the radioactive maze of the city. They rescue some mutated, intelligent lizards from a pack of giant rats and are later rescued themselves by the lizards and shown the pathway out.

  Finally reaching the steam car, they head for the mountains but are attacked by a sniffer and captured. The sniffer is malfunctioning and they are not gassed into unconsciousness as usually happens. In the sniffer is another captive: Fallow of the Badger Clan. The Badgers are Negroes who have nothing to do with the other Clans except at the Gatherings and even then do not join the common encampment.

  The sniffer takes them to an Overlords’s tower where they escape the death usually meted out to unconscious captives. In the tower they make many wondrous discoveries, including the fact that the Overlords are dying. The sniffers and other machines are operating on their own, carrying out their preprogrammed functions, until they finally fall into disrepair while the Overlords sit at the tops of their towers, kept alive by more machines.

  Blue Eyes, Robert and Fallow barely manage to escape as the panic-stricken Overlord destroys himself and the tower. Fallow, an outcast from his own Clan, joins the other two in their journey to the mountains.

  Once more in the steam car, they are confronted by about fifty Clansmen investigating the explosion of the tower. Accused of wizardry because of the steam car, the boys are taken prisoner. In the fight that follows, the boys manage to escape with the use of an alien weapon taken from the tower, but Robert is mortally wounded.

  Robert and Blue Eyes have learned a great deal from each other and have become as close as brothers. Now, Blue Eyes fights to get Robert back to his people before he dies. They travel through the ruins of a vanished civilization and finally reach the keep—perched on a cliff near the crumbling Mount Rushmore. Robert dies as his people come down to meet them.