Lies the Mushroom Pickers Told

by Phelan, Tom;

  Also by Tom Phelan

  In the Season of the Daisies

  Iscariot

  Derrycloney

  The Canal Bridge

  Nailer

  Copyright © 2015 by Glanvil Enterprises, Ltd.

  All rights reserved. No part of this book may be reproduced in any manner without the express written consent of the publisher, except in the case of brief excerpts in critical reviews or articles. All inquiries should be addressed to Arcade Publishing, 307 West 36th Street, 11th Floor, New York, NY 10018.

  First Edition

  This is a work of fiction. Names, places, characters, and incidents are either the products of the author’s imagination or are used fictitiously.

  Arcade Publishing books may be purchased in bulk at special discounts for sales promotion, corporate gifts, fund-raising, or educational purposes. Special editions can also be created to specifications. For details, contact the Special Sales Department, Arcade Publishing, 307 West 36th Street, 11th Floor, New York, NY 10018 or arcade@skyhorsepublishing.com.

  Arcade Publishing® is a registered trademark of Skyhorse Publishing, Inc.®, a Delaware corporation.

  Visit our website at www.arcadepub.com.

  Visit the author’s website at www.tomphelan.net.

  10 9 8 7 6 5 4 3 2 1

  Library of Congress Cataloging-in-Publication Data

  Phelan, Tom, 1940–

  Lies the mushroom pickers told : a novel / Tom Phelan. — First edition.

  pages ; cm

  ISBN 978-1-62872-428-8 (hardcover)

  1. Cold cases (Criminal investigation)—Fiction. 2. Murder—Investigation—Fiction. 3. Ireland—Fiction. I. Title.

  PR6066.H37L54 2015

  823’.914—dc23 2014038866

  Cover design by Brian Peterson

  Cover art: Turning Back 2, 2005, by Keith Wilson

  Ebook ISBN: 978-1-62872-470-7

  Printed in the United States of America

  To Patricia and Joseph and Mica with love

  In memory of my elementary school teacher E. J. Breen

  Contents

  Author’s Note

  Cast of Characters

  1 Waiting to Be Let In

  2 The Birthday Present

  3 The Gift from Leeds

  4 The Peeper

  5 In the Sunroom

  6 On the Kitchen Floor

  7 Wrestling on the Edge of a Cliff

  8 In the Sunroom

  9 The Sister

  10 In the Sunroom

  11 The Civil Servant

  12 The Bike

  13 The Trap

  14 In the Sunroom

  15 Emigration

  16 In the Sunroom

  17 The 3,367th Journey Home

  18 The Terrible Thought

  19 In the Sunroom

  20 In the Burnished Pewter Bowl

  21 The July Fair Day in Gohen

  22 Visiting the Sick

  23 In the Sunroom

  24 First Witness: Mister Kevin Lalor

  25 In the Sunroom

  26 Witness: Sergeant Morrissey

  27 In the Sunroom

  28 Witness: Doctor Roberts

  29 In the Sunroom

  30 Witness: Mister Coughlin

  31 In the Sunroom

  32 Witness: Missus Madden

  33 In the Sunroom

  34 Witness: Mister Murphy

  35 In the Sunroom

  36 Lies the Mushroom Pickers Told

  37 In the Sunroom

  38 The Reluctant Good Neighbor

  39 In the Sunroom

  40 What Peggy Mulhall Said She Did

  41 In the Sunroom

  42 The Day Before the Inquest

  43 In the Sunroom

  Acknowledgments

  Glossary

  Author’s Note

  For readers unfamiliar with the Irish vernacular, a glossary appears at the back of the book on page 313.

  Cast of Characters

  Annie Lamb: farmer’s wife; wife of Simon Peter, mother of Mikey, Molly and Fintan

  Bridie Coughlin: farmer, Eddie’s and Jarlath’s sister

  David Samuel “Sam” Howard: retired solicitor, husband of Elsie

  Deirdre Hyland: a civil servant, object of the Civil Servant’s desire

  Eddie “Eddie-the-cap” Coughlin: farmer, Bridie’s and Jarlath’s brother

  Elsie “Else” Howard: wife of Sam

  Estelle Butler: best friend of Peggy Mulhall

  Fintan Lamb: youngest child of Annie and Simon Peter

  Jarlath Coughlin: missionary priest, brother of Bridie and Eddie

  Joseph Aloysius Morrissey: garda sergeant

  Kevin “the Civil Servant” Lalor: son of Pascal Lalor

  Lawrence “Doul Yank” Gorman: aspiring gentleman farmer, uncle of Mattie Mulhall

  Mattie “Matt-the-thatcher” Mulhall: nephew of Doul Yank

  Mikey Lamb: oldest child of Annie and Simon Peter

  Molly Lamb: middle child of Annie and Simon Peter

  Pascal Lalor: postman, father of Kevin

  Patrick “Barlow” Bracken: newspaper correspondent

  Peggy Mulhall: homemaker, Mattie’s wife

  Simon Peter Lamb: farmer; husband of Annie, father of Mikey, Molly and Fintan

  “The Martyr” Madden: laborer for Bridie and Eddie Coughlin

  1

  Waiting to Be Let In

  In which Patrick Bracken, a sixty-six-year-old retired newspaper reporter from Muker in Yorkshire, visits a lawyer in the Irish village of Gohen where he spent part of his childhood.

  TO EVERYONE WATCHING—and Patrick Bracken knew that many eyes were on him—the man standing at the edge of the broad footpath looking at the entrance to Mister Howard’s house was spare and tall. All the curious watchers knew that Mister Howard was a solicitor, and they knew that the stranger was one, too, because he was dressed in a fawn camel hair overcoat, a brown trilby hat and gleaming brown shoes. He was wearing brown gloves. But Patrick Bracken was not a solicitor.

  Black iron handrails set into four limestone steps led up to Mister Howard’s house. Although Patrick Bracken had passed the doorway thousands of times in his younger life, he had never admired it before. The door was a showcase for the polished brass letterbox, knob, keyhole and lion’s head knocker. As he stepped forward he saw the Masonic square and compasses carved into the keystone of the limestone arch framing the door.

  While he waited for an answer to his clattering of the lion’s nose ring, Bracken turned and surveyed the street. Many things had changed in fifty-five years: the drab, gray, cracked pavement where the farmers once rested the shafts of their piglet carts on fair days had been replaced with red bricks set in geometric designs; the house from whence the parish priest had reigned was now a hardware shop with green-headed rakes and red metal wheelbarrows displayed along its front wall; the once dignified Bank of Ireland building had been transmogrified into an electronics shop, its blaring advertisements flapping in the wind along its walls like loud, plastic shopping bags trapped in windy trees; Gormans’ Pub—renamed “1014” and with a fake thatched roof, plastic battle-axes and horned Norse war helmets—might have been purposefully aged to replicate a shebeen. The Irish flag displayed high on the wall of John Conroy’s drapery shop seemed to have faded, but then Patrick saw the new signage over the door: ENZO’S PIZZERIA; and where Tom Bennet’s sweet shop used to be, a large golden dragon hung out over the footpath.

  “Jesus! How did the Chinese find Gohen?”

  Up and down the street, cars were parked willy-nilly, half up on the footpaths’ red bricks. Near the cinema two tyrannous lorries, one loaded with new cars, the other piled high with bale
s of straw, were squeezing past each other. A short, black-haired man came out of Enzo’s and, gesticulating wildly, assumed the role of traffic director.

  The sixteenth-century town had been overrun in this early year of the twenty-first, its narrow streets defeating the traffic. But with more Continental money, the town would soon have its own personal bypass, an amulet of cement magically returning Gohen to the natives.

  Without Patrick hearing it, the black door behind him swung open on its silent hinges. “Mister Bracken, I presume,” a self-possessed voice asked, and as Patrick turned he removed his hat at the same time. His thick gray hair, parted on the left side, touched the tips of his ears.

  “Yes, Patrick Bracken.”

  She had shrunk with age, but even a half century later, Bracken could have picked out her face on a crowded London sidewalk.

  “Missus Howard,” he said. “I hope you are keeping well.”

  The years had transformed her, but the underlying foundation that had once made her the rival of a certain Protestant minister’s wife was still there. She could have been a young woman disguised as an older one. Patrick saw she was still wearing the ivory cameo at her throat, a girl-child with ringlets in profile.

  “Even after fifty-five years,” Patrick thought.

  “The mind is quick but the body is slow,” Missus Howard said. “Better that than the other way around. You are very welcome, Mister Bracken. Step inside so I can shake your hand. It’s unfriendly to shake hands over a doorstep.”

  Her fingers felt like bits of sticks in a glove, but her grasp was strong. “I didn’t know your family, but Sam says your father did some work for him—puttied and painted windows.”

  “Yes, indeed. My father turned his hand to anything that would earn him a few pounds.”

  “Shillings, more likely. Those were bad times, the forties: war just over, the Depression still here and the country trying to struggle to its feet after the English left. . . . Give me your coat and hat, Mister Bracken.” As he slipped off his coat, Missus Howard stepped behind him, took it and draped it across a hallway chair.

  “Please call me Patrick. How is Mister Howard?”

  “You can call me Else, for Elsie. . . . Sam is an old blackthorn on a hill—he can still stand up to gale-force winds. He’ll last forever, become petrified like one of those old trees in America. He’s out in the back in the sunroom. At our age we’re like reptiles—need a bit of sun to get the body moving.”

  She turned and Bracken followed her. As he walked through the old house, Patrick realized that the shellacked front door with its brilliant brass was an extension of a fastidiously maintained interior. The walls were hung with engravings of classical Roman scenes, and as he passed an open door he saw polished black furniture, a black, iron fireplace with a clock and vases on its mantel, ancient family portraits and an embroidered fire screen within a brass-railed fender.

  The kitchen was a surprise with its brightness, Formica counters, hanging cabinets and modern appliances. Bracken felt he had stepped through half a century in the blink of an eye. “Gosh,” he said.

  “What’s that, Patrick?” Missus Howard asked.

  “Your kitchen . . . it’s so bright and airy.”

  “Yes, it is nice, isn’t it? It’s a strong contrast to the rest of the house. I wish my mother had had the same one—the labor it would have saved her. Sam made me have it installed.” She depressed the button on the electric kettle as she walked by.

  Bracken followed Else into the sunroom where several pots of soft-fronded ferns hung from the ceiling. Mister Howard was levering himself out of a cushioned wicker chair. He had shrunk too, his head as bald and freckled as a turkey’s egg. He wore an open-necked, dark green shirt and an Aran cardigan with imitation chestnut buttons. Holding out his hand, Mister Howard said, “Don’t believe her, Mister Bracken. I never made that woman do anything in my life, even though she promised to obey me when we got married.”

  “Hah,” Else said, dismissively. “And you can call him Patrick, and he can call you Sam.”

  “You are very welcome, Patrick,” the old man said. “I remember your father well. . . . Ned, wasn’t it?”

  “Yes indeed, it was Ned. My mother called him Edward when she was being tender toward him.”

  “Here it’s usually the other way around. Else calls me David Samuel when she’s impatient with me. The rest of the time it’s plain Sam. If she’s trying to get on my good side, she calls me Sammy. When she calls me that, I know there’s something coming, like planting bulbs or zapping a spraying cat in the garden with the pellet gun.”

  “Sam rattles like a pebble in a bucket sometimes,” Else said. “There’s the kettle singing. You’re not to begin talking about anything important till I get back. I want to hear everything.” She went back to the kitchen.

  Mister Howard indicated a chair with its back to the window wall. “Sit, Patrick,” he said, and he lowered himself to a soft landing onto the roses embroidered in high relief on the cushion in his own chair. Patrick now saw several plants on the floor in Roman urns cast in bronze-tinted plastic. In the six paintings on the walls, birds in bare-leafed, berried bushes displayed the art of the painter. On the wicker table next to Mister Howard lay a thick book, The Raj by Lawrence James, with the tip of a pewter bookmark showing it was about three-quarters read. On the other side of the table, beside Missus Howard’s chair, sat a battered dictionary and a newspaper page folded open at a crossword puzzle, a biro clipped onto its crease. Beside the dictionary lay a red-covered book, but Patrick could not see its title. A lamp, its china base strewn with ceramic roses, sat in the table’s center.

  “Did your wife come over with you, Patrick?” Sam Howard asked.

  “She did. We’re visiting her brother’s family, the Lambs, in Clunnyboe. We try to come every year, but sometimes life interferes with the plans.”

  “The best-laid plans . . .” Sam said. “How is Fintan Lamb? Still as busy as ever?”

  “Fintan will die with his boots on. He’s as fit as a snipe.”

  “Lamb!” Mister Howard said with a smile. “It’s an amusing name for a vet.”

  “We call him the Lamb of God. His wife’s name is Mary, and of course Mary has had a little Lamb many times. They can joke about it: they named their house Lamb’s Quarters.”

  “After the weed,” the older man said, smiling. “Names can be touchy things. It helps if you have a sense of humor if you’re saddled with something awful. Have you heard about the man named Jack Shite who got tired of people laughing at him and changed his name by deed to Jim Shite?”

  Bracken laughed not so much at the joke as at the incongruity of the vulgarity and his memory of David Samuel Howard as the proper and remote Protestant esquire of his childhood.

  Missus Howard came into the room with a tray. “Tell the truth, Patrick. Had you heard that joke before?” Her husband moved the red book to make room on the table.

  “I had,” Bracken admitted.

  “If I had a penny for every—”

  “Oh, Else, a good joke can be enjoyed many times,” Sam said.

  Bracken could now see the spine of Missus Howard’s book—A Social History of Ancient Ireland, Vol. 2 by P. W. Joyce—and he knew that even if their bodies were old, he was talking with two cerebral gymnasts.

  As the tea and biscuits were dispensed, more small talk revealed that Patrick Bracken was presently living in Muker in the Yorkshire Dales.

  “Famous for the Farmers Arms and the Literary Institute,” he said, with a facetious smile.

  “Surely the Yorkshire Dales are far off the beaten path for a reporter?” Missus Howard asked.

  “Old reporters become special correspondents, and that’s what I am now, Missus Howard . . . Elsie. I’m sixty-six, and reporting is for young lads who can run. Computers and the Internet allow me to do most of my work from home.”

  “We see your pieces in the Irish Times every so often,” Elsie said. “We always keep an eye out f
or them.”

  As everyone sipped their tea, silence momentarily descended, and Patrick decided now was the time to get down to business.

  “I want to thank you for agreeing to talk to me about—”

  “Listen is the word, Patrick,” Mister Howard said. “First I will listen, and then I will decide if I will talk.” Bracken noticed a slight shake in Sam’s hands.

  “Oh, for God’s sake, Sam, stop your word splitting,” Else said. “You’re worse than a Jesuit.” She turned to Patrick. “Sam takes the seal of confession more seriously than the pope. I’ve heard stuff at funerals and weddings and in shops years ago that Sam still won’t talk about because he heard it as privileged information.”

  “I understand about privileged information, Mister . . . Sam,” Patrick said, “but all I may need is your recollection of what was said at the inquest. I tried to get a copy of the inquest in Portlaoise but—”

  “You spoke to Harrigan—Alphonsus A., Esquire?” Elsie interrupted, and Patrick nodded. “And he told you it wouldn’t be fair to the Coughlin family even though inquests are public affairs. He’s worse than Saint Peter stopping people at the Pearly Gates for gossiping. All the Coughlins are dead. Alphonsus A. Harrigan, Esquire, is as tight as a crab’s backside. . . . He’s as bad as Sam.”

  “Clam,” Sam said, completely unruffled.

  “What?” she asked.

  “It’s a clam,” he said, and impatiently waved his own words into significance.

  “What’s a clam?” she persisted.

  “The saying is, as tight as a clam’s arse, not a crab’s. And please let me get a word in edgeways, Else.” Sam looked at Patrick. “You said in your letter that this enquiry of yours is a personal thing, that you’ve no intention of writing about it. Even so, I am wary of you as a reporter. I’m eighty-nine, and you’re what? Mid-sixties? You’ll outlive—”

  “Sam,” Bracken interrupted, “I take the seal of confession as seriously as you. I’ve made many promises about secrecy, and I’ve never broken one. Many of my sources have died, and I have never betrayed them. I will not betray you. As you said, this is purely personal.”