Star Science Fiction 4 - [Anthology]

by Edited By Frederik Pohl

  THE ADVENT ON CHANNEL TWELVE

  It came to pass in the third quarter of the fiscal year that the Federal Reserve Board did raise the rediscount rate and money was tight in the land. And certain bankers which sate in New York sent to Ben Graffis in Hollywood a writing which said, Money is tight in the land so let Poopy Panda up periscope and fire all bow tubes.

  Whereupon Ben Graffis made to them this moan:

  O ye bankers, Poopy Panda is like unto the child of my flesh and you have made of him a devouring dragon. Once was I content with my studio and my animators when we did make twelve Poopy Pandas a year; cursed be the day when I floated a New York loan. You have commanded me to make feature-length cartoon epics and I did obey, and they do open at the Paramount to sensational grosses, and we do re-release them to the nabes year on year, without end. You have commanded me to film live adventure shorts and I did obey, and in the cutting room we do devilishly splice and pull frames and flop neg­atives so that I and my cameras are become bearers of false witness and men look upon my live adventure shorts and say lo! these beasts and birds are like unto us in their laughter, wooing, pranks, and con­tention. You have commanded that I become a mountebank for that I did build Poopy Pandaland, whereinto men enter with their children, their silver, and their wits, and wherefrom they go out with their children only, sandbagged by a thousand catch-penny engines; even this did I obey. You have commanded that Poopy Panda shill every weekday night on television between five and six for the Poopy Panda Pals, and even this did I obey, though Poopy Panda is like unto the child of my flesh.

  But O ye bankers, this last command will I never obey.

  Whereupon the bankers which sate in New York sent to him an­other writing that said, Even so, let Poopy Panda up periscope and fire all bow tubes, and they said, Remember, boy, we hold thy paper.

  And Ben Graffis did obey.

  He called unto him his animators and directors and cameramen and writers, and his heart was sore but he dissembled and said:

  In jest you call one another brainwashers, forasmuch as you addle the heads of children five hours a week that they shall buy our spon­sors’ wares. You have fulfilled the prophecies, for is it not written in the Book of the Space Merchants that there shall be spherical trusts? And the Poopy Panda Pals plug the Poopy Panda Magazine, and the Poopy Panda Magazine plugs Poopy Pandaland, and Poopy Pandaland plugs the Poopy Panda Pals. You have asked of the Motiva­tional Research boys how we shall hook the little bastards and they have told ye, and ye have done it. You identify the untalented kid viewers with the talented kid performers, you provide in Otto Clodd a bumbling father image to be derided, you furnish in Jackie Whipple an idealized big brother for the boys and a sex-fantasy for the more precocious girls. You flatter the cans off the viewers by ever saying to them that they shall rule the twenty-first century, nor mind that those who shall in good sooth come to power are doing their homework and not watching television programs. You have created a liturgy of opening hymn and closing benediction, and over all hovers the spirit of Poopy Panda urging and coaxing the viewers to buy our sponsors’ wares.

  And Ben Graffis breathed a great breath and looked them not in the eye and said to them, Were it not a better thing for Poopy Panda to coax and urge no more, but to command as he were a god?

  And the animators and directors and cameramen and writers were sore amazed and they said one to the other, This is the bleeding end, and the bankers which sit in New York have flipped their wigs. And one which was an old animator said to Ben Graffis, trembling, O chief, never would I have stolen for thee Poopy Panda from the Win­nie the Pooh illustrations back in twenty-nine had I known this was in the cards, and Ben Graffis fired him.

  Whereupon another which was a director said to Ben Graffis, O chief, the thing can be done with a two-week buildup, and Ben Graffis put his hands over his face and said, Let it be so.

  And it came to pass that on the Friday after the two-week buildup, in the closing quarter-hour of the Poopy Panda Pals, there was a spe­cial film combining live and animated action as they were one.

  And in the special film did Poopy Panda appear enhaloed, and the talented kid performers did do him worship, and Otto Clodd did trip over his feet whilst kneeling, and Jackie Whipple did urge in manly and sincere wise that all the Poopy Panda Pals out there in television-land do likewise, and the enhaloed Poopy Panda did say in his lova­ble growly voice, Poop-poop-poopy.

  And adoration ascended from thirty-seven million souls.

  And it came to pass that Ben Graffis went into his office with his animators and cameramen and directors and writers after the show and said to them, It was definitely a TV first, and he did go to the bar.

  Whereupon one which was a director looked at Who sate behind the desk that was the desk of Ben Graffis and he said to Ben Graffis, O chief, it is a great gag but how did the special effects boys manage the halo?

  And Ben Graffis was sore amazed at Who sate behind his desk and he and they all did crowd about and make as if to poke Him, whereupon He in His lovable growly voice did say, Poop-poop-poopy, and they were not.

  And certain unclean ones which had gone before turned unbeliev­ing from their monitors and said, Holy Gee, this is awful. And one which was an operator of marionettes turned to his manager and said, Pal, if Graffis gets this off the ground we’re dead. Whereat a great and far-off voice was heard, saying, Poop-poop-poopy, and it was even so; and the days of Poopy Panda were long in the land.

  Filtered for error,

  Jan. 18th 36 P.P.

  Synod on Filtration & Infiltration

  O. Clodd, P.P.P.

  J. Whipple, P.P.P.

  <>

  * * * *

  FRITZ LEIBER

  Fritz Leiber was not born with a caul—believe it if you can! For his greatest gift is the knack of second sight, the talent that sees beneath the outer garments of flesh and-matter into the heart of things, of people—and of cats. Consider, for instance, with what X-ray stare he has penetrated the heart of a kitten named Gummitch in order to instruct us in the essentials of—

  SPACE-TIME FOR SPRINGERS

  Gummitch was a superkitten, as he knew very well, with an I.Q. of about 160. Of course, he didn’t talk. But everybody knows that I.Q. tests based on language ability are very one-sided. Besides, he would talk as soon as they started setting a place for him at table and pouring him coffee. Ashurbanipal and Cleopatra ate horsemeat from pans on the floor and they didn’t talk. Baby dined in his crib on milk from a bottle and he didn’t talk. Sissy sat at table but they didn’t pour her coffee and she didn’t talk—not one word. Father and Mother (whom Gummitch had nicknamed Old Horsemeat and Kitty-Come-Here) sat at table and poured each other coffee and they did talk. Q.E.D.

  Meanwhile, he would get by very well on thought projec­tion and intuitive understanding of all human speech—not even to mention cat patois, which almost any civilized animal could olav by ear. The dramatic monologues and Socratic dialogues, the quiz and panel-show appearances, the felidological expedition to darkest Africa (where he would uncover the real truth behind lions and tigers), the exploration of the outer planets—all these could wait. The same went for the books for which he was ceaselessly accumulating material: The Encyclopedia of Odors, An­thropofeline Psychology, Invisible Signs and Secret Won­ders, Space-Time for Springers, Slit Eyes Look at Life, et cetera. For the present it was enough to live existence to the hilt and soak up knowledge, missing no experience proper to his age level—to rush about with tail aflame.

  So to all outward appearances Gummitch was just a vividly normal kitten, as shown by the succession of nicknames he bore along the magic path that led from blue-eyed infancy toward puberty: Little One, Squawker, Portly, Bumble (for purring not clumsiness), Old Starved­-to-Death, Fierso, Loverboy (affection not sex), Spook and Catnik. Of these only the last perhaps requires further explanation: the Russians had just sent Muttnik up after Sputnik, so that when one evening Gummitch streaked three
times across the firmament of the living room floor in the same direction, past the fixed stars of the humans and the comparatively slow-moving heavenly bodies of the two older cats, and Kitty-Come-Here quoted the line from Keats:

  Then felt I like some watcher of the skies When a new planet swims into his ken; it was inevitable that Old Horsemeat would say, “Ah—Catnik!”

  The new name lasted all of three days, to be replaced by Gummitch, which showed signs of becoming permanent.

  The little cat was on the verge of truly growing up, at least so Gummitch overheard Old Horsemeat comment to Kitty-Come-Here. A few short weeks, Old Horsemeat said, and Gummitch’s fiery flesh would harden, his slim neck thicken, the electricity vanish from everything but his fur, and all his delightful kittenish qualities rapidly give way to the earth-bound singlemindness of a tom. They’d be lucky, Old Horsemeat concluded, if he didn’t turn com­pletely surly like Ashurbanipal.

  Gummitch listened to these predictions with gay uncon­cern and with secret amusement from his vantage point of superior knowledge, in the same spirit that he accepted so many phases of his outwardly conventional existence: the murderous sidelong looks he got from Ashurbanipal and Cleopatra as he devoured his own horsemeat from his own little tin pan, because they sometimes were given canned catfood but he never; the stark idiocy of Baby, who didn’t know the difference between a live cat and a stuffed teddy bear and who tried to cover up his ignorance by making goo-goo noises and poking indiscriminately at all eyes; the far more serious—because cleverly hidden—maliciousness of Sissy, who had to be watched out for warily—especially when you were alone—and whose retarded—even warped —development, Gummitch knew, was Old Horsemeat and Kitty-Come-Here’s deepest, most secret, worry (more of Sissy and her evil ways soon); the limited intellect of Kitty-Come-Here, who despite the amounts of coffee she drank was quite as featherbrained as kittens are supposed to be and who firmly believed, for example, that kittens operated in the same space-time as other beings—that to get from here to there they had to cross the space between —and similar fallacies; the mental stodginess of even Old Horsemeat, who although he understood quite a bit of the secret doctrine and talked intelligently to Gummitch when they were alone, nevertheless suffered from the limitations of his status—a rather nice old god but a maddeningly slow-witted one.

  But Gummitch could easily forgive all this massed inadequacy and downright brutishness in his felino-human household, because he was aware that he alone knew the real truth about himself and about other kittens and babies as well, the truth which was hidden from weaker minds, the truth that was as intrinsically incredible as the germ theory of disease or the origin of the whole great universe in the explosion of a single atom.

  As a baby kitten Gummitch had believed that Old Horsemeat’s two hands were hairless kittens permanently attached to the ends of Old Horsemeat’s arms but having an independent life of their own. How he had hated and loved those two five-legged sallow monsters, his first playmates, comforters and battle-opponents!

  Well, even that fantastic discarded notion was but a trifling fancy compared to the real truth about himself!

  The forehead of Zeus split open to give birth to Minerva. Gummitch had been born from the waist-fold of a dirty old terrycloth bathrobe, Old Horsemeat’s basic garment. The kitten was intuitively certain of it and had proved it to himself as well as any Descartes or Aristotle. In a kitten-size tuck of that ancient bathrobe the atoms of his body had gathered and quickened into life. His earliest memories were of snoozing wrapped in terrycloth, warmed by Old Horsemeat’s heat. Old Horsemeat and Kitty-Come-Here were his true parents. The other theory of his origin, the one he heard Old Horsemeat and Kitty-Come-Here recount from time to time—that he had been the only sur­viving kitten of a litter abandoned next door, that he had had the shakes from vitamin deficiency and lost the tip of his tail and the hair on his paws and had to be nursed back to life and health with warm yellowish milk-and-vitamins fed from an eyedropper—that other theory was just one of those rationalizations with which mysterious nature cloaks the birth of heroes, perhaps wisely veiling the truth from minds unable to bear it, a rationalization as false as Kitty-Come-Here and Old Horsemeat’s touching belief that Sissy and Baby were their children rather than the cubs of Ashurbanipal and Cleopatra.

  The day that Gummitch had discovered by pure intui­tion the secret of his birth he had been filled with a wild instant excitement. He had only kept it from tearing him to pieces by rushing out to the kitchen and striking and devouring a fried scallop, torturing it fiendishly first for twenty minutes.

  And the secret of his birth was only the beginning. His intellectual faculties aroused, Gummitch had two days later intuited a further and greater secret: since he was the child of humans he would, upon reaching this maturation date of which Old Horsemeat had spoken, turn not into a sullen torn but into a godlike human youth with reddish golden hair the color of his present fur. He would be poured coffee; and he would instantly be able to talk, probably in all languages. While Sissy (how clear it was now!) would at approximately the same time shrink and fur out into a sharp-clawed and vicious she-cat dark as her hair, sex and self-love her only concerns, first harem-mate for Cleopatra, concubine to Mhurbanipal.

  Exactly the same was true, Gummitch realized at once, for all kittens and babies, all humans and cats, wherever they might dwell. Metamorphosis was as much a part of the fabric of their lives as it was of the insects’. It was also the basic fact underlying all legends of werewolves, vam­pires and witches’ familiars.

  If you just rid your mind of preconceived notions, Gum­mitch told himself, it was all very logical. Babies were stupid, fumbling, vindictive creatures without reason or speech. What more natural than that they should grow up into mute sullen selfish beasts bent only on rapine and reproduction? While kittens were quick, sensitive, subtle, supremely alive. What other destiny were they possibly fitted for except to become the deft, word-speaking, book-writing, music-making, meat-getting-and-dispensing mas­ters of the world? To dwell on the physical differences, to point out that kittens and men, babies and cats, are rather unlike in appearance and size, would be to miss the forest for the trees—very much as if an entomologist should proclaim metamorphosis a myth because his microscope failed to discover the wings of a butterfly in a caterpillar’s slime or a golden beetle in a grub.

  Nevertheless it was such a mind-staggering truth, Gum­mitch realized at the same time, that it was easy to understand why humans, cats, babies and perhaps most kittens were quite unaware of it. How safely explain to a butterfly that he was once a hairy crawler, or to a dull larva that he will one day be a walking jewel? No, in such situations the delicate minds of man- and feline-kind are guarded by a merciful mass amnesia, such as Velikovsky has explained prevents us from recalling that in historical times the Earth was catastrophically bumped by the planet Venus operat­ing in the manner of a comet before settling down (with a cosmic sigh of relief, surely!) into its present orbit.

  This conclusion was confirmed when Gummitch in the first fever of illumination tried to communicate his great insight to others. He told it in cat patois, as well as that limited jargon permitted, to Ashurbanipal and Cleopatra and even, on the off chance, to Sissy and Baby. They showed no interest whatever, except that Sissy took advantage of his unguarded preoccupation to stab him with a fork.

  Later, alone with Old Horsemeat, he projected the great new thoughts, staring with solemn yellow eyes at the old god, but the latter grew markedly nervous and even showed signs of real fear, so Gummitch desisted. (“You’d have sworn he was trying to put across something as deep as the Einstein theory or the doctrine of original sin,” Old Horse-meat later told Kitty-Come-Here.)

  But Gummitch was a man now in all but form, the kitten reminded himself after these failures, and it was part of his destiny to shoulder secrets alone when necessary. He won­dered if the general amnesia would affect him when he metamorphosed. There was no sure answer to this q
ues­tion, but he hoped not—and sometimes felt that there was reason for his hopes. Perhaps he would be the first true kitten-man, speaking from a wisdom that had no locked doors in it.

  Once he was tempted to speed up the process by the use of drugs. Left alone in the kitchen, he sprang onto the table and started to lap up the black puddle in the bottom of Old Horsemeat’s coffee cup. It tasted foul and poisonous and he withdrew with a little snarl, frightened as well as re­volted. The dark beverage would not work its tongue-loosening magic, he realized, except at the proper time and with the proper ceremonies. Incantations might be neces­sary as well. Certainly unlawful tasting was highly danger­ous.

  The futility of expecting coffee to work any wonders by itself was further demonstrated to Gummitch when Kitty-Come-Here, wordlessly badgered by Sissy, gave a few spoonfuls to the little girl, liberally lacing it first with milk and sugar. Of course Gummitch knew by now that Sissy was destined shortly to turn into a cat and that no amount of coffee would ever make her talk, but it was nevertheless instructive to see how she spat out the first mouthful, drooling a lot of saliva after it, and dashed the cup and its contents at the chest of Kitty-Come-Here.