Pip and the Wood Witch Curse

by Chris Mould

  A Spindlewood Tale

  Chris Mould

  ALBERT WHITMAN & COMPANY CHICAGO, ILLINOIS

  Contents

  1. Explaining How Eddie Pipkin Came to Hangman’s Hollow

  2. In Which We Encounter Malicious Mister Jarvis and the Black Pumpkin

  3. Which Explains Silas and his Discovery

  4. Concerning Details of a Short Conversation at the Deadman’s Hand

  5. At Which Point We Discover Things Lurking in the Forest

  6. In Which an Explanation Is Offered By the Innkeeper

  7. When it Is Revealed that, Surprisingly, Pip Is not Alone

  8. Concerning an Insight into the Stone Circle

  9. During Which a Short Discussion Is Overheard

  10. In Which a Toad Relates Captain Dooley’s Dark Tale

  11. In Which a Part of the Hollow Is Now Revealed

  12. At Which Point Black Shapes Fill the Sky and Hiding Becomes Necessary

  13. At Which Point the Importance of the Doves Becomes Apparent

  14. Explaining How Progress Was Made During the Winter Carnival

  15. Which Is Necessary to Explain that All Hell Has Broke Loose

  16. In Which the Words Capture and Escape Are Both Used

  17. Relating the Circumstances of Pip’s Next Move

  18. At Which Point Pip Is Alone in the Woods

  19. In Which a Chase and a Fight Are Both Necessary to Proceed with the Story

  20. At Which Point We Uncover the Whereabouts of the Escapees

  21. A Short Note to Avoid the Comfort that Comes with an Almost Happy Ending

  About the Author

  Perhaps you have heard of Hangman’s Hollow. The great walled city, first built as a place of refuge for the valley people, with its crooked buildings crammed into winding streets and alleyways. Where twisted spires point like broken branches into the air beside the crumbling chimney pots, and smoke pipes up from the hovels, fusing into the clouds. A great river cuts the city in two and a dark forest creeps up around the edges, spilling its dreamy nightmare influence over the people. The winters are long there and cold too.

  It is no place for you or me, and it was nothing more than fate that delivered a small helpless boy inside its creaking gates one dreadful winter’s night.

  Oakes Orphanage, some considerable time ago. Such a desperately long time ago, in fact, that even the crumbling bones of your oldest relatives would have had no recollection of such an era.

  Darkness fell. Daylight was replaced by a handful of meager candle stubs burning at the table. A scuffed, leather-bound book was opened and a dirty hand ran down a long list. A forefinger stopped on the name Eddie Pipkin and an inky line was scratched through the middle.

  “Ah well, that’s one mouth we don’t have to feed,” came a voice, pausing to swig from a grog bottle. “And the money should keep us goin’ for a while, Mrs. Tulip. Have you got the little urchin’s things ready?”

  “Yes, Mister Oakes.” A short round woman with a toothless grin came scurrying, limping slightly on one leg. She plonked a bundle bound with twine onto the tabletop.

  “Where is he?”

  “Right here.” She stepped out into the hallway and pulled someone by his collar into the candlelit room. The teary-eyed youngster was almost thrown off his feet. He straightened himself up and yanked his shirt back into place, trying desperately not to blubber.

  Eddie Pipkin was ten years old and small for his age. He had large brown eyes and a pale complexion that was topped with a ruffle of short, dark, wild hair.

  “You ready to go to sea, young Pip?” “No, sir. Not at all!”

  “No! What do you mean, no?”

  “I don’t want to go to sea, Mister Oakes. Not with Captain Snarks. I don’t want to be a pirate’s cabin boy. Anyway, I’ll get seasick and I won’t be no good to anyone.”

  “Master Pipkin, calm yourself. Now let me tell you this for the last time,” said Oakes, leaning his face into young Pip’s until his foul breath almost made the boy retch. “Firstly, Captain Snarks ain’t no pirate. I don’t deal wi’ crooks or villains.”

  Pip knew this to be a lie. Oakes would sell his own mother to a highwayman if the money was right. “Secondly, me and Mrs. Tulip ’ave looked after you since you was a tiny baby. And now we ’as to look after other tiny babies. ’Ow d’you expect us to look after other tiny babies if we ain’t got no money? This orphanage won’t run itself,” he spluttered.

  Pip took a good long look at Oakes, who could barely take care of himself, never mind being responsible for the welfare of young children. And Pip was sure that selling children off was no way to raise money.

  “I don’t know, Mister Oakes, but can’t I go to somebody else? I could carry on with my work at the stable yard?”

  “You can do as you’re told, Pipkin, that’s what you can do. Stable yard won’t pay me good enough money. Now get yer things and I’ll take you down to the ’arbor. You set sail in the morning at high tide.”

  Deep down Pip knew that come hell or high water, he would not be going to sea with Captain Snarks. He just needed to find the right moment to escape, and he knew that Oakes always drank more when he knew that money was coming.

  Pip was tied like a dog with a fine rope around his middle. Old Oakes wobbled along drunkenly, hanging on to the other end, mumbling away, and slurring his words as they meandered down to the harbor in the dark.

  “You’ve always been a good lad, Pip. I’ll miss you,” he said, and each sentence finished with a hiccup. “I remember when you came to us. Such a tiny baby, wrapped in rags, left in the snow. So beautiful.” He began to cry pathetically.

  Pip took no notice. Always the same—a few drinks and the tales came out and the emotions started. Oakes was doddering around in the dark, wobbling this way and that.

  Pip slowed up to cut some slack on his leash and stop it from pulling at his middle. He looked ahead and saw the dark shape of Snark’s sinister schooner looming down at them. It was huge and just to look at its awesome size sent a shiver running through him.

  Voices came from the deck. Barrels and boxes were hoisted on ropes and silhouettes climbed up and down the ladders.

  “Please, Mister Oakes. I don’t want to go to sea.”

  That alone was enough to sever the short length of Oakes’ temper. “You don’t know how lucky you are, Pipkin. Saved from near death and given a life o’ luxury. Some folks would give anything to climb aboard a great ship and sail the seven seas. Feel the salt water splashing against their face—” … And as he spoke the words he lost his footing at the harbor’s edge and dropped feet-first into the freezing water.

  He was barely visible in the darkness, but the splash and ripple helped Pip pick him out. Pip stood motionless for a moment, trying to take in what had just happened. He could see Oakes’ head and shoulders and his large coat spread out on the water’s surface.

  “’Elp, lad. Get me out. Fetch Captain Snarks!” Oakes screamed. He was gasping and floundering in the depths of the water. “Don’t leave old Papa Oakes in the water, Pip!”

  But a huge grin broke across Pip’s face. He looked down to see the other end of his leash trailing loose. He untied it and watched it drop into the foam. Then without hesitation he turned and walked slowly away, not believing his luck. And as it dawned on him that he was free, he began to move faster. And faster and faster until he was bolting like a sewer rat through the streets of Ludge Port. In the distance, Oakes’ cry echoed through the twists and turns of the alleyways, eventually fading into a wonderful silence.

  Pip stole away from the coast, heading inland, not sure where he was going but knowing that to stay put was to seal his fate. His arms were still
full of his belongings. His short legs powered upward as he climbed the grassy slope that led to the road. His breath made clouds around his face. He dropped half his things as he went but dared not stop, not even for the briefest moment.

  Soon he was treading the stony winding road and, capturing his breath, he looked down on the town below. A growing sense of freedom washed over him as he watched the candlelit windows of Oakes Orphanage become small flecks of glimmering yellow.

  He pushed on, puffing and panting, fearing that as soon as the authorities found out they would be on to him, tracking him with hounds and horses. Trailing after him through the dark.

  He imagined them following. He thought he could hear their voices, feel the thunder of hooves upon the road, and see the glimmer of torchlight held aloft in the blackness. And even though he knew he was only imagining it, it urged him on, until he was far from anywhere he knew.

  At length he slowed into a walk. He kept stopping to bundle together his things, tying them tighter and hoicking them higher up on his back, puffing and panting. Only the moonlight showed the way, a pale washed-out yellow spilling along the road ahead, urging him onward. The moon was on his side, he thought.

  There was a rumble in the distance. Pip stopped. Listened. His heart quickened and he heard that too. He looked back and now he could see horses and the swinging torchlights he had imagined. His felt his knees weaken in panic, but in a moment he realized that what was coming up the road toward him was not a search party but a slow-moving train of old carriages.

  He hung back from the road and lay poised, silent, and foxlike in the undergrowth. Two black mares struggled up front against the growing incline. The wheels were skidding in the dust and the carriages rocked and swayed, the horses braying and blowing hot breath like smoke. Silhouettes of people filed out and began pushing from the back. The wheels bit harder into the road and the train moved smoothly again.

  Lettering became visible on the side of the first carriage. Stage Fright Theatre Company—dancing masters of the macabre.

  Some kind of traveling show, thought Pip. Perhaps he should take the chance and climb aboard, get away as fast as possible. But he knew he must remain hidden. Who knows who these people were? He would use them for the ride and bail out when it was safe to do so.

  Whilst the train still moved slowly he made a move to climb into the rear carriage, taking a chance and not knowing what would greet him. He hooked on to the back, trotting for a moment and looking for something to lunge onto and take a hold. With both hands held tight around the canvas he pulled himself upward and lowered his feet down onto the carriage platform. And then, unthreading the canvas at the corner, he stole inside to find himself scrabbling around in a sea of theater props. It was pitch black but he felt the curious things around him and guessed at what they were. Masks and helmets. Long coats and gowns. Swords and shields.

  He heard distant voices from the other carriages, laughing and joking and telling their tales. In the early hours he fell asleep to the gentle swaying of the coach.

  The journey was long and tough. Days rolled into nights and back into days again. At times they stopped and lit fires, cooked, and ate and sang songs. They told their tales as Pip listened from beneath the canvas. Dark and dreadful they were, of beasts and ogres and strange lands where the wild winds blew and thunder bellowed through the mountains. Of storms at sea and the wicked ways of men. Of dragons and kings and circles of magic.

  Pip would have given anything to have joined them. He grew hungry and weak and longed for good food and the luxury of a campfire. To keep himself warm he had wrapped some kind of animal skin around himself. While the travelers slept he would sneak out and stretch his limbs, grabbing the bones from around the fire and sucking out their flavor.

  When he looked around him he knew nothing of the barren lands through which they passed. He would not be leaving their company just yet, not until he found some- where that he felt was safe.

  Pip thought of many things along the way. He imagined the perfect life with a real family: brothers and sisters, friends to spend time with, loving parents. Things he had never known. A sense of belonging.

  When he slept the same dream returned to him, the one he had always had. There he was, sitting by the hearth, taking in the warmth of a slowly burning fire.

  His parents were at his side, but try as he might he could not make out their faces. The harder he looked, the more the image became blurred. When he spoke to them he received no answer. And then he watched in frustration as they faded slowly, until they were not there at all.

  He would wake in a cold sweat, breathing heavily and hoping he hadn’t called out in his sleep.

  Pip’s only proof that someone actually drove the carriage he was in was the sound of voices bellowing at the black mares.

  Though he could not see, there were times when he was sure they were creeping along dangerous precipices or braving the delicate surfaces of frozen lakes. The wind blew harder and the temperature dropped to freezing depths.

  It must have been somewhere in the early hours of the morning when the Stage Fright Theatre Company made it home.

  A small spy hatch opened and a keen eye peered out.

  “Who is it? Whaddya want? … Oh, it’s you lot. Hold on.”

  A great creak of opening gates echoed around Pip. He felt the jolt of movement as the carriages pulled forward. There was no mistaking it, they were now inside the walls of a city.

  Pip could not have known, but it was a place he had once heard of in a fairy tale. A place they called Hangman’s Hollow.

  Sooner or later, everyone catches a glimpse of Mister Jarvis. If you only half-looked you might think that he carried a blade by his side, but look again and you’d see that what shone when the light chanced upon it was the hook where his left hand should be. Closer still and you’d see the pink scar it had left across his face when he’d been thrown from his horse. Still, he was proud of that hook. Cleaned it, polished it, buffed it up like a favorite pair of old boots, ready to use should the need arise.

  And the rest of him? Always the same wolfskin cloak and long black hair, ragged boots with worn-out soles. Cold and cutthroat he was, and filled with more hatred than the worst of storybook pirates.

  Mostly he came at night, but sometimes to catch you unawares he would rattle through the streets in the daylight. Rolling along in the black carriage with his snake eyes peeled on every nook and cranny. Thundering over the cobblestones, sometimes squeezing through the skinny waists of the dark alleyways on foot with only the glow of his lamp to give him away and his cloak flapping out behind him. Or climbing up onto ledges and peering through windows.

  And when the rain lashed the streets and the wind hurled itself recklessly around the tiles and chimneys, still he came.

  It was winter now and it had snowed all day, thick and fast until it felt like the whole world had been transformed. A sleepy scene of cold, calm peace. As it grew dark, torchlights glowed at doorways and through the windows, fires burned within. Soft white flakes drifted dreamily downward. All was blissfully quiet.

  And then the moment was spoiled. Jarvis’s carriage squeaked lazily down Pig Pudding Lane, plowing through the white, spoiling the clean surface with wheel tracks and hoof marks. The coach was squat and round so that it almost resembled a black pumpkin on wheels.

  Sliding into the corner, it hung a right turn and entered the emptiness of the square, pulling up slowly. A crow swooped down from the blackness above and settled on Jarvis’s hood.

  “Well?”

  “Well, what?” grumbled Jarvis, disgruntled at the day’s pickings.

  “Did you see anything?”

  “No, Esther, I did not. Nothing at all, yet again. Anyway, never mind me. What about you? You’re supposed to be my eyes and ears, you useless old buzzard!”

  “Crow,” corrected Esther.

  But he was lost in thought and didn’t hear. “There are no children here anymore!” he mumbled under his fog
gy breath.

  It was such a long time since he’d caught one that he almost believed it was true, but deep down he knew they were here somewhere. He would find one before the month was out. He’d made that promise to himself already.

  He was certainly due some good luck, and he felt his reputation in the hollow was beginning to slide.

  Pip had no idea what to expect, except that he knew the snow was thicker here. He heard the crunch beneath the wheels and felt the slipping and sliding of the carriages.

  Much winding and twisting followed. Perhaps they were close to stopping, most likely working their way down some back alley.

  They halted abruptly.

  A crunch and squeak of feet came through the snow and a soft glow was visible. Pip could hear a blur of conversation through the whistling wind.

  A sniffing sound came close. Pip ducked his head and tried to quell the noise of his rumbling stomach. Something brushed against the canvas and then a slimy voice cut through the thin air.

  “I can smell them. They’ve been here. I’d know that rotten stink anywhere. Mr. Van Delf, you have something on board!”

  “Theater props, Mister Jarvis. Nothing but theater props. We go through this every time. Now if you don’t mind, it is the dead of night!”

  “I’ll take a look, if you don’t mind.” Pip heard the canvas being untied at the corner and saw the light grow stronger as a lamp was lifted inside. He held his eyes shut tight and stayed as still as possible. A moan of disappointment was all that Pip heard before the canvas flap dropped back into place.

  Jarvis turned away leery-eyed, snarling and mumbling to himself. He knew that something wasn’t right. That nose of his was too trustworthy to be wrong.

  He walked away, his cloak trailing in the snow.

  The train of carriages continued before coming to a stop nearby in a courtyard of tall timber-framed houses. Pip listened carefully as the horses were stabled and people moved around in the dark. What if they unveiled him right there and then? Whatever would he do?