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The Collective

Page 41

by The Collective [lit]

Diment Show.

  " You might say he opened a hole into the basement of the

  universe," she was saying now. "Bobby Hastings, I mean. And this

  is what drove out. Nice, isn't it?"

  Kinnell's feet slid then, not enough to go out from under him

  completely, but enough to snap him to.

  He opened his eyes, winced at the immediate sting of the soap

  (Prell had run down his face in thick white rivulets while he had

  been dozing), and cupped his hands under the shower-spray to

  splash it away. He did this once and was reaching out to do it again

  when he heard something. A ragged rumbling sound.

  Don't be stupid, he told himself. All you hear is the shower. The

  rest is only imagination.

  Except it wasn't.

  Kinnell reached out and turned off the water.

  The rumbling sound continued. Low and powerful. Coming from

  outside.

  He got out of the shower and walked, dripping, across his bedroom

  on the second floor. There was still enough shampoo in his hair to

  make him look as if it had turned white while he was dozing-as if

  his dream of Judy Diment had turned it white.

  My did I ever stop at that yard sale? he asked himself, but for this

  he had no answer. He supposed no one ever did.

  The rumbling sound grew louder as he approached the window

  overlooking the driveway-the driveway that glimmered in the

  summer moonlight like something out of an Alfred Noyes poem.

  As he brushed aside the curtain and looked out, he found himself

  thinking of his ex-wife, Sally, whom he had met at the World

  Fantasy Convention in 1978. Sally, who now published two

  magazines out of

  her trailer home, one called Survivors, one called Visitors. Looking

  down at the driveway, these two tides came together in Kinnell's

  mind like a double image in a stereopticon.

  He had a visitor who was definitely a survivor.

  The Grand Am idled in front of the house, the white haze from its

  twin chromed tailpipes rising in the still night air. The Old English

  letters on the back deck were perfectly readable. The driver's side

  door stood open, and that wasn't all; the light spilling down the

  porch steps suggested that Kinnell's front door was also open.

  Forgot to lock it, Kinnell thought, wiping soap off his forehead

  with a hand he could no longer feel. Forgot to reset the burglar

  alarm, too . not that it would have made much difference to this

  guy.

  Well, he might have caused it to detour around Aunt Trudy, and

  that was something, but just now the thought brought him no

  comfort.

  Survivors.

  The soft rumble of the big engine, probably at least a 442 with a

  four-barrel carb, reground valves, fuel injection.

  He turned slowly on legs that had lost all feeling, a naked man with

  a headful of soap, and saw the picture over his bed, just as he'd

  known he would. In it, the Grand Am stood in his driveway with

  the driver's door open and two plumes of exhaust rising from the

  chromed tailpipes. From this angle he could also see his own front

  door, standing open, and a long man-shaped shadow stretching

  down the hall.

  Survivors.

  Survivors and visitors.

  Now he could hear feet ascending the stairs. It was a heavy tread,

  and he knew without having to see that the blond kid was wearing

  motorcycle boots. People with DEATH BEFORE DISHONOR

  tattooed on their arms always wore motorcycle boots, just as they

  always smoked unfiltered Camels. These things were like a

  national law.

  And the knife. He would be carrying a long, sharp knife - more of

  a machete, actually, the sort of knife that could strike off a person's

  head in a single sweeping stroke.

  And he would be grinning, showing those filed cannibal-teeth.

  Kinnell knew these things. He was an imaginative guy, after all.

  He didn't need anyone to draw him a picture.

  "No," he whispered, suddenly conscious of his global nakedness,

  suddenly freezing all the way around his skin. "No, please, go

  away." But the footfalls kept coming, of course they did. You

  couldn't tell a guy like this to go away. It didn't work; it wasn't the

  way the story was supposed to end.

  Kinnell could hear him nearing the top of the stairs. Outside the

  Grand Am went on rumbling in the moonlight.

  The feet coming down the hall now, worn bootheels rapping on

  polished hardwood.

  A terrible paralysis had gripped Kinnell. He threw it off with an

  effort and bolted toward the bedroom door, wanting to lock it

  before the thing could get in here, but he slipped in a puddle of

  soapy water and this time he did go down, flat on his back on the

  oak planks, and what he saw as the door clicked open and the

  motorcycle boots crossed the room toward where he lay, naked and

  with his hair full of Prell, was the picture hanging on the wall over

  his bed, the picture of the Road Virus idling in front of his house

  with the driver's side door open.

  The driver's side bucket seat, he saw, was full of blood. I'm going

  outside, I think, Kinnell thought, and closed his eyes.

  Will We Close the Book on Books?

  BY STEPHEN KING

  From: Visions of the 21st Century

  Time Magazine, June 2000

  Book lovers are the Luddites of the intellectual world. I can no

  more imagine their giving up the printed page than I can imagine a

  picture in the New York Post showing the Pope technoboogieing

  the night away in a disco. My adventure in cyberspace ("Riding the

  Bullet", available on any computer near you) has confirmed this

  idea dramatically. My mail and the comments on my website

  (www.stephenking.com) reflect two things: first, readers enjoyed

  the story; second, most didn't like getting it on a screen, where it

  appeared and then disappeared like Aladdin's genie.

  Books have weight and texture; they make a pleasant presence in

  the hand. Nothing smells as good as a new book, especially if you

  get your nose right down in the binding, where you can still catch

  an acrid tang of the glue. The only thing close is the peppery smell

  of an old one. The odor of an old book is the odor of history, and

  for me, the look of a new one is still the look of the future.

  I suspect that the growth of the Internet has actually been

  something of a boon when it comes to reading: people with more

  Beanie Babies than books on their shelves spend more time

  reading than they used to as they surf from site to site. But it's not a

  book, dammit, that perfect object that speaks without speaking,

  needs no batteries and never crashes unless you throw it in the

  corner. So, yes, there'll be books. Speaking personally, you can

  have my gun, but you'll take my book when you pry my cold, dead

  fingers off the binding.

  NOT FOR SALE

  This PDF file was created for educational,

  scholarly, and Internet archival use ONLY.

  With utmost respect & courtesy to the

  author, NO money or profit will ever be

  made from this text or it's distribu
tion.

  xxXsTmXxx

  06/2000

 

 

 


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