Time and Again

by Jack Finney

  "Strangling."

  "I was afraid of that. But I'll bet Gentiliska managed without strain. She could probably have piled on horror, chagrin, and ecstasy, without straining a facial muscle."

  "You kind of like Gentiliska, don't you?"

  "My all-time literary favorite. Pray continue."

  " 'Raphael, now a grave and handsome man, met Mrs. Berners with a sad composure. He worshipped her as constantly and purely as ever. He had known no second faith. The widow Blondelle sold out her interest in the Dubarry White Sulphur Springs, and with her step-son Raphael Riordan, returned to England. Mr. and Mrs. Berners have but one child—Gem! But she is the darling of their hearts and eyes; and she is betrothed to Cromartie Douglas, whom they love as a son.' "

  Kate closed the book, and we both sat smiling a little. But then she said seriously, "I'm glad Gem and Cromartie got engaged. Even though it was long after the story ended. I thought they would be eventually, but it's nice to know."

  "Right. As for Gentiliska and her mingled emotions, the more about her the better. And I'll tell you something else I like: I think I like the kind of people who like a story like this." Katie nodded, and we sat silent. The draft in the fireplace made a subdued miniature roar, then a coal fell. I said, "Kate, they're out there now." I nodded toward the windows across the room; all we could see was the silvery winter sky. I meant what I said; all day I'd felt the living presence of the New York winter of 1882 gathering itself around us—with more strength and reality now than in all of the days and weeks just past. Because now one truth could never change: I knew that that time existed. "They're waiting for us, Kate," I said, and—strong moods and powerful certainties reach from one mind to another—Kate nodded, believing and knowing, too, caught up in my absolute certainty. I said, "Kate, I think it's time," and for an instant she looked frightened; then she nodded, and closed her eyes.

  I closed mine, reached over and took Kate's hand, then sat, warm and comfortable, letting each muscle relax, letting all least tensions drain away. And presently—as Kate, too, was doing—I silently spoke to myself. In a few moments, and for a few moments, your mind will give up thinking; and you will almost sleep. This is January 23. And that will be the date, of course, when presently you open your eyes again: January 23, 1882. You and Kate have an errand to do; you will walk into the park with her, and there will be nothing at all of any other time in your mind. All you will be thinking is that you're going to the post office. Be there by five-thirty, no later. And see who mails the blue envelope. Do not interfere with events. Observe them, move through them, but do not cause or prevent any. One difference: This is new but it is going to work, it is going to work. At some point, walking through the park very likely, at some point when you know absolutely that this is a winter afternoon of the year 1882 ... you will remember the present. You will remember the present and for the first time be truly an observer.

  I jumped a little, and my eyes popped open; I'd actually dozed, it seemed to me. Kate sat watching me, her hand in mine. She said, "I was asleep, too. We have to go to the post office, Si. Do you feel like it?"

  "Yes." I nodded, and stood up, yawning. "Do me good to get outdoors and wake up; come on."

  At the hall closet, yawning, I got into my overcoat with the attached cape, my overshoes, my round black fur cap. Kate put on her coat and tied on her scarf. I no more gave thought to what year or century this was than anyone else getting ready to go out today. And downstairs, walking out of the Seventy-second Street building entrance, our shoulders hunching and our chins ducking into our collars as we stepped into the cold, I didn't look behind me to the west, and crossing the street bordering the park, I glanced neither north or south. Why should I have? It never occurred to me; the air was sharp and cold, and I kept my head down.

  In the park we angled across it to the east and south, toward the entrance at Fifty-ninth and Fifth. It was cold, we saw no one, and here in the park the city seemed nearly silent. We heard only the steady scuff of our feet on the path, and I felt snug in my greatcoat, a little less sleepy, and began enjoying the exercise. Except for the paths, the snow was nearly unmarked, though there were occasional trails of footprints. For a few dozen yards our path paralleled the winding roadway, and on its packed snow I heard, absently, a faint axle squeak and the slow muffled clop of hoofs, but didn't trouble turning to look, and neither did Kate. We simply walked across the park, used to the cold now, enjoying it and the walk, hardly thinking at all.

  We came out of the immense rectangle of Central Park at its southeast corner, at Fifth Avenue and Fifty-ninth Street, and I unbuttoned my coat to reach into my pants pocket for our fares. Katie moaned, and I looked at her quickly. She had a hand pressed to her forehead, her eyes were squeezed shut, and I saw her face turn paper-white. I turned to grab her but instead I staggered half a step sideways to keep my balance, and had to stop, feet wide apart and braced, slowly bending almost double, my elbows jamming into the pit of my stomach, both hands sliding up over my face, fighting against fainting as memory lighted up every cell of my brain.

  Neither of us had anticipated physical shock. I got an arm around Kate's shoulders and she was trembling. Trying to support us both, I stood leaning against a tree trunk at the curb, feeling the sweat pop out on my forehead and upper lip, and knew I must be deathly pale. My eyes were fixed on my own shoe tips, and I stood drawing deep breaths of the sharp chill air; then I felt the sweat drying on my face and knew I would be all right. I looked at Kate; her eyes were open now, her tongue moistening her lips. "I'm okay now; thanks," she said, and straightened up. "But, oh, my God, Si!" she whispered, and I could only nod.

  We didn't turn immediately; we couldn't quite bring ourselves to do that. But we heard the squeal of iron tires crunching cold dry snow, heard the loose wood-and-iron rattle of the body, and the crack of leather reins on solid flesh. Then, very slowly, we turned our heads to look again at the tiny, arch-roofed wooden bus with high wooden-spoke wheels, drawn by a team of gaunt horses, their breaths puffing whitely into the winter air at each step. It was closer now, filling our vision; and staring at it I knew now from where and when I had come. It took a moment of actual struggle for my mind to take hold of what it knew to be the truth: that we were here, standing on a corner of upper Fifth Avenue on a gray January afternoon of 1882; and I shivered and for a moment felt shot through with fear. Then elation and curiosity roared through me.

  9

  I looked at Kate and she was grinning; then I turned to look south, down the long familiar length of Fifth Avenue, and once more the faintness touched me.

  Everyone has seen in actuality or on film the splendid glittering length of Fifth Avenue, the wide wide street solidly lined with incredible towers of metal, glass, and soaring stone: the sparkling Corning Glass Building, its acres of glass walls rising forever; the enormous aluminum-sided Tishman Building; the great stone masses of Rockefeller Center; weather-worn St. Patrick's Cathedral, its twin spires submerged down among the huge buildings which dwarf it. And the sparkling stores: Saks, Tiffany's, Jensen's; and the big, old soiled-white library at the corner of Forty-second Street, its stone lions flanking the wide steps of its main entrance. They must be the most famous seventeen blocks of the world, and beyond them even farther down the length of that astonishing street, the unbelievable height of the Empire State Building at Thirty-fourth Street, if the air should happen to be miraculously clear enough to see it. That was the picture—asphalt and stone and sky—touching towers of metal and glass—that was in my mind instinctively as I turned to look down the length of that street.

  Gone. All gone! This street was tiny! Narrow! Cobbled! A tree-lined residential street! Mouths open, we stood staring at rows of brownstone houses, at others of brick and stone, at trees, and even patches of fenced snow-covered lawn before the houses. And all down the length of that quiet street, the highest structures I could see were the thin spires of churches, nothing above them but gray winter sky. Coming toward us, rattl
ing on the cobbles of the bare patches of this strange little Fifth Avenue, was another horse-drawn bus, the only moving vehicle, at the moment, in several blocks.

  Kate was gripping my arm, whispering. "The Plaza Hotel is gone!" She pointed, and I turned to stare across Fifty-ninth Street to where the Plaza ought to be; instead there was only empty space as though the hotel had been wiped from the scene. We had to stop thinking this way: It hadn't disappeared; it wasn't yet built. But the plaza itself, the little square directly beside Fifth Avenue across the street from the park—it was there, with a fountain at its center, turned off now for the winter. I nudged Kate: "Look. The hack line!" There they stood waiting, the familiar line of half a dozen horse-drawn hacks along the Fifty-ninth Street curb beside the park, where they've been ever since.

  We heard the sound, and swung around: The little wooden bus was stopped at the curb beside us, its lantern smudged, and as we walked toward it I caught the sharp stink of oil. The door was at the back, just over a jutting wooden step, and as I opened it for Kate I glanced ahead at the driver, but he was only a motionless, blanket-wrapped figure high on an outside seat at the front, under a heavy umbrella. I followed Kate in, heard reins slap the horses' rumps, the bus jerked forward and we pulled out from the curb. On the following page is a sketch I made from memory of the moment we began rattling down Fifth Avenue on the winter afternoon of January 23, 1882.

  Inside, two benches ran the short length of the bus under the windows, and Kate sat down beside the rear door while I walked to the tin box up front labeled FARE 5¢. I found two nickels, dropped them in, and noticed the hole in the roof through which the driver could look to see that I did.

  And then we sat—there were no other passengers—heads swiveling, trying to see both sides of this alien little street at once. Half meaning it, I said, "This isn't Fifth Avenue, it can't be," and Kate pointed. Sliding past the window opposite us was a tiny curb-side streetlamp, four horizontal strips of painted glass forming a shallow boxlike frame around it, and the painted legend on the panel facing us said 5TH AVENUE.

  Kate was pulling my coat sleeve, and when I turned she gestured with her chin at the view behind us. "The Seventies, on the East Side," she said, and I nodded. It was true: The block we were jogging through now looked precisely like some of the tree-lined streets of the East Seventies in modern New York; a row of tall, dignified three- and four-story houses that said money, and I knew that different though it seemed this was Fifth Avenue. Between Fifty-eighth and Fifty-seventh streets, in fact, on the east side of Fifth, the houses were all of white marble and looked spectacular; and the entire block on the west side of Fifth was filled with a brick-and-gray-stone château.

  A gong sounded, not loud, just the touch of a clapper, and I turned and saw the source: a dark-green-enameled light wagon just turning off Fifty-fifth Street ahead into Fifth Avenue, then heading south. Almost immediately it swung to the right into a driveway crossing the sidewalk and a strip of snow-covered lawn, and we could see the driver in profile now. He had a heavy mustache and wore a dark-blue cap with a straight absolutely flat peak, and on the side of the wagon I saw the brass gong I'd heard, ST. LUKE'S HOSPITAL, said the gold-leaf lettering along the green side-panel, and the wagon stopped in the curving driveway. The building—we could see it now—was utterly strange, big and with a long wing stretching down Fifty-fifth: the hospital. Trundling toward him, we watched the driver tying his leather reins to the dashboard, then saw him climb down—first a foot on top of the wheel, the other foot next onto the brass hubcap, then a hop to the ground. Now a second man, mustached and wearing an ankle-length white coat, came out to meet him at the back of the wagon. The bus windows were open an inch, and we could hear the sudden chain-rattle as the tail gate was lowered; then we watched the two of them slide a wood-and-canvas stretcher out the back. As we passed the hospital, a bearded man lay on the stretcher, motionless, staring straight up at the sky, a dark blanket tucked neatly under his chin. Turning to look back, we saw them carry him quickly up the stone steps and inside, and as we rattled over the cobbles past the big stone building he'd disappeared into, I sat glancing up at its tall, lean, round-topped windows. It was a strange sight to me, a hospital here on Fifth Avenue, and I thought of the man on the stretcher about to be attended by long-skirted nurses and bearded doctors. Quietly, so the driver couldn't hear, I said so to Kate, then she leaned close to murmur, "Doctors and nurses who've never heard the words penicillin, antibiotics, or sulfa." I couldn't remember if Martin Lastvogel had ever mentioned this, and I wondered if, in this hospital, they even had anesthetics.

  In a window of a house on the southwest corner of Fifth and Fifty-third Street, I saw a sign reading ALLEN DODSWORTH'S SCHOOL FOR DANCING, then two old friends slid past our windows. First, on the southwest corner of Fifty-second Street: one of the Vanderbilt mansions. I could barely remember, as a child on a visit to New York, standing with my father for half an hour watching as the old building was slowly smashed down to make room for the Crowell-Collier Building. It was old, stained, dirty, worn out; now here it stood in its youth, a shining château of clean white limestone. Across the street from it was the Catholic Orphan Asylum, and then in the block beyond I caught a glimpse of a really old friend. We sat grinning as we approached it, and Kate whispered, "I'm so glad, so relieved, to see it."

  I nodded. "Just looking at it," I said, "I'm almost converted to Catholicism." Because there it was, an old friend, St. Pat's good gray cathedral, looking immense, higher by far than anything else near it, but unaltered—no, it was changed, somehow: What was different? I pressed my face to the glass to look out and up, and the twin spires were—not gone, of course; they weren't yet built. We were passing directly before it now, the gray cathedral completely filling the windowpane, our own reflections swaying ghosts before it. The sight of it was so utterly familiar that it suddenly seemed as though the Fifth Avenue I knew had to exist, and I turned my head to look back up the street toward Central Park. But once more I felt the shock of it: I was staring up miles of bare-branched shade trees and houses, church spires rising to the sky high above them. I swung around to look forward—we were passing something utterly alien called the Buckingham Hotel, just across Fiftieth Street from St. Pat's—and saw still more miles of elegant residences stretching unbrokenly, apparently, to the Battery.

  I realized that we'd stopped and that the door was opening. A man climbed in, dropped his fare in the tin box, and sat down across the aisle with a casual uninterested glance at us. Then he crossed his knees and turned sideways to stare out the window as the reins slapped and we started up again. And I sat watching him from the corner of my eye, tense, excited, almost frightened at my first really close look at a living human being of the year 1882.

  In some ways the sight of that ordinary man whom I never saw again is the most intensely felt experience of my life. There he sat, staring absently out the window, in an odd high-crowned black derby hat, a worn black short-length overcoat, his green-and-white-striped shirt collarless and fastened at the neck with a brass stud; a man of about sixty, clean-shaven.

  I know it sounds absurd, but the color of the man's face, just across the tiny aisle, was fascinating: This was no motionless brown-and-white face in an ancient photograph. As I watched, the pink tongue touched the chapped lips, the eyes blinked, and just beyond him the background of brick and stone houses slid past. I can see it yet, that face against the slow-moving background, and hear the unending hard rattle of the iron-tired wheels on packed snow and bare cobbles. It was the kind of face I'd studied in the old sepia photographs, but this hair, under the curling hat brim, was black streaked with gray; his eyes were a sharp blue; his ears, nose, and freshly shaved chin were red from the winter chill; his lined forehead pale white. There was nothing remarkable about him; he looked tired, looked sad, looked bored. But he was alive and seemed healthy enough, still full-strengthed and vigorous, perhaps with years yet to live—and I turned to Kate, my mouth nearly touc
hing her ear, to murmur, "When he was a boy, Andrew Jackson was President. He can remember a United States that was—Jesus!—still mostly unexplored wilderness." There he sat, a living breathing man with those memories in his head, and I sat staring at the slight risings and fallings of his chest in wonder.

  The Rev. and Mrs. C.H. Gardner's Boarding and Day School for Young Ladies and Gentlemen moved past our windows near the corner of Forty-ninth; at 603 Fifth, said the polished brass plate on its brown-stone front. Then just past Forty-eighth, Kate whispered, "There it is: five-eighty-nine!" I didn't understand, and she hissed, "Carmody's house!" and I swung around in my seat to look. It was wonderful: a big, beautifully proportioned brownstone mansion with a marvelously ornate bronze fence around it and the tiny patches of lawn. We stared as it slid past our window, and I was baffled; I felt almost certain I'd seen it before. It seemed astonishingly familiar, then I remembered; it looked like the big brownstone James Flood mansion surviving on Nob Hill in twentieth-century San Francisco, even to the bronze fence, and I wondered if the same architect hadn't done them both. We were nearly past it, staring back at it, wondering if Andrew Carmody—alive now, years before he was to shoot himself in Gillis, Montana—was somewhere inside it.

  The cross streets slipped by—Forty-ninth, Forty-eighth, Forty-seventh, Forty-sixth—all strange unfamiliar identical streets of uninterrupted row after row of high-stooped brownstones precisely like blocks still existing on the West Side. As we'd moved down toward the thick of the city, the street became more and more alive. There they were now, moving along the walks, crossing the street—the people. And I looked out at them, at first with awe, then with delight; at the bearded, cane-swinging men in tall shiny silk hats, fur caps like mine, high-crowned derbies like the man's across the aisle, and—younger men—in very shallow low-crowned derbies. Almost all of them wore ankle-length great coats or topcoats, half the men seemed to wear pince-nez glasses, and when the older men, the silk-hatted men, passed an acquaintance, each touched his hat brim in salute with the head of his cane. The women were wearing head scarfs or hats ribbon-tied under the chin; wearing short, tight-waisted cutaway winter coats, or capes or brooch-pinned shawls; some carried muffs and some wore gloves; all wore button shoes darting out from and disappearing under long skirts.