Party Princess pd-7

by Meg Cabot

  8) Thandie Newton. I could handle her in the Audrey Hepburn role in the remake of Charade, because Audrey Hepburn was also too beautiful to live, so it was only to be expected that an actress playing a role she made famous would have to be that beautiful, as well. And I could handle her in the sci-fi adventure The Chronicles of Riddick, because, basically, she played an alien. But when she showed up as Dr. Carter’s love interest on ER, I knew it was time: Time to get rid of her! What is Thandie Newton doing on TV? She is way too pretty to be on TV! She needs to stick to feature films! And no way would some doctor from Chicago go to the Congo and come back with THANDIE NEWTON. Okay??? Women who look like her DON’T GO TO THE CONGO. Please get her out of my sight!

  9) Nicole Kidman. Okay, what is Nicole Kidman supposed to be? Is she supposed to be a human being? Because I think she might be one of those aliens that popped out of its human suit in the movie Cocoon. Remember, the super-shiny one? Because Nicole radiates beauty and light the same way that alien did. Hey, maybe she’s one of those aliens the Scientologists are waiting for, the ones who are supposedly going to come back to rescue us all (well, at least all their fellow Scientologists) before we destroy our planet by abusing its natural resources. Maybe that’s why Tom Cruise married her. Nicole Kidman, phone home! Tell the spaceship to hurry up already!

  10) Penélope Cruz. Another alien! Although she isn’t as shiny as Nicole, Penelope is definitely too beautiful to be a human being. Maybe that’s why Tom Cruise went out with her for so long! He THOUGHT she might be an alien, like Nicole, but then it turned out Penelope had simply won the genetic lottery, and is just naturally gorgeous. What’s going to happen when Tom finds out Katie Holmes isn’t an alien, either? Is he going to dump her, too? HOW MANY MORE PRETERNATURALLY BEAUTIFUL WOMEN ARE LEFT FOR TOM TO MARRY/DATE? Why won’t the Scientology mothership hurry up and come to TAKE THEM ALL AWAY?????

  Thursday, March 4, French

  Whatever. That was so not helpful.

  Détente—any international situation where previously hostile nations not involved in an open war “warm up” to each other and threats de-escalate.

  God, it would rule if what Lana wanted was détente.

  Thursday, March 4, third-floor stairwell

  Okay, so I’m here, but Lana’s not.

  She said after lunch. I’m sure that’s what she said.

  It’s after lunch now.

  SO WHERE IS SHE????

  God, I HATE this sneaking around. It was SO HARD ditching those guys. I mean, not Lilly, since she was meeting with Ms. Martinez. But I mean Tina and Boris and Perin and everybody. I had to tell them I was coming up here to make a private phone call to Michael.

  Which Tina so obviously thought meant I was coming up here to break the news to Michael that I’m not a party girl. She kept going, “You go, girl!” until Shameeka was all, “What are you guys TALKING about?”

  Tina IS right, though. I’ve got to stop lying to Michael and tell him the truth. Only I’ve got to figure out a way to tell him that doesn’t give away my dark secret—that I am not a party girl.

  But HOW??? How to accomplish this? You would think, for an inveterate liar like me, it would be easy to make up some excuse that would put me in the clear…like that I have to go to some special royal function this weekend.

  Too bad no royals have died lately. A state funeral would be a PERFECT excuse.

  But since no one’s croaked recently, what about…a WEDDING?

  Yeah! I could say one of my Grimaldi cousins is getting married again, and I HAVE to go. Michael would believe me, it’s not like he reads any of the magazines that would cover news like that…unless he tries looking it up on Netscape.

  Maybe I’ll just text him. Yeah, I’ll text him right now, and be all, “SRY, HAVE 2 GO 2 GENOVIA 4 THE WEEKEND! 2 BAD! DUTY CALLS! MAYBE NXT TIME!”

  Except that ultimately, it would just be simpler if I stopped lying. I mean, pretty soon I’m not going to be able to keep track of all my stories and get mixed up and—

  SOMEONE IS COMING!!!!

  It’s LANA!!!!

  Thursday, March 4, G & T

  Okay. So that was surreal.

  So it WAS the money. That we’re out of it, I mean. That’s what Lana had meant when she’d said she knew.

  And all she ended up wanting in exchange for her silence was to be invited to Grandmère’s party. The one she’s throwing to raise money for the Genovian olive farmers.

  Seriously.

  I was so shocked—I mean, I’d really expected Lana to ask me for something that would complicate my life a LOT more than a simple party invitation—that I was all, “Why would you want to go to THAT? I mean—do YOU want to meet Bob Dylan, too?”

  Lana just looked at me like I’m stupid (so what else is new?) and went, “Um, no. But Colin Farrell is going to be there. He’s bidding on Ireland. Everyone knows that.”

  Everyone except me, apparently.

  But still. I pretended like I’d known. I went, “Oh. Right. Sure. Yeah. Okay.”

  Then I said I’d make sure she got an invitation.

  “TWO invitations,” Lana hissed, in a manner not dissimilar to the way Gollum went around hissing “My precious” in Lord of the Rings. “Trish wants to come, too.” Trisha Hayes is Lana’s main henchperson, the Igor to her Dr. Frankenstein. “Though if she thinks SHE’S getting Colin, she’s high.”

  I didn’t comment on this apparent rift in their unconditional sisterly love for each other. Instead, I was all, “Um, yeah, okay, two invitations.”

  But then, because I am incapable of keeping my mouth shut, I was like, “But, um, if you don’t mind my asking—how’d you hear? About the money, I mean?”

  She made another face and went, “I looked up how much those stupid ‘cans and battles’ recycling bins cost online. Then I just did some math. And I knew you had to be broke.”

  God. Lana is even more conniving than I ever gave her credit for. Conniving AND much better at math than I am.

  Maybe she SHOULD have been president.

  I probably should have just let her go at that point. I probably should have just been all, “Well, see ya.”

  But I couldn’t, of course. Because that would have been too easy. Instead, I had to be all, “Um, Lana. Can I ask you a question?”

  And she was like, “What?” with her eyes all narrowed.

  I couldn’t believe the words that came out of my mouth next: “How do you, um. Party?”

  Lana’s super–lip glossed mouth fell open at that one. “How do you WHAT?”

  “You know,” I said. “Party. I mean, I know you go to a lot of, um, parties. So I was just wondering…like, what do you DO at them? How do you, you know. Party?”

  Lana just shook her head, her stick-straight blond hair (she’s never had to worry about her hair forming an upside-down yield-sign shape) shimmering under the fluorescent lights.

  “God,” she said. “You are such a dork.”

  Since this was unchallengingly true, I didn’t say anything.

  This was apparently the right move, since Lana continued, “You just show up—looking fantastic, of course. Then you grab a beer. If the music’s any good, you dance. If there’s a hot guy, you hook up. That’s it.”

  I thought about this. “I don’t like beer,” I said.

  But Lana just ignored me. “And you wear something sexy.” Her gaze flicked from my combat boots up to the top of my head, and she added, “Although for you, that might be a challenge.”

  Then she sauntered off.

  It can’t be that simple. Partying, I mean. You just go, drink, dance, and, um, hook up? This information does not help me at all. What do you do if they’re playing fast music? Are you supposed to dance fast? I look like I’m having a seizure when I dance fast.

  And what are you supposed to do with this alleged beer while you’re dancing? Do you put it down on, like, a coffee table or something? Or do you hold it while you dance? If you’re dancing fast, won’t it spill? />
  And don’t you have to introduce yourself to everyone in the room? Grandmère insists that at parties I make sure I greet every guest personally, shaking their hand and inquiring after their health. Lana didn’t say anything about that.

  Or about the most important thing of all: What are you supposed to do about your bodyguard?

  God. This partying thing is going to be even harder than I thought.

  Thursday, March 4, Geometry

  Something horrible just occurred to me. I mean, something even more horrible than the usual things that occur to me, like that Rocky might be suffering from childhood disintegrative disorder, or that the mole on my right hip is growing and could turn into a two-hundred-pound tumor like the one that grew on that lady I saw on that documentary on the Discovery Health Channel called 200 Pound Tumor.

  And that’s that Lana might be self-actualized.

  Seriously. I mean, that shakedown in the stairwell just now—that was almost a beautiful thing. It was CLASSIC.

  And okay, she did it in a totally underhanded and manipulative way. But she got exactly what she set out to get.

  She CAN’T be self-actualized. I mean, it totally wouldn’t be fair if she were.

  But you can’t deny that she knows how to get what she wants out of life. Whereas I am just floundering around, lying to everyone all the time, and definitely NOT getting what I want.

  I don’t know. I mean, sure, she’s pure unadulterated evil.

  But it’s something to think about.

  Alternate exterior angles—A pair of angles on the outer sides of two lines cut by a transversal, but on opposite sides of the transversal.

  Thursday, March 4, Earth Science

  Just now Kenny asked me if I would recopy our viscosity lab handout. He got Alfredo sauce all over it while filling in the blanks last night during dinner.

  I guess it’s a small price to pay for not actually having to know what viscosity is.

  HOMEWORK

  PE: WASH GYM SHORTS!!!

  U.S. Economics: Questions at end of Chapter 8

  English: Pages 133–154, O Pioneers

  French: Rewrite histoire

  G&T: Cut black velvet knee-length skirt to micromini for party. FIND BERET!!!!

  Geometry: Chapter 17, problems on pages 224–230 Earth Science: Who cares? Kenny will do it.

  Thursday, March 4, the Grand Ballroom, the Plaza

  A lot of people showed up for the Braid! auditions. I mean, a LOT.

  Which is weird when you consider that none of the Drama Club people can even audition for Braid! because they’re too busy rehearsing for Hair.

  Which means that all of the people who showed up today were theater neophytes (which means “beginner or novice,” according to Lilly), like Lilly and Tina and Boris and Ling Su and Perin (but not Shameeka, since she’s only allowed that one extracurricular per semester).

  But Kenny was there, with some of his wonder-geek pals. And Amber Cheeseman, her school uniform sleeves rolled up to show off her apelike forearms.

  Even The Guy Who Hates It When They Put Corn in the Chili showed up.

  Wow. I really had no idea there were so many aspiring thespians at AEHS.

  Although if you think about it, acting is one of the few professions in which you can make a ton of money while having no actual intelligence or talent whatsoever, as many a star has shown us.

  So in that way, you can see why it would be such an appealing career option to so many people.

  Grandmère decided to actually run this as if it were a real audition. She had her maid hand out applications to everyone who walked through the door. We were supposed to fill them out, then stand for a Polaroid taken by Grandmère’s chauffeur, then hand the Polaroid and our application to a tiny, extremely ancient man with huge glasses and an ascot, who was sitting behind a long table set Jennifer-Lopez-in-her-Flashdance-re-creation-video-for-“I’m Glad”-style in the middle of the room. Grandmère sat next to him, with her toy poodle Rommel shivering—in spite of his purple suede bomber jacket—on her lap.

  I went up to her, waving my form and the Number One Noodle Son bag in which I had stowed her birthday gift earlier that day and dragged with me to school.

  “I’m not filling this out,” I informed her, slapping the form down on the table. “Here’s your present. Happy birthday.”

  Grandmère took the bag from me—inside it were the padded satin hangers I had special-ordered from Chanel for her (Whatever. Dad was the one who’d suggested—and paid for—them.), and said, “Thank you. Please be seated, Amelia, dear.”

  I knew the “dear” was entirely for the benefit of the guy sitting next to her—whoever he was—not for me.

  “I can’t believe you’re doing this,” I said to her. “I mean…is this really how you want to spend your birthday?”

  Grandmère just waved me away. “When you’re my age, Amelia,” she said, “age becomes meaningless.”

  Oh, whatever. She’s in her SIXTIES, not her nineties. Instead of satin hangers, I should have gotten her one of those shirts I saw downtown that say DRAMA QUEEN inside the Dairy Queen logo.

  Lilly flagged me down, so I sat with her and Tina and everybody. Right away Lilly was all, “So what’s the deal here, POG? I’m reporting on this for The Atom, so make it good.”

  Lilly always gets the best assignments for the school paper. I have totally sunk to special features—i.e. occasional stories on the school band concert or the library’s most recent acquisitions—since I am too busy with presidential and princess stuff to make a regular deadline.

  “I don’t know,” I said. “I guess I’ll find out when you find out.”

  “Off the record,” Lilly said. “Come on. Who’s the little dude with the glasses?”

  Before she could ask me anything else, though, Grandmère stood up—dumping poor Rommel from her lap to the ballroom floor, where he slid around a bit before finding his footing on the slippery parquet—and said in a deceptively kind voice (deceptive because, of course, Grandmère isn’t kind), as the room fell silent, “Welcome. For those of you who don’t know me, I am Clarisse, Dowager Princess of Genovia. I am very delighted to see so many of you here today for what will prove, I am certain, to be an important and historic moment in the history of Albert Einstein High School, as well as the theatrical world. But before I say more about that, allow me to introduce, without further ado, the much celebrated, world-famous theatrical director, Señor Eduardo Fuentes.”

  Señor Eduardo! No! It can’t be!

  And yet…it was! It was the famous director who had asked Grandmère, all those years before, to come to New York with him and star in an original Broadway production!

  He had to have been in his thirties back then. He’s gotta be about a HUNDRED now. He’s so old, he looks like a cross between Larry King and a raisin.

  Señor Eduardo struggled to rise from his chair, but he was so rickety and frail that he only managed to get about a quarter of the way up before Grandmère pushed him down again impatiently, then went on with her speech. I could practically hear his fragile bones snap under her grip.

  “Señor Eduardo has directed countless plays and musicals on numerous prestigious stages worldwide, including Broadway and London’s West End,” Grandmère informed us. “You should all feel extremely honored at the prospect of working with such an accomplished and revered professional.”

  “Tank you,” Señor Eduardo managed to get in, waving his hands around and blinking in the bright lights from the ballroom ceiling. “I tank you very, very much. It geeves me great pleasure to look out across so many youthful faces, shining with excitement and—”

  But Grandmère wasn’t letting anyone, not even a centenarian world-famous director, steal her show.

  “Ladies and gentlemen,” she cut him off, “you are, as I said, about to audition for an original work that has never been performed before. If you are cast in this piece, you will, in essence, become a part of history. I am especially pleased
about welcoming you here today because the piece you are about to read from was written almost entirely by”—she lowered her false eyelashes modestly—“me.”

  “Oh, this is good,” Lilly said, eagerly jotting stuff down in her reporter’s notebook. “Are you getting this, POG?”

  Oh, I was getting it all right. Grandmère wrote a PLAY? A play she means for us to put on to raise money for AEHS’s senior graduation?

  I am so, so dead.

  “This piece,” Grandmère was going on, holding up a sheaf of papers—the script, apparently—“is a work of complete originality and, I am not embarrassed to say, genius. Braid! is, essentially, a classic love story, about a couple who must overcome extraordinary odds in order to be together. What makes Braid! all the more compelling is that it is based on historical fact. Everything that happens in this piece ACTUALLY HAPPENED IN REAL LIFE. Yes! Braid! is the story of an extraordinary young woman who, though she spent most of her life as a simple commoner, was one day thrust into a role of leadership. Yes, she was asked to assume the throne of a little country you all might have heard of, Genovia. This brave young woman’s name? Why, none other than the great—”

  No. Oh my God, no. For the love of God, no. Grandmère’s written a play about me. About MY LIFE. I AM GOING TO DIE. I AM GOING TO—

  “—Rosagunde.”

  Wait. What? ROSAGUNDE?

  “Yes,” Grandmère went on. “Rosagunde, the current princess of Genovia’s great-great-great-great, and so on grandmother, who exhibited incredible bravery in the face of adversity, and was eventually rewarded for her efforts with the throne of what is today Genovia.”

  Oh. My. God.

  Grandmère’s written a play based on the story of my ancestress, Rosagunde.

  AND SHE WANTS MY SCHOOL TO PUT IT ON.

  IN FRONT OF EVERYONE.

  “Braid! is, at heart, a love story. But the tale of the great Rosagunde is much more than a romance. It is, in fact—” Here, Grandmère paused, as much for dramatic effect as to take a sip from the glass on the table beside her. Water? Or straight vodka? We will never know. Not unless I had gone up there and taken a big swig. “—A MUSICAL.”