Ernestine, Catastrophe Queen

by Merrill Wyatt

  Copyright

  The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.

  Text copyright © 2018 by Merrill Wyatt

  Illustrations copyright © 2018 by Joey Chou

  Autor photograph by LaVonda Josett Johnson

  Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.

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  JIMMY Patterson Books / Little, Brown and Company

  Hachette Book Group

  1290 Avenue of the Americas, New York, NY 10104

  JimmyPatterson.org

  First ebook edition: August 2018

  JIMMY Patterson Books is an imprint of Little, Brown and Company, a division of Hachette Book Group, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group, Inc. The JIMMY Patterson Books® name and logo are trademarks of JBP Business, LLC.

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  ISBN 978-0-316-47157-2

  E3-20180704-JV-PC

  Contents

  Cover

  Title Page

  Copyright

  Dedication

  Foreword

  Chapter One: The Apocalypse Begins, Sort Of

  Chapter Two: Even Zombies Like to Party

  Chapter Three: The Apocalypse Is Put Temporarily on Hold

  Chapter Four: Tidying Up Before the Apocalypse

  Chapter Five: A Little Late-Night Murder

  Chapter Six: Sometimes It Takes More Than One Try to End the World

  Chapter Seven: Zombie Shopping

  Chapter Eight: Lost: One Zombie

  Chapter Nine: When Confronted With a Zombie, Panic

  Chapter Ten: Zombies Found and Lost

  Chapter Eleven: Mice and Missing Children

  Chapter Twelve: In Loving Memory of Fluffy-Wuffy-Kins

  Chapter Thirteen: Zombie Leftovers

  Chapter Fourteen: All’s Well That Ends Well, Unless You’re Dead or in Prison

  Acknowledgments

  About the Author

  Jimmy Patterson Books for Young Readers

  Jimmy Books

  To my parents and grandmother, for reading to me tirelessly as a child & to my daughter, Abigail, for letting me do the same.

  Foreword

  When I first read Ernestine, Catastrophe Queen, I was instantly hooked on its strong, smart heroine. Ernestine is laugh-out-loud funny and totally unforgettable. She likes taking charge and being right—and she usually is. Most important of all, she’ll do whatever it takes to protect her family and friends. She’s a character that every kid can look up to. Ernestine’s story also has an important message: sometimes relying on yourself isn’t as rewarding as relying on others.

  This is a clever, rollicking mystery with a lot of heart, and I hope you love solving it along with your new friend Ernestine.

  —James Patterson

  Chapter One

  The Apocalypse Begins, Sort Of

  MONDAY, 11:58 PM

  The zombie apocalypse was coming.

  Tonight, in fact.

  At least it would if almost-thirteen-year-old Ernestine Verna Montgomery had anything to say about it. In her opinion, it really should have arrived years ago, but that was life for you. Things never did go the way they should. Sometimes, rather than waiting around for the zombie apocalypse to happen all on its own, you had to go ahead and bring the undead back to life yourself. No sense in waiting around for someone else to do it for you.

  Which was why Ernestine was hanging out in the graveyard with her ten-year-old stepbrother, Charleston Wheeler, of course. Why else would anyone hang out in a graveyard at almost midnight on a bitterly cold February night? Or any night, for that matter?

  “So, did you get the chicken blood?” she asked, her pajama-ed posterior slowly going numb through her winter coat. She was sitting on a weathered gravestone, which wasn’t the coziest of places to sit at the best of times. On her lap she held a very thick, very battered notebook in which she kept track of all the bits and pieces of arcane zombie lore she’d picked up over the years from comic books, horror movies, and some very strange websites.

  “Sorta.” Charleston pulled out a plastic-wrapped package of chicken drumsticks. “Turns out you can’t just go to the grocery store and buy a can of the stuff. But these are chicken body parts, so they’ve gotta have blood in them. I mean, body parts are full of blood, right?”

  “I’m not sure.” Ernestine squinted down at her notebook for confirmation of this new theory while wishing she’d brought a flashlight. The street was only a few yards away, so she’d thought there’d be plenty of city light to see by. However, she hadn’t taken into consideration all the trees, whose skeletal branches wove together to form a delightfully creepy barrier. Ernestine approved of the haunted-forest ambiance it lent to the haunted-cemetery vibe but had to admit the crumbling tombstones and mausoleums could definitely use some mood lighting. Again, that was life for you. The universe never set the stage properly. “Couldn’t you have gotten a live chicken?”

  “I dunno. It’s not like you can pick one up off the shelf next to the cereal.”

  “Did you try that market over on Bancroft near Ottawa Park? The one where Mr. Talmadge says you don’t want to ask any questions about where the venison comes from?”

  “Look, you want live chickens, you do the shopping. This was the best I could do.” Charleston pushed his silver-rimmed glasses back up his nose as he thought over what she’d just said. “Hey! I’m not murdering a live chicken!”

  “Who said anything about murdering it? It’s not like we need all of its blood. It can keep most of it. We could’ve just—you know—poked it or something. It’d be like donating blood.”

  Charleston’s breath puffed out like a ghost in the frigid night air. He stomped his feet on the ground to warm them. “Yeah, but I’m not sure the chicken would have liked it.”

  “Charleston.” Sighing, Ernestine laid her pencil in her notebook to mark her place before shutting it. “We are not here to protect poultry rights. We are here to start the zombie apocalypse.”

  “Then why do we even need a chicken? It’s human brains zombies eat, not chicken brains!”

  “Only if they haven’t taken simple, sensible precautions,” Ernestine pointed out, hefting her baseball bat onto the tombstone so it would be handy if she needed to bash in some undead heads. Then she opened up her notebook and carefully crossed chicken and bat off her list of items required for the apocalypse. “The humans, I mean. Not the chickens. I’m not sure chickens know how to take precautions.”

  “Good point.” Charleston fixed his glasses again. They were always slipping down his nose because, like everything they owned, they’d been purchased secondhand. Though a little more than two years younger than Ernestine, Charleston was quite a bit smaller, only coming up to her shoulder even when she wasn’t perched on top of a tombstone. He was really skinny, too, just like his dad, Ernestine’s new stepfather, Frank. A snub-nosed face peered out from beneath a lot of shaggy blond hair, while his glasses mag
nified an already enormous pair of blue eyes almost to the point of transforming him into an anime character.

  They weren’t related, so Ernestine didn’t look at all like her stepbrother, of course. A tall girl, she was one-fourth African American, and her biracial heritage showed in the golden-brown hue of her skin and hair. Her eyes were gray, which Ernestine always thought was an indecisive color. Meanwhile, her hair couldn’t decide if it wanted to be kinky or straight, so it compromised by sort of doing both and sort of doing neither. Her hair and eyes might be indecisive but the rest of Ernestine most definitely was not.

  When Charleston saw her take out her baseball bat, he picked his up, too. No doubt he figured that if Ernestine needed hers, the zombie hordes were scheduled to arrive at any moment. If there was one thing she’d taught him in the six months since Frank married Maya, her mom, it was that you never knew when you might need to beat something’s brains out. Best to always be prepared.

  The zombie they were planning on raising was from the grave of one Herbert Edward McGovern, born 1940 and died 1977. Ernestine would have preferred a fresher grave because, really, how much damage could a decades-old corpse do? It would probably spend all of its time trying to make sure its head didn’t fall off or forgetting where it had left its ears. Or maybe being embarrassed that its clothes had all decayed away a long time ago. Even a zombie probably didn’t want to be naked and undead in the city. What would people say?

  Unfortunately, that was the newest grave in the long-abandoned cemetery. It sat plunk in the middle of the city’s Old West End, right across the street from the crumbling mansion known as MacGillicuddie House for Elderly and Retired Artists, Both Performing and Otherwise. That was the apartment building where their parents supposedly did the maintenance. The minute they had moved in, Ernestine had known it was destiny. She’d been looking for a handy place to start the apocalypse for some time now, and here the universe just went and handed her hundreds of perfectly good dead bodies nobody else was using. It was definitely Meant to Be.

  So what if most of the corpses were all about a hundred years old and probably no more than a bunch of mildew-y old bones? If you were going to start an apocalypse, you had to begin somewhere. Ernestine could move on to fresher corpses once she got the hang of things.

  “Okay, we’ve got chicken blood, more or less. And salt.” After rummaging about in her backpack, Ernestine set the canister of Morton salt up on the stone. “Now, we just need some grave mold.”

  Charleston wrinkled his nose at all of the weathered stones. “Looks pretty moldy around here to me.”

  “Yeah, but it’s all frozen.” Maybe they should have waited until spring to start the apocalypse, but really, what else are you going to do in the middle of a boring February without much snow? Sledding was out and so was building snowmen and having snowball fights. You could either watch TV or raise an undead army. That was pretty much it.

  “But that’s good,” Charleston argued. “If the zombie is frozen, it’ll be fresher. You know, like sticking stuff in the freezer. Like peas or green beans.”

  Ernestine mulled that one over while Charleston continued to hop up and down to keep his feet warm. He also took a few practice swings with his baseball bat at imaginary zombies.

  “Good point. All right, the only other thing we need is human blood.” Hopping down, Ernestine pulled an enormous carving knife out of her backpack.

  “Hey, whoa! You’re not sacrificing me!” Charleston protectively lifted up his baseball bat, more bug-eyed than ever behind his glasses.

  “Don’t be ridiculous. Of course I’m not sacrificing you. I just need a little bit of your blood. It’ll be just like a pinprick. Only, you know, bigger.” Ernestine took a step toward him, but Charleston ran around to the other side of the gravestone.

  “You can’t have any of it!” he protested as the two of them danced around and around the stone.

  “Stay still, you big baby!”

  “You touch me with that, and I’m telling Dad that you tried to murder me!”

  “I’m not trying to murder you, I’m trying to assault you. It’s totally different; ask any prosecutor. Now, stay still!” Ernestine dodged a swing of the bat and pounced on Charleston, knocking him to the ground. Knife and baseball bat discarded, the two of them grappled for a minute before Charleston managed to wriggle out from underneath her.

  “You can’t have any of my blood!” he shouted loud enough to wake the dead. “I’m using all of it! Every last drop.”

  “Fine,” she huffed. “We’ll use my blood, and you can handle the gross, disgusting, slimy chicken parts that are probably covered in salmonella if you’d rather die a horrible, lingering death from a bacterial infection instead of getting your finger nicked, you big baby.”

  “I would, thanks.” Charleston tore the plastic wrap off the package of chicken. The drumsticks slid out of the Styrofoam tray and glopped wetly onto the grave. “Blech.”

  “Just remember to grab them after the zombie claws its way out of the ground. We can use them for supper tomorrow night.” As the only responsible, sensible member of the family, the grocery budget usually fell to Ernestine.

  “Don’t use all the salt. We’ll need some of that for supper, too,” advised Charleston as she poured a ring of it around herself. He usually cooked the dinner, which was good since Ernestine had no time for that sort of thing when she had much more interesting things to be doing. Like raising the dead, who weren’t all that particular about what they were served as long as human brains were included. “What’s the salt for, anyhow?”

  “The evil undead can’t pass over it,” Ernestine explained knowledgably, getting ready to cut her finger with the carving knife. “That way, the zombie can’t grab me and suck my brains out once it’s risen from the grave.”

  “Oh.” Charleston looked blank for a moment, an expression almost immediately replaced by panic. “Hey, whoa! I’m not staying out here so it can chew on my brain, either!”

  He hopped over the circle of salt and clung to Ernestine’s back like a monkey, almost knocking her over.

  “Don’t be such a scaredy baby! Why do you think I told you to bring a baseball bat? You’ll be fine.”

  “Yeah, as long as I stay inside the salt circle with you.” Charleston clung all the tighter to the back of her coat, making it rather difficult to wield the carving knife. Ernestine stood up on tiptoes to make enough room for them both. “By the way, it’s midnight. I just checked my watch.”

  “Okay, let go of my elbow, will you?” Ernestine managed to shake him off enough to raise the knife and jam its tip into her finger. “Ack! That hurt.”

  “Told you.”

  Several drops of blood splashed onto the frozen ground. Ernestine lifted her arms, knife still in hand, and faced the moon. Well, technically it was the streetlight over by the MacGillicuddie House, but close enough.

  Clearing her throat, Ernestine chanted, “Quantum materiae materietur marmota monax si marmota monax materiam possit materiari! Quantum materiae materietur marmota monax si marmota monax materiam possit materiari! Quantum materiae materietur marmota monax si marmota monax materiam possit materiari!”

  “What’s that mean?” Charleston whispered in awe when she stopped to take a breath.

  “I dunno. Something Latin I found online.” Ernestine shrugged. “It doesn’t really matter. See, everybody knows Latin is a dead language, and zombies are dead, too, right? You’ve got to use a dead language to summon the dead. It’s the only way they’ll understand what you’re saying.”

  “Oh.” Charleston nodded. “That makes sense.”

  After that, they were both quiet for a while, breathing in the night air and waiting for the zombie to claw its way up out of the earth. Far away, they could hear the sounds of the freeway. From closer by came the tinkling music and laughter of a party in full swing over at MacGillicuddie House for Retired Artists, Both Performing and Otherwise. There should have been a few ghosts stirring about,
moaning and making other ghastly noises in the surrounding abandoned mansions, but if any were awake, they were too scared of the hipsters slowly invading the neighborhood to call attention to themselves.

  Finally, Charleston asked, “How long do you suppose it’s gonna take?”

  “I don’t know,” Ernestine admitted, teeth chattering in the cold. Now she was actually grateful to have her stepbrother burrowed up against her like a frightened bunny since he was at least a warm frightened bunny. “I’ve never dug my way up out of a grave before. But the ground is frozen, and I bet they didn’t bury him with a pickaxe or anything. Most people never have any foresight. When I die, I’m leaving specific instructions in my will to bury me with a cell phone and a shovel.”

  Just then, something made a very loud metallic CLANG on the other side of the street over by MacGillicuddie House. Charleston yelped and tried to climb up onto Ernestine’s shoulders in fright, knocking her out of the salt circle and onto her knees.

  “It’s over there!” he shouted, pointing toward the enormous brick and wrought-iron fence that ran all around MacGillicuddie House’s vast yard. “It just went in the front gate! I can see it moving!”

  “Get off!” Ernestine wiggled him off her back and into a frosty clump of grass. Getting to her feet, she quickly stuffed all her zombie-raising paraphernalia into her backpack. “That can’t be our zombie. It couldn’t climb out of the ground without us seeing it.”

  “Well, it’s somebody’s zombie ’cause there’s definitely something over there!”

  “That’s probably just a guest going to Mrs. MacGillicuddie’s party.”

  “It wasn’t! I know it wasn’t!”

  Ernestine looked uncertainly from Herbert’s grave to the wide-open gate across the street. She hated to leave a job unfinished. What if whatever was in the garden was just a drunken guest of one of the artists in residence over at MacGillicuddie House? What if her zombie finally sprouted up out of the grave, only to find nothing to eat?

  “Ernestine.” Charleston scrambled to his feet and tugged at her coat sleeve.