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by Nicholls, David




  Table of Contents

  Title Page

  Copyright

  Dedication

  Epigraph

  Book One: The Grand Tour

  Part One: England

  Part Two: France

  Part Three: The Low Countries

  Part Four: Germany

  Book Two: The Renaissance

  Part Five: Venice and the Veneto

  Part Six: Tuscany

  Part Seven: Madrid

  Part Eight: Barcelona

  Part Nine: England, Again

  Acknowledgements

  About the Author

  Also by David Nicholls

  Follow the Journey of US

  I Need Some Fresh Air

  www.hodder.co.uk

  First published in Great Britain in 2014 by Hodder & Stoughton

  An Hachette UK company

  Copyright © David Nicholls 2014

  The right of David Nicholls to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.

  All rights reserved.

  No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser.

  All characters in this publication are fictitious and any resemblance to real persons, living or dead is purely coincidental.

  A CIP catalogue record for this title is available from the British Library

  ISBN 978 1 444 70919 3

  Hodder & Stoughton Ltd

  338 Euston Road

  London NW1 3BH

  www.hodder.co.uk

  In memory of my father, Alan Fred Nicholls

  Thou only hast taught me that I have a heart – thou only hast thrown a light deep downward and upward into my soul. Thou only hast revealed me to myself; for without thy aid my best knowledge of myself would have been merely to know my own shadow – to watch it flickering on the wall, and mistake its fantasies for my own real actions …

  Now, dearest, dost thou understand what thou hast done for me? And is it not a somewhat fearful thought, that a few slight circumstances might have prevented us from meeting?

  Nathaniel Hawthorne, a letter to Sophia Peabody

  4 October 1840

  BOOK ONE

  the grand tour

  part one

  ENGLAND

  –

  The sweet habit of each other had begun to put lines around her mouth, lines that looked like quotation marks – as if everything she said had been said before.

  Lorrie Moore, Agnes of Iowa

  1. the burglars

  Last summer, a short time before my son was due to leave home for college, my wife woke me in the middle of the night.

  At first I thought she was shaking me because of burglars. Since moving to the country my wife had developed a tendency to jerk awake at every creak and groan and rustle. I’d try to reassure her. It’s the radiators, I’d say; it’s the joists contracting or expanding; it’s foxes. Yes, foxes taking the laptop, she’d say, foxes taking the keys to the car, and we’d lie and listen some more. There was always the ‘panic button’ by the side of our bed, but I could never imagine pressing it in case the alarm disturbed someone – say, a burglar for instance.

  I am not a particularly courageous man, not physically imposing, but on this particular night I noted the time – a little after four – sighed, yawned and went downstairs. I stepped over our useless dog, padded from room to room, checked windows and doors then climbed the stairs once more.

  ‘Everything’s fine,’ I said. ‘Probably just air in the water pipes.’

  ‘What are you talking about?’ said Connie, sitting up now.

  ‘It’s fine. No sign of burglars.’

  ‘I didn’t say anything about burglars. I said I think our marriage has run its course. Douglas, I think I want to leave you.’

  I sat for a moment on the edge of our bed.

  ‘Well at least it’s not burglars,’ I said, though neither of us smiled and we did not get back to sleep that night.

  2. douglas timothy petersen

  Our son Albie would be leaving the family home in October and all too soon afterwards so would my wife. The events seemed so closely linked that I couldn’t help thinking that if Albie had flunked his exams and been obliged to retake, we might have had another good year of marriage.

  But before I say any more about this and the other events that took place during that particular summer, I should tell you a little about myself and paint some sort of ‘portrait in words’. It shouldn’t take long. My name is Douglas Petersen and I am fifty-four years old. You see that intriguing final ‘e’ in the Petersen? I’m told it’s the legacy of some Scandinavian heritage, some great-grandfather, though I have never been to and have no interesting stories to tell about Scandinavia. Traditionally, Scandinavians are a fair, handsome, hearty and uninhibited people and I am none of those things. I am English. My parents, both deceased now, raised me in Ipswich; my father a doctor, my mother a teacher of biology. ‘Douglas’ came from her nostalgic affection for Douglas Fairbanks, the Hollywood idol, so there’s another red herring right there. Attempts have been made over the years to refer to me as ‘Doug’ or ‘Dougie’ or ‘Doogie’. My sister, Karen, self-proclaimed possessor of the Petersen’s sole ‘big personality’, calls me ‘D’, ‘Big D’, ‘the D-ster’ or ‘Professor D’ – which, she says, would be my name in prison – but none of these have stuck and I remain Douglas. My middle name, incidentally, is Timothy, but it’s not a name that serves anyone particularly well. Douglas Timothy Petersen. I am, by training, a biochemist.

  Appearance. My wife, when we first met and felt compelled to talk constantly about each other’s faces and personalities and what we loved about each other and all of that routine, once told me that I had a ‘perfectly fine face’ and, seeing my disappointment, quickly added that I had ‘really kind eyes’, whatever that meant. And it’s true, I have a perfectly fine face, eyes that may well be ‘kind’ but are also the brownest of browns, a reasonable-sized nose and the kind of smile that causes photographs to be thrown away. What can I add? Once, at a dinner party, the conversation turned to ‘who would play you in the film of your life?’ There was a lot of fun and laughter as comparisons were made to various film stars and television personalities. Connie, my wife, was likened to an obscure European actress, and while she protested – ‘she’s far too glamorous and beautiful’, etc. – I could tell that she was flattered. The game continued, but when it came to my turn a silence fell. Guests sipped their wine and tapped their chins. We all became aware of the background music. It seemed that I resembled no famous or distinctive person in the entire history of the world – meaning, I suppose, that I was either unique or the exact opposite. ‘Who wants cheese?’ said the host, and we moved quickly on to the relative merits of Corsica versus Sardinia, or something or other.

  Anyway. I am fifty-four years old – did I say that? – and have one son, Albie, nicknamed ‘Egg’, to whom I am devoted but who sometimes regards me with a pure and concentrated disdain, filling me with so much sadness and regret that I can barely speak.

  So it’s a small family, somewhat meagre, and I think we each of us feel sometimes that it is a little too small, and each wish there was someone else there to absorb some of the blows. Connie and I also had a daughter, Jane, but she died soon after she was born.

  3. the parabola

  There is, I believe, a received notion that, up to a certain point, men get better-looking with age. If so, then I’m beginning my descent of that particular p
arabola. ‘Moisturise!’ Connie used to say when we first met, but I was no more likely to do this than tattoo my neck and consequently I now have the complexion of Jabba the Hutt. I’ve looked foolish in a T-shirt for some years now but, health-wise, I try to keep in shape. I eat carefully to avoid the fate of my father, who died of a heart attack earlier than seemed right. His heart ‘basically exploded’ said the doctor – with inappropriate relish, I felt – and consequently I jog sporadically and self-consciously, unsure of what to do with my hands. Put them behind my back, perhaps. I used to enjoy playing badminton with Connie, though she had a tendency to giggle and fool about, finding the game ‘a bit silly’. It’s a common prejudice. Badminton lacks the young-executive swagger of squash or the romance of tennis, but it remains the world’s most popular racket sport and its best practitioners are world-class athletes with killer instincts. ‘A shuttlecock can travel at up to 220 miles an hour,’ I’d tell Connie, as she stood doubled over at the net. ‘Stop. Laughing!’ ‘But it’s got feathers,’ she’d say, ‘and I feel embarrassed, swatting at this thing with feathers. It’s like we’re trying to kill this finch,’ and then she’d laugh again.

  What else? For my fiftieth birthday Connie bought me a beautiful racing bike that I sometimes ride along the leafy lanes, noting nature’s symphony and imagining what a collision with an HGV would do to my body. For my fifty-first, it was running gear, for my fifty-second, an ear- and nasal-hair trimmer, an object that continues both to appal and fascinate me, snickering away deep in my skull like a tiny lawnmower. The subtext of all these gifts was the same: do not stay still, try not to grow old, don’t take anything for granted.

  Nevertheless, there’s no denying it; I am now middle-aged. I sit to put on socks, make a noise when I stand and have developed an unnerving awareness of my prostate gland, like a walnut clenched between my buttocks. I had always been led to believe that ageing was a slow and gradual process, the creep of a glacier. Now I realise that it happens in a rush, like snow falling off a roof.

  By contrast, my wife at fifty-two years old seems to me just as attractive as the day I first met her. If I were to say this out loud, she would say, ‘Douglas, that’s just a line. No one prefers wrinkles, no one prefers grey.’ To which I’d reply, ‘But none of this is a surprise. I’ve been expecting to watch you grow older ever since we met. Why should it trouble me? It’s the face itself that I love, not that face at twenty-eight or thirty-four or forty-three. It’s that face.’

  Perhaps she would have liked to hear this but I had never got around to saying it out loud. I had always presumed there would be time and now, sitting on the edge of the bed at four a.m., no longer listening out for burglars, it seemed that it might be too late.

  ‘How long have you—?’

  ‘A while now.’

  ‘So when will you—?’

  ‘I don’t know. Not any time soon, not until after Albie’s left home. After the summer. Autumn, the new year?’

  Finally: ‘Can I ask why?’

  4. b.c. and a.c.

  For the question, and the ultimate answer, to make sense, some context might be necessary. Instinctively, I feel my life could be divided into two distinct parts – Before Connie and After Connie, and before I turn in detail to what happened that summer, it might be useful to give an account of how we met. This is a love story, after all. Certainly love comes into it.

  5. the other ‘l’ word

  ‘Lonely’ is a troubling word and not one to be tossed around lightly. It makes people uncomfortable, summoning up as it does all kinds of harsher adjectives, like ‘sad’ or ‘strange’. I have always been well liked, I think, always well regarded and respected, but having few enemies is not the same as having many friends, and there was no denying that I was, if not ‘lonely’, more solitary than I’d hoped to be at that time.

  For most people, their twenties represent some kind of high-water mark of gregariousness, as they embark on adventures in the real world, find a career, lead active and exciting social lives, fall in love, splash around in sex and drugs. I was aware of this going on around me. I knew about the nightclubs and the gallery openings, the gigs and the demonstrations; I noted the hangovers, the same clothes worn to work on consecutive days, the kisses on the tube and the tears in the canteen, but I observed it all as if through reinforced glass. I’m thinking specifically of the late eighties, which, for all their hardship and turmoil, seemed like a rather exciting time. Walls were coming down, both literally and figuratively; the political faces were changing. I hesitate to call it a revolution or portray it as some new dawn – there were wars in Europe and the Middle East, riots and economic turmoil – but there was at least a sense of unpredictability, a sense of change. I remember reading a great deal about a Second Summer of Love in the colour supplements. Too young for the First, I was completing my PhD – on Protein-RNA interactions and protein folding during translation – throughout the Second. ‘The only acid in this house,’ I was fond of saying around the lab, ‘is deoxyribonucleic acid’ – a joke that never quite got the acclaim it deserved.

  Still, as the decade drew to a close things were clearly happening, albeit elsewhere and to other people, and I quietly wondered if a change was due in my life, too, and how I might bring that about.

  6. drosophila melanogaster

  The Berlin Wall was still standing when I moved to Balham. Approaching thirty, I was a doctor of biochemistry living in a small, semi-furnished, heavily mortgaged flat off the High Road, consumed by work and negative equity. I spent weekdays and much of the weekends studying the common fruit fly, Drosophila melanogaster, for my first post-doc, specifically using mutagens in classical forward genetic screens. Those were exciting times in Drosophila studies, developing the tools to read and manipulate the genomes of organisms and, professionally if not personally, this was something of a golden period for me.

  I rarely encounter a fruit fly now, outside of a bowl of fruit. These days I work in the private, commercial sector – ‘the evil corporation’, my son calls it – as Head of Research and Development, a rather grand title but one that means I no longer experience the freedom and excitement of fundamental science. These days my position is organisational, strategical, words like that. We fund university research in order to make the most of academic expertise, innovation and enthusiasm, but everything must be ‘translational’ now; there must be some practical application. I enjoy the work, am good at it and I still visit labs, but now I am employed to co-ordinate and manage younger people who do the work that I used to do. I am not some corporate monster; I am good at my job and it has brought success and security. But it doesn’t thrill me like it used to.

  Because it was thrilling, to be working all those hours with a small group of committed, impassioned people. Science seemed exhilarating to me then, inspiring and essential. Twenty years on, those experiments on fruit flies would lead to medical innovations that we could never have imagined, but at the time we were motivated by pure curiosity, almost by a sense of play. It was just terrific fun, and it would not be an exaggeration to say that I loved my subject.

  That’s not to say there wasn’t a great deal of mundane graft involved, too; computers were temperamental and rudimentary, barely more than unwieldy calculators and considerably less powerful than the phone in my pocket now, and data input was exhausting and laborious. And while the common fruit fly has a great deal in its favour as an experimental organism – fecundity, a short breeding cycle, distinctive morphology – it has little in the way of personality. We kept one as a pet in our lab’s insectory, in its own special jar with a tiny rug and doll’s house furniture, replacing it at the end of each life cycle. Though it’s tricky to sex a fruit fly, we called him/her Bruce. Allow this to stand as the archetypal example of Biochemist Humour.

  Such small diversions were necessary because anaesthetising a population of Drosophila, then examining them one by one with a fine brush and a microscope, looking for tiny changes in eye pigmentat
ion or wing shape, is frankly mind-numbing. It’s a little like embarking on an immense jigsaw. To begin with you think ‘this will be fun’ and you put on the radio and make a pot of tea, before realising that there are far too many pieces, nearly all of them sky.

  Consequently I was far too tired to go to my sister’s party on that Friday night. And not just tired, I was wary too, for a number of good reasons.

  7. the matchmaker

  I was wary of my sister’s cooking, which invariably consisted of a tubular pasta and economy cheese, charred black on the surface, with either tinned tuna or lardy mince lurking beneath the molten crust. I was wary because parties, and dinner parties in particular, had always seemed to be a pitiless form of gladiatorial combat, with laurel garlands bestowed to the most witty, successful and attractive, and the corpses of the defeated lying bleeding on the painted floorboards. The pressure to be one’s best self in such circumstances I found paralysing, and still do, yet my sister insisted on forcing me into the arena again and again.

  ‘You can’t stay at home for the rest of your life, D.’

  ‘I don’t stay at home, I’m hardly here …’

  ‘Sat in that misery hole, all by yourself.’

  ‘It’s not a … I’m perfectly happy by myself, Karen.’

  ‘You’re not happy! You’re not! How can you be happy, D? You’re not happy! You are not!’

  And it was true that there was not a great deal of glee before that February night, little cause for fireworks or the punching of air. I liked my colleagues, they liked me, but for the most part, I would say goodbye to Security Steve on a Saturday afternoon then not speak until my lips parted with an audible pop on the Monday morning as I greeted him hello. ‘Good weekend, Douglas?’ he’d ask. ‘Oh, quiet, Steve, very quiet.’ Still, there was pleasure and satisfaction in my work, a pub quiz once a month, the pint with my colleagues on a Friday night, and if I did occasionally suspect something was missing, well – didn’t everyone?

 

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