Philip Van Doren Stern (ed)

by Travelers In Time

"To Noah and his sons with him God spake, and thus said He: A cov'nant set I up with you And your posterity—"

  It was Bligh again, wandering somewhere in the waist. Abel Keeling's mind was once more a blank. Then slowly, slowly, as the water drops collected on the collar of rope, his thought took shape again:

  A galliasse? No, not a galliasse. The galliasse made shift to be two things, and was neither. This ship, that the hand of man should one day make for the Hand of God to manage, should be a ship that should take and conserve the force of the wind, take it and store it as she stored her victuals; at rest when she wished, going ahead when she wished; turning the forces both of calm and storm against themselves. For, of course, her force must be wind—stored wind—a bag of the winds, as the children's tale had it—wind probably directed upon the water astern, driving it away and urging forward the ship, acting by reaction. She would have a wind-chamber, into which wind would be pumped with pumps. . . . Bligh would call that equally the Hand of God, this driving force of the ship of the future that Abel Keeling dimly fore-shadowed as he lay between the mainmast and the belfry, turning his eyes now and then from the ashy white timbers to the vivid green bronze-rust of the bell above him. . . .

  Bligh's face, liver-coloured with the sun and ravaged from inwards by the faith that consumed him, appeared at the head of the quarterdeck steps. His voice beat uncontrolledly out.

  "And in the earth here is no place Of refuge to be found, Nor in the deep and water-course That passeth under ground—"

  2

  Bligh's eyes were lidded, as if in contemplation of his inner ecstasy. His head was thrown back, and his brows worked up and down tor-mentedly. His wide mouth remained open as his hymn was suddenly interrupted on the long-drawn note. From somewhere in the shimmering mists the note was taken up, and there drummed and rang and reverberated through the strait a windy, hoarse, and dismal bellow, alarming and sustained. A tremor rang through Bligh. Moving like a sightless man, he stumbled forward from the head of the quarter-deck steps, and Abel Keeling was aware of his gaunt figure behind him, taller for the steepness of the deck. As that vast empty sound died away, Bligh laughed in his mania.

  "Lord, hath the grave's wide mouth a tongue to praise Thee? Lo,

  again---- "

  Again the cavernous sound possessed the air, louder and nearer.

  Through it came another sound, a slow throb, throb—throb, throb

  Again the sounds ceased.

  "Even Leviathan lifted up his voice in praise!" Bligh sobbed.

  Abel Keeling did not raise his head. There had returned to him the memory of that day when, before the morning mists had lifted from the strait, he had emptied the pipkin of the water that was the allowance until night should fall again. During that agony of thirst he had seen shapes and heard sounds with other than his mortal eyes and ears, and even in the moments that had alternated with his lightness, when he had known these to be hallucinations, they had come again. He had heard the bells on a Sunday in his own Kentish home, the calling of children at play, the unconcerned singing of men at their daily labour, and the laughter and gossip of the women as they had spread the linen on the hedge or distributed bread upon the platters. These voices had rung in his brain, interrupted now and then by the groans of Bligh and of two other men who had been alive then. Some of the voices he had heard had been silent on earth this many a long year, but Abel Keeling, thirst-tortured, had heard them, even as he was now hearing that vacant moaning with the intermittent throbbing that filled the strait with alarm. . . .

  "Praise Him, praise Him, praise Him!" Bligh was calling deliriously.

  Then a bell seemed to sound in Abel Keeling's ears, and, as if something in the mechanism of his brain had slipped, another picture rose in his fancy—the scene when the Mary of the Tower had put out, to a bravery of swinging bells and shrill fifes and valiant trumpets. She had not been a leper-white galleon then. The scroll-work on her prow had twinkled with gilding; her belfry and stern-galleries and elaborate lanterns had flashed in the sun with gold; and her fighting-tops and the warpavesse about her waist had been gay with painted coats and scutcheons. To her sails had been stitched gaudy ramping lions of scarlet say, and from her mainyard, now dipping in the water, had hung the broad two-tailed pennant with the Virgin and Child embroidered upon it. . . .

  Then suddenly a voice about him seemed to be saying, "And a half-

  seven—and a half-seven--- " and in a twink the picture in Abel

  Keeling's brain changed again. He was at home again, instructing his son, young Abel, in the casting of the lead from the skiff they had pulled out of the harbour.

  "And a half-seven/" the boy seemed to be calling.

  Abel Keeling's blackened lips muttered: "Excellently well cast, Abel, excellently well cast!"

  "And a half-seven—and a half-seven—seven—seven "

  "Ah," Abel Keeling murmured, "that last was not a clear cast—give me the line—thus it should go . . . ay, so. . . . Soon you shall sail the seas with me in the Mary of the Tower. You are already perfect in the stars and the motions of the planets; to-morrow I will instruct you in the use of the backstaff. . . ."

  For a minute or two he continued to mutter; then he dozed. When again he came to semi-consciousness it was once more to the sound of bells, at first faint, then louder, and finally becoming a noisy clamour immediately above his head. It was Bligh. Bligh, in a fresh attack of delirium, had seized the bell-lanyard and was ringing the bell insanely. The cord broke in his fingers, but he thrust at the bell with his hand, and again called aloud.

  "Upon an harp and an instrument of ten strings ... let Heaven and Earth praise Thy Name! . . ."

  He continued to call aloud, and to beat on the bronze-rusted bell.

  "Ship ahoy.' What ship's that?"

  One would have said that a veritable hail had come out of the mists; but Abel Keeling knew those hails that came out of mists. They came from ships which were not there. "Ay, ay, keep a good look-out, and have a care to your lode-manage," he muttered again to his son. . . .

  But, as sometimes a sleeper sits up in his dream, or rises from his couch and walks, so all of a sudden Abel Keeling found himself on his hands and knees on the deck, looking back over his shoulder. In some deep-seated region of his consciousness he was dimly aware that the cant of the deck had become more perilous, but his brain received the intelligence and forgot it again. He was looking out into the bright and baffling mists. The buckler of the sun was of a more ardent silver; the sea below it was lost in brilliant evaporation; and between them, suspended in the haze, no more substantial than the vague darknesses that float before dazzled eyes, a pyramidal phantom-shape hung. Abel Keeling passed his hand over his eyes, but when he removed it the shape was still there, gliding slowly towards the Mary's quarter. Its form changed as he watched it. The spirit-grey shape that had been a pyramid seemed to dissolve into four upright members, slightly graduated in tallness, that nearest the Mary's stern the tallest and that to the left the lowest. It might have been the shadow of the gigantic set

  of reed-pipes on which that vacant mournful note had been sounded. And as he looked, with fooled eyes, again his ears became fooled: "Ahoy there.' What ship's that? Are you a ship? . . . Here, give mc

  that trumpet----- " Then a metallic barking. "Ahoy there/ What the

  devil are you? Didn't you ring a bell? Ring it again, or blow a blast or something, and go dead slow!"

  All this came, as it were, indistinctly, and through a sort of high singing in Abel Keeling's own ears. Then he fancied a short bewildered laugh, followed by a colloquy from somewhere between sea and sky.

  "Here, Ward, just pinch me, will you? Tell me what you see there. J want to know if I'm awake." "See where?"

  "There, on the starboard bow. (Stop that ventilating fan; I can't hear myself think.) See anything? Don't tell me it's that damned Dutchman—don't pitch me that old Vanderdecken tale—give me an easy one Eist, something about a sea-serpent. . . . Yo
u did hear that bell, didn't you?"

  "Shut up a minute—listen---- "

  Again Bligh's voice was lifted up.

  "This is the cov'nant that I make: From henceforth nevermore Will I again the world destroy With water, as before."

  Bligh's voice died away again in Abel Keeling's ears.

  "Oh—my—fat—Aunt—Julia!" the voice that seemed to come from between sea and sky sounded again. Then it spoke more loudly. "I say," it began with careful politeness, "if you are a ship, do you mind telling us where the masquerade is to be? Our wireless is out of order, and we hadn't heard of it. . . . Oh, you do see it, Ward, don't you? . . . Please, please tell us what the hell you are/"

  Again Abel Keeling had moved as a sleep-walker moves. He had raised himself up by the belfry timbers, and Bligh had sunk in a heap on the deck. Abel Keeling's movement overturned the pipkin, which raced the little trickle of its contents down the deck and lodged where the still and brimming sea made, as it were, a chain with the carved balustrade of the quarter-deck—one link a still gleaming edge, then a dark baluster, and then another gleaming link. For one moment only Abel Keeling found himself noticing that that which had driven Bligh aft had been the rising of the water in the waist as the galleon settled by the head—the waist was now entirely submerged; then once more he was absorbed in his dream, its voices, and its shape in the mist, which had again taken the form of a pyramid before his eyeballs.

  "Of course," a voice seemed to be complaining anew, and still through that confused dinning in Abel Keeling's ears, "we can't turn a four-inch on it. . . . And, of course, Ward, J don't believe in 'em. D'you hear, Ward? I don't believe in 'em, I say. . . . Shall we call down to old A.B.? This might interest His Scientific Skipper-ship. . . ."

  "Oh, lower a boat and pull out to it—into it—over it—through

  it----- "

  "Look at our chaps crowded on the barbette yonder. They've seen it. Better not give an order you know won't he obeyed. . . ."

  Abel Keeling, cramped against the antique belfry, had begun to find his dream interesting. For, though he did not know her build, that mirage was in the shape of a ship. No doubt it was projected from his brooding on ships of half an hour before; and that was odd. . . . But perhaps, after all, it was not very odd. He knew that she did not really exist; only the appearance of her existed; but things had to exist like that before they really existed. Before the Mary of the Tower had existed she had been a shape in some man's imagination; before that, some dreamer had dreamed the form of a ship with oars; and before that, far away in the dawn and infancy of the world, some seer had seen in a vision the raft before man had ventured to push out over the water on his two planks. And since this shape that rode before Abel Keeling's eyes was a shape in his, Abel Keeling's dream, he, Abel Keeling, was the master of it. His own brooding brain had contrived her, and she was launched upon the illimitable ocean of his own mind. . . .

  "And I will not unmindful be Of this, My cov'nant, passed Twixt Me and you and every flesh Whiles that the world should last,"

  sang Bligh, rapt. . . .

  But as a dreamer, even in his dreams, will scratch upon the wall by his couch some key or word to put him in mind of his vision on the morrow when it has left him, so Abel Keeling found himself seeking some sign to be a proof to those to whom no vision is vouchsafed. Even Bligh sought that—could not be silent in his bliss, but lay on the deck there, uttering great passionate Amens and praising his Maker, as he said, upon an harp and an instrument of ten strings. So with Abel Keeling. It would be the Amen of his life to have praised God, not upon a harp, but upon a ship that should carry her own power, that should store wind or its equivalent as she stored her victuals, that should be something wrested from the chaos of uninven-tion and ordered and disciplined and subordinated to Abel Keeling's will. . . . And there she was, that ship-shaped thing of spirit-grey, with the four pipes that resembled a phantom organ now broadside and of equal length. And the ghost-crew of that ship were speaking again. . . .

  The interrupted silver chain by the quarter-deck balustrade had now become continuous, and the balusters made a herring-bone over their own motionless reflections. The spilt water from the pipkin had dried, and the pipkin was not to be seen. Abel Keeling stood beside the mast, erect as God made man to go. With his leathery hand he smote upon the bell. He waited for the space of a minute, and then cried:

  "Ahoy! . . . Ship ahoy! . . . What ship's that?"

  3

  We are not conscious in a dream that we are playing a game the beginning and end of which are in ourselves. In this dream of Abel Keeling's a voice replied:

  "Hallo, it's found its tongue. . . . Ahoy there.' What are you?"

  Loudly and in a clear voice Abel Keeling called: "Are you a ship?"

  With a nervous giggle the answer came:

  "We are a ship, aren't we, Ward? I hardly feel sure. . . . Yes, of course, we're a ship. No question about us. The question is what the dickens you are."

  Not all the words these voices used were intelligible to Abel

  Keeling, and he knew not what it was in the tone of these last words that reminded him of the honour due to the Mary of the Tower. Blister-white and at the end of her life as she was, Abel Keeling was still jealous of her dignity; the voice had a youngish ring; and it was not fitting that young chins should be wagged about his galleon. He spoke curtly.

  "You that spoke—are you the master of that ship?"

  "Officer of the watch," the words floated back; "the captain's below."

  "Then send for him. It is with masters that masters hold speech," Abel Keeling replied.

  He could see the two shapes, flat and without relief, standing on a high narrow structure with rails. One of them gave a low whistle, and seemed to be fanning his face; but the other rumbled something into a sort of funnel. Presently the two shapes became three. There was a murmuring, as of a consultation, and then suddenly a new voice spoke. At its thrill and tone a sudden tremor ran through Abel Reeling's frame. He wondered what response it was that that voice found in the forgotten recesses of his memory. . . .

  "Ahoy!" seemed to call this new yet faintly remembered voice. "What's all this about? Listen. We're His Majesty's destroyer Sea-pink, out of Devonport last October, and nothing particular the matter with us. Now who are you?"

  "The Mary of the Tower, out of the Port of Rye on the day of

  Saint Anne, and only two men---- "

  A gasp interrupted him.

  "Out of where?" that voice that so strangely moved Abel Keeling said unsteadily, while Bligh broke into groans of renewed rapture.

  "Out of the Port of Rye, in the County of Sussex . . . nay, give ear, else I cannot make you hear me while this man's spirit and flesh wrestle so together! . . . Ahoy! Are you gone?" For the voices had become a low murmur, and the ship-shape had faded before Abel Keeling's eyes. Again and again he called. He wished to be informed of the disposition and economy of the wind-chamber. . . .

  "The wind-chamber!" he called, in an agony lest the knowledge almost within his grasp should be lost. "I would know about the wind-chamber . . ."

  Like an echo, there came back the words, uncomprehendingly uttered, "The wind-chamber? . . ."

  ". . . that driveth the vessel—perchance 'tis not wind—a steel bow that is bent also conserveth force—the force you store, to move at will through calm and storm. . . ."

  "Can you make out what it's driving at?"

  "Oh, we shall all wake up in a minute. . . ."

  "Quiet, I have it; the engines; it wants to know about our engines. It'll be wanting to see our papers presently. Rye Port.' . . . Well, no harm in humoring it; let's see what it can make of this. Ahoy there/" came the voice to Abel Keeling, a little strongly, as if a shifting wind carried it, and speaking faster and faster as it went on. "Not wind; but steam; d'you hear? Steam, steam. Steam, in eight Yarrow water-tube boilers. S-t-e-a-m, steam. Got it? And we've twin-screw triple expansion engines, indicated horsepower four th
ousand, and we can do 430 revolutions per minute; sawy? Is there anything your phantomhood would like to know about our armament? . . ."

  Abel Keeling was muttering fretfully to himself. It annoyed him that words in his own vision should have no meaning for him. How did words come to him in a dream that he had no knowledge of when wide awake? The Seapink—that was the name of this ship; but a pink was long and narrow, low-carged and square-built aft. . . .

  "And as for our armament," the voice with the tones that so profoundly troubled Abel Keeling's memory continued, "we've two revolving Whitehead torpedo-tubes, three six-pounders on the upper deck, and that's a twelve-pounder forward there by the conning-tower. I forgot to mention that we're nickel steel, with a coal capacity of sixty tons in most damnably placed bunkers, and that thirty and a quarter knots is about our top. Care to come aboard?"

  But the voice was speaking still more rapidly and feverishly, as if to fill a silence with no matter what, and the shape that was uttering it was straining forward anxiously over the rail.

  "Ugh! But I'm glad this happened in the daylight," another voice was muttering.

  "I wish I was sure it was happening at all. . . . Poor old spook/" "I suppose it would keep its feet if her deck was quite vertical. Think she'll go down, or just melt?" "Kind of go down . . . without wash . . ."

  "Listen—here's the other one now--------- "

  For Bligh was singing again:

  "For, Lord, Thou know'st our nature such

  If we great things obtain And in the getting of the same

  Do feel no grief or pain, We little do esteem thereof;

  But, hardly brought to pass, A thousand times we do esteem

  More than the other was—"

  "But oh, look—look—look at the other! . . . Oh, I say, wasn't he a grand old boy.' Look!"