The VALIS Trilogy

by Philip K. Dick

  How could she do it to him? I asked myself. What malice. What abysmal cruelty, toward us all. She really hated us. This is our punishment. I'll always think I'm responsible; Tim will always think he's responsible; Bill likewise. And of course none of us is, and yet in a sense all of us are, but anyhow it is beside the point, after the fact, null and moot and void, totally void, as in "the infinite void," the sublime non-Being of God.

  There is a line somewhere in Wozzeck that translates out to, roughly, "The world is awful." Yes, I said to myself as I shot across the Bay Bridge not giving a fuck how fast I drove, that sums it up. That is high art: "The world is awful." That says it all. This is what we pay composers and painters and the great writers to do: tell us this; from figuring this out, they earn a living. What masterful, incisive insight. What penetrating intelligence. A rat in a drain ditch could tell you the same thing, were it able to talk. If rats could talk, I'd do anything they said. Black girl I knew. Not rats with her; it's rats for me—for her, she said, it was spiders; viz: "If spiders could talk." That time she got the runs while we were up in Tilden Park and we had to drive her home. Neurotic lady. Married to a white guy ... what was his name? Only in Berkeley.

  Viz, a short form of Visigoths, the noble Goths. Visitation, as in, Visitation from the dead, from the next world. That old lady bears some real responsibility for this; if any one single person done did it she done did it. But that's killing the Spartan runners; now they have me doing it myself, after all the warnings. WARNING: THIS LADY IS NUTS. Get out of my way. May you all be fucked forever, all of you in your washed big cars.

  I thought: "Destructive War, thy limits know; here, tyrant Death, thy terrors end. To tyrants only I'm a foe, to virtue and her friends, a friend." And then it says it again: "Here, tyrant Death." It's a great title; it's not a parody. That's what did it, Tim using my title and, of course—in his usual chickenshit fashion—not bothering or remembering to tell her. In fact, telling her that he thought of it. He probably thinks so. Every valuable idea in the history of the world was thought into being by Timothy Archer. He invented the heliocentric solar system model. We'd still have the geocentric one if it hadn't been for him. Where does Bishop Archer end and God begin? Good point. Ask him; he'll tell you, quoting from books.

  No single thing abides; and all things are fucked up, I thought. That's how it should have been worded. I'll suggest that to Tim for Kirsten's gravestone. Teaching school in Norway, the Swedish cretin. A million nasty things I said to her, in the guise of play. Her brain recorded them and played them back to her, late at night when she couldn't sleep, while Tim snoozed on; she couldn't sleep and took more and more downers, those barbiturates that killed her; we knew they would: the only issue was whether it would be an accident or a purposeful overdose, assuming there is a difference.

  My instructions required me to meet with Tim at the Tenderloin apartment before going on with him, then, to Grace Cathedral. I had expected to find him red-eyed and distraught. However, to my surprise, Tim looked stronger, more powerfully put-together, even in a literal sense larger, than I had ever seen him before.

  He said, as he put his arms around me and hugged me, "I have a terrible fight on my hands. From here on in."

  "You mean the scandal?" I said. "It'll be in the papers and on the news, I guess."

  "I destroyed part of her suicide note. The police are reading what's left. They've been here. Probably they'll be coming back. I do have influence but I can't keep the news quiet. All I can hope for is to keep it retained as speculation."

  "What did the note say?"

  "The part I destroyed? I don't remember. It's gone. It had to do with us, her feelings about me. I had no choice."

  "Guess so," I said.

  "As to it being suicide, there is no doubt. And the motive is, of course, her fear that she had cancer again. And they're aware that she was a barbiturate addict."

  "Would you describe her that way?" I said. "An addict?"

  "Certainly. That's not disputed."

  "How long have you known?"

  "Since I met her. Since I first saw her taking them. You knew."

  "Yes," I said. "I knew."

  "Sit down and have some coffee," Tim said. He left the living room for the kitchen; automatically, I seated myself on the familiar couch, wondering if any cigarettes could be found anywhere in the apartment.

  "What do you take in your coffee?" Tim stood at the kitchen doorway.

  "I forget," I said. "It doesn't matter."

  "Would you rather have a drink?"

  "No." I shook my head.

  "Do you realize," Tim said, "that this proves Rachel Garret right."

  "I know," I said.

  "Jeff wanted to warn her. Warn Kirsten."

  "So it would seem."

  "And I'm going to die next."

  I glanced up.

  "That's what Jeff said," Tim said.

  "Guess so," I said.

  "It will be a terrible fight but I will win. I am not going to follow them, follow Jeff and Kirsten." His tone rang with harshness, with indignation. "This is what Christ came to the world to save man from, this sort of determinism, this rule. The future can be changed."

  "I hope so," I said.

  "My hope is in Jesus Christ," Tim said. "'While you still have the light, believe in the light and you will become sons of light.' John, twelve, thirty-six. 'Do not let your hearts be troubled. Trust in God still, and trust in me.' John, fourteen, one. 'Blessings on him who comes in the name of the Lord!' Matthew, twenty-three, thirty-nine." Breathing heavily, his great chest rising and falling, Tim, gazing at me, pointed at me saying, "I'm not going that way, Angel. Each of them did it intentionally, but I will never do it; I will never go like that, like a sheep to slaughter."

  Thank God, I thought. You are going to fight.

  "Prophecy or no prophecy," Tim said. "Even if Rachel were the sibyl herself—even then I wouldn't walk toward it willingly, like a dumb animal, to have my throat cut, to be offered up." His eyes blazed, hot with intensity and fire. I had seen him this way sometimes at Grace Cathedral when he preached; this Tim Archer spoke with the authority vested in him by the Apostle Peter himself: through the line of apostolic succession, unbroken in and for the Episcopal Church.

  As we drove to Grace Cathedral in my Honda, Tim said to me, "I see myself falling into Wallenstein's fate. Catering to astrology. Casting horoscopes."

  "You mean Dr. Garret," I said.

  "Yes, I mean her and Dr. Mason; they're not doctors of any kind. That wasn't Jeff. He never came back from the next world. There is no truth in it. Stupidity, as that poor boy said; her son. Oh Lord; I haven't called her son."

  I said, "I'll tell him."

  "It will finish him off," Tim said. "No, maybe it won't. He may be stronger than we give him credit for. He could see through all that nonsense about Jeff coming back."

  "You get to tell the truth," I said, "when you're schizophrenic."

  "Then more people should be schizophrenic. What is this, a matter of the emperor's new clothes? You knew, too, but you didn't say."

  I said, "It's not a matter of knowing. It has to do with evaluation."

  "But you never believed it."

  After a pause, I said, "I'm not sure."

  "Kirsten is dead," Tim said, "because we believed in nonsense. Both of us. And we believed because we wanted to believe. I have not that motive now."

  "Guess not."

  "If we had ruthlessly faced the truth, Kirsten would be alive now. All I can hope is to put an end to it here and now ... and accompany her at some later date. Garret and Mason could see that Kirsten was sick. They took advantage of a sick, disturbed woman and now she's dead. I hold them responsible." He paused and then said, "I had been attempting to get Kirsten to go into the hospital for drug detox. I have several friends who're in that field, here in San Francisco. I was well aware of her addiction and I knew that only professionals could help her. I had to go through this myself, as you kn
ow ... with alcohol."

  I said nothing; I merely drove.

  "It's too late to stop the book," Tim said.

  "Couldn't you phone your editor and—"

  "The book is their property now."

  I said, "They're a totally reputable publishing house. They would listen to you if you instructed them to withdraw the book."

  "They've sent out promotional prepublication material. They've circulated bound galleys and Xerox copies of the manuscript. What I'll do—" Tim pondered. "I'll write another book. That tells about Kirsten's death and my reevaluation of the occult. That's the best avenue for me to pursue."

  "I think you should withdraw Here, Tyrant Death."

  His mind, however, had been made up; he shook his head vigorously. "No; it should be allowed to come out as planned. I've had years of experience with these matters; you should face up to your own folly—my own, I am referring to, of course—and then, after you've faced up to it, set about correcting it. My next book will be that correction."

  "How much was the advance?"

  Glancing swiftly at me, Tim said, "Not much, considering its sales potential. Ten thousand on my signing the contract; then another ten thousand when I delivered the completed manuscript to them. And there will be a final ten thousand when the book is released."

  "Thirty thousand dollars is a lot of money."

  Half to himself, reflecting, Tim said, "I think I'll add a dedication to it. A dedication to Kirsten. In memoriam. And say a few things about my feelings for her."

  "You could dedicate it to both of them," I said. "Both Jeff and Kirsten. And say, 'But for the grace of God—'"

  "Very appropriate," Tim said.

  "Add me and Bill," I said. "While you're at it. We're part of this movie."

  "'Movie'?"

  "A Berkeley expression. Only it's not a movie; it's the opera Wozzeck by Alban Berg. They all die except the little boy riding his wooden horse."

  "I'll have to phone in the dedication," Tim said. "The galleys are already back in New York, corrected."

  "She finished, then? Her job?"

  "Yes," he said, vaguely.

  "Did she do it right? After all, she wasn't feeling too well."

  "I assume she did it correctly; I didn't look them over."

  "You're going to have a Mass said for her, aren't you?" I said. "At Grace?"

  "Oh, yes. That's one of the reasons I'm—"

  "I think you should get Kiss," I said. "It's a group, a very highly thought of rock group. After all, you had been planning a rock mass anyhow."

  "Did she like Kiss?"

  "Second only to Sha Na Na," I said.

  "Then we should get Sha Na Na," Tim said.

  We drove for a time in silence.

  "The Patti Smith Group," I said suddenly.

  "Let me ask you," Tim said, "about several things regarding Kirsten."

  "I am here to answer any question," I said.

  "At the service, I want to read poems that she loved. Can you give me the names of a few?" He got from his coat pocket a notebook and gold pen; holding them, he waited.

  "There is a very beautiful poem about a snake," I said, "by D.H. Lawrence. She loved it. Don't ask me to quote it; I can't quote it just now. I'm sorry." I shut my eyes, trying not to cry.

  12

  AT THE SERVICE, Bishop Timothy Archer read the D.H. Lawrence poem about the snake; he read it wonderfully and I saw how moved the people were, although not many mourners had shown up. Not that many people knew Kirsten Lundborg. I kept seeking to locate her son Bill somewhere in the cathedral.

  When I had phoned him to tell him the news, he had showed little response. I think he foresaw it. At this time, the hospital and the house of many slammers held no power over him; Bill had earned his freedom to walk around or to paint cars or whatever he did. However he currently amused himself in his earnest fashion.

  The cobwebs departed Bishop Archer's mind when Kirsten killed herself, so, it would seem, her death had served a useful purpose, although a purpose unequal to our loss. It amazes me: the sobering power of human death. It outweighs all words, all arguments; it is the ultimate force. It coerces your attention and your time. And it leaves you changed.

  How Tim could derive strength from death—the death of a person he loved—baffled me; I could not fathom it, but this was the sort of quality in him that made him good: good at his job, good as a human being. The worse things got, the stronger he became; he did not like death but he did not fear it. He comprehended it—once the cobwebs left. He had tried out the bullshit solution of'séances and superstition and that hadn't worked; it simply brought on more death. So now he shifted gears and tried out being rational. He had a profound motive: his own life had been placed on the line, like bait. Bait to tempt what the ancients called "a sinister fate," meaning premature death, death before its time.

  The thinkers of antiquity did not regard death per se as evil, because death comes to all; what they correctly perceived as evil was premature death, death coming before the person could complete his work. Lopped off, as it were, before ripe, a hard, green little apple that death took and then tossed away, as being of no interest—even to death.

  Bishop Archer had by no means completed his work and by no means did he intend to be lopped off, severed from life. He now correctly perceived himself sliding by degrees into the fate that had overtaken Wallenstein: first the superstition and credulity, then run through with a halberd by an otherwise historically undistinguished English captain named Walter Devereux (Wallenstein had pleaded in vain for quarter; when the halberd is in the foe's hand, it is usually too late to plead for quarter). At that final instant Wallenstein, roused from sleep, had probably also been roused from his mental stupor; I would guess that the swift realization came to him as the enemy soldiers broke into his bedroom that all the astrological charts and all the horoscopes in the world had been of no use to him, for he had not foreseen this, and was caught. The difference between Wallenstein and Tim, however, was great and crucial. First, Tim had the advantage of Wallenstein's example; Tim got to see where folly led great men. Second, Tim was fundamentally a realist, for all his double-domed, educated flow of twaddle. Tim had entered the world with a wary eye, a keen sense of what benefited him and what worked to his disadvantage. At the moment of Kirsten's death he had cannily destroyed part of her suicide note; no fool he, and he had been able—amazingly—to conceal their relationship from the media and from the Episcopal Church itself (it all came out later, of course, but by then Tim was dead and probably did not care).

  How an essentially pragmatic—even, it could be argued, opportunistic—man could involve himself in so much self-defeating nonsense is, of course, amazing, but even the nonsense had a sort of utility in the larger economy of Tim's life. Tim did not wish to be bound by the formal strictures of his role; he did not really define himself as a bishop any more than he had previously let himself be defined as an attorney. He was a man, and he thought of himself that way; not a "man" in the sense of "male person," but "man" in the sense of human being who lived in many areas and spread out into a variety of vectors. In his college days, he had learned much from his study of the Renaissance; once he had told me that in no way had the Renaissance overthrown or abolished the Medieval world: the Renaissance had fulfilled it, whatever T.S. Eliot might imagine to the contrary.

  Take, for example, (Tim had said to me) Dante's Commedia. Clearly, in terms of brute date of composition, the Commedia emanated from the Middle Ages; it summed up the Medieval worldview absolutely: its greatest crown. And yet (although many critics will not agree) the Commedia has a vast span of vision that in no way can be bipolarized to, say, the view of Michelangelo, who, in fact, drew heavily on the Commedia for his Sistine Chapel ceiling. Tim saw Christianity reaching its climax in the Renaissance; he did not view that moment in history as the ancient world revived and overpowering the Middle Ages, the Christian Ages; the Renaissance was not the triumph of the old pagan world ove
r faith but, rather, the final and fullest flowering of faith, specifically the Christian faith; therefore, Tim reasoned, the well-known Renaissance man (who knew something about everything, who was, to use the correct term, a polymath) was the ideal Christian, at home in this world and in the next: a perfect blend of matter and spirit, matter divinized, as it were. Matter transformed but still matter. The two realms, this and the next, brought back together, as they had been joined before the Fall.

  This ideal Tim intended to capture for himself, to make it his own. The complete person, he reasoned, does not lock himself into his job, no matter how exalted that job. A cobbler who views himself only as one who repairs shoes is circumscribing himself viciously; a bishop, by the same reasoning, must therefore enter regions occupied by the whole man. One of these regions consisted of that of sexuality. Although the general opinion ran contrary to this, Tim did not care, nor did he yield. He knew what was apt for the Renaissance man and he knew that he himself constituted that man in all his authenticity.

  That this trying out of every possible idea to see if it would fit finally destroyed Tim Archer can't be disputed. He tried out too many ideas, picked them up, examined them, used them for a while and then discarded them ... some of the ideas, however, as if possessing a life of their own, came back around the far side of the barn and got him. That is history; this is an historical fact. Tim is dead. The ideas did not work. They got him off the ground and then betrayed him and attacked him; they dumped him, in a sense, before he could dump them. One thing, however, could not be obscured: Tim Archer could tell when he was locked in a life-and-death struggle and, upon perceiving this, he assumed the posture of grim defense. He did not—just as he had said to me the day Kirsten died—surrender. Fate, to get Tim Archer, would have to run him through: Tim would never run himself through. He would not collude with retributive fate, once he spotted it and what it was up to. He had done that, now: discerned retributive fate, seeking him. He neither fled nor cooperated. He stood and fought and, in that stance, died. But he died hard, which is to say, he died hitting back. Fate had to murder him.