Progress of Stories
Page 4
THE FRIENDLY ONE
IN a little village in a foreign country a boyish-looking German, about forty years old, settled down to live for the rest of his life. His name was Hermann Vogel, but the villagers called him the Friendly One because he made friends with them, and with other foreigners who came to the village to live, faster than people usually make friends. He wandered into their houses absent-mindedly (as it seemed) and passed the time of day with them when they had time of day to pass; so there was nothing to do but make the best of him and call him the Friendly One. He said that he was a writer of books for children, yet he took no interest in children, nor had any one ever seen him at work. But there was certainly something childish in the way he took their favours for granted without ever thinking to return them. He walked with a light step, his thin hair was always brushed carefully back over his round head, so that no baldness showed, his features were small, his voice sometimes very high.
With foreigners, of course, he had to exert himself more. His way with them was to ask their opinion on every possible subject with his head turned towards them, then to turn his head away to reflect on their answers, then to turn his head towards them again, saying quietly, "Yes, you are right." No one was very fond of him, no one disliked him. He was merely the Friendly One—though it could not actually be said of him that he was a friendly fellow.
There came to this village from abroad an American family consisting of a stout young wife, a tall joking husband, a bad- tempered, unfriendly elder brother of the wife, and three dogs. The Friendly One introduced himself to them as a writer of books for children, and the wife and the husband confided to him that they had three dogs because they had no children. They were fine lively dogs, and during the first fortnight they did much damage to hens, goats, cats and other dogs—before they began to feel themselves accepted as official members of the village population, in spite of their faults.
"They always behave like this when we come to a new place," the wife and husband said. "It makes people treat us as natives instead of as strangers. They come and complain to us, and we tell them that the dogs will soon settle down, and they and we together wait for the dogs to settle down." The Friendly One turned his head from one side to the other and laughed along with them, while the bad-tempered brother sat apart with a book in his lap that he never really read, snorting at the dogs, at his sister, at her husband, and at the Friendly One most of all.
"My brother," his sister apologized for him, "once fell in love with a Finnish lady who turned out to be mad, and ever since he has been cross as a cook."
"Yes," joked her husband, "Helen's brother is our household background. We take him everywhere with us, like the dogs, and he makes the shabbiest furnished houses seem like home. His gloominess absorbs all the cups without handles, and the uncomfortable chairs, and the useless rooms."
"Ha, ha ha," tittered Hermann, "so it is."
Hermann lodged with a village household, the eldest girl of which went as a servant to the American family. She was sixteen, and strong and pretty, and she liked to make eyes at men and then play angry when they came near her. The three dogs adored her, and long after they had settled down she kept putting them up to tricks. Most of all she liked teasing Hermann. "At him!" she would say to the dogs whenever he came, and they would run at him and growl round him throughout his visit. This gave the bad-tempered brother much pleasure, and the wife and husband thought her a jolly girl. The Friendly One had to take it all in fun, but it made him unhappy.
On Sunday afternoons, when the girl was at home, he would timidly tease her before the father and mother, saying, "Ah, she won't leave me in peace, that girl." So one Sunday afternoon the father said, "Good! Then marry her!" The Friendly One could not tell whether the father was fooling or not. He smiled nervously and asked, "Seriously, seriously?" At this everyone present laughed noisily, except the girl herself, who looked angry. He could not tell one way or the other, so he went on smiling until they stopped noticing him. Then he slipped away and paid several visits, but the incident worried him. He wanted to marry, but someone rich and someone who would respect him. Whenever he met a rich, unattached American lady he would give her a copy of a book he had written long ago called The Army of Children. It was a story about how an army of children conquered the world, and what they did to it. He only gave his book to women who, he thought, might possibly marry him, or to people who could not read German: he did not want his idea to be stolen. Already several writers had stolen his idea, though originally not many copies of his book had been printed, nor had many been sold.
The girl had never seen his book. She did not even think of him as a writer. And she was a poor girl, though she would have her grandmother's house when she married. All the rest of that day his mind was in disorder. Suppose they expected him to marry the girl? He did not want to seem unfriendly. What a pity the bad-tempered brother was not a woman. At any rate he must make an effort to be nicer to him. He would give him a copy of his book, to-morrow. He would go to bed early. But he slept badly.
The next day he visited the American family, his book under his arm. The girl did not set the dogs on him. He noticed that she was making eyes furiously at the bad-tempered brother and that the bad-tempered brother was not so bad-tempered as usual. An unpleasant feeling of rivalry with the girl over the brother started up in him. He gave the brother his book, the brother accepted it not at all unamicably, the three dogs kept bringing him things to toss to them, and the wife and husband treated him like a fourth dog. But the girl glared at him. He felt very excited and went away with flushed cheeks.
The following afternoon the brother took a long walk with him and told him the story of the mad Finnish lady. "But that is all over now," he said triumphantly. "I am going to marry the girl, though my sister and her husband don't know it."
When the Friendly One heard this something happened to him. He did not want the brother to marry the girl. The brother seemed to stand for the rich American lady that he had always wanted to marry but had never found. Then there was the girl. He would have liked to marry her, she was young and strong and pretty. But she had only her grandmother's house, and besides he did not see how he could offer her a copy of his book. He tried to explain these things to the brother, but the words chattered between his teeth. He wanted to say something that the brother would understand without being offended, but it frightened him to have a point of view of his own. And, after all, what was his point of view? He stood still and trembled. English was a cruel language.
"Are you cold?" asked the brother kindly. The sun had indeed sunk behind the mountain already, it being still only late winter—yes, he was cold.
"Yes, I am cold," he almost shouted. He was cold. He began to run. The brother would not run after him, he was not a leggy man. The Friendly One was not a leggy man, but he thought of himself now as a child who was cold, or caught in a situation beyond his age. There was something he didn't like. Could it be that he didn't like being himself? He ran harder. He reached the schoolhouse. The children had just been dismissed. They saw him approach and shrieked round him as he tried to run past them. He was not himself any more. They ran after him.
"The Friendly One is making sport," the villagers cried to one another, and a few of them joined the children behind him to discover what he was about. Where should he take them? The girl! The dogs! He was not himself any more. He was an army of children conquering the world. The world was the girl and the dogs. The girl! The dogs!
His army stormed the house of the American family. The wife and husband were not at home. The girl was in the kitchen with the dogs. The fire was low, she must make it up for supper. One day the postman had found her fanning away at the fire and had said, "You must not be afraid to use spirit, foreigners can pay for spirit." Since then she had always used spirit. It was true that foreigners could pay. And now she was using spirit, and it would have been like any other fire that she made with spirit, had not the dogs been aroused by the ch
ildren shouting at the door, had she not tripped over the shovelful of charcoal between her and the fire, had she not tumbled on top of the fire with the spirit-can a-pour and been blown to death, and the dogs along with her.
The wife and her brother and her husband left the village as fast as they could get away. "We must find three other dogs," they said.
The girl's parents asked them for money, since she had died in their service. They got the money. "It was her fault for using spirit," they said, "but foreigners can pay." As for the brother, he sincerely mourned her death and went away no longer brooding over the mad Finnish lady.
The Friendly One suffered from stomach-spasms for some time after the catastrophe and had to lie very still in bed. He lay and pined. The dead girl's mother nursed him. Everyone tried to feel sorry for him, but they were more irritated than sorry. Though they still called him the Friendly One, they said it more in mockery than in sympathy. He talked too much about that day. He had gone for a walk with the brother, and on their way back to the village he had begun to feel cold. He was wearing only his grey pullover. The brother suggested to him that he should run home. He was in a merry mood and started running home, leaving the brother behind. When he reached the schoolhouse the children were just coming out and joined in his merry mood. They ran along with him, and he got the idea of taking them to the house of the American family. The American wife and husband loved children—that was why they had the dogs. They had often talked of giving a party for the village children, but were afraid that the children might be made stiff and embarrassed by it. But a spontaneous party would be different. They had a gramophone and always many good things to eat in the house in tins and boxes. How pleased they would be. They liked things done in a carefree way. Then that happened.
"I feel it much," he would say, "I feel it much." Then he would have to vomit and the dead girl's mother would bring him a basin.
He no longer paid visits to the villagers or the foreigners, all paid visits to him, wondering how long it would go on.
"He feels it much," they said, shrugging their shoulders, "he feels it much."
While the Friendly One lay ill, a rich American lady came to the village and decided to settle down there for the rest of her life. This made him very uneasy. "I must get up and pay her a visit," he said.
He dressed himself and went off with a copy of his book under his arm. She was sympathetic and had a pleasing appearance. She had learned German at school and remembered a little. All her classmates had chosen French, but she had chosen German—she did not know why. She was a serious woman and it was plain that she wanted to marry in an honourable, serious way. Yet the Friendly One had no heart for his old gallantries. He came back with his book under his arm and got into bed again. He was not himself any more. The dead girl's sister was only twelve. She would have her grandmother's house now when she married, but in a few years he would be an old man.
"Good-bye, dear friends," he said, "I feel it much."
"He felt it much," they said of him when he had gone, shrugging their shoulders.
In Germany he opened a toy-shop. In a few years he was an old man. Every morning he wound up all the automatic toys and watched them slow down again. When people came in to buy he would keep them waiting a little at the front of the shop and then come out from his room at the back saying, "Excuse me for keeping you waiting, I am an author, you know." Outside, over his shop, the sign read: Hermann Vogel —Poet and Writer—Toys. The paper in which he wrapped
purchases had a picture on it of a girl playing with three dogs, and under it the rhyme:
Why is the child's heart so light?
It plays by day and sleeps by night.
The world is but a spinning toy
And sorrow but a broken joy.
What shall we do to-morrow then?
To Hermann Vogel's we'll go again.
SCHOOLGIRLS
THE Mathematics Master was the youngest master, and everyone was in love with him. They wondered how old he was, how he spent his holidays, what his conversation with ordinary people was like, what sort of family he came from, and if he had a pretty sister. He was really a simple, almost uninteresting person, but all this wondering about him made him seem an enchanted character, and he reacted to their romancing by developing eccentricities quite foreign to his simple nature. When he entered the classroom he would deliberately ruffle his naturally tidy hair with a gesture of affected unconsciousness. In the middle of an exposition he would suddenly turn his back upon his pupils and put his hand to his forehead as if some important private matter were weighing on his mind. He took to wearing different coats with different trousers, because this was the kind of thing they noticed. And, finally, he bought himself a spherical bell for his desk, which he would tap from time to time for no apparent reason.
When Judith came to the school she made up her mind not to be in love with the Mathematics Master. He noticed that she did not behave towards him as the others did, and this made him nervous. The other girls decided that he was in love with Judith, but it was only that she made him feel that he had a weak character. The other girls were excited about him and Judith. Every time he spoke to her or looked at her they looked at one another significantly. Judith was a stout, strong- willed girl with a very pink face. She was not pretty, but very wholesome-looking. She was engaged. Her parents gave her complete freedom. She had lived in Paris with her brother, who was a painter. It was an exciting thing for the other girls to have Judith among them. She laughed a lot and talked knowingly and brought an atmosphere of confusion and drama into the school. She made the other girls feel guilty and inferior for being unsophisticated. Everyone wanted to do something wrong. She was an engaged girl, but she never talked of marrying. Her fiancé was a painter, like her brother, and also lived in Paris. He wrote letters to Judith full of manly gossip about the different women he met and what his various men friends were up to, and never a word about the weather, or his having a cold, or even about love. Letters from women or mothers were always about health and the weather. Judith let them read all his letters. Judith was like a man. They divided their affections between her and the Mathematics Master.
Judith's stoutness and pinkness made her seem indestructible; but, as is often the case with such girls, she had a weak heart. She got ill and was sent to the sick-room for several weeks for a rest. During her absence school life became very dull. The girls lost interest in the Mathematics Master, and he for his part felt neglected and cross. He began to have a poor opinion of himself. The girls talked more of home and thought of Christmas. They were allowed to visit Judith only one at a time and for only ten minutes at a time. She amused them as much as ever, but the things she said later formed the subjects of serious conversations among them about themselves. During Judith's illness the school grew up.
When Judith came back from the sick-room she had to have private lessons in everything, to help her to catch up with the others. During the private Mathematics lessons she and the Mathematics Master grew more and more irritated with each other. He secretly blamed her for his loss of favour with the other girls, she secretly blamed him for not having fallen in love with her. He would give her little problems and tap his bell impatiently while waiting for her to work them out. "Stop tapping that bell," she would say impudently. She would purposely waste time over these problems to make him tap his bell. After these lessons both always looked miserable. Judith said that she would not return after the Christmas holidays. She was used to livelier times. Coming to the school had been a sort of joke with herself. The other girls, partly from tact, partly from a new grown-up instinct of not letting anyone else's affairs be more important to them than their own, kept carefully aloof from Judith's doings with the Mathematics Master. Indeed, they now felt rather like married women; Judith was hysterical and adolescent. They mothered her.
Judith felt this loss of prestige strongly. It made her still more irritated with the Mathematics Master. He himself was already be
ginning to think of changing to another school. The climate did not suit him. Switzerland was a silly, undignified country for a man to earn his living in. There was something farcical about his too-high salary. Better a shabby salary at a decently shabby boys' school in England. When he thought of going back to England, however, he could not put Judith out of his head. She was like some responsibility that he had contracted in Switzerland.
During one of the private lessons the Mathematics Master threw the bell in Judith's direction. It was a nickel-plated iron bell. It accidentally hit her in the face, breaking her nose. Judith never saw the other girls again. She moved out of the school immediately and went to live at an hotel until her nose was cured. The Mathematics Master resigned and moved out of the Master's House. He went to live at Judith's hotel. He did not feel that he could go back to England before her nose was cured. Her nose turned out a little crooked, but it did not spoil her looks. All the same, it increased his sense of responsibility towards her. It made her his Judith. Judith was gay again. "You must come back to Paris with me and be introduced as the man who broke my nose," she said. "Otherwise they'll never believe how it happened and I'll never hear the end of it. I've got to brazen it out."
So he went along with her to Paris to help her brazen it out. He met her fiancé. The engagement seemed to be a way they had of teasing each other rather than a reality. People treated the fiancé as Judith's first husband and the Mathematics Master as her prospective second. All her friends took it for granted that Judith would go to England with him. Everyone seemed anxious to get rid of her; she was a difficulty. Beyond sending her money twice a year, her parents in America did not bother about her. Her mother was an active Los Angeles clubwoman, her father a film-director. They had resolved that no daughter of theirs should be a film actress. So long as she was in Europe they thought of her as safe.