B007Q6XJAO EBOK

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B007Q6XJAO EBOK Page 34

by Prioleau, Betsy


  charisma, 31–59, 239–40

  androgyny, 45–48

  creativity, 48–51

  élan, 33–36

  flawed manhood, 54–57

  intensity, 36–39

  love of women, 42–44

  quicksilver man, 51–54

  refining the definition, 58–59

  sex drive, 39–42

  Charlemagne, 56

  Charles II, king of England, “Merry Monarch,” 85–86

  charm, 61, 80

  Chateaubriand, François-René, 173–74

  Châtelet, Émilie du, 76, 216

  Chekhov, Anton, 43

  Cheney, Mamah, 106, 216

  Chesterfield, Lord, 145

  Child, Maureen, Turn My World Upside Down, 46, 140

  Chivers, Meredith, 45, 135, 137–38

  Chopin, Kate, The Awakening, 131

  Cicero, 182

  Clairmont, Claire, 23

  Clay (androgyny), 45

  Cleopatra, 103, 128, 198–99

  Clinton, Bill, 110, 155–56, 166, 167

  Clooney, George, 24

  clothes, 100–102

  Cohen, Leonard, 188

  Colette, The Other One, 37

  Collins, James, Beginner’s Greek, 153

  Collins, Joan, 110

  Collins, Wilkie, 159–60

  compatibility, 13

  compliments, 143–50

  Conegliano, Emanuele (Da Ponte), 10

  connectivity, 42

  Constant, Benjamin, 141

  conversation, 159–64, 171–74

  mental intercourse, 179–84, 230–31

  phatic speech, 171

  in postverbal age, 189–90

  soothing speech, 172–73

  Cooke, Sam, 64–65

  Cooper, Duff, 148–50

  Cooper, Gary, 47–48, 56, 170

  Cooper, Glenda, 232

  Corden, James, 179

  couples’ therapy, 20–21, 24

  courage, 66–70, 230

  courtly love, 62

  Cragin, Mary, 73

  Crane, Stephen, 217

  creativity, 48–51

  Cromwell, Oliver, 85

  Crosland, Felicity, 179

  Crusie, Jennifer, 43, 123, 128

  Cruz, Penelope, 132

  Cuchulain (myth.), 63, 75, 88

  Cunard, Nancy, 77

  Cunningham, Bill, 103

  curiosity, 201–6

  Custine, Madame de, 174

  Cyrano de Bergerac, 185

  Dagda (myth.), 52

  d’Agoult, Countess Marie, 72, 210, 216

  Dahl, Arlene, 47

  Dahl, Roald, 178–79

  d’Alvernhe, Peire, 1

  Damnation of Theron Ware, The (Frederic), 216–18

  dance, 113, 116–19, 134

  Dangerous Liaisons (fict.), 139

  D’Annunzio, Gabriele, 14–16, 102

  and flattery, 148

  and gesture, 165–66

  as high-maintenance, 15, 210, 228

  kisses of, 123

  and setting, 105–6

  Dante Alighieri, 4, 154

  Da Ponte, Lorenzo, 10–12

  d’Aragona, Tullia, 140

  d’Arányi, Jelly, 77

  Darcy, Fitzwilliam (fict.), 63

  Darwin, Charles, 109, 115, 162, 202, 244–45

  Darwin, Erasmus, 244

  D’Aulnoy, Madame, “The Blue Bird,” 161

  Dave, Laura, First Husband, 169

  Dawkins, Richard, 104

  The Selfish Gene, 13

  Day, Douglas, 54–55

  Day, Sylvia, 209–10

  de Angelo, David, 16

  decency, 13

  Denby, David, 190

  Deneuve, Catherine, 244

  Depardieu, Gérard, 242–44

  dependability, 13

  Depp, Johnny, 86, 99

  desire, 21, 83

  DeTamble, Henry (fict.), 179–80

  Diamond, Lisa, 152

  Diary of a Seducer (Kierkegaard), 202

  Dickinson, Emily, 185

  Diderot, Denis, 12, 68, 183–84, 216

  Dietrich, Marlene, 112

  Dinesen, Isak, 53–54, 128

  Dionysian festivals, 39, 71

  Dionysus (myth.), 43, 55, 67, 114, 138, 152, 169, 235

  and androgyny, 46, 101

  and comedy, 162, 176

  and creativity, 49, 88

  and empathy, 80

  and gift-giving, 128, 130, 145

  and joie de vivre, 34, 63

  music and dance, 109, 117, 199

  and pleasure, 83, 106, 196

  restlessness of, 52, 75

  and setting, 105

  as two-sided god, 37, 49, 162, 203, 214

  Dirk (law student), 131–32

  Dirty Dancing (movie), 118

  Disraeli, Benjamin, 170

  Dixon, Mildred “Sweet Babe,” 44

  domesticity, 13

  dominance display, 17

  Dona Flor and Her Two Husbands (movie), 40

  Don Giovanni (opera), 34

  Don Juan (fict.), 5, 16, 53, 86, 116, 176

  Don Juan DeMarco (movie), 86

  “Don Juanism,” analyst’s view of, 8

  Donovan, James M., 58

  dopamine, 37, 161, 202

  Dowd, Maureen, 161, 224

  Dreams of Love and Fateful Encounters (Person), 197

  Dreiser, Theodore, 130

  Duke, Doris, 85

  du Maurier, George, 181

  Dumuzi (myth.), 67, 79–80, 121–22, 130, 145, 172, 196, 209

  Duncan, Isadora, 106, 148

  Duras, Marguerite, 244

  Duse, Eleonora, 14–15, 210

  Edgarian, Carol, Three Stages of Amazement, 197

  Ehrenreich, Barbara, 200

  élan, 33–36

  Eliade, Mircea, 46, 185

  Eliot, George, 112, 176

  Elizabeth I, queen of England, 80, 148

  Ellington, Duke, 44, 167

  Ellis, Beatrice “Evie,” 44

  Ellis, Havelock, 79, 92, 117, 193, 207, 245

  emotional stability, 13

  empathy, 80, 168

  endorphins, 43

  Ephron, Nora, 78

  eros/Eros, 21, 33, 62, 244–45

  Eroticism: Death and Sensuality (Bataille), 70

  Essex Junction, Vermont, 45

  estrogen, 152

  etiquette, 239

  euphoria, 124, 175

  Euripides, Medea, 125

  Eurydice (myth.), 109

  Evanovich, Janet, 39

  evolutionary psychology, 48, 63, 75, 79, 87, 104, 138, 186

  exuberance, 33–34

  eyes, 114, 115

  Fair Penitent, The (Rowe), 5

  Fancy Pants (Phillips), 114

  fashion and grooming, 100–103

  Father “Jake,” 31

  Feiffer, Jules, Harry, the Rat with Women, 8

  Felman, Shoshana, 163

  Ferney, Alice, 167

  fertility gods, 34, 46, 52, 121, 130, 145–46

  fertility rites, 71, 117, 163

  festivity/fun, 194–201, 229–30

  50 Cent, 5

  Finch Hatton, Denys, 53–54, 68, 128

  Finck, Henry, 138

  Fisher, Helen, 13, 138, 172

  Fisher, Maryanne, 223

  flattery, 143–50

  flawed manhood, 54–57, 91

  Flem, Lydia, 9

  Flöge, Emilie, 206

  Flynn, Errol, 24–25

  Fontaine, Joan, 211

  Fontane, Theodor, 34

  food and wine, 129–32

  Fox, Barry, 76

  fragrance, 101, 102

  France, Marie de, 46, 56, 88

  Franklin, Benjamin, 12, 89–90, 91

  Franklin, Bertha, 65

  Franklin, Rev. C. L., 155

  Franzen, Jonathan, 181

  Frederic, Harold, The Damnation of Theron Ware, 216–18

  French Resistance, 68
/>   Freud, Lucian, 50–51

  The Painter Surprised by a Naked Admirer, 50

  Freud, Sigmund, 8, 46, 83, 126, 137

  Freyr (myth.), 52, 55, 138

  Friday, Nancy, 100

  Friedrich, Paul, 122

  Fromm, Eric, 168

  Furstenberg, Diane von, 78

  Gabor, Zsa Zsa, 85, 116, 230

  Gaddam, Sai, 229

  Gaffney, Patricia, To Love and to Cherish, 72, 105

  Gajdusek, Carleton, 34

  Ganesha (Hindu god), 75

  Garbo, Greta, 47, 111, 211

  Gardner, Ava, 23, 112

  Gass, William, 150

  Gates, Bill, 58

  Gaussin, Mademoiselle, 62

  Gaylin, Willard, 235

  Gellhorn, Martha, 178, 219

  Gershwin, George, 35–36

  gesture, 165–66

  Giddens, Anthony, 238

  gifts and wealth, 125–29

  Gilgamesh, king of Sumer, 26

  Gillette, Douglas, 236

  Gladstone, William, 170

  Goddard, Paulette, 35

  Goethe, Johann Wolfgang von, 152–53

  Goleman, Daniel, 78, 79

  Gordon, Mary, Spending, 84

  Gore, Al, 58

  Gottman, John, 20

  Grahl, Nancy, 10, 11

  Grant, Cary, 24, 72

  Gray, John, Mars and Venus in the Bedroom, 124

  Gréco, Juliette, 19

  Green, Bryce, 164–65, 234

  Green, Jane, Mr. Maybe, 153–54

  Greene, Gael, Blue Skies, No Candy, 147

  grooming and fashion, 100–103

  Guiccioli, Countess Teresa, 23

  Guignot, Elisabeth, 244

  Guinevere (myth.), 139

  Guinness, Hon. Joan, 19

  Gustin (love rocket), 194–95

  Gwynne, Nell, 86

  gynephilia, 42

  Haag, Pamela, 200

  Hammer, Michael, 3

  Hamsun, Knut, Mysteries, 52

  Handyman, The (fict.), 49

  Harley, Veronica, 20

  Harriman, Pamela, 129

  Harris, Jack, 1–3, 113, 201, 239, 241

  Haskell, Molly, 244

  Hayes, Helen, 47

  Hayworth, Rita, 18, 19, 199

  heartthrob:

  genuine, 21–24

  therapy, 20–21

  Heaven, Texas (Phillips), 101, 127

  Heisler, Stuart, 47

  Helen of Troy, 162

  Heloise, 182

  Helvétius, Claude Adrien, 61–62, 118

  Helvétius, Minette, 233

  Hemingway, Ernest, 68

  Hendrix, Jimi, 107

  Hepburn, Katharine, 207

  Hermes (myth.), 52, 63, 75, 78, 162, 167, 169, 176, 214

  Hero of Our Time, A (Lermontov), 116

  Heston, Charlton, 72

  Hilderbrand, Elin, Summer Affair, 162

  Hiller, Jane, 181

  Hollander, Paul, 230, 231

  Holt, Helen Maud, 115

  Horgan, Edward, 63

  Houdini, 212

  Howard, Elizabeth Jane, 200

  How Do You Know (movie), 142

  Huffington, Arianna, 78

  humor, 174–79

  Huston, Anjelica, 56–57

  Hutchinson, Mary, 77

  Huxley, Aldous, 25, 56, 76–78, 167, 236–37

  Ideal Marriage (van de Velde), 113

  identity, 213–20

  Igou, Clémentine, 242–43

  Iliad, The, 46

  Imer, Teresa, 177

  Inanna (myth.), 67, 79, 121–22, 130, 172, 196, 209

  infidelity, 227

  Inquisition, 10, 68

  integrity, 62

  intelligence, 230–31

  emotional, 79

  and knowledge, 74–78

  social IQ, 78–82

  intensity, 36–39

  intimacy, 150–58

  irony and sophistication, 26

  Isherwood, Christopher, 213

  Isis (myth.), 152

  “It,” 32

  Jackson-Opoku, Sandra, 173

  Jacobson, Stuart, 127

  Jagger, Mick, 49–50

  James, Eloisa, Pleasure for Pleasure, 84

  Jamison, Key Redfield, 196

  Jane Eyre (Brontë), 56

  Jeffrey, Stephen, 238

  Johnson, Evangeline, 111

  Johnson, Hillary, 54, 55

  joie de vivre, 33–34, 58, 60, 243

  Jong, Erica, 55, 195, 214

  Jonson, Ben, 4

  Joseph II, Emperor, 11

  Jung, Carl, 46, 89, 156–57

  Kali (myth.), 152

  Kāma Sūtra:

  on knowledge, 74–75, 181

  as love manual, 84, 108, 113, 114, 122, 125, 138, 172, 181, 193, 196

  on music, 108

  on sex drive, 39

  on unity, 154

  on use of voice, 166, 172

  Kane, Payton, 16

  Karen (financier), 221–23, 228, 230–31

  Karr, Alphonse, 221

  Kate & Leopold (movie), 238–39

  Keillor, Garrison, 235

  Kelly, Grace, 47, 199

  Kennedy, Jacqueline, 129, 211

  Kennedy, John F., 24

  Keroualle, Louise de, 86

  Key, Ellen, 216

  Keyes, Marian, Last Chance Saloon, 167

  Khan, Prince Aly, 18–19, 114, 123–24, 129

  Khonsu (myth.), 87

  Kierkegaard, Søren, 39, 202

  Kilmarnock, Lord, 200

  Kinsale, Laura, 215

  Kipnis, Laura, 196

  Kirkland, Gelsey, 118

  kissing, 123

  Kittredge, Charmian, 212

  Kjærstad, Jan, 214–15

  Kleypas, Lisa, 56, 118, 121, 162, 173, 204

  Kligman, Ruth, 141

  Klimt, Gustav, 49, 206

  knowledge/intelligence, 74–78

  Kooning, Willem de, 23

  Krishna (myth.), 109

  Kristeva, Julia, 127

  Krull, Felix (fict.), 172–73

  Kundera, Milan, 80, 203

  Kurt (photographer), 51, 71, 240–41

  Kutcher, Ashton, 42

  ladies’ men:

  counterfeit, 24–25

  genuine, 25–27

  making of, 236–37

  selling men on, 235–36

  La Fayette, Madame de, 88, 139

  Lamb, Lady Caroline, 22, 23

  Lamott, Anne, Blue Shoe, 46

  Lancelot (myth.), 139

  Lane, Anthony, 225

  Lange, Jessica, 118

  Langer, Susanne, 176

  language, 162–63, 186

  Laszlo (Hungarian lover), 74

  laughter, 174–79

  Law, Jude, 232

  Lawrence, D. H., 106, 188

  LeDuff, Charlie, 225

  Leigh, Vivien, 59, 234

  Lessing, Doris, Love, Again, 109

  Liber (myth.), 200

  Liebowitz, Michael, 83, 203

  “Lilu” (myth.), 4

  listening, 168–70

  Liszt, Franz, 210, 216, 233

  and age, 25–26

  intensity of, 37–38

  and Lisztmania, 110

  and music, 49, 110

  restlessness of, 53

  spirituality of, 72

  Loki (myth.), 176

  Lombard, Carole, 47

  London, Jack, 53, 56, 211–12

  Loren, Sophia, 112

  Lothario (fict.), 5

  Louis XIV, king of France, 41

  Louis XV, king of France, 41

  love:

  maintaining, 193

  MRI image of, 37

  Love, Again (Lessing), 109

  Love & Sex (movie), 48

  Love Machine (Susann), 5

  love of women, 42–44

  Luce, Clare Booth, 178

  Luke (computer jock), 97–98

  lustline, 114

  Lyon
, Kate, 217

  MacCarthy, Desmond, 189

  MacDowell, Andie, 243

  Madame Bovary (Flaubert), 34, 101, 105, 197

  Madden, Bess, 212

  Mad Men (TV), 5

  Mahler, Alma, 206

  Mahmud, Sultan, 47

  Makarova, Natalya, 118

  males:

  alpha, 12–16, 212

  archetypes, 236

  attractiveness of, 13–14, 228–29

  chauvinistic, 225

  cosmetic surgery for, 228

  erotic education of, 236

  estranged, 225–26

  flawed manhood, 54–57, 91

  “healthy” qualities of, 9, 26

  initiative by, 136–42, 193, 234

  machismo, 225–26, 230

  neo–ladies’ men, 227–35

  selling men on ladies’ men, 235–36

  Malipiero, Alvise Gasparo, 177

  Malkovich, John, 4

  Mann, Thomas, 172

  Manners, Lady Diana, 148–49

  Mansfield, Katherine, 116

  March, Emily, 197–98

  Mark Antony, 198–99

  Markham, Beryl, 54

  Markham, Howard, 195

  Marley, Bill, 114

  Martelli, Niccolò, 188

  Martin, Shelby, 229

  Marvell, Andrew, 185, 188

  Maslow, Abraham, 214

  Mating Mind, The (Miller), 61

  Matthau, Walter, 210

  Maugham, Somerset, Up at the Villa, 43, 176

  Maupassant, Guy de, 129

  Maurois, André, “The Art of Loving,” 36

  Max, Tucker, 225, 226

  May, Rollo, 126

  McConaughey, Matthew, 24

  Meana, Marta, 84, 137, 144, 229

  Meet Joe Black (movie), 246

  melodrama, 26

  Memoirs of Two Brides, The (Balzac), 37

  mental stimulation, 214

  Menuhin, Yehudi, 167

  Messud, Claire, Emperor’s Children, 153

  Meston, Cindy, 116, 202, 208, 232

  Methley, Herbert (fict.), 173

  Metternich, Clemens von, 81–82

  Midler, Bette, 246

  Miller, Geoffrey:

  on apathy, 83

  and evolutionary psychology, 48, 63, 75, 79, 87, 104, 186

  on the future, 242

  “ornamental brain” theory of, 180

  on playfulness, 196, 202

  The Mating Mind, 61

  on verbal courtship, 162, 186

  Miller, Sienna, 232–33

  Miller, “Tee,” 211

  Millhauser, Steven, “An Adventure of Don Juan,” 86

  Millionaire Matchmaker, The, 33

  Milton, John, Paradise Lost, 4, 105, 146, 150

  mind, 134–58

  intimacy, 150–58

  praise, 143–50

  royal rush (male initiative), 136–42

  Minnelli, Liza, 118

  Miou-Miou, 243

  Mitchell, Joni, 188

  Mitchell, Juliet, 4

  Mo’ Better Blues (movie), 49

  Modigliani, Amedeo, 25, 74

  Mohawk, Delores, 65

  Monroe, Marilyn, 188, 199

  Montaigne, Michel de, 185

  Moore, Demi, 42

  Moore, Robert, 236

  morality/virtue, 61–66

  Moreau, Jeanne, 244

  Morrell, Ottoline, 76

  Mozart, Wolfgang Amadeus, 10, 11, 34

  Munro, Alice, “Passion,” 88

 

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