The Big U

by Нил Стивенсон

  She lay on her bed for the rest of the afternoon, unable to think about anything else, desperate for the company of Hyacinth, who was out of town for the weekend. Ultra-raunch rock-'n'-roll pounded through from the room above. The Terrorists figured out her number and she had to take her phone off the hook. She ignored the Airheads knocking on her door. Finally, late in the evening, when things had been quiet for a couple of hours, she slipped out to take a shower— a right-side-up, hot shower.

  This was not very relaxing. She had to keep her eyes and ears open as much as she could. As she rinsed her hair, though, a klunk sounded from the showerhead and the water wavered, then turned bitterly cold. She yelped and swung the hot-water handle around, to no effect, and then she couldn't stand it and had to yank open the door and get out of there.

  They were all waiting for her— not the Terrorists, but the Airheads in their bathrobes. One stood at every sink, smiling, hot water on full blast, and one stood by every shower stall, smiling, steam pouring out of the door. With huge smiles and squeals of joy, they actually grabbed her by the arms, shouting Swirlie!, Swirlie!, took her to one of the toilets, stuck her head in, and flushed.

  She was standing there naked, toilet water running in thin cold ribbons down her body, and they were in their bathrobes, smiling sympathetically and applauding. Apologies came from all directions. Somehow she didn't scream, she didn't hit anyone; she grabbed her bathrobe— tearing her hand on the corner of the shower door in her spastic fury— wrapped it around herself and tied it so tightly she could hardly breathe. Her pulse fluttered like a bird in an iron box and tingles of hyperventilation ran down her arms and into her fingertips.

  "What the fuck is wrong with you? Are you crazy?"

  They mostly tittered nervously and tried to ignore the way she had flown off the handle. They were leaving her a social escape route; she could still smooth it over. But she was not interested. "Listen to me good, you dumb fucks!" She had let herself go, it was the only thing she could do. In a way it felt great to bellow and cry and rage and scare the hell out of them; this was the first contact with reality these women had had in years. "This is rape! And I'm entitled to protect myself from it! And I will!"

  She had stepped over the line. It was now okay to hate Sarah, and several took the opportunity, laughing out loud to each other. Mari did not. "Sarah! Jeez, you don't have to take it so serious! You'll feel better later on. We've got some punch for you in the Lounge. We were just letting you in to the wing. We didn't think you were going to get so upset."

  "Yeah."

  "Yeah."

  "Yeah."

  "Well, I'm real sorry, excuse me, but I am going to take it seriously because anyone who can't see why it's serious has bad, bad problems and needs to get straightened out. If you think you're doing this because it's natural and fun, you aren't thinking too fucking hard."

  "But, Jeez, Sarah," said Mari, hardly believing anyone could be so weird, "it's for the better. We've all been through it together now and we're all sisters. We're all an equal family together. We were just welcoming you in."

  "The whole purpose of a fucking university is not so that you can come and be just like everyone else. I'm not equal to you people, never will be, don't want to be, I don't want to be anyone's sister, I don't want your activities, all I want is a decent place to live where I can be Sarah Jane Johnson, and not be equalized… by a mob.. . of little powderpuff terrorists… who just can't stand differentness because they're too stupid to understand it! What goes on in your heads? Haven't you ever seen the diversity of… of nature? Stop laughing. Look, you think this is funny? The next time you do this, someone is going to get hurt very badly." She looked down at the little drops of blood on the floor, dripping from her hand, and suddenly felt cleansed. She clenched the fist and held it up. "Understand?"

  They had been smug at her wild anger. Now they were scared and disgusted and their makeup lay on their appalled skin like blood on snow. Most fled, hysterically grossed out.

  "Gag me green!"

  "Barf me blue!"

  Mari averted her gaze from this gore. "Well, that's okay if you want to give all of this up. But I don't think it's like rape. I mean, we all scream a lot and stuff, and we don't really want them to do it, if you know what I mean, but when they do it's fun after all. So for us it's just sort of wild and exciting, and for the guys, it helps them work off steam. You know what I mean?"

  "No! Get out! Don't fuck with my life!" That was a lie— she did know exactly what Mari meant. But she had just realized she could never let herself think that way again. Mari sadly floated out, sniffling. Sarah, alone now, washed her hair again (though it had not been a "dirty swirlie") and retreated to her room, a little ill in a gag-me-green sort of way, yet filled with a tingling sense of sureness and power. She was not harassed anymore. Word had gone out. Sarah had gotten additional punishment and was not to be bothered.

  The door opened slightly, and a dazzling splinter of fluorescent light shot out across the dusky linoleum. Within the room it was still. The door opened a bit more. "Spike? It's me. Don't try to get out, kittycat."

  Now the door opened all the way and a tall skinny figure stepped in quickly, shut the door, and turned on a dim reading lamp. "Spike, are you sleeping? What did you get into this time?" He found the kitten under his bed, next to the overturned rat-poison tray that was not supposed to be there. Spike had only been dead for a few minutes, and his body was still so warm that Casimir thought he could be cuddled back to life. He sat on the floor by his bed and rocked Spike for a while, then stopped and let the tiny corpse down into his lap.

  A convulsion took his diaphragm and his lungs emptied themselves in jolts. He twisted around, breathless, hung on his elbows on the bed's edge, finally sucked in a wisp of air and sobbed it out again. He rolled onto the bed and the sobs came faster and louder. He pulled his pillow into his face and screamed and sobbed for longer than he could keep track of. Into his lumpy little standard-issue American Megaversity pillow he shuddered it all out: Sharon, Spike, the desecration of his academic dream, his loneliness.

  When he pulled himself together he was drained and queasy but curiously relaxed. He put Spike in a garbage bag and slid him into an empty calculator box, which he taped shut. Cradling it, he stared out the window. Around him in even ranks rose the thousands of windows of the towers, and to his tear-blurred vision it was as though he stood in a forest aflame "Spike," he said, "What the hell should I do with myself?

  "Yeah. Okay. That's what it's going to be.

  "Well, Spike, now I have to do something unbelievably great. Something impossible. Something these scum are too dumb even to imagine. To hell with grades. There are much fairer ways of showing how smart you are. I'm smarter than all of these fuckers, rules aside."

  He cranked his vent window open. Outside a Tower War was raging: students shouting to one another, shining lights and lasers into one another's rooms, blaring their stereos across the gulfs. Now the countertenor cry of Casimir Radon rode in above the tumult.

  "You can make it as hard as you want, as hard as you can, but I'm going to be the cleverest bastard this place has ever seen! I can make idiots of you all, damn it!"

  "Fuck you!" came a long-drawn-out scream from F Tower. It was precisely what Casimir wanted to hear. He shut his window and sat in darkness to think.

  At four in the morning the wing was quiet except for Sarah, who was up, preparing her laundry. It was not necessary to do it at four in the morning— one could find open machines as late as six or seven— but this was Sarah's time of day. At this time she could walk the halls like something supernatural (or as she put it, "something natural, in a place that is sub-natural"). In the corridors she would meet the stupid gotten-up-to-urinate, staggering half-dead for the bathroom, and they'd squint at her— clothed, up and bright— as though she were a moonbeam that had worked its way around their room to splash upon their faces. The ultra-late partiers, crushed by alcohol, floated, belched and slurr
ed along in glitzy boogie dress, and the fresh and sober Sarah, in soft clothes and tennis shoes, could dance through them before they had even recognized her presence. The brightest nerds and premeds riding the elevators home from all-nighters were so thick with sleep they could hardly stand, much less appreciate the time of day. A dozen or so hard-core athletes liked to rise as early as Sarah, and when she encountered them they would nod happily and go their separate ways.

  Being up at four in the morning was akin to being in the wilderness. It was as close to the outside world as you could get without leaving the Plex. The rest of the day, the harsh artificiality of the place ruled the atmosphere and the unwitting inhabitants, but the calm purity of the predawn had a way of seeping through the cinderblocks and pervading the place for an hour or so.

  "Screw the laundry," is what she finally said. She had plenty of clean clothes.

  She was kneeling amid a heap of white cottons, and the grim brackishness of her room was all around her. Suddenly she could not stand it. Laundry would not make the room seem decent, and she had to do something that would.

  Out in the wing it was easy to find the leftover paints and brushes. The Castle in the Air paintings were just now getting their finishing touches. She found the supplies in a storage closet and brought them to her room.

  Normally this would have been a quick and dirty process, but the spirit of four in the morning made her placid. She moved the furniture away from the walls and in a few minutes had the floor, door, windows and furniture covered with a Sunday New York Times. It looked better already.

  The Castle in the Air, as will later be described, was a sickly yellow, floating on white clouds in a blue sky. By mixing cloud-color with Castle-color and a bit of Bambi-color (on the ground under the Castle, Bambis cavorted) she made a mellow creamy paint. This she applied to the walls and ceiling with a roller. It was breakfast-time. She wasn't hungry.

  Sky-color and castle-color made green. She splayed open a cardboard box and made it into a giant palette, mixing up every shade of green she could devise and smearing them around to create an infinite variety. Then she began to dab away on one wall with no particular plan or goal.

  The light fixture was in the middle of the wall. She paused, thinking of the dire consequences, then sighed blissfully and slapped it all over with thick green daubs.

  By noon the wall was covered with pied green splotches ranging from almost-black to yellow. It was not a bad approximation of a forest in the sun, but it lacked fine detail and branches. She had long since decided to cut all her classes. She left her room for the first time since sunrise and started riding the 'vators toward the shopping mall. She felt great.

  "Doin' some paintin'?" asked a doe-eyed woman in leg warmers. Plastered with paint, Sarah nodded, beaming. "Doin' your room?"

  "Yep."

  "Yeah. So did we. We did ours all really high-tech. Lots of glow-colors. How bout you? Lotsa green?"

  "Of course," said Sarah, "I'm making it look like the outside. So I don't forget."

  At the Sears in the Mall she got matte black paint and smaller brushes. She returned to her room, passing the Cafeteria, where thousands stood in line for something that smelled of onions and salt and hot fat, Sarah had not eaten in twenty-four hours and felt great— it was a day to fast. Back in her room she cleared away a Times page announcing a coup in Africa and sat on her bed to contemplate her forest. Infinitely better than the old wall, yet still just a rude beginning— every patch of color could be subdivided into a hundred shades and crisscrossed with black branches to hold it all up. She knew she'd never finish it, but that was fine. That was the idea.

  Casimir immediately went into action. He had already daydreamed up this plan, and to organize the first stages of Project Spike did not take long. Since Sharon had sunk completely into a coma, Casimir had taken over the old professor's lab in the Burrows, spending so much time there that he stored a sleeping bag in the closet so he could stay overnight.

  This evening— Day Three— he had found six rats crowded into his box trap near the Cafeteria. Judging from the quantity of poison scattered around this area, they were of a highly resistant strain. In the lab, he donned heavy gloves, opened the trap, forced himself to grab a rat, pulled it out and slammed shut the lid. This was a physics. not a biology, lab and so his methods were crude. He pressed the rat against the counter and stunned it with a piece of copper tubing, then held it underwater until dead.

  He laid it on a bare plank and set before him an encyclopedia volume he had stolen from the Library, opened to a page which showed a diagram of the rat's anatomy. Weighing it open with a hunk of lead radiation shield, he took out a single-edged razor and went to work on the little beast. In twenty minutes he had the liver out. In an hour he had six rat livers in a beaker and six liverless rat corpses in the wastebasket, swathed in plastic. He put the livers in a mortar and ground them to a pulp, poured in some alcohol, and filtered the resulting soup until it was clear.

  Next morning he visited the Science Shop, where Virgil Gabrielsen was fixing up a chromatograph that would enable Casimir to find out what chemicals were contained in the rat liver extract. "We're ready for your mysterious test," said Virgil. "Hope you don't mind."

  "I love working with mad scientists— never dull. What's that?" "Mostly grain alcohol. This machine will answer your question, though, if it's fixed."

  A few hours later they had the results: a strip of paper with a line squiggled across it by the machine. Virgil compared this graph with similar ones from a long skinny book.

  "Shit," said Virgil, showing rare surprise. "I didn't think anything could live with this much Thalphene in its guts. Thalphene! These things have incredible immunities."

  "What is it? I don't know anything about chemistry." "Trade name for thallium phenoxide." Virgil crossed his arms and looked at the ceiling. "Dangerous Properties of Industrial Materials, my favorite bedtime reading, says this about thallium compounds. I abbreviate. 'Used in rat poison and depilatories … results in swelling of feet and legs, arthralgia, vomiting. insomnia, hyperaesthesia and paresthesia of hands and feet, mental confusion, polyneuritis with severe pains in legs and loins, partial paralysis and degeneration of legs, angina, nephritis, wasting, weakness … complete loss of hair . . ha! Fatal poisoning has been known to occur.'"

  "No kidding!"

  "Under phenols we have.. . 'where death is delayed, damage to kidneys, liver, pancreas, spleen, edema of the lungs, headache, dizziness, weakness, dimness of vision, loss of consciousness, vomiting, severe abdominal pain, corrosion of lips, mouth, throat, esophagus and stomach'."

  "Okay, I get the idea."

  "And that doesn't account for synergistic effects. These rats eat the stuff all the time."

  "So they go through a lot of rat poison, these rats do."

  "It looks to me," said Virgil, "as though they live on it. But if you don't mind my prying, why do you care?"

  Casimir was slightly embarrassed, but he knew Virgil's secret, so it was only fair to bare his own. "In order for Project Spike to work, they have to be heavy rat-poison eaters. I'm going to collect rat poison off the floors and expose it to the slow neutron source in Sharon's lab. It's a little chunk of a beryllium isotope on a piece of plutonium, heavily shielded in paraffin— looks like a garbage can on wheels. Paraffin stops slow neutrons, see. Anyway, when I expose the rat poison to the neutrons, some of the carbon in the poison will turn to Carbon— 14. Carbon— 14 is used in dating. of course, so there are plenty of machines around to detect small amounts of it. Anyway, I set this tagged poison out near the Cafeteria. Then I analyze samples of Cafeteria food for unusually high levels of Carbon— 14. If I get a high reading. .

  "It means rats in the food."

  "Either rats, or their hair or feces."

  "That's awesome blackmail material, Casimir. I wouldn't have thought it of you.

  Casimir looked up at Virgil, shocked and confused. After a few seconds he seemed to understand what Vir
gil had meant. "Oh, well, I guess that's true. The thing is, I'm not that interested in blackmail. It wouldn't get me anything. I just want to do this, and publicize the results. The main thing is the challenge."

  A rare full grin was on Virgil's face. "Damn good, Casimir, That's marvelous. Nice work." He thought it over, taken with the idea. "You'll have the biggest gun in the Plex, you know."

  "That's not what I'm after with this project."

  "Let me know if I can help. Hey, you want to go downstairs to the Denny's for lunch? I don't want to eat in the Cafeteria while I'm thinking about the nature of your experiment."

  "I don't want to eat at all, after what I've just been doing," said Casimir. "But maybe later on we can dissolve our own livers in ethanol." He put the beaker of rat potion in a hazardous-waste bin, logged down its contents, and they departed.

  And lest anyone get the wrong idea, a disclaimer: I did not know about this while it was going on. They told me about it later. The people who have claimed I bear some responsibility for what happened later do not know the facts.