Orson Welles: Hello Americans
Page 69
Margetson, Arthur, ‘Orson Welles and I’ (unpublished)
Ryan, Susan, ‘Context for an Unfinished Text’, Persistence of Vision, Number 7. Film Faculty of University of New York, 1989.
Stam, Robert, ‘Orson Welles, Brazil and the Power of Blackness’, Persistence of Vision, Number 7. Film Faculty of University of New York, 1989.
Thomas, François, ‘Orson Welles’ Turn from Live Recording to Post-Synchronization: A Technical and Aesthetic Evolution’, in Philip Brody (ed.), Cinesonic: Cinema and the Sound of Music. Australian Film, Television and Radio School, North Ryde, 2000. ‘Mésaventures d’un Bande Sonore’. Positif,
Interviews
Tynan, Kathleen. Unpublished.
‘Les mésaventures d’une bande sonore: les deux Macbeth d’Orson Welles’, Cinémathèque, Number 6, Autumn 1994. Interview with Jeanette Nolan, Positif, Number 449–450, July/August 1998.
This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.
Version 1.0
Epub ISBN 9781446484555
www.randomhouse.co.uk
Published by Vintage 2007
2 4 6 8 10 9 7 5 3 1
Copyright © Simon Callow, 2006
Simon Callow has asserted his right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work
This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition, including this condition, being imposed on the subsequent purchaser
Use of the works of and rights pertaining to Orson Welles have been granted through a special licence from his daughter, Beatrice Welles. All rights reserved. Beatrice Welles, c/o Thomas A. White, 8671 Wilshire Boulevard, Suite 718, Beverley Hills, California 90211-2915, USA. Tel (310) 657-9831; Fax (310) 657-6455
First published in Great Britain in 2006 by Jonathan Cape
Vintage
Random House, 20 Vauxhall Bridge Road,
London SW1V 2SA
www.vintage-books.co.uk
Addresses for companies within The Random House Group Limited can be found at: www.randomhouse.co.uk/offices.htm
The Random House Group Limited Reg. No. 954009
A CIP catalogue record for this book is available from the British Library
ISBN 9780099462613