The Stories of John Cheever (1979 Pulitzer Prize)

by John Cheever

  I was away when Boobee and Grace arrived from Italy. The setting for our reunion was the station platform at Bullet Park, at seven-forty one Tuesday morning. It was very much a setting. Around a hundred commuters, mostly men, made up the cast. Here were tracks and ties and the sounds of engines, but the sense was much more of a ceremony than of journeys and separations. Our roles seemed fixed in the morning light, and since we would all return before dark, there was no sense of travel. It was the fixedness, the rectitude, of the scene that made Boobee's appearance in his green plush hat and belted raincoat seem very alien. He shouted my name, bent down and gave me a bone-cracking embrace, and kissed me loudly on both cheeks. I could not have imagined how strange, wild, and indecent such a salutation would appear to be on the station platform at seven-forty. It was sensational. I think no one laughed. Several people looked away. One friend turned pale. Our loud conversation in a language other than English caused as much of a sensation. I suppose it was thought to be affected, discourteous, and unpatriotic, but I couldn't tell Boobee to shut up or explain to him that in America if we talked in the morning we aimed at a sort of ritual banality. While my friends and neighbors talked about rotary lawn mowers and chemical fertilizers, Boobee praised the beauty of the landscape, the immaculateness of American women, and the pragmatism of American politics, and spoke of the horrors of a war with China. He kissed me goodbye on Madison Avenue. I think no one I knew was looking.

  We had the Parlapianos for dinner soon after this, to introduce them to our friends. Boobee's English was terrible. "May I drop onto you for staying together?" he would ask a woman, intending merely to sit at her side. He was, however, charming, and his spontaneity and his good looks carried him along. We were unable to introduce him to any Italians, since we knew none. In Bullet Park, the bulk of the small Italian Population consisted of laborers and domestics. At the top of the heap was the DeCarlo family, who were successful and prosperous contractors, but whether perforce or by chance, they seemed never to have left the confines of the Italian colony. Boobee's position was therefore ambiguous.

  One Saturday morning he called to ask if I would help him with some shopping. He wanted to buy some blue jeans. He pronounced them "blugins," and it was some time before I understood what he meant. He stopped at my house a few minutes later and drove me in to the village Army and Navy store. He had a large air-conditioned car covered with chromium, and he drove like a Roman. We were speaking Italian when we entered the store. At the sound of this language the clerk scowled as if he sensed shoplifting or check kiting.

  "We want some blue jeans," I said.

  "Blugins," said Boobee.

  "What size?"

  Boobee and I discussed the fact that we did not know his measurement in inches. The clerk took a tape measure from a drawer and passed it to me. "Measure him yourself," he said. I measured Boobee and told the clerk the size. The clerk threw a pair of blue jeans on the counter, but they were not what Boobee had in mind. He explained at length and with gestures that he wanted something softer and paler. Then the proprietor, from the back of the store, shouted down the canyon of boxed work boots and denim shirts to his clerk, "Tell them it's all we got. Where they come from they wear goatskins."

  Boobee understood. His nose seemed to get longer, as it did in every emotional crisis. He sighed. It had never occurred to me that in America a sovereign prince might be penalized for his foreignness. I had seen some anti-American feeling in Italy but nothing as crude as this, and anyhow I wasn't a prince. In America, Prince Parlapiano was a wop.

  "Thank you very much," I said, and started for the door.

  "Where you from, mister?" the clerk asked me.

  "I live on Chilmark Lane," I said.

  "I don't mean that," he said. "I mean where you from in Italy."

  We left the store and found what Boobee wanted in another place, but I saw that his life as an alien was hazardous. He might be Prince Parlapiano at some place like the Hotel Plaza, but struggling with the menu at Chock Full O'Nuts he would be an untouchable.

  I didn't see the Parlapianos for about a month, and when I did see Boobee again, on the station platform, he seemed to have made a good many friends, although his English showed no improvement. Then Grace called to say that her parents were paying a visit and would we come for cocktails. This was on a Saturday afternoon, and when we got there we found perhaps a dozen neighbors sitting around uncomfortably. Boobee had not caught on to the American cocktail hour. He was serving warm Campari and gumdrops. When I asked, in English, if I could have a Scotch, he asked what kind of Scotch I wanted. I said any Scotch would do. "Good!" he exclaimed. "Then I am giving you rye. Rye is the best Scotch, yes?" I only mention this to show that his grasp of our language and our customs was spotty.

  Grace's parents were an ungainly middle-aged couple from Indiana. "We come from Indiana," said Mrs. Osborn, "but we are directly descended from the Osborns who settled in Williamsburg, Virginia, in the seventeenth century. My great-grandfather on my mother's side was an officer in the Confederate Army and was decorated by General Lee. We have this club in Florida. We're all scientists."

  "Is it Cape Kennedy?" I asked.

  "Christian Scientists."

  I shifted to Mr. Osborn, who was a retired used-car dealer. He went on about their club. There were many millionaires among the members. The club had an eighteen-hole golf course, a marina, a college-educated dietitian, and an exacting admissions committee. He lowered his voice and, shielding his mouth with one hand, said, "We try to keep out the Jews and Italians."

  Boobee, standing in front of my wife, asked, "I am dropping down onto you for staying together?"

  His mother-in-law, across the room, asked, "What did you say, Anthony?"

  Boobee lowered his head. He seemed helpless. "I am asking Mrs. Duclose," he said shyly, "if I could drop onto her."

  "If you can't speak English,' Mrs. Osborn said, "it's better to keep quiet. You sound like a fruit peddler."

  "I am sorry," Boobee said.

  "Please sit down," my wife said, and he did, but his nose seemed to get very long. He had been injured. The awkward party lasted not much over an hour.

  Then Boobee called me one night, one late-summer night, and said that he had to see me, and I invited him over. He wore his gloves and his green plush hat. My wife was upstairs, and since she didn't especially like Boobee, I didn't call her down. I made some drinks, and we sat in the garden.

  "Listen!" Boobee said. He used the imperative ascolta. "Listen to me. Grace is insane... Tonight, dinner is late. I was very hungry, and if I do not have my dinner punctually I lose my appetite. Grace knows this well, but when I arrived at the house there is no dinner. There is nothing to eat. She is in the kitchen burning something in a pan. I explain to her with courtesy that I must have a punctual dinner. Then you know what happens?"

  I knew, but it seemed tactless to say that I knew. I said, "No."

  "You could not imagine," he said. He put a hand to his heart. "Listen," he said. "She cries."

  "Women cry easily, Boobee," I said.

  "Not European women."

  "But you didn't marry a European."

  "That is not all. The madness now comes. She cries, and when I ask her why she cries, she explains that she is crying because in becoming my wife she has given up a great career as a soprano in opera."

  I don't suppose there is much difference between the sounds of a summer night—a late-summer night—in my country and Italy, and yet it seemed so then. All the softness had gone out of the night air—fireflies and murmuring winds—and the insects in the grass around me made a sound as harsh and predatory as the sharpening of burglar's tools. It made the distance he had come from Verona seem immense. "Opera!" he cried, "La Scala! It is because of me that she is not performing tonight in La Scala. She used to take singing lessons, that is so, but she was never invited to perform. Now she is seized with this madness."

  "A great many American women, Boobee, feel that i
n marriage they have given up a career."

  "Madness," he said. He wasn't listening. "Complete madness. But what can one do? Will you speak to her?"

  "I don't know what good it will do, Boobee, but I'll try."

  "Tomorrow. I'll be late. Will you speak to her tomorrow?"

  "Yes."

  He stood and pulled on his gloves, finger by finger. Then he tossed on his plush hat with its imaginary feathers and asked, "What is the secret of my charm—my incredible ebullience?"

  "I don't know, Boobee," I said, but a warm feeling of sympathy for Grace spread through my chest.

  "It is because my philosophy of life includes a grasp of consequences and limitations. She has no such philosophy."

  He then got into his car and started it up so abruptly that he scattered gravel all over the lawn.

  I turned off the lights on the first floor and went up to our bedroom, where my wife was reading. "Boobee was here," I said. "I didn't call you."

  "I know. I heard you talking in the garden." Her voice was tremulous, and then I saw there were tears on her cheek.

  "What's the matter, darling?"

  "Oh, I feel that I've wasted my life," she said. "I have the most terrible feeling of waste. I know it isn't your fault, but I've really given too much of myself to you and the children. I want to go back to the theatre." I should explain about my wife's theatrical career. Some years ago a company of amateurs in the neighborhood performed Shaw's Saint Joan. Margaret had the lead. I was in Cleveland on business, through no choice of my own, and I didn't see the performance, but I am convinced that it was outstanding. There were to be two performances, and when the curtain came down at the end of the first there was a standing ovation. Margaret's performance has been described to me as brilliant, radiant, magnetic, and unforgettable. There was so much excitement that several directors and producers in New York were urged to come out for the second night. Several of them accepted. I was, as I have said, not there, but Margaret has told me what happened. It was a blindingly bright, cold morning. She drove the children to school and then returned and tried to rehearse her lines, but the telephone kept ringing. Everyone felt that a great actress had been discovered. It clouded over at ten, and a north wind began to blow. It began to snow at half past ten, and by noon the storm developed into a blizzard. The schools closed at one and the children were sent home. More than half the roads were closed by four. The trains were running late or not at all. Margaret was unable to get her car out of the garage, so she walked the two miles to the theatre. None of the producers or directors could make it, of course, and only half the cast showed up, so the performance was canceled. Plans were made to repeat the performance later, but the Dauphin had to go to San Francisco, the theatre was booked for other things, and the producers and directors who had agreed to come seemed, on second thought, to be suspicious about going so far afield. Margaret never played Joan again. She had the most natural regrets. The praise that had been poured into her ears rang there for months. A thrilling promise had been broken and, as anyone would, she felt that her disappointment was legitimate and deep.

  I called Grace Parlapiano the next day, and went to their house after work. She was pale and seemed unhappy. I said that I had talked with Boobee. "Anthony has been very difficult," she said, "and I am thinking seriously of getting a divorce or at least a legal separation. I happen to have rather a good voice, but he seems to feel that I've produced this fact out of spite and in order to humiliate him. He claims that I'm spoiled and greedy. This is, after all, the only house in the neighborhood that doesn't have wall-to-wall carpeting, but when I had a man come to give me an estimate on carpeting, Anthony lost his temper. He completely lost his temper. I know that Latins are emotional—everyone told me this before I married—but when Boobee loses his temper it's really frightening."

  "Boobee loves you," I said.

  "Anthony is very narrow-minded," she said. "I sometimes think he married too late in life. For instance I suggested that we join the country club. He could learn to play golf, and you know how important golf is in business. He could make a great many advantageous business connections if we joined the club, but he thinks this is unreasonable of me. He doesn't know how to dance, but when I suggested that he take dancing lessons he thought me unreasonable. I don't complain, I really don't. I don't, for instance, have a fur coat and I've never asked for one, and you know perfectly well that I'm the only woman in the neighborhood who doesn't have a fur coat."

  I ended the interview clumsily, and on that note of spiritual humbug we bring to the marital difficulties of our friends. My words were useless, of course, and things got no better. I happened to know, because Boobee kept me informed on the train every morning. He did not understand that men in America do not complain about their wives, and it was a vast and painful misunderstanding. He came up to me at the station one morning and said, "You are wrong. You are very wrong. That night when I told you she had a madness, you told me it was nothing. Now listen! She is buying a grand piano, and she is hiring a singing coach. She is doing this out of spitefulness. Now do you believe that she is mad?"

  "Grace is not mad," I said. "There is nothing wrong with the fact that she likes to sing. You've got to understand that her desire for a career is not spiteful. It is shared by almost every woman in the neighborhood. Margaret is working with a dramatic coach in New York three days a week and I don't consider her spiteful or insane."

  "American men have no character," he said. "They are commercial and banal."

  I would have hit him then, but he turned and walked away. This was evidently the end of our friendship, and I was tremendously relieved, because his accounts of Grace's madness had come to be a harrowing bore and there seemed to be no hope of changing or illuminating his point of view. He left me alone for two weeks or longer, and then he approached me again one morning. His face was dark, his nose was enlarged, his manner was definitely unfriendly. He spoke in English. "Now you will be agreeing with me," he said, "when I am telling you what she is doing. Now you will be seeing that there is no end to her spitefulness." He sighed; he whistled through his teeth. "She is for having a concert!" he exclaimed and turned away.

  A few days later, we received an invitation to hear Grace sing at the Aboleens'. Now, Mrs. Aboleen is the muse of our province. Through her brother, the novelist W. H. Towers, she has some literary connections, and through the bounty of her husband—a successful dental surgeon—she has a large collection of paintings. On her walls you read Dufy, Matisse, Picasso, and Braque, but the pictures on which these signatures appear are very bad, and Mrs. Aboleen is a surprisingly jealous muse. Any other woman in the neighborhood with similar inclinations is thought to be a vulgar usurper. The paintings, of course, are her paintings, but when a poet comes to spend a weekend at the Aboleens' he becomes her poet. She may display him, urge him to perform, and let you shake his hand, but if you come too close to him or talk with him for more than a minute or two she will cut in with an avid possessiveness, a kind of anger, as if she had caught you pocketing the table silver. Grace had become, I suppose, her princess. The concert was on a Sunday afternoon, a lovely day, and I went bitterly. This may have colored my judgment of Grace's performance, but everybody else said it was terrible. She sang a dozen songs, mostly in English, mostly arch and about love. Boobee's despondent sighs could be heard between the songs, and I knew he was thinking that her abysmal spitefulness had invented the whole scene—the folding chairs, the vases of flowers, the maids waiting to pass tea. He was polite enough when the concert ended, but his nose seemed enormous.

  I didn't see him again for some time, and then I read one evening in the local paper that Marcantonio Parlapiano had been injured in an automobile accident on Route 67 and was recovering at the Platner Memorial Hospital. I went there at once. When I asked the nurse on his floor where I could find him, she said gaily, "Oh, you want to see Tony? Poor old Tony. Tony no speaka da English."

  He was in a room with two other
patients. He had broken a leg, he looked dreadful, and there were tears in his eyes. I asked him when he would be allowed to go home. "To Grace?" he asked. "Never. I am never going back. Her father and mother are with her now. They are arranging a legal separation. I am going to Verona. I am taking the Colombo on the twenty-seventh." He sobbed. "You know what she is asking me?" he said.

  "No, Boobee. What did she ask you?"

  "She is asking me to change my name." He began to cry.

  I saw him off on the Colombo, more because I like ships and sailings than because of the depth of our friendship, and I never saw him again. The last of my story has no more relevance than the wall in Verona, but when it happened I was reminded of Boobee, and so I'll put it down. It was in a little town called Adrianapolis, about sixty miles from Yalta on the dry side of the Crimean Mountains. I had come over from the coast in a cab and was waiting for a plane to Moscow when I met another American. We were both, naturally, very happy to encounter someone who spoke English, and we went to the dining room and ordered a bottle of vodka. He was working as an engineer in a chemical-fertilizer plant in the mountains and was on his way back to the States for a six weeks' vacation. We had a table by a window overlooking the airfield, where there was very little activity. At home it would have passed for one of those private airfields you find in the suburbs, mostly used by charter flights. There was a public address system, and a young woman with a very pure and musical voice was making announcements in Russian. I couldn't understand what she was saying, but I suppose she was asking Igor Vassilyevitch Kryukov to please report to the Aeroflot ticket counter.