Dragon Tears

by Dean R. Koontz

  The entire wall opposite the bed was mirrored floor to ceiling. He had mirrors throughout the house; he liked what they showed him of himself, the image of godhood Becoming in all its grace, beauty, and power.

  Except for the mirrors, the walls were painted black. The ceiling was black as well.

  The black-lacquered shelves of a large bookcase contained scores of one-pint Mason jars filled with formaldehyde. Floating therein were pairs of eyes, visible to Bryan even in deep gloom. Some were the eyes of human beings: men, women, and children who had received his judgment; various shades of blue, brown, black, gray, green. Others were the eyes of the animals on which he’d first experimented with his power years ago: mice, gerbils, lizards, snakes, turtles, cats, dogs, birds, squirrels, rabbits; some were softly luminescent even in death, glowing pale red or yellow or green.

  Votive eyes. Offered by his subjects. Symbols acknowledging his power, his superiority, his Becoming. At every hour of the day and night, the eyes were there, acknowledging, admiring, adoring him.

  Look upon me and tremble, said the Lord. For I am mercy but also am I wrath. I am forgiveness but also am I vengeance. And whatever floweth to thee shall flow from me.

  3

  In spite of the humming vent fans, the room was redolent of blood, bile, intestinal gases, and an astringent disinfectant that made Connie squint.

  Harry sprayed his left hand with some Binaca breath-freshener. He cupped his moistened palm over his nose, so the minty fragrance would block out at least some of the smell of death.

  He offered Connie the Binaca. She hesitated, then accepted it.

  The dead woman lay naked and staring on the tilted, stainless-steel table. The coroner had made a large Y incision in her abdomen, and most of her organs had been carefully removed.

  She was one of Ordegard’s victims from the restaurant. Her name was Laura Kincade. Thirty years old. She had been pretty when she’d gotten out of bed that morning. Now she was a fright figure from a grisly carnival funhouse.

  The fluorescent lights imparted a milky sheen to her eyes, on which were reflected twin images of the overhead microphone and the flexible, segmented-metal cable on which it hung. Her lips were parted, as if she were about to sit up, speak into the mike, and add a few comments to the official record of her autopsy.

  The coroner and two assistants were working late, finishing the final of three examinations of Ordegard and his two victims. The men looked weary, both physically and spiritually.

  In all her years of police work, Connie had never encountered one of those hardened forensic pathologists who appeared so frequently in the movies and on television, carving up corpses while they made crude jokes and ate pizza, untouched by the tragedies of others. On the contrary, although it was necessary to approach such a job with professional detachment, regular intimate contact with the victims of violent crime always took its toll one way or another.

  Teel Bonner, the chief medical examiner, was fifty but seemed older. In the harsh fluorescent light, his face looked less tanned than sallow, and the bags under his eyes were large enough to pack for a weekend getaway.

  Bonner paused in his cutting to tell them that the tape of the Ordegard autopsy had already been transcribed by a typist. The transcription was in a folder on his desk, in the glass-walled office adjacent to the dissection room. “I haven’t written the summary yet, but the facts are all there.”

  Connie was relieved to get into the office and close the door. The small room had a vent fan of its own, and the air was relatively fresh.

  The brown vinyl upholstery on the chair was scarred, creased, and mottled with age. The standard-issue metal desk was scratched and dented.

  This was no big-city morgue with several dissection rooms and a professionally decorated office for receptions with reporters and politicians. In smaller towns, violent death was still generally viewed as less glamorous than in larger metropolises.

  Harry sat and read from the autopsy transcript while Connie stood at the glass wall and watched the three men gathered around the corpse in the outer room.

  The cause of James Ordegard’s death had been three gunshot wounds to the chest — which Connie and Harry already knew because all three rounds had come from Harry’s gun. The effects of the gunshots included puncture and collapse of the left lung, major damage to the large intestine, nicks to the common iliac and the celiac arteries, the complete severing of the renal artery, deep laceration of the stomach and liver by fragments of bone and lead, and a tear in the heart muscle sufficient to cause sudden cardiac arrest.

  “Anything odd?” she asked, her back to him.

  “Like what?”

  “Like what? Don’t ask me. You’re the guy who thinks possession ought to leave its mark.”

  In the dissection room, the three pathologists working over Laura Kincade were uncannily like doctors attending to a patient whose life they were struggling to preserve. The postures were the same; only the pace was different. But the sole thing that these men could preserve was a record of precisely the means by which one bullet had fatally damaged one fragile human body, the how of Laura’s death. They couldn’t begin to answer the bigger question: Why? Even James Ordegard and his twisted motivations could not explain the why of it; he was only another part of the how. Explaining why was a task for priests and philosophers, who floundered helplessly for meaning every day.

  “They did a craniotomy,” Harry said from the coroner’s creaking chair.

  “And?”

  “No visible surface hematoma. No unusual quantity of cerebrospinal fluid, no indications of excess pressure.”

  “They do a cerebrotomy?” she asked.

  “I’m sure.” He rustled through the pages of the transcript. “Yeah, here.”

  “Cerebral tumor? Abscess? Lesions?”

  He was silent for a long moment, scanning the report. Then: “No, nothing like that.”

  “Hemorrhage?”

  “None noted.”

  “Embolism?”

  “None found.”

  “Pineal gland?”

  Sometimes the pineal gland could shift out of position and come under pressure from surrounding brain tissues, resulting in extremely vivid hallucinations, sometimes paranoia and violent behavior. But that was not the case with Ordegard.

  Watching the autopsy from a distance, Connie thought of her sister, Colleen, dead these five years, killed by childbirth. It seemed to her that Colleen’s death made no more sense than that of poor Laura Kincade who had made the mistake of stopping at the wrong restaurant for lunch.

  Then again, no death made sense. Madness and chaos were the engines of this universe. Everything was born only to die. Where was the logic and reason in that?

  “Nothing,” Harry said, dropping the report back onto the desk. The chair springs squeaked and twanged as he got up. “No unexplained marks on the body, no peculiar physiological conditions. If Ticktock was in possession of Ordegard, there’s no clue of it in the corpse.”

  Connie turned away from the glass wall. “Now what?”

  * * *

  Teel Bonner pulled open the morgue drawer.

  The naked body of James Ordegard lay within. His white skin had a bluish cast in some places. Black-thread stitches had been used to close the extensive incisions from the autopsy.

  The moon face. Rigor mortis had pulled his lips into a lopsided smile. At least his eyes were closed.

  “What did you want to see?” Bonner asked.

  “If he was still here.” Harry said.

  The coroner glanced at Connie. “Where else would he be?”

  4

  The bedroom floor was covered with black ceramic tile. Like purling water, it glistened in places with dim reflections of the ambient light from the night beyond the windows. It was cool beneath Bryan’s feet.

  As he walked to the glass wall that faced the ocean, the huge mirrors reflected black on black, and his naked form drifted like a wraith of smoke through the laye
red shadows.

  He stood at the window, staring at the sable sea and tarry sky. The smooth ebony vista was relieved only by the crests of the combers and by frostlike patches on the bellies of the clouds. That frost was a reflection of the lights of Laguna Beach behind him; his home was on one of the western-most points of the city.

  The view was perfect and serene because it lacked the human element. No man or woman or child, no structure or machine or artifact intruded. So quiet, dark. So clean.

  He longed to eradicate humanity and all its works from large portions of the earth, restrict people to selected preserves. But he was not yet fully in control of his power, still Becoming.

  He lowered his gaze from the sky and sea to the pallid beach at the foot of the bluff.

  Leaning his forehead against the glass, he imagined life — and by imagining, created it. On the sward just above the tide line, the sand began to stir. It rose, forming a cone as big as a man — and then became a man. The hobo. The scarred face. Reptile eyes.

  No such person had ever existed. The vagrant was strictly a creature of Bryan’s imagination. Through this construct and others, Bryan could walk the world without being in danger from it.

  Though his phantom bodies could be shot and burned and crushed without causing harm to him, his own body was dismayingly vulnerable. When cut, he bled. When struck, he bruised. He assumed that when he had Become, then invulnerability and immortality would be the final gifts bestowed on him, signaling his Ascension to godhood — which made him eager to fulfill his mission.

  Now, leaving only a portion of his consciousness in his real body, he moved into the hobo on the night beach. From within that hulking figure, he gazed up at his house on the bluff. He saw his own naked body at the window, staring down.

  In Jewish folklore there was a creature called a golem. Made of mud in the shape of a man, endowed with a form of life, it was most often an instrument of vengeance.

  Bryan could create an infinite variety of golems and through them stalk his prey, thin the herd, police the world. But he could not enter the bodies of real people and control their minds, which he would very much have enjoyed. Perhaps that power would be his, as well, when at last he had Become.

  He withdrew his consciousness from the golem on the beach and, regarding it from his high window, caused it to change shape. It tripled in size, assumed a reptilian form, and developed immense membranous wings.

  Sometimes an effect could spiral beyond what he intended, acquire a life of its own, and resist his efforts at containment. For that reason, he was always practicing, refining his techniques and exercising his power in order to strengthen it.

  He had once created a golem inspired by the movie Alien, and used it to savage the vagrants in an encampment of ten homeless people under a Los Angeles freeway overpass. His intention had been to slaughter two of them, lightning quick, and leave the others with the memory of his power and merciless judgment. But then he became excited by their abject terror at the inexplicable manifestation of that movie monster. He thrilled to the feel of his claws ripping through their flesh, the heat of spurting blood, the rank steaming gush of disembowelment, the crack of bones as fragile as chalk sticks in his monstrous hands. The screams of the dying were piercingly shrill at first but became weak, tremulous, erotic; they surrendered their lives to him as lovers might have surrendered, so exhausted by the intensity of their passion that they succumbed only with sighs, whispers, shudders. For a few minutes he was the creature that he had created, all razored teeth and talons, spiked spine and lashing tail, having forgotten about his real body in which his mind actually reposed. When he regained his senses, he discovered he had killed all ten men beneath the overpass and stood in a charnel house of blood, eviscerated torsos, severed heads and limbs.

  He hadn’t been shocked or daunted by the degree of violence he’d wrought — only that he’d killed them all in a mindless frenzy. Learning control was vital if he were to accomplish his mission and Become.

  He had used the power of pyrokinesis to set the bodies afire, searing them with flames so intense that even bones were vaporized. He always disposed of those on whom he practiced because he didn’t want ordinary people to know that he walked among them, at least not until his power had been perfected and his vulnerability was nil.

  That was also why for the time being he focused his attentions primarily on street people. If they were to report being tormented by a demon who could change shape at will, their complaints would be dismissed as the ravings of mentally deranged losers with drug and alcohol addictions. And when they vanished from the face of the earth, no one would care or attempt to discover what had happened to them. Someday soon, however, he would be able to bring holy terror and divine judgment to people in all strata of society.

  So he practiced.

  Like a magician improving his dexterity.

  Control. Control.

  On the beach, the winged form leapt off the sand from which it had been born. It flapped into the night, like a truant gargoyle returning to a cathedral parapet. It hovered before his window, peering in with luminous yellow eyes.

  Although it was a brainless thing until he projected part of himself into it, the pterodactyl was nevertheless an impressive creation. Its immense leathery wings fluidly fanned the air, and it easily remained aloft on the updrafts along the bluff.

  Bryan was aware of the eyes in the jars behind him. Staring. Watching him, astonished, admiring, adoring.

  “Be gone,” he said to the pterodactyl, indulging in theatrics for his audience.

  The winged reptile turned to sand and rained on the beach below.

  Enough play. He had work to do.

  5

  Harry’s Honda was parked near the municipal building, under a streetlamp.

  Early spring moths, having come out in the wake of the rain, swooped close to the light. Their enormous, distorted shadows played over the car.

  As she and Harry crossed the sidewalk toward the Honda, Connie said, “Same question. Now what?”

  “I want to get into Ordegard’s house and have a look around.”

  “What for?”

  “I don’t have a clue. But it’s the only other thing I can think to do. Unless you’ve got an idea.”

  “Wish I did.”

  As they approached the car, she saw something dangling from the rearview mirror, rectangular and softly gleaming beyond the moth shadows that swarmed over the windshield. As far as she could recall, there had been no air-freshener or ornament of any kind tied to the mirror.

  She was the first into the car and got a close look at the silvery rectangle before Harry did. It was dangling on a red ribbon from the’ mirror shank. Initially she didn’t realize what it was. She took hold of it, turned it so the light struck it more clearly, and saw that it was a handcrafted belt buckle worked with Southwest motifs.

  Harry got in behind the wheel, slammed his door, and saw what she held in her hand.

  “Oh, Jesus,” Harry said. “Oh, Jesus, Ricky Estefan.”

  6

  Most of the roses had taken a beating from the rain, but a few blooms had come through the storm untouched. They bobbed gently in the night breeze. The petals caught the light spilling from the kitchen windows and seemed to magnify it, glowing as if radioactive.

  Ricky sat at the kitchen table, from which his tools and current projects had been removed. He had finished dinner more than an hour ago and had been sipping port wine ever since. He wanted to get a buzz on.

  Before being gutshot, he’d not been much of a drinker, but when he had wanted a drink, he’d been a tequila and beer man. A shot of Sauza and a bottle of Tecate were as sophisticated as he got. After all the abdominal surgeries he endured, however, a single jigger of Sauza — or any other hard liquor — gave him intense heartburn and a sour stomach that lasted the better part of a day. The same was true of beer.

  He learned that he could handle liqueurs well enough, but getting drunk on Baileys Irish
Cream or crème de menthe or Midori required the ingestion of so much sugar that his teeth would rot long before he did any damage to his liver. Regular wines did not go down well, either, but port proved to be just the thing, sweet enough to soothe his delicate gut but not so sweet as to induce diabetes.

  Good port was his only indulgence. Well, good port and a little self-pity now and then.

  Watching the roses nodding in the night, he sometimes pulled his gaze back to a closer point of focus and stared at his reflection in the window. It was an imperfect mirror, revealing to him a colorless transparent countenance like that of a haunting spirit; but perhaps it was an accurate reflection, after all, because he was a ghost of his former self and in some ways dead already.

  A bottle of Taylor’s stood on the table. He refilled his port glass and took a sip.

  Sometimes, like now, it was difficult to believe that the face in the window was actually his. Before he’d been shot, he had been a happy man, seldom given to troubled introspection, never a brooder. Even during recuperation and rehabilitation, he had retained a sense of humor, an optimism about the future that no amount of pain could entirely darken.

  His face had become the face in the window only after Anita left. More than two years later, he still had difficulty believing that she was gone — or figuring out what to do about the loneliness that was destroying him more surely than bullets could have done.

  Raising his drink, Ricky sensed something wrong just as he brought it to his mouth. Perhaps he subconsciously registered the lack of a port-wine aroma — or the faint, foul smell of what had replaced it. He stopped as he was about to tilt the glass to his lips, and saw what it contained: two or three fat, moist, entwined earthworms, alive and oozing languorously around one another.

  Startled, he cried out, and the glass slipped from his fingers. Because it dropped only a couple of inches onto the table, it didn’t shatter. But when it tipped over, the worms slithered onto the polished pine.