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The Big Both Ways

Page 36

by John Straley


  The sun hung behind thin and ragged clouds. Across the bay, Miles saw a raven watching him, sitting all by itself, shrugging and ruffling its feathers in the wind. Lonely, Miles thought. Lonely for the irascible soul of the outboard engine.

  The light at the head of the bay was silver grey now above the dark green sea. Beyond the few islands to the west lay only the Gulf and distant Kamchatka in Asia. To the east, mountains rose up two thousand feet on both sides of the inlet and eased back against the more fractured and eroded slopes of the outer coast. Here the sky widened, and the wind freshened. Here the swells were larger, and the breeze carried the smell of waves broken apart on the shore. As he ran up and over the smooth swells coming in off the coast, Miles passed through occasional warm pools of air; they carried the scent of cedar trees from the outer islands.

  Just ahead, gulls circled a tight ring of water, and Miles began to slow the motor. He saw dark squalls rolling in toward the coast from the north, but to the south, clouds floated almost white, threaded with blue. The gulls were diving on some tiny silver fish. Herring, Miles guessed, although he couldn’t see them clearly enough to tell for sure.

  He quickly rigged his salmon pole and lowered the throttle on the skiff’s engine as far as it would go. He picked up a green hoochie, a small plastic squid surrounding a hook that danced behind the twisting motion of a silver flasher. Miles watched the progress of the dark squalls to the north; he didn’t want to be caught in the rain. He let the flasher drag out perhaps thirty-five feet behind him, snapped his line onto a downrigger with a small cannonball attached to a wire cable pulled by a hand crank, and adjusted his reel’s drag, keeping his thumb on the spool of monofilament line. He lowered the cannonball to sixty feet beneath the boat, played out the line from his reel; the tip of his pole bent over from the weight of the rigging.

  Miles put his rod into the pole holder and navigated a course through the circle of feeding birds. If a fish didn’t bite, he would move, change depths, change gear. For now, though, he let out a long breath, eased back against the plastic seat bolted onto the hard wooden bench built into the skiff.

  Miles loved this kind of slow fishing. Since returning to Cold Storage, he had rediscovered his respect for the uneventful life.

  Miles had served in the first Gulf War. All it had left him with was an almost unquenchable thirst and a sliver of metal in his shoulder. There had been a photograph of him in a national news magazine, the one to which the trooper had referred. The image of Miles helping another bleeding man into a helicopter had spun its way around the world. The image meant nothing to him now. He could not, nor did he want to, recognize himself in the photo.

  Miles’s father had been a good fisherman who had disappeared off the coast in a storm while Miles was a small boy. But he didn’t dwell on grief. He had been satisfied with where he was. Even as a fatherless boy, Miles had loved the little cabin on the water and the thousands of acres of ancient forest just up the hill. In this he was like his old Uncle Slip, who had loved every unchanging stone and tree of the place. Though Slippery Wilson was good with tools and hard work, he was uninterested in catching fish, and Miles was beginning to think he might have inherited some of the old man’s bad luck.

  Somewhere near his skiff, a loud exhalation of breath woke Miles from his thoughts. Miles fussed with the drag on his reel. First he tightened it, and then he loosened it back up. He unscrewed the top of his water jug and drank about half of it down.

  He heard the loud breath again and scanned the waves. The western sky glowed with a pink haze above the wavering line of the horizon; the view of the outer coast was blocked by islands, their humps glowing with silver and tipped with red as the sun washed over the curve of the ocean.

  Underneath his boat, a cloud of silver fish roiled in the green. He could hear them boiling up on the surface. He reached over and turned off the motor. The sea was thick with herring pushing their quicksilver bodies into the air and slapping them down on the surface. The air smelled cold, oily. Down below, he could see large slices of silver shoot under his hull.

  Miles, twitching with energy, lifted his pole from the holder. The drag was rolling, and he tightened it down slowly. A large salmon leaped into the air a hundred feet from the boat, a rail of pure lightning coming up out of the darkness of the water. Miles pulled back hard, felt a sudden and heavy jerk; his fish was gone.

  The water was quiet. The cloud of silver had moved on. But he heard the breath again, and he held tightly to the side of his skiff, half expecting to be nudged by an orca whale chasing the school of fish.

  He looked in all directions, even peering into the sky, until he caught sight of a sea lion some twenty feet behind him, its head steady above the water, seemingly impervious to the motion of the waves. Its eyes glowed milky brown with sympathy and from its mouth drooped a king salmon, graceful as flowing mercury.

  “Goddamn it!” Miles shouted.

  The sea lion looked at him for a long moment, shook itself, huffed a short breath, then dove under the waves.

  “You son of a bitch!” Miles yelled out over the cowling of the outboard to the ripple of water left on the surface. “Bring me back that fish.”

  But the sea lion was gone, and Miles was left with the food in his freezer. Muttering about bad luck, he tied off the loose end of his line, lay his pole down on the floor of the boat, and jerked on the starter cord. No response. He pulled again. Silence.

  He shouldn’t have been swearing. Miles knew that. And now he knew he might as well get used to the idea of sitting out in the bay for a long time. He would sit and take some deep breaths, try to get his mind right so he could coax the soul of the cranky machine back into the boat.

  OTHER TITLES IN THE SOHO CRIME SERIES

  Quentin Bates

  (Iceland)

  Frozen Assets

  Cold Comfort

  Chilled to the Bone

  Cheryl Benard

  (Pakistan)

  Moghul Buffet

  James R. Benn

  (World War II Europe)

  Billy Boyle

  The First Wave

  Blood Alone

  Evil for Evil

  Rag & Bone

  A Mortal Terror

  Death’s Door

  A Blind Goddess

  Cara Black

  (Paris, France)

  Murder in the Marais

  Murder in Belleville

  Murder in the Sentier

  Murder in the Bastille

  Murder in Clichy

  Murder in Montmartre

  Murder on the Ile Saint-Louis

  Murder in the Rue de Paradis

  Murder in the Latin Quarter

  Murder in the Palais Royal

  Murder in Passy

  Murder at the Lanterne Rouge

  Murder Below Montparnasse

  Murder in Pigalle

  Grace Brophy

  (Italy)

  The Last Enemy

  A Deadly Paradise

  Henry Chang

  (Chinatown)

  Chinatown Beat

  Year of the Dog

  Red Jade

  Death Money

  Barbara Cleverly

  (England)

  The Last Kashmiri Rose

  Strange Images of Death

  The Blood Royal

  Not My Blood

  A Spider in the Cup

  Gary Corby

  (Ancient Greece)

  The Pericles Commission

  The Ionia Sanction

  Sacred Games

  The Marathon Conspiracy

  Colin Cotterill

  (Laos)

  The Coroner’s Lunch

  Thirty-Three Teeth

  Disco for the Departed

  Anarchy and Old Dogs

  Curse of the Pogo Stick

  The Merry Misogynist

  Love Songs from a Shallow Grave

  Slash and Burn

  The Woman Who Wouldn’t Die

  Garry
Disher

  (Australia)

  The Dragon Man

  Kittyhawk Down

  Snapshot

  Chain of Evidence

  Blood Moon

  Wyatt

  Whispering Death

  Port Vila Blues

  Fallout

  Hell to Pay

  David Downing

  (World War II Germany)

  Zoo Station

  Silesian Station

  Stettin Station

  Potsdam Station

  Lehrter Station

  Masaryk Station

  (World War I)

  Jack of Spies

  Leighton Gage

  (Brazil)

  Blood of the Wicked

  Buried Strangers

  Dying Gasp

  Every Bitter Thing

  A Vine in the Blood

  Perfect Hatred

  The Ways of Evil Men

  Michael Genelin

  (Slovakia)

  Siren of the Waters

  (Michael Genelin cont.)

  Dark Dreams

  The Magician’s Accomplice

  Requiem for a Gypsy

  Timothy Hallinan

  (Thailand)

  The Fear Artist

  For the Dead

  (Los Angeles)

  Crashed

  Little Elvises

  The Fame Thief

  Herbie’s Game

  Mick Herron

  (England)

  Slow Horses

  Dead Lions

  Adrian Hyland

  (Australia)

  Moonlight Downs

  Gunshot Road

  Stan Jones

  (Alaska)

  White Sky, Black Ice

  Shaman Pass

  Village of the Ghost Bears

  Lene Kaaberbøl & Agnete Friis

  (Denmark)

  The Boy in the Suitcase

  Invisible Murder

  Death of a Nightingale

  Graeme Kent

  (Solomon Islands)

  Devil-Devil

  One Blood

  James Lilliefors

  (Global Thrillers)

  Viral

  The Leviathan Effect

  Martin Limón

  (South Korea)

  Jade Lady Burning

  Slicky Boys

  Buddha’s Money

  The Door to Bitterness

  The Wandering Ghost

  G.I. Bones

  Mr. Kill

  (Martin Limón cont.)

  The Joy Brigade

  Nightmare Range

  The Iron Sickle

  Peter Lovesey

  (Bath, England)

  The Last Detective

  The Vault

  On the Edge

  The Reaper

  Rough Cider

  The False Inspector Dew

  Diamond Dust

  Diamond Solitaire

  The House Sitter

  The Summons

  Bloodhounds

  Upon a Dark Night

  The Circle

  The Secret Hangman

  The Headhunters

  Skeleton Hill

  Stagestruck

  Cop to Corpse

  The Tooth Tattoo

  The Stone Wife

  Jassy Mackenzie

  (South Africa)

  Random Violence

  Stolen Lives

  The Fallen

  Pale Horses

  Seichō Matsumoto

  (Japan)

  Inspector Imanishi Investigates

  James McClure

  (South Africa)

  The Steam Pig

  The Caterpillar Cop

  The Gooseberry Fool

  Snake

  The Sunday Hangman

  The Blood of an Englishman

  The Artful Egg

  The Song Dog

  Jan Merete Weiss

  (Italy)

  These Dark Things

  A Few Drops of Blood

  Magdalen Nabb

  (Italy)

  Death of an Englishman

  Death of a Dutchman

  Death in Springtime

  Death in Autumn

  The Marshal and the Madwoman

  The Marshal and the Murderer

  The Marshal’s Own Case

  The Marshal Makes His Report

  The Marshal at the Villa Torrini

  Property of Blood

  Some Bitter Taste

  The Innocent

  Vita Nuova

  The Monster of Florence

  Fuminori Nakamura

  (Japan)

  The Thief

  Evil and the Mask

  Last Winter We Parted

  Stuart Neville

  (Northern Ireland)

  The Ghosts of Belfast

  Collusion

  Stolen Souls

  Ratlines

  Eliot Pattison

  (Tibet)

  Prayer of the Dragon

  The Lord of Death

  Rebecca Pawel

  (1930s Spain)

  Death of a Nationalist

  Law of Return

  The Watcher in the Pine

  The Summer Snow

  Qiu Xiaolong

  (China)

  Death of a Red Heroine

  A Loyal Character Dancer

  When Red is Black

  Matt Beynon Rees

  (Palestine)

  The Collaborator of Bethlehem

  A Grave in Gaza

  The Samaritan’s Secret

  The Fourth Assassin

  John Straley

  (Alaska)

  The Woman Who Married a Bear

  The Curious Eat Themselves

  The Big Both Ways

  Cold Storage, Alaska

  Akimitsu Takagi

  (Japan)

  The Tattoo Murder Case

  Honeymoon to Nowhere

  The Informer

  Helene Tursten

  (Sweden)

  Detective Inspector Huss

  The Torso

  The Glass Devil

  Night Rounds

  The Golden Calf

  The Fire Dance

  Janwillem van de Wetering

  (Holland)

  Outsider in Amsterdam

  Tumbleweed

  The Corpse on the Dike

  Death of a Hawker

  The Japanese Corpse

  The Blond Baboon

  The Maine Massacre

  The Mind-Murders

  The Streetbird

  The Rattle-Rat

  Hard Rain

  Just a Corpse at Twilight

  Hollow-Eyed Angel

  The Perfidious Parrot

  Amsterdam Cops: Collected Stories

  Timothy Williams

  (Guadeloup)

  Another Sun

  Return from Nowhere

 

 

 


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