The Confusion

by Neal Stephenson

  The Confusion

  Neal Stephenson

  Neal Stephenson

  The Confusion

  Vol. II of THE BAROQUE CYCLE

  To Maurine

  THERE ARE MANY PEOPLE TO BE THANKED for their help in the creation of the Baroque Cycle of which this book, The Confusion, is the second volume. Accordingly, please see the acknowledgments in Quicksilver, Volume One of the Baroque Cycle.

  THIS VOLUME CONTAINS two novels, Bonanza and Juncto, that take place concurrently during the span 1689–1702. Rather than present one, then the other (which would force the reader to jump back to 1689 in mid-volume), I have interleaved sections of one with sections of the other so that the two stories move forward in synchrony. It is hoped that being thus con-fused shall render them the less confusing to the Reader.

  When at the first I took my pen in hand,

  Thus for to write, I did not understand

  That I at all should make a little book

  In such a mode; nay, I had undertook

  To make another, which when almost done,

  Before I was aware, I this begun.

  —JOHN BUNYAN,The Pilgrim's Progress, THE AUTHOR'S APOLOGY FOR HIS BOOK

  So great is the dignity and excellency of humane nature, and so active those sparks of heavenly fire it partakes of, that they ought to be look'd upon as very mean, and unworthy the name of men, who thro' pusillanimity, by them call'd prudence, or thro' sloth, which they stile moderation, or else through avarice, to which they give the name of frugality, at any rate withdraw themselves from performing great and noble actions.

  —GIOVANNI FRANCESCO GEMELLI CARERI, A Voyage Round the World

  OCTOBER 1689

  HE WAS NOT MERELY AWAKENED, but detonated out of an uncommonly long and repetitive dream. He could not remember any of the details of the dream now that it was over. But he had the idea that it had entailed much rowing and scraping, and little else; so he did not object to being roused. Even if he had been of a mind to object, he'd have had the good sense to hold his tongue, and keep his annoyance well-hid beneath a simpering merry-Vagabond façade. Because what was doing the waking, today, was the most tremendous damned noise he'd ever heard—it was some godlike Force not to be yelled at or complained to, at least not right away.

  Cannons were being fired. Never so many, and rarely so large, cannons. Whole batteries of siege-guns and coastal artillery discharging en masse, ranks of 'em ripple-firing along wall-tops. He rolled out from beneath the barnacle-covered hull of a beached ship, where he had apparently been taking an afternoon nap, and found himself pinned to the sand by a downblast of bleak sunlight. At this point a wise man, with experience in matters military, would have belly-crawled to some suitable enfilade. But the beach all round him was planted with hairy ankles and sandaled feet; he was the only one prone or supine.

  Lying on his back, he squinted up through the damp, sand-caked hem of a man's garment: a loose robe of open-weave material that laved the wearer's body in a gold glow, so that he could look directly up into the blind eye of the man's penis—which had been curiously modified. Inevitably, he lost this particular stare-down. He rolled back the other way, performing one and a half uphill revolutions, and clambered indignantly to his feet, forgetting about the curve of the hull and therefore barking his scalp on a phalanx of barnacles. Then he screamed as loud as he could, but no one heard him. He didn't even hear himself. He experimented with plugging his ears and screaming, but even then he heard naught but the sound of the cannons.

  Time to take stock of matters—to bring the situation in hand. The hull was blocking his view. Other than it, all he could see was a sparkling bay, and a stony break-water. He strode into the sea, watched curiously by the man with the mushroom-headed yard, and, once he was out knee-deep, turned around. What he saw then made it more or less obligatory to fall right on his arse.

  This bay was spattered with bony islets, close to shore. Rising from one of them was a squat round fortress that (if he was any judge of matters architectural) had been built at grand expense by Spaniards in desperate fear of their lives. And apparently those fears had been well founded because the top of that fort was all fluttery with green banners bearing silver crescent moons. The fort had three tiers of guns on it (more correctly, the fort was three tiers of guns) and every one of 'em looked, and sounded, like a sixty-pounder, meaning that it flung a cannonball the size of a melon for several miles. This fort was mostly shrouded in powder-smoke, with long bolts of flame jabbing out here and there, giving it the appearance of a thunderstorm that had been rammed and tamped into a barrel.

  A white stone breakwater connected this fort to the mainland, which, at first glance, impressed him as a sheer stone wall rising forty or feet from this narrow strip of muddy beach, and crowded with a great many more huge cannons, all being fired just as fast as they could be swabbed out and stuffed with powder.

  Beyond the wall rose a white city. Being as he was at the base of a rather high wall, he wouldn't normally expect to be able to see anything on the opposite side thereof, save the odd cathedral-spire poking out above the battlements. But this city appeared to've been laboriously spackled onto the side of a precipitous mountain whose slopes rose directly from the high-tide mark. It looked a bit like a wedge of Paris tilted upwards by some tidy God who wanted to make all the shit finally run out of it. At the apex, where one would look for whatever crowbar or grapple the hypothetical God would've used to accomplish this prodigy, was, instead, another fortress—this one of a queer Moorish design, surrounded with its own eight-sided wall that was, inevitably, a-bristle with even more colossal cannons, as well as mortars for heaving bombs out to sea. All of those were being fired, too—as were all of the guns spraying from the several additional fortresses, bastions, and gun-platforms distributed around the city's walls.

  During rare intervals between the crushing thuds of the sixty-pounders, he could hear peppery waves of pistol-and musket-fire rolling around the place, and now (beginning to advert on smaller things) he saw a sort of smoky, crowded lawn growing out of the wall-tops—save instead of grass-blades this lawn was made up of men. Some were dressed in black, and some in white, but most wore more colorful costumes: baggy white trousers belted with brilliantly hued swathes of silk, and brightly embroidered vests—frequently, several such vests nested—and turbans or red cylindrical hats. Most of those who were dressed after this fashion had a pistol in each hand and were firing them into the air or reloading.

  The man with the outlandish johnson—swarthy, with wavy black hair in a curious 'do, and a knit skullcap—hitched up his robe, and sloshed out to see if he was all right. For he still had both hands clamped over the sides of his head, partly to stanch the bleeding of the barnacle-gashes, and partly to keep the sound from blowing the top of his skull out to sea. The man peered down and looked into his eyes and moved his lips. The look on his face was serious, but ever so slightly amused.

  He reached up and grabbed this fellow's hand and used it to haul himself up to his feet. Both men's hands were so heavily callused that they could practically catch musket-balls out of the air, and their knuckles were either bleeding, or else recently scabbed over.

  He had stood up because he wanted to see what was the target of all of this shooting, and how it could possibly continue to exist. A fleet of three or four dozen ships was arrayed in the harbor, and (no surprise here) they were all firing their guns. But the ones that looked like Dutch frigates were not firing at the ones that looked like heathen galleys, nor vice versa, and none of them seemed to be firing at the vertiginous white city. All of the ships, even the ones that were of European design, flew crescent-moon banners.

  Finally his eye settled on one ship, which was unique in that she
was the only vessel or building in sight that was not vomiting smoke and spitting flame in all directions. This one was a galley, very much in the Mohametan style, but extraordinarily fine, at least to anyone who found whorish decoration appealing—her non-functioning bits were a mess of gold-leafed gewgaws that glowed in the sun, even through drifting banks of powder-smoke. Her lateen sail had been struck and she was proceeding under oar-power, but in a stately manner. He found himself examining the movements of her oars just a bit too closely, and admiring the uniformity of the strokes more than was healthy for a Vagabond in his right mind: leading to the questions, was he still a Vagabond, and was he in his right mind? He recalled—dimly—that he had lived in Christendom during one part of his sorry life, and had been well advanced in the losing of his mind to the French Pox—but he seemed all right now, save that he couldn't recall where he was, how he'd gotten there, or anything at all of recent events. And the very meaning of that word "recent" was called into question by the length of his beard, which reached down to his stomach.

  The intensity of the cannonade waxed, if such a thing were possible, and reached a climax as the gold-plated galley drew up alongside a stone pier that projected into the harbor not awfully far away. Then, all of a sudden, the noise stopped.

  "What in Christ's name—" he began, but the rest of his utterance was drowned out by a sound that—compared to hundreds of cannons firing at once—made up in shrillness what it lacked in volume. Listening to it in amazement, he began to detect certain resemblances between it and musick. Rhythm was there, albeit of an overly complicated and rambunctious nature, and melody, too, though it was not cast in any civilized mode, but had the wild keening intonations of Irish tunes—and then some. Harmony, sweetness of tone, and other qualities normally associated with musick, were absent. For these Turks or Moors or whatever they were had no interest in flutes, viols, theorbos, nor anything else that made a pleasing sound. Their orchestra consisted of drums, cymbals, and a hideous swarm of giant war-oboes hammered out of brass and fitted with screeching, buzzing reeds, the result sounding like nothing so much as an armed assault on a belfry infested with starlings.

  "I owe an 'umble apology to every Scotsman I've ever met," he shouted, "for it isn't true, after all, that their music is the most despicable in the world." His companion cocked an ear in his direction but heard little, and understood less.

  Now, essentially all of the city was protected within that wall, which shamed any in Christendom. But on this side of it there were various breakwaters, piers, gun-emplacements, and traces of mucky beach, and everything that was capable of bearing a man's weight, or a horse's, was doing so—covered by ranks of men in divers magnificent and outlandish uniforms. In other words, all the makings of a parade were laid out here. And indeed, after a lot of bellowing back and forth and playing of hellish musicks and firing of yet more guns, various important Turks (he was growingly certain that these were Turks) began to ride or march through a large gate let into the mighty Wall, disappearing into the city. First went an impossibly magnificent and fearsome warrior on a black charger, flanked by a couple of kettledrum-pounding "musicians." The beat of their drums filled him with an unaccountable craving to reach out and grope for an oar.

  "That, Jack, is the Agha of the Janissaries," said the circumcised one.

  This handle of "Jack" struck him as familiar and, in any case, serviceable. So Jack he was.

  Behind the kettledrums rode a graybeard, almost as magnificent to look at as the Agha of the Janissaries, but not so heavily be-weaponed. "The First Secretary," said Jack's companion. Next, following on foot, a couple of dozen more or less resplendent officers ("the aghabashis") and then a whole crowd of fellows with magnificent turbans adorned with first-rate ostrich plumes—"the bolukbashis," it was explained.

  Now it had become plain enough that this fellow standing next to Jack was the sort who never tired of showing off his great knowledge, and of trying to edify lowlives such as Jack. Jack was about to say that he neither wanted nor needed edification, but something stopped him. It might've been the vague, inescapable sense that he knew this fellow, and had for quite a while—which, if true, might mean that the other was only trying to make conversation. And it might've been that Jack didn't know quite where to begin, language-wise. He knew somehow that the bolukbashis were equivalent to captains, and that the aghabashis were one rank above the bolukbashis, and that the Agha of the Janissaries was a General. But he was not sure why he should know the meanings of such heathen words. So Jack shut up, long enough for various echelons of odabashis (lieutenants) and vekilhardjis (sergeants-major) to form up and concatenate themselves onto the end of the parade. Then diverse hocas such as the salt-hoca, customs-hoca, and weights-and-measures-hoca, all following the hoca-in-chief, then the sixteen cavuses in their long emerald robes with crimson cummerbunds, their white leather caps, their fantastickal upturned moustaches, and their red hobnailed boots tromping fearsomely over the stones of the quay. Then the kadis, muftis, and imams had to do their bit. Finally a troop of gorgeous Janissaries marched off the deck of the golden galley, followed by a solitary man swathed in many yards of chalk-white fabric that had been gathered by means of diverse massive golden jeweled brooches into a coherent garment, though it probably would've fallen off of him if he hadn't been riding on a white war-horse with pink eyes, bridled and saddled with as much in the way of silver and gems as it could carry without tripping over the finery.

  "The new Pasha—straight from Constantinople!"

  "I'll be damned—is that why they were firing all those guns?"

  "It is traditional to greet a new Pasha with a salute of fifteen hundred guns."

  "Traditional where?"

  "Here."

  "And here is—?"

  "Forgive me, I forget you have not been right in the head. The city that rises up on yonder mountain is the Invincible Bastion of Islam—the Place of Everlasting Vigil and Combat against the Infidel—the Whip of Christendom, Terror of the Seas, Bridle of Italy and Spain, Scourge of the Islands: who holds the sea under her laws and makes all nations her righteous and lawful prey."

  "Bit of a mouthful, isn't it?"

  "The English name is Algiers."

  "Well, in Christendom I have seen entire wars prosecuted with less expenditure of gunpowder than Algiers uses to say hello to a Pasha—so perhaps your words are not mere bravado. What language are we speaking, by the way?"

  "It is called variously Franco, or Sabir, which in Spanish means ‘to know.' Some of it comes from Provençe, Spain, and Italy, some from Arabic and Turkish. Your Sabir has much French in it, Jack, mine has more Spanish."

  "Surely you're no Spaniard—!"

  The man bowed, albeit without doffing his skullcap, and his forelocks tumbled from his shoulders and dangled in space. "Moseh de la Cruz, at your service."

  " ‘Moses of the Cross?' What the hell kind of name is that?"

  Moseh did not appear to find it especially funny. "It is a long story—even by your standards, Jack. Suffice it to say that the Iberian Peninsula is a complicated place to be Jewish."

  "How'd you end up here?" Jack began to ask; but he was interrupted by a large Turk, armed with a bull's penis, who was waving at Jack and Moseh, commanding them to get out of the surf and return to work—the siesta was finis and it was time for trabajo now that the Pasha had ridden through the Beb and entered into the cité.

  The trabajo consisted of scraping the barnacles from the hull of the adjacent galley, which had been beached and rolled over to expose its keel. Jack, Moseh, and a few dozen other slaves (for there was no getting round the fact that they were slaves) got to work with various rude iron tools while the Turk prowled up and down the length of the hull brandishing that ox-pizzle. High above them, behind the wall, they could hear a sort of rolling fusillade wandering around the city as the parade continued; the thump of the kettledrums, and the outcry of the siege-oboes and assault-bassoons was, mercifully, deflected heavenwards by the c
ity walls.

  "It is true, I think—you are cured."

  "Never mind what your Alchemists and Chirurgeons will tell you—there is no cure for the French Pox. I'm having a brief interval of sanity, nothing more."

  "On the contrary—it is claimed, by certain Arab and Jewish doctors of great distinction, that the aforesaid Pox may be purged from the body, completely and permanently, if the patient is suffered to run an extremely high fever for several consecutive days."

  "I don't feel good, mind you, but I don't feel feverish."

  "But a few weeks ago, you and several others came down with violent cases of la suette anglaise."

  "Never heard of any such disease—and I'm English, mind you."

  Moseh de la Cruz shrugged, as best a man could when hacking at a cluster of barnacles with a pitted and rusted iron hoe. "It is a well-known disease, hereabouts—whole neighborhoods were laid low with it in the spring."

  "Perhaps they'd made the mistake of listening to too much musick—?"

  Moseh shrugged again. "It is a real enough disease—perhaps not as fearsome as some of the others, such as Rising of the Lights, or Ring-Booger, or the Laughing Kidney, or Letters-from-Venice…"

  "Avast!"

  "In any event, you came down with it, Jack, and had such a fever that all the other tutsaklars in the banyolar were roasting kebabs over your brow for a fortnight. Finally one morning you were pronounced dead, and carried out of the banyolar and thrown into a wain. Our owner sent me round to the Treasury to notify the hoca el-pencik so that your title deed could be marked as ‘deceased,' which is a necessary step in filing an insurance claim. But the hoca el-pencik knew that a new Pasha was on his way, and wanted to make sure that all the records were in order, lest some irregularity be discovered during an audit, which would cause him to fall under the bastinado at the very least."