Black Lamb and Grey Falcon

by Rebecca West

  At a point on the plains there was now heaped up a drift of dark cloud; and through this there ran a shaft of lightning. A storm was on us, and it was in alternate blackness and greenish crystal light that we began our journey to four of the monasteries of the Frushka Gora, a journey which was astonishing in the directness of its contact with the past. It was as if one should drive along the South Downs, turning off the main road and following by-roads in to the downlands at Sullington and Washington and Steyning, and should find buildings where persons involved in the tragedy of Richard II had but newly cast aside their garments in mourning, where the sound of their weeping was hardly stilled. It made for a strangeness which immediately caught the eye that all these monasteries, so far from Byzantium, are built in the Byzantine fashion, with the quarters for the monks or nuns and pilgrims built in a square round and open space with the church in the middle. Though some have been burned down and rebuilt in the style of the Austrian baroque, they keep to the original ground plan, and cannot be confused with anything of recent or Western inspiration.

  The first monastery we visited had been rebuilt in Austrian fashion. It raised above its quadrangle roofs a cupola as ornate as a piece of white coral, dazzling now in the strange stormlight against an inky sky; and it lay among orchards, their tree-trunks ghostly with spray. It might have been in the Helenenthal, an hour from Vienna. But within we found that the Eastern idea was still in government, that a wall had been built before the altar to damn the flow of light, to store up a reservoir of darkness where mystery could engender its sacred power. It possessed some relics of a saint, a Herzegovinian soldier who had wandered hither and thither fighting against the Turk, first under a Serbian despot and then under a Hungarian king. The legend ran that the Turks took the town where he was buried and were terrified because rays of light proceeded from his grave, and went to their emir, who was overcome at finding who the dead man had been and gave his body to the monks of this monastery. For this emir was a renegade who had been taken prisoner by the Turks and had bought his life by renouncing his faith; and he was not only a Herzegovinian, he was actually kin to the dead man. The news of this wonder came to the Saint’s widow, who was a refugee in Germany, and she sought out this monastery, in defiance of the Turks, and became a hermit near by, till she died and was buried here, near to her husband.

  This might have happened yesterday, indeed it might have happened today, for the monastery is in the care of White Russian nuns, wearing a melancholy head-dress of a close black cap fitting over a black veil that falls about the shoulders, and still preoccupied by the distress of their exile. It was hard to keep their misfortunes distinct in our minds from those of the founders of the monastery, and indeed others had failed to do so. Constantine halted by a grave in the quadrangle to tell me that it housed an abbess who had been stricken down during the seventeenth-century migration; and two young novices who were standing by, girls who had been born after their parents’ flight from their fatherland and had been drawn here by an inborn Tsarist nostalgia, exclaimed in surprise. They had thought her one of their own community who had died on her way from Russia.

  The black sky was pressing lower, the cloisters gleamed at us through an untimely dusk. Constantine thought that if we were to be storm-bound it had better be in a monastery where there was more to see, and we hurried back to the car under the first heavy pennies of rain. Thunder and lightning broke on us as we ran into Krushedol, another monastery which has been burned and given an Austrian exterior while keeping its ancient core. But this was older than the others. When the leader of the Slav forces at the battle of Kossovo, the Tsar Lazar, was killed on the field, the rags of his power were inherited by his kin, and there was one unhappy heir, named Stephen, whose fate was lamentable even for that age. His father, forced to seal a treaty by giving the Sultan Murad his daughter as a bride, sent his son to bear her company; but in time the Sultan fell into war with his wife’s father and put out the young man’s eyes lest he should take up arms in the fight. In his private darkness he reeled across the Balkan Peninsula, sometimes a captive dragged from prison to prison, then, released, back to his father’s camp on the Danube, then away with his father again to wander in exile. His father died; his two brothers, one blinded like himself by the Sultan, engaged in fratricidal war; his mother also died, it is thought of poison; his blind brother fled and became a monk on Mount Athos; his victorious brother died. Though this dead usurper had named an heir, a party of the nobles took Stephen, and, spinning him round as in the game of blind-man‘s-buff, made him declare himself Despot of Serbia. The Serbians, seeing themselves threatened with civil war in the face of their Hungarian and Turkish enemies, rushed on him and sent him out of their land, bound and under guard. Again he stumbled about the Balkan Peninsula, sometimes pushed back into Serbia by his heartless supporters and beaten out again by his reluctant subjects, always preserving his gentle, patient fortitude. At one time he seemed to find a lasting refuge in Albania, where the great hero Skanderbeg took a great liking to him and gave him his own daughter, the Duchess Angelina, for wife. But the Turks came to Albania also, and the blind man was homeless again, and was in Italy when death took him. Then his widow and his two sons, now penniless, started to wander afresh, and Hungarian charity maintained them here. One of the sons became a priest, and he founded this monastery, and in time all three of them were laid in the same tomb before the altar. In the dark church, that blazed with light because of the profligate but mellow gilding on the iconostasis, we were shown the Duchess Angelina’s narrow and elegant hand, black and mummified, loaded with the inalienable rings of her rank.

  But there was other royalty here. Under a round red stone on the floor was buried King Milan Obrenovitch, the king who was so little of a success that he was forced to abdicate in 1889. Who wandered almost as much as Stephen, but on more comfortable routes, from Belgrade to Vienna and Paris, harried not by the Turks without but by the Turk within. Nor was his grave all we saw of him at Krushedol. There is a memorial to him in the church wall, erected by the Emperor Franz Josef. ‘Why not?’ said Constantine. ‘Milan was all for Austria, he governed our country as an Austrian dependency.’ Later, in the treasury, which was not in the church but in the monastery, a flash of lightning dispersed the unnatural dusk and showed us the contorted trees of the wind-flogged woods outside, and inside a medley of Byzantine church vestments, medieval chalices and crosses, ancient manuscripts, and the cups and saucers, prettily painted with pale flowers in the Slav fashion, the silver teapots and coffee-pots, the wine-glasses and decanters, of King Milan’s last establishment. These had been sent here by the Emperor Franz Josef, to whom, by an act of testamentary whimsy, King Milan had left the entire contents of his home.

  ‘It would be, quite simply, that he would hardly notice to whom he left them, so long as it was not to his wife, Natalia,’ said Constantine. ‘Is she buried here?’ I asked. ‘No, not at all,’ said Constantine. The negative he used sounded delightful in this connexion. ‘She is not dead, she is living in Paris, very poor.10 Only the other day the Government was obliged to prevent a German company from making a film about the Obrenovitches and she wrote a letter about it.’ ‘And she will never be buried here,’ said the Abbot, a grave person who had been a priest and had become a monk ten years ago, after the death of his beloved wife. ‘That is, unless she is granted the light before she dies, for she was converted to Roman Catholicism about thirty years ago. It was a strange thing to do, for our people had been kind to her, and had taken her part when her husband dealt wickedly with her.’

  In another room there was arranged all the furniture from King Milan’s drawing-room; a salon of the eighties sat there in its stuffy and shiny richness, and from its walls there stared the portraits of the doomed family—King Milan, with the wide cat-grin of a tormented buffoon, the excessively, grossly beautiful Queen Natalia, their fat son Alexander, who was like his father in resembling a cat, though this time the cat had been doctored, and
Queen Draga, who was so prosaic that even now, when we can recognize her expression as fear and know what she feared, her face remains completely uninteresting. ‘Our Mrs Simpson,’ said Constantine, pointing to her picture. ‘Yes! yes! Our Mrs Simpson,’ cried the Abbot, going into fits of laughter. There was also King Milan’s bedroom, furnished in rosewood, and more portraits of these unhappy people, preserved in tragedy like flies in amber.

  Before we went away I went into the treasury again to take a last look at the embroideries and caught sight of two photographs which showed Serb peasants and soldiers and priests walking through the snow, with expressions of extreme anguish, bringing the body of King Milan to his grave. ‘But how could they feel so passionately about Milan Obrenovitch?’ I asked Constantine. ‘He had done ill by his country and ill in his personal life. I noticed that even the Abbot spoke of him as behaving wickedly.’ ‘It does not matter what Milan Obrenovitch was in himself,’ said Constantine. ‘He was our first-crowned king after the Turkish conquest. When we were free our power flamed like a torch in the hands of our Emperor Stephen Dushan, but afterwards it grew dim, and in the poor wretch who was the husband of the Duchess Angelina it guttered and went out. The dead torch was lit again by Karageorge, and it grew bright in the hand of his successor, Prince Michael Obrenovitch, and when Milan made himself King its light grew steady, though his was not the hand that was to bear it, and it was the same torch that our ancient dynasty of the Nemanyas had carried. So why should we care what else he had done? It was not Milan but their king whom these Serbs were following through the snow, it was the incarnation of Serbian power.‘

  When the storm had lifted we drove out again on the plains, now lying under a purged and crystal air, in which all things were more than visible, in which each blade piercing the rich spring earth could be seen for miles in its green sharpness, in which the pools outside the villages carried not reflections but solid paintings of the blue sky and silver clouds. Then we turned back to the range of downs and entered it by a little valley, which presently ran into a cache of apple orchards, a lovely coomb as sweet as anything Devonshire or Normandy can show. Behind a white wall shielded by fruit trees and Judas trees we found a monastery enclosing an astonishing church, that had been built after the emigration had done its work on the migrated craftsmen’s imagination; it was a fusion, lovely but miscegenic, of the Byzantine and the baroque styles, of fourteenth-century Eastern and seventeenth-century Western styles. While we gaped there came up to us a Russian monk, a young man who, like the nuns we had seen at the first monastery, must have been born after his parents had left Russia. He was beautiful, with the eyes seen only in Russians so far as I know, which look dangerous as naked lights carried on the stage, by reason of their extraordinary lambency. He told us with smiling remoteness that the Abbot was away; and we were disappointed, for the Abbot is a Pribitchevitch, one of a family that has been dominant in this Serb colony ever since the migration, and is the brother of a famous democratic politician who died in exile during the dictatorship of King Alexander. ‘That is a pity,’ said Constantine; ‘however, we can still show these English people what is interesting here.’ ‘But there is nothing interesting here,’ said the Russian monk, ‘we have only the body of a Serbian emperor.’ He spoke without insolence, his remark proceeded from a complete failure to form any sort of relationship with his surroundings, however hospitable they might have been, which is characteristic of a certain kind of White Russian émigré.

  We said that we found that interesting enough; and he went with us into the exquisite mongrel church, and we found it glowing and beautiful within. There were two handsome girls on step-ladders cleaning the windows, and they clattered down and followed us, smiling in welcome and at the same time murmuring in piety, as we went towards the sarcophagus of the Emperor. The Russian monk lifted its lid and showed us the body under a square of tarnished cloth of silver, but would not uncover it for us. He shrugged his shoulders and said that it was only done on the Emperor’s day; he would have seemed on a par with a girl in a milliner’s shop refusing to take a hat out of the window had it not been quite plain that, while he was flagrantly frivolous, religious ecstasy was not only within the range of his experience, it was never very far from him. But the two girls behind us sighed deeply in their disappointment.

  ‘This is Urosh, the son of Stephen Dushan,’ said Constantine; ‘he was a poor weakling, and lost all his father’s empire in a few years.’ ‘Yet he is venerated,’ I said. ‘But certainly,’ said Constantine. ‘But do the people who venerate him know what he did?’ I asked. ‘Do these girls, for instance, know that he destroyed the Serbian Empire and paved the way to Kossovo?’ ‘Well, I would not say they could pass an examination in the facts,’ said Constantine, ‘but certainly they know that he was weak and he failed. That, however, is not of the smallest importance. He was of our ancient dynasty, he was a Nemanya, and the Nemanyas were sacred. Not only were they the instruments of our national power, they have a religious significance to us. Some of them are described on their graves as “saintement né,” born in sanctity; and this Urosh, though he was quite simply killed by a usurper of his secular power, is called by our Church the martyr. This is not mere nationalist piety. It is due to the historical fact that the Nemanyas simultaneously enforced on us Serbs Christianity and unity. We were Christians before, of course, but we had not a living church of our own. Then this extraordinary family of little, little princelings from an obscure village below Montenegro on the Adriatic came and did in a few years as much as Rome has done for any state in centuries. The first Nemanya to rule Serbia, Stephen Nemanya, became a monk, when he abdicated in favour of his son Stephen, and is known as St Simeon, and he is a true saint: the oil from his grave at Studenitsa does many miracles; and one of his sons became our St Sava, and was a monk on Mount Athos, and left his monastery when his brother’s throne seemed insecure and organized Serbia into such a close-knit fabric of church and state that, though the heirs of the throne were incompetent for sixty years afterwards, nothing could unravel it. But as well as a statesman Sava was a saint, and was a pilgrim and visited the monks of Thebaid. And his brother, too, King Stephen II, he also was a saint. When he lay dying he sent for St Sava to make him a monk, but St Sava came too late; but God vouchsafed that he should be raised from the dead to take his vows as a monk and so his corpse stood up and was consecrated. I tell you no people could be expected to forget the identification between saint and king, between religion and nationalism, which was made by our early history.’

  ‘Good-bye,’ said the Russian monk at the gateway, ‘the Abbot will be sorry not to have seen you, particularly as you are English. He has gone to the post-office now to complain because some English books have not arrived; I think they were sent to him by something called the Left Book Club.’ We left the hills and went back into the plains, which were again threatened by storm, and then returned to the hills by another valley, which was astounding in its likeness to a corner in the Wiltshire downs. Twisted thorn trees guard austere channels of turf; but the hillside that closed our road was broken by the fine-drawn iron-mongery of a pithead, and we came into a mining village, as monotonous as such are in every country and continent, but here radiant with whitewash. Among its right angles we got lost, and stopped to ask our way to the Vrdnik monastery from a group of boys. One of them got on the footboards to guide us, and brought us down to a morass in the middle of the village, which we had to skirt carefully, for it was involved with a railway line. ‘Look up, look up,’ said the boy, pointing up to the hillside before us, ‘there stands Vrdnik, see how great its walls are, see how rich it is, with all its vineyards and orchards.’ As we walked up a gold-green avenue of poplars to the gateway he told us that he was going to be a monk, and so were all the boys with whom he had been walking when we found him. ‘Why is that?’ asked Constantine. ‘Did your mothers promise you to God when you were born?’ ‘No, no,’ he said. ‘It is our own idea. We love this monastery, we co
me to it whenever we can and we are always happy here, and we want to serve it all our lives.’

  Vrdnik is larger than the other monasteries, which is natural, since its unique possessions attract many pilgrims; and because of the wealth drawn from these pilgrimages the large two-storied quadrangle is in good repair, handsomely whitewashed, and laid out like a garden with plum trees and Japanese quinces. The church is also different from the others. It seems to reject the Byzantine prescription that magic must be made in darkness. Direct light shines on the gilded iconostasis and on the multicoloured thrones, and shines back amber from the polished marble pavement. It can be so, for there is no need to manufacture magic here. That already exists in the coffin lying before the iconostasis, which contains the body of the Tsar Lazar who fell at Kossovo.

  He lies in a robe of faded red and gold brocade. A dark cloth hides his head and the gap between it and his shoulders. His mummified brown hands, nearly black, are crossed above his loins, still wearing the bright rings of his rank. His dwindled feet have been thrust into modern stockings, and over them have been pulled soft medieval boots of blue silk interwoven with a gold thread. He is shrunken beyond belief; his hip-bones and his shoulders raise the brocade in sharp points. He is piteous as a knot of men standing at a street-corner in Jarrow or a Welsh mining town. Like them he means failure, the disappointment of hopes, the waste of powers. He means death also, but that is not so important. Who would resent death if it came when all hopes had been realized and all powers turned to use? There is an ideal point at which the fulfilment of life must pass into the acceptance of death. But defeat is defeat, and bitter; not only for the sake of pride, but because it blunts the sword of the will, which is the sole instrument man has been given to protect himself from the hostile universe and to impose on it his vision of redemption. When this man met defeat it was not only he whose will was frustrated, it was a whole people, a whole faith, a wide movement of the human spirit. This is told by the splendid rings on the Tsar Lazar’s black and leathery hands; and the refinement of the pomp which presents him in his death, the beauty and gravity of the enfolding ritual, show the worth of what was destroyed with him. I put out a finger and stroked those hard dry hands, that had been nerveless for five hundred years. It is written here that the lot of man is pitiful, since the odds are against him, and he can command the success he deserves only if an infinite number of circumstances work in his favour; and existence shows no trace of such a bias.