Hollywood Station (2006)

by Wambaugh, Joseph - Hollywood Station 01

Then with a devil-may-care wink, he whirled and hopped into the car behind the wheel. He was tickled to see the news bunny direct the crew to shoot coverage of 6-X-32 as he was driving off.

  What Jetsam didn't see, however, was the news bunny fingering the little mike she had wired inside the collar of her jacket. And the triumphant smile she gave to her sound man was even twice as sexy as the one she'd given Jetsam.

  On the late news, the producer bleeped out shit, but from the context the audience knew what had been said. Then the news bunny appeared on camera, this time directly in front of Grauman's Chinese Theater.

  With her Hollywood insider's saucy grin, she said to her audience, "This is your intrepid reporter coming to you from Hollywood Boulevard, where even superheroes must bow to the forces of LAPD justice-who have anything but . . . weak sauce."

  The watch commander told Jetsam that he'd probably get another official reprimand or even a little suspension for the manner of his "interview."

  Cosmo did not waken until 1 P. M. the next day. The smell of Ilya's tea brought him around, and at first he felt a stab of panic. What if she'd gone back to get the money? But then he heard her and the sound of dishes being washed, so he entered the bathroom and showered.

  When he came into the kitchen, she was at the table smoking and drinking a glass of hot tea. Another glass was poured and awaited him. Neither spoke until he drank some and lit a cigarette of his own, and then he said, "How long you are awake?"

  "Three hours," she said. "I am thinking many thoughts."

  "And what is the new idea?"

  "How much Dmitri is going to give for the diamonds?"

  "Twenty thousands," he lied.

  "Okay," she said. "Give to him the diamonds. No charge. We keep the money."

  "All the money?"

  "No, we share with Farley and Olive. We make the best bargain we can. Then we get out of Los Angeles. Go to San Francisco. Start over. No more guns. No more death."

  "Ilya, Dmitri know how much money we got. Do you not turn on TV and hear about it?"

  "No," she said. "I have no wish to hear more."

  "The news tell how much we got. Dmitri shall want half."

  "We may leave Los Angeles with almost fifty thousand, even if Farley take away half. We cannot give Dmitri no money. We give him diamonds."

  "Is not enough. He shall kill us, Ilya. I know he is mad now because I did not make a call to him. I know he is very mad."

  "We are leaving Los Angeles."

  "He shall find us and kill us in San Francisco."

  "We take a chance."

  "You think Farley and Olive do not tell police about us after we give them money?"

  "No. They must have drugs. They must have money for drugs. After they take half of money, they are, how you say it, partners in the crime. They cannot tell police nothing. We shall wait two, maybe three days. I tell you the addicts will not know the Mazda is in garage. And under the house they never go in all their life. We are okay for two, three days. We hide here."

  "Ilya, we may keep half money and give other half to Dmitri." Then he almost told the truth about the diamond deal, saying, "I think I may bargain with Dmitri. I think I say to him I must have thirty-five thousands for diamonds. So, we shall have almost eighty-five thousands and we stay in Los Angeles. All of this if you permit me to kill the addicts. I know how. You shall not need to do nothing." He was finished now, but he decided to add a postscript. He said, "Please, Ilya. You love the life here. You very much love the life in Hollywood. Am I correct?"

  Ilya's mascara was running when she got up and went to the tea kettle on the stove. She stood there for a long moment before speaking. With her back to him she said, "All right, Cosmo. Kill them. And do not never talk of it. Never!"

  Chapter FIFTEEN

  THE SOUTHEASTERN PART of Hollywood Division, near Santa Monica Boulevard and Western Avenue, was the turf of Latino gangs, including Eighteenth Street cruisers and some Salvadorans from the huge MS-13 gang. White Fence, one of the oldest Mexican American gangs, was active around Hollywood Boulevard and Western, and Mexican Mafia, aka MM or El Eme, was only here and there but in some ways was the most powerful gang of all and could even operate lethally from inside state prisons. There were no black gangs in the Hollywood area, like the Crips or Bloods of south central and southeast L. A., because there were very few blacks living in the Hollywood area.

  Wesley Drubb was steeped in this what was to him exciting information, having been permitted to gain new experience by working on loan for two nights with 6-G-1, a Hollywood Division gang unit. But now while driving on Rossmore Avenue, which bordered the Wilshire Country Club, his gang chatter seemed ludicrously inappropriate and especially annoying to Hollywood Nate Weiss.

  Wesley said, "The California Department of Corrections estimates that El Eme has nearly two hundred members in the prison system."

  "You don't say." Nate was gazing up at the luxurious apartment buildings and condos on both sides of his favorite Los Angeles street.

  "They're usually identified by a tattoo of a black hand with an M on the palm of it. In the Pelican Bay Maximum Security Prison, an MM gang member had sixty thousand dollars in a trust account before it was frozen by authorities. He was doing deals from inside the strictest prison!"

  "Do tell." Nate imagined Clark Gable in black tie and Carole Lombard in sable, both smiling at the doorman as they went off for a night on the town. At the Coconut Grove, maybe.

  Then he tailored the fantasy to fit Tracy and Hepburn, even though he knew that neither of them had ever lived on the street. But what the hell, it was his fantasy.

  Wesley said, "Big homies have been known to order hits from their prison cells. If you're `in the hat' or `green-lighted,' it means you're targeted."

  "Weird," Nate said. "Green-lighted in the movie business means you got the okay to do the picture. In Hollywood it means you're alive. In prison it means you're dead. Weird."

  Wesley said, "They told me that sometimes in Hollywood we might encounter southeast Asian gangsters from the Tiny Oriental Crips and the Oriental Boy Soldiers. Ever run into them?"

  "I don't think so," Nate said. "I've only encountered more law-abiding and sensitive Asians who would bury a cleaver in your neck if you ever referred to them as Orientals."

  Wesley said, "And the Asian gang whose name I love is the Tiny Magicians Club, aka the TMC."

  "Jesus Christ!" Nate said, "TMC is The Movie Channel! Isn't anything fucking sacred anymore?"

  Wesley said, "I already knew about the civil injunctions to keep gang members in check, but did you know the homies have to be personally served with humongous legal documents that set forth all terms of the injunction? Two or three gang members congregating can violate the injunction, and even possession and use of cell phones can be a violation. Did you know that?"

  Nate said, "Possession of a cell phone by any person of the female gender who is attempting to operate a motor vehicle should be a felony, you ask me."

  Wesley said, "I might get to examine the tattoos and talk to some crew members and hear about their gang wars next time."

  "Do I detect a 'hood rat in the making?" Nate said, yawning. "Are you gonna be putting in a transfer, Wesley? Maybe to Seventy-seventh Street or Southeast, where people keep rocket launchers at home for personal protection?"

  "When I got sent to Hollywood I heard it was a good misdemeanor division. I guess I wanna go to a good felony division. I've heard that in the days before the consent decree, Rampart Division CRASH unit used to have a sign that said `We intimidate those who intimidate others.' Imagine how it was to work that Gang Squad."

  Nate looked at Wesley the way he'd look at a cuppa joe from Dunkin' Donuts or a Hostess Ding Dong and said, "Wesley, the days of LAPD rock 'n' rule are over. It's never coming back."

  Wesley said, "I just thought that someplace like Southeast Division would offer more . . . challenges."

  "Go ahead, then," Nate said. "You can amuse yourself on long
nights down there by going to drug houses and yelling `Police!' then listening to toilets flushing all over the block. Cop entertainment in the 'hood. Watching cruisers throw gang signs beats the hell outta red carpet events, where the tits extend from Hollywood Boulevard to infinity, right?"

  Wesley Drubb was eager indeed to do police work in gang territory, or anyplace where he might encounter real action. He was growing more and more tense and nervous with Nate boring him to death by directing him far from the semi-mean streets of Hollywood for his endless sorties into Hollywood's past. The gang turf was there and he was here. Touring!

  Quiet now, Wesley chewed a fingernail as he drove. Nate finally noticed and said, "Hey pard, you look especially stressed. Got girlfriend troubles maybe? I'm an expert on that subject."

  Wesley wasn't far enough from his probationary period to say, "I am fucking bored to death, Nate! You are killing me with these trips through movie history!"

  Instead, he said, "Nate, do you think we should be cruising around the country club? This is Wilshire Area. We work in Hollywood Area."

  "Stop saying area," Nate said. "Division sounds more coplike. I can't stand these new terms for everything."

  "Okay, Hollywood Division, then. We're out of it right now. This is Wilshire Division."

  "A few blocks, big deal," Nate said. "Look around you. This is gorgeous."

  Hollywood Nate was referring to Rossmore Avenue, where the elegant apartment buildings and pricey converted condos had names like the Rossmore, El Royale, the Marlowe, and Country Club Manor, all of them a short walk from the very private golf course. They were built in the French, Spanish, and Beaux Arts styles of Hollywood's Golden Age.

  Seeing that Wesley lacked enthusiasm for the architecture, Nate said, "Maybe you'd like to cruise by the Church of Scientology Celebrity Center? We might spot John Travolta. But we can't hassle any of their so-called parishioners or we'll get beefed by their fascist security force. Do you know they even beefed our airship one time? Said they wanted to make their headquarters an LAPD no-fly zone."

  Wesley said, "No, I don't have much interest in Scientology or John Travolta, to tell you the truth."

  "This looks like we're in Europe," Nate said, as the setting sun lit the entry of the El Royale. "Can't you see Mae West sashaying out that door with a hunky actor on her arm to a limo waiting on the street?"

  "Mae West" was how Wesley Drubb's father referred to the life jackets he kept aboard a seventy-five-foot power yacht that he used to own and kept docked at the marina. Wesley didn't know that they were named after a person, but he said, "Yeah, Mae West."

  "Someday I'll be living in one of those buildings," Nate said. "The local country clubs used to restrict Jews. And actors. I've heard it was Randolph Scott who told them, `I'm not an actor and I've got a hundred movies to prove it.' But then I heard it was Victor Mature. Even John Wayne, and he didn't hardly play golf. It's a good Hollywood story no matter who said it."

  Wesley had never heard of the first two actor-golfers and was getting a tightness in his neck and jaw muscles. He was even grinding his teeth and only relaxed when Nate sighed and said, "Okay, let's go find you a bad guy to put in jail."

  And at last, with an enormous sense of relief, Wesley Drubb was permitted to drive away from reel Hollywood and head for the real one.

  Darkness fell as they were passing the Gay and Lesbian Center, and Nate said, "That's where they can go to let their hair down. Or their hair extensions. There's a place for everyone to dream in Hollywood. I don't know why you can't be satisfied."

  A few minutes later, on Santa Monica Boulevard, Wesley said, "Look how that guy's walking. Let's shake him."

  Nate looked across the street at a pale and gaunt forty-something guy in a crew neck, long-sleeved sweater and jeans, walking along the boulevard with his hands in his pockets.

  "Whadda you see that I don't see?"

  "He's a parolee-at-large, I bet. He walks like they do in the prison yard."

  "You learned a lot with the gang unit," Nate said. "Maybe even something worthwhile, but I haven't noticed it yet."

  Wesley said, "The parole officers are a few months behind in getting warrants into their computer, but we could check him anyway, okay? Even if there's no warrant, maybe he's holding some dope."

  "Maybe he's cruising for a date," Nate said. "This is Santa Monica Boulevard, home of boy love and homo-thugs. He might be looking for somebody like the one he left in prison. A guy with a tattoo of a naked babe on his back and an asshole like the Hollywood subway."

  "Can we check him?"

  "Yeah, go ahead, get it outta your system," Nate said.

  Wesley pulled up several yards behind the guy, and both cops got out and lit him with their flashlight beams.

  He was used to it. He stopped and took his hands out of his pockets. With a guy like this preliminaries were few, and when Wesley said, "Got some ID?" the guy shot them a grudging look of surrender and without being asked pulled up the sweater sleeves, showing his forearms, which were covered with jailhouse tatts over old scar tissue.

  "I don't use no more," he said.

  Nate moved the beam of his light near the man's face and said, "Your eyes are down right now, bro."

  "I drink like a Skid Row alky," the ex-con said, "but I don't shoot up. I got tired of getting busted for eleven five-fifty. I was always under the influence and I just kept getting busted. Like, I was serving life in prison a few weeks at a time."

  Wesley wrote an FI card on the guy, whose ID said his name was Brian Allen Wilkie, and ran the information on the MDT, coming back with an extensive drug record but no wants or warrants.

  Before they let him go, Nate said, "Where you headed?"

  "Pablo's to get a taco."

  "That's tweakerville," Nate said. "Don't tell me you're smoking glass now instead of shooting smack?"

  "One day at a time, man," Brian Wilkie said. "I wouldn't want my PO to know, but I'm down to booze and a little meth now and then. That's an improvement, ain't it?"

  "I don't think that's what AA means by one day at a time, man," Nate said. "Stay real."

  A few minutes later, when Wesley drove past Pablo's Tacos, they saw an old car parked in front and a pair of skinny tweakers in a dispute with another guy who also had tweaker written all over him. The argument was so animated that the tweakers didn't see the black-and-white when Wesley parked half a block away and turned out the lights to watch.

  "Maybe one of them'll stab the other," Nate said. "And you can pop him for a felony. Or better yet, maybe one of them'll pull a piece and we can get in a gunfight. Would that relieve your boredom?"

  Farley Ramsdale was waving his arms like one of those people with that terrible disease whose name she couldn't remember, and Olive was getting scared. Spit was running down Farley's chin and he was screaming his head off because the tiny tweaker that they knew as Little Bart wouldn't sell one of the two teeners he was holding. Farley refused to meet his excessive price and had tried to bargain him down.

  Olive thought it was mean and wrong of Little Bart, because Farley had often sold to him at a decent price. But all this screaming was just going to get them in trouble.

  "You are an ungrateful chunk of vomit!" Farley yelled. "Do you remember how I saved your sorry ass when you needed ice so bad you were ready to blow a nigger for it?"

  Little Bart, who was about Farley's age and whose neck bore a tattoo of a dog collar all the way around, said, "Man, things're bad, real bad these days. This is all I got and all I'm gonna have for a while. I gotta pay the rent."

  "You little cocksucker!" Farley yelled, doubling his fist.

  "Hey, dude!" Little Bart said, backing up. "Take a chill pill! You're freaking!"

  Olive stepped forward then and said, "Farley, please stop. Let's go. Please!"

  Suddenly, Farley did something he had never done in all the time they'd been together. He smacked her across the face, and she was so stunned she stared at him for a moment and then burst
into tears.

  "That's enough," Wesley said, and got out of the car, followed by Hollywood Nate.

  Farley never saw them coming but Little Bart did. The tiny tweaker said, "Uh-oh, time to go."

  And he started to do just that, until Wesley said, "Hold it right there."

  A few minutes later, Little Bart and Farley were being patted down by Wesley and Hollywood Nate while Olive wiped her tears on the tail of her jersey.

  "What's this all about?" Farley said. "I ain't done nothing."

  "You committed a battery," Wesley said. "I saw it."

  "It was an accident," Farley said. "Wasn't it, Olive? I didn't mean to hit her. I was just making a point with this guy."

  "What point is that?" Nate said.

  "About whether George W. Bush is really as dumb as he looks. It was a political debate."

  Little Bart wasn't really worried, because the ice was under the rear floor mat of his car, which was half a block down the street. So he just had to chill and not piss off the cops, and then he figured he could skate.

  When Nate pulled Farley ten yards away from the other two, Farley yelled back, "Olive, tell these guys it was an accident!"

  "Shut the fuck up," Nate said. "Where's your car?"

  "I ain't got a car," Farley lied, and after he did it, he wondered why he had lied. There was no crystal in his car. He hadn't smoked any glass for two and a half days. That's why his nerves were shot. That's why he was on the verge of strangling Little Bart. He was just so sick of being hassled by cops that he lied. Lying was a form of rebellion against all of them. All of the assholes who were fucking with him.

  For the next twenty minutes, the shakes were written, and each name was run through CII, with a rap sheet showing for Farley Ramsdale but none for Olive O. Ramsdale. Farley finally stopped bitching and Olive stopped crying.

  Little Bart actually began trying to talk politics to Farley to go along with the George Bush crack, but the cops obviously weren't buying it. They knew that some kind of drug deal was going down, and Little Bart just didn't want to give them a good reason to try his car keys in the doors of the eight cars that were parked within half a block of Pablo's. And he especially didn't want them to look under the floor mat.