Braided Path 02 - The Skein Of Lament

by Wooding, Chris

  ‘I thought you of Quraal did not give credit to our heathen deities,’ she said.

  ‘We need all the deities we can get now,’ he replied darkly, and Kaiku wondered if he was serious or making fun of her. She stepped through the gate and stalked onward toward the stockade wall of Kisanth, and he followed.

  FIVE

  Axekami, heart of the empire, basked in the heat of late summer.

  The great city sat astride the confluence of two rivers as they merged into a third, a junction through which most of the trade in north-western Saramyr passed. The Jabaza and the Kerryn came winding their ways across the vast yellow-green plains from the north and east to enter the sprawling, walled capital, carving it up into neat and distinct districts. They met in the centre of Axekami, in the Rush, swirling around a hexagonal platform of stone that was linked across the churning water by three elegant, curving and equidistant bridges. In the middle stood a colossal statue of Isisya, Empress of the gods and goddess of peace, beauty and wisdom. Saramyr tradition tended to depict their deities obliquely rather than directly – as votive objects, or as animal aspects – believing it somewhat arrogant to try to capture the form of divine beings. But here tradition had been ignored, and Isisya had been rendered in dark blue stone as a woman, fifty feet high, robed in finery and wearing an elaborate sequence of ornaments in her tortuously complicated hair. She was gazing to the north-east, towards the Imperial Keep, her expression serene, her hands held together and buried in her voluminous sleeves. Beneath her feet, in the Rush, the Jabaza and the Kerryn mixed and mingled and became the Zan, an immense flow that pushed its way out of the city and headed away in a great sparkling ribbon to the south-west.

  As the political and economical centre of Saramyr, Axekami was an unceasing hive of activity. The waterside was lined with docks and warehouses, and swarmed with nomads, merchants, sailors and labourers. On the south bank of the Kerryn, the colourful chaos of smoke-dens, cathouses, shops and bars that crowded the archipelago of the River District were trafficked by outrageously-dressed revellers. To the north, where the land sloped upward towards the Imperial Keep, gaudy temples crowded against serene library domes. Public squares thronged with people while orators and demagogues expounded their beliefs to passers-by, horses crabstepped between creaking carts and lumbering manxthwa in the choked thoroughfares of the Market District, while beneath their bright awnings traders hawked all the goods of the Near World. From the sweat and dust of the roads it was possible to escape to one of the many public parks, to enjoy a luxurious steam bath or visit one of a dozen sculpture gardens, some of them dating from the time of Torus tu Vinaxis, the second Blood Emperor of Saramyr.

  North of the Market District, the Imperial Quarter lay around the base of the bluff which topped the hill, surmounted by the Imperial Keep itself. The Quarter was a small town in itself, inhabited by the high families, the independently wealthy and patrons of the arts, kept free from the crush and press of the rest of the city. There, the wide streets were lined with exotic trees and kept scrupulously clean, and spacious townhouses sat within walled compounds amid mosaic-strewn plazas and shady cloisters. Ruthlessly tended water gardens and leafy arbours provided endless secret places for the machinations of court to be played out in.

  Then there was the Keep itself. Sitting atop the bluff, its gold and bronze exterior sent blades of reflected sunlight out across the city. It was shaped like a truncated pyramid, its top flattened, with the grand dome of the Imperial family’s temple to Ocha rising in the centre to symbolise that no human, even an Emperor, was higher than the gods. The four sloping walls of the Keep were an eye-straining complexity of window-arches, balconies and sculptures, a masterwork of intertwined statues and architecture unequalled anywhere in Axekami. Spirits and demons chased their way around pillars and threaded into and out of scenes of legend inhabited by deities from the Saramyr pantheon. At each of the vertices of the Keep stood a tall, narrow tower. The whole magnificent edifice was surrounded by a massive wall, no less fine in appearance but bristling with fortifications, broken only by an enormous gate set beneath a soaring arch of gold inscribed with ancient blessings.

  Inside the Keep, the Blood Emperor of Saramyr, Mos tu Batik, glowered at his reflection in a freestanding wrought-silver mirror. He was a stocky man, a few inches shorter than his width would suggest, which made him barrel-chested and solid in appearance. His jaw was clenched in barely suppressed frustration beneath a bristly beard that was shot through with grey. With terse, angry movements, he arranged his ceremonial finery, tugging his cuffs and adjusting his belt. The afternoon sun angled through a pair of window-arches into the chamber behind him, two tight beams illuminating bright dancing motes. Usually the effect was pleasing, but today the contrast just made the rest of the room seem dim and full of hot shadows.

  ‘You should compose yourself,’ creaked a voice from the back of the room. ‘Your agitation is obvious.’

  ‘Spirits, Kakre, of course I’m agitated!’ Mos snapped, shifting his gaze in the mirror to where a hunched figure was moving slowly into the light from the darkness in the corner of the room. He wore a patchwork robe of rags, leather and other less easily identifiable materials, sewn together in a haphazard mockery of pattern and logic, with stitchwork like scarring tracking randomly across the folds. Buried beneath a frayed hood, the sun cut sharply across the lower half of an emaciated jaw that did not move when he spoke. The Emperor’s own Weaver, the Weave-lord.

  ‘It would not do to meet your brother-by-marriage in this condition,’ Kakre continued. ‘You would cause him offence.’

  Mos barked a bitter laugh. ‘Reki? I don’t care what that bookish little whelp thinks.’ He spun away from the mirror and faced the Weave-lord. ‘You know of the reports I received, I assume?’

  Kakre raised his head, and the radiance of Nuki’s eye fell across the face beneath the hood. The True Mask of Weave-lord Kakre was that of a gaping, mummified corpse, a hollow-cheeked visage of cured skin that stretched dry and pallid over his features. Mos had found his predecessor unpleasant enough, but Kakre was worse. He would never be able to look at the Weave-lord without a flinch of distaste.

  ‘I know of the reports,’ Kakre said, his voice a dry rasp.

  ‘Yes, I thought you would,’ Mos said poisonously. ‘Very little goes on in this Keep without you finding out about it, Kakre; even when it’s not your concern.’

  ‘Everything is my concern,’ Kakre returned.

  ‘Really? Then why don’t you concern yourself with finding out why my crops fail year after year? Why don’t you do something to stop the blight that creeps through the soil of my empire, that causes babies to be born Aberrant, that twists the trees and makes it dangerous for my men to travel near the mountains because the gods know what kind of monstrosities lurk there now?’ Mos stamped across to where a table held a carafe of wine and poured himself a generous glassful. ‘It’s almost Aestival Week! Unless the goddess Enyu herself steps in and lends us a hand, this year is going to be worse than the last one. We’re on the edge of famine, Kakre! Some of the more distant provinces have been rationing the peasants for too long already! I needed this crop to hold out against the damned merchant consortium in Okhamba!’

  ‘Your people starve because of you, Mos,’ Kakre replied venomously. ‘Do not apportion blame to the Weavers for your own mistakes. You started the trade war when you raised export taxes.’

  ‘What would you have preferred?’ he cried. ‘That I allowed our economy to collapse?’

  ‘I care little for your justifications,’ Kakre said. ‘The fact remains that it was your fault.’

  He drained the glass and glared balefully at the Weave-lord. ‘We took this throne together,’ he snarled. ‘It cost me my only son, but we took it. I fulfilled my part of the deal. I’ve made you part of the empire. I gave you land, I gave you rights. That was my half of our agreement. Where is yours?’

  ‘We have kept you on your throne!’ Kakre replied, his vo
ice rising in fury. ‘Without us, your ineptitude would have seen you deposed by now. Do you remember how many insurrections I have warned you of, how many plots and assassination attempts I have unearthed for you? Five years of failing harvests, crumbling markets, political disarray; the high families will not suffer it.’ Kakre’s voice fell to a quiet mutter. ‘They want you gone, Mos. You and me.’

  ‘It’s because of the failed harvests that this whole damned mess has come about!’ Mos cried, choking on his frustration. ‘It’s this spirit-cursed blight! Where is the source? What is the cause? Why don’t you know?’

  ‘The Weavers are not all-powerful, my Emperor,’ croaked Kakre softly, turning away. ‘If we were, we should not need you.’

  ‘There he is!’ grinned the Empress Laranya, slipping away from her fussing handmaidens and hurrying across the small chamber to where Mos had just entered. She swept into the Emperor’s arms and kissed him playfully, then withdrew and smoothed his hair back from his face, her eyes roaming his.

  ‘You look angry,’ she said. ‘Is anything wrong?’ She smiled suddenly. ‘Anything that I could not fix, anyway?’

  Mos felt his bad mood evaporate in the arms of his lover, and he bent to kiss her again, with feeling this time. ‘There’s nothing that you couldn’t fix with that smile,’ he murmured.

  ‘Flatterer!’ she accused, darting out of his grasp with a flirtatious twist. ‘You’re late. And your clumsy paws have ruffled my dress. Now my handmaidens will have to put it right. Everything must be in order in time to receive my brother.’

  ‘My apologies, Empress,’ he said, bowing low with mock sincerity. ‘I had no idea that today was such an important day for you.’

  She gasped in feigned disbelief. ‘Men are so ignorant.’

  ‘Well, if I’m going to be insulted so, I may go back to my chambers and get out of your way,’ Mos teased.

  ‘You will stay here and make ready with me!’ she told him. ‘That is, if you still want to have an Empress by tomorrow.’

  Mos acceded graciously, taking his place by his wife and allowing his own handmaidens to see to his appearance. They began spraying him with perfumed oils and affixing the paraphernalia that tradition demanded of his station. He endured it all with a lighter heart than before.

  The pomp and ceremony involved in being Blood Emperor taxed his patience at the best of times; he was a blunt man, not given to subtlety and with little time for ritual and age-old tradition. The process of welcoming an important guest for an extended stay was complex and layered in many levels of politeness and formality, depending on the status of the guest in relation to the Imperial family. Too little preparation, and the guest might be offended; too overblown, and they would be embarrassed. Mos wisely left all such matters to his advisers and latterly to his new wife.

  The chamber around him was aswarm with retainers clad in their finest robes, Imperial Guards in white and blue armour, servants carrying pennants and elegant courtesans tuning their instruments. Handmaidens ran to and fro, and Mos’s Cultural Adviser sent runners here and there to fetch forgotten necessities and make last-minute adjustments. The entrance hall was only the surface gloss to the entire operation. Later, there would be theatre, poetry, music and a myriad other entertainments that were all but interminable to a man of Mos’s earthy tastes. Only the feast that would signal the end of the ceremony held any interest for him at all. But despite his own feelings about their visitor, this was Laranya’s brother, to whom she was very close, and what made her happy made him happy. He steeled himself and resolved to make an effort.

  As the final touches were being made to his outfit, he stole glances at Laranya, who pretended not to notice. How strange the ways of the gods, that they should have brought him a creature as fine as her at this time in his life, approaching his fifty-fifth harvest. Surely divine approval for his assumption of the role of Blood Emperor. Or, he reflected with a twinge of his former black mood, perhaps it was merely redressing the balance for taking his son Durun from him.

  It had begun as a simple matter of politics. With his only heir dead and Blood Batik as the high family, Mos needed a child. His first wife, Ononi, was past child-bearing age, so Mos annulled his marriage with her and sought a younger bride. There was no acrimony on either side, since there had been no passion there in the first place; it had been a marriage of mutual advantage, as were most amid the high families of Saramyr. Ononi remained to oversee the Blood Batik estates to the north, while Mos moved into the capital and began to look for potential matches.

  He found one in Laranya tu Tanatsua, daughter of Barak Goren of Jospa, a city in the Tchom Rin desert. Forging ties with the eastern half of Saramyr was a sensible move, especially when the mountains that divided them were becoming ever more treacherous to cross and increasingly the only way to communicate between the west and the east was through Weavers. Laranya was eminently eligible and beautiful with it, dark-haired and dusky-skinned, curvaceous and fiery. Mos had liked her immediately, better than the slender, demure and subservient women he had been offered up until then. In a move of outrageous audacity, Laranya had made him come to her, had made him travel all the way to Jospa to assess her suitability for marriage. Even when he had done so, intrigued by her brazen nerve, she had acted as if it were she choosing him for a suitor, much to her father’s chagrin.

  Perhaps it was then that she had captured his heart. She had certainly captured his attention. He took her back with him to Axekami, and they were married amid great ceremony and celebration. That was three years ago, and at some point over the intervening time he had fallen in love with her, and she with him. It was unusual, but not unheard of. That she was over twenty harvests his junior was not an issue. Both of them were stubborn, passionate and used to getting their own way; in each other, they met their match. Though their arguments were legendary among the servants of the Keep for their violence, so their affection for each other was immeasureable and obvious. Despite the misfortune that had dogged every step of his way as Blood Emperor, he felt blessed to have her.

  There had been only one shadow over their marriage these past years, and the root of most of their fights. Though the physical attraction between them made for energetic and frequent bedplay, no child had come of it. Laranya wanted nothing more than to bear him a son, but she could not conceive, and the bitterness and frustration began to pool like oil beneath their words over time. Unlike his son Durun – who had gone through the same ordeal with his own wife, the murdered former Blood Empress Anais tu Erinima – Mos knew that he was not barren of seed. Yet he knew also that an heir was needed, and Laranya would not graciously step aside as Ononi had to allow him to remarry again. Even if he had wanted to.

  Then, miraculously, it had happened. Two weeks ago, she had told him the news. She was pregnant. He saw it already in her manner, the new flush to her cheeks, the secret smiles she kept to herself when she thought he was not looking. Her world had turned inward, to the child in her womb, and Mos was at once mystified and entranced by her. Even now, though she was far from showing her condition, he watched her unconsciously lay a hand on her pelvis, her eyes distant while the handmaidens chattered and worked around her. His child. The thought brought a fierce and sudden grin to his face.

  He straightened himself as a horn lowed outside the Keep, and the handmaidens scattered, leaving the Emperor and Empress standing on a low platform at the top of a set of three steps, facing down an aisle of immaculately presented retainers and Guards. The hall whispered with the shuffle of people arranging themselves in their places. The red-and-silver pennants of Blood Batik rippled softly in the hot breeze from the window-arches above the gold-inlaid double doors. Reki had arrived.

  Laranya took Mos’s hand briefly and smiled up at him, then let it drop to assume the correct posture. The Blood Emperor’s heart warmed until it was like a furnace. He thought of the gruelling day ahead, and then of the life growing in his wife’s belly.

  He was to be a father again, h
e thought, as the double doors swung open and let in the blazing light from outside, silhouetting the slight form of Laranya’s brother at the head of his retinue. For that, he would endure anything.

  The coals in the fire-pit at the centre of Kakre’s skinning chamber bathed the room in arterial red. Deep, insidious shadows lay all around, cast by the steady glow. At the Weave-lord’s insistence, the walls had been stripped down to naked stone and the black, semi-reflective lach chiselled away from the floor to reveal the gullied, rough bricks beneath. Overhead, the octagonal chamber rose high above in a lattice of wooden beams, its upper reaches lost in darkness. Chains and hooks hung from there, appearing out of the lofty shadows and hanging down to the level of the floor, where they brushed this way and that in the rising warmth, quietly clinking.

  Strange shapes swayed gently between the beams, half-seen things turning slowly and silently. Some of them were hung close enough to the firelight to make out details, underlit in glowering red. Kites of skin, human and animal, stretched across wicker frameworks of terrible ingenuity. Some were mercifully unrecognisable, simple geometric shapes from which it was difficult to determine the donor of the material that surfaced them. Others were more grotesque and artistic. There was a large bird stitched from the skin of a woman; distorted, empty features were still appallingly identifiable over the head and beak, hollow breasts pulled flat between the outspread wings, long black hair still spilling from her scalp. Something that had once been a man hung in a predatory pose, outstretched bat-wings of human skin spread behind him and his face constructed of sewn-together strips of snake scales. A mobile of small animals rotated next to him, each one skilfully peeled on the left side of its front half and the right side of its rear, particoloured sculptures of fur and glistening striations of muscle.