Anthology of Speculative Fiction, Volume Two

by Short Story Anthology

  "Get on the phone to International Pharmaceutical," she said and heard her voice shaking. "Get them to twist his arm."

  "I can't," he said. "This isn't a public project. We're not even supposed to be here. We were supposed to pick them up and get them down to the southern facility. We wouldn't have stopped except we spent a day fixing the truck." He spread his hands, like the plagues of the world, not just Lucknow's, would be on her shoulders if she refused to lie for him. "Help us," he said. "Tell your boss everything's fine in Xavantina."

  She couldn't make herself say anything. She couldn't make herself believe him.

  He moved even closer. "You won't be sorry," he said in a low voice. "Do it, and I'll make sure you won't ever be sorry."

  · · · · ·

  She took him back to Intake and told Horace that Hiller seemed to be a legit operation, that there was a receiving area at Xavantina and it had been approved according to Plano de Desenvolvimentostandards. Horace grunted and smoked and made more irritated pronouncements about Xingu as a cheap motel on the highway to Brazil's industrial future. At about one in the morning, he stubbed out his cigarette and went to bed, leaving Maria to lock up.

  Maria showed N'Lykli and the Mexican driver where they could sleep, and then she walked down to Area C, to have a better look at The Cure for Everything.

  Xingu's compounds would never make it into Frommer's, but to fleeing tribes, the split greenwood shelters, clean water, and firepits were five-star accommodations. The only fences were to keep the compound areas separated. Inter-tribal conflicts could survive bulldozers and rifles like nothing else.

  Maria passed the Xingu guard, who squinted at her, then waved her on. Closer to Area C she was surprised to run into a second guard. A short guy—the truck driver, she realized—built like a brick and too bulky for his Hiller jacket.

  His eyes widened at the sight of Maria and he crossed himself. "You can't come in here."

  "I work here," snapped Maria.

  "Everybody's sleeping," said the guard, but Maria took another step toward him, letting him get a good look at her spirit-pale face, and his resolve seemed to evaporate. "Germs," he said weakly. "Don't give them your germs."

  "I've had all my shots," she said, and kept walking.

  · · · · ·

  They weren't asleep. It was too dark to make out details, but from her shadowy hiding place, Maria could see seven or eight people sitting by the nearest fire, talking to each other. No different than a hundred other intakes. Exhausted little kids had been bundled into the shelters. The adults would watch for unknown dangers until sunrise.

  Maria crouched in the leaves, invisible, and listened. Five hundred years of isolation would mean an unfathomable dialect. She might be able to catch a word or two, but the proof of the Hiller Project would be in what she could hear and not comprehend. She had the rest of the night to decide if N'Lykli was lying, and if she decided he was, she would tell Horace everything in the morning. She would tell him the exact name for her ghostliness and what N'Lykli had promised her. Horace would understand.

  She squinted into the haze of wood smoke. The tone of the conversation around the fire had risen, like an argument. One young man made wide, angry gestures. Something flashed in his ear, a brilliant ruby red, and Maria thought she caught the word for prisoners in Tupi-Guaraní.

  Across from him, a remarkably old woman pounded a walking stick on the packed dirt. The fire showed her nearly-naked body—withered breasts and wiry muscles—striped here and there with yellow paint. And a scarlet glint in her ear.

  The old woman pounded her walking stick even harder, raising puffs of dust. Flames leaped up, giving Maria a snapshot view of a half dozen elders with braided hair and feathers, the ruby glint in each earlobe. Their ancient faces focused on the young man's dissent. He shouted in a staccato burst of glottals and rising tones, closer to Chinese opera than any Amazon Basin language Maria had ever heard. The old woman made an unmistakably dismissive motion with both arms. Emphatic. The young man jumped to his feet and stalked off. The elders watched him go. The old woman glowered at the fire, and no one said another word.

  In the dark, surrounded by mosquitoes and thick, damp heat, Maria eased out of her crouch. Bugs were crawling into her socks. Her left leg was cramping and she was holding her breath, but she could feel her body changing. She was becoming solid and brighter than she'd ever been before. Her life as a ghost was over. Right here. In this spot. Her invisibility and their isolation. Her scrupulously unconceived, mitten-handed mutant children, who had burrowed into her dreams for so many years, drifted around her, dispersing like smoke, and Maria felt the trees, the dirt, the insects and night birds—everything—hopeful and alive, and full of positive regeneration, for the first time in her life.

  She got to her feet, wobbly with optimism, turned around and saw him.

  He stared at her the way they all did. She stared back at his wide-set eyes and honest mouth. Yellow face paint and brilliant macaw feathers. His ruby earring wasn't jewelry at all, but a tiny digital sampler of some kind, ticking off combinations of numbers, pulsing as he breathed. She tried to tell herself he wasn't the one N'Lykli had told her about. That this wasn't the face and trim body of The Cure for Everything.

  But it was.

  My germs, she thought, and took an unsteady step backwards.

  He moved toward her and spoke in halting Portuguese. "You see me speak. You hear me."

  She nodded.

  He took a breath through his teeth. "Please. Take me away, Jamarikuma."

  Another word with ancient, Tupi-Guaranían roots.Jamarikuma: a grandmother of powerful female spirits.

  She turned around and ran.

  · · · · ·

  She went to see N'Lykli. Pounded on his door and woke him up.

  "Where are you really taking them?" she said. "There's nothing in Xavantina but a couple of bankrupt rubber plantations."

  He hunched on the edge of the cot, covering himself with the sheet. "International Pharmaceutical has a facility there."

  "Do those people know you're—you're milkingthem?"

  His face made a defensive twitch. "We've explained what we need from them and they've discussed it. They all understand about the dam. They know why they can't stay in Ipiranga."

  "Why do they think they're going to be prisoners?"

  N'Lykli sat up straight. "Look. They're not captives. There're a few who don't like the idea, but we're not taking them against their will. We've been in contact with them for almost a decade. We even explained about Xingu and your assimilation programs. They didn't want anything to do with it. They don't want to be separated."

  "We don't separate families."

  "Can you relocate an entire tribe—eight hundred and seventy-four people—to a nice neighborhood in Brasília?"

  "But there's only—"

  "This is the last group," he said. "We've been staging them into Xavantina for a month."

  She sat down on the only chair in the room. "I can't even interview them to find out if any of what you're saying is true."

  He shrugged again.

  She took a breath. "So what am I supposed to do? Wait around until International Pharmaceutical announces a cure for Lucknow's?"

  N'Lykli rubbed his chin. "You don't have to be cured of the syndrome to have normal children. You just need the right father."

  Maria stared at him.

  He looked down at the floor. "We don't just take blood samples. I can send you something in a couple of weeks. It'll be frozen and you'll have to use it right away. I'll send instructions..."

  "You're going to send me sperm?"

  "How else should I do it?" he said. "Would you rather make an appointment with him?"

  "Oh, for Christ's sake!"

  He watched her head for the door. "You're going to tell your boss what's going on?"

  Maria stopped. Put her hands in her pockets and glared at him, the mosquito netting, the dank, bare room. Jamarikuma. Li
ke hell.

  "Goddamit," she said. "You'd better be out of here by daylight."

  · · · · ·

  The Hiller Project truck pulled out at dawn, this time with the Jeep in the lead.

  Maria stood out in full view, watching. N'Lykli gave her a half-salute and looked around nervously, probably for Horace. The Mexican driver gunned the engine, going too fast over the ruts and holes of the unpaved road.

  The truck followed, angling for the open gate. In the back, every face turned to stare at her.

  The Cures for Alzheimer's, Lucknow's, and all kinds of cancer made small gestures against spirits, turned to each other to whisper, but they didn't look frightened. They didn't look resigned to their fates. They looked like tired travelers who were sick of cheap motels, ready to be wherever they were going. Except for one.

  The Cure for Everything lunged against the railing."Jamarikuma!" He shouted high in his throat."Jamarikuma!" He shook the wooden side rails as the truck lurched through the gates and down the hill. She could hear him yelling over the diesel rumble even when the truck was well out of sight.

  She stood there in the gray sunlight, taking deep breaths of churned earth and fumes, and felt her body go vague again. It was sudden and strange, like a wind had blown through her.

  She knew she should go down to Intake and tell Horace everything, but she was afraid to. It seemed sickeningly obvious now that she should have made the Hiller people stay. Even if what N'Lykli had told her was true, she should have gone over to the Indians arguing around their campfires and made them talk to her. If The Cure for Everything could speak a little Portuguese, so could a few of the others.

  Was she so desperate in her ghostliness that she would betray herself like this, give up her job, her life, her colleagues and friends—everything for a cure? For frozen sperm?

  Yes, she was that desperate. Yes, she was.

  She turned away from the gate and the diminishing sounds of the truck. It's too late, she told herself, and felt the lie in that as well.

  · · · · ·

  She drove off with the Toyota Land Cruiser without telling anyone, before the diesel stink of the Hiller truck was gone. The Toyota was the newest of the Xingu vehicles and the only one with a full tank. She plunged it down the muddy hill after the Hiller truck. There weren't that many ways to get to Xavantina.

  She caught up with the truck in less than half an hour, but stayed out of sight, a klick or so behind. Xingu's rutted jungle access turned to a graded lumber trail, and she dropped even further back. When the scraggly trees gave way to burned stumps and abandoned timber, she gave herself more distance, until the Hiller truck was a speck behind the speck of the Jeep, forging along the muddy curves in the ruined hillsides.

  She followed them through grim little settlements of displaced Indians and rubber tappers who lived in squalor downstream from the local plantations, past islands of pristine jungle where monkeys screamed at her and brilliant parrots burst out of the trees in clouds of pure color.

  Fourteen hours from Xingu, long after the moon went down, the truck turned off the half-paved local Xavantina highway onto a dirt road along a narrow river. In the pitch blackness, it made a sharp right and came to a stop

  Maria pulled into the last stand of trees. Doors slammed and there was a brief silence. Then a bank of floodlights came on overhead and she could see the truck sitting by the Jeep in a cleared area at the foot of a high chain link fence. The Indians peered out of the back, pointing into the darkness while N'Lykli pulled the gates open and the vehicles drove through.

  There were no signs to identify the place. Maria hunched over the Toyota's steering wheel, stiff in her shoulders, thick in her head, tired beyond even the desire for coffee. She lit her last cigarette and dragged deep for energy and ideas as N'Lykli swung the gates shut, locked them, tugged on them, and vanished into the dark.

  In a minute, the floods went out, leaving Maria with the glowing tip of her cigarette. She waited a while longer, turned on the dome light and crawled into the back of the car where the tool box was. She dug until she found a heavy-duty pair of wire cutters.

  · · · · ·

  Inside the gate, the road deteriorated into a wasteland of bulldozed ruts. Weeds and young trees grew to shoulder height. Small animals scurried away as Maria groped through the dark. Bloodthirsty insects found her bare neck, her ankles, and the backs of her hands. Finally, she saw the glow of sulfur-colored floodlights, and at the top of the next rise, she got her first glimpse of the "facility."

  A huddle of blocky, windowless buildings surrounded a fenced central courtyard. It had the look of an unfinished prison. Wire-topped fences glinted in the security floods.

  She expected dogs, but didn't hear any. She made her way through the weeds expecting snakes, but decided that N'Lykli and his blood-sucking colleagues at Hiller had probably eliminated every poisonous thing for miles around—no accidental losses in their gene pool of cures. The whole idea made her furious—at them for such a blatant exploitation, and at herself for so badly needing what they'd found.

  She circled the compound, trying to find an inconspicuous way to get into the inner courtyard, but the fences were new and some of them were electrified. When she had come almost all the way around to the front again, she found a lit row of barred windows on the ground floor of one of the blockhouses.

  There was no one inside. The lights were dim, for security, not workers or visitors. Maria climbed up a hard dirt bank to the window sill and hung onto the bars with both hands.

  Inside, modern desks and new computers lined one side of a huge white room. At the other end, there was a small lab with racks of glassware and a centrifuge. Color-coded gene charts covered the walls. Yellow lines braided into red, producing orange offspring. Bright pink Post-it notes followed one line and dead-ended with a handwritten note and an arrow drawn in black marker. She could read the print without effort:Autism?

  Mitten-handed mutants. Ghostly spirit children.

  She let herself down from the windowsill and crept through brittle grass to the edge of the wire fence.

  Inside, she could see one end of the compound and the lights of the blockhouse beyond. Dark human shapes were silhouetted against small fires and she realized she'd expected them to be treated as inmates, locked up for the night and under constant guard. Instead she could smell the wood smoke and hear their muffled voices. Women laughing. A baby squalling, then shushed. Hands pattered on a drum.

  She touched the fence with the back of her hand, testing for current.

  Nothing.

  She listened, but there was no alarm that she could hear.

  Someone chanted a verse of a song. A chorus of children sang in answer. For the first time, Maria saw the enormity of what she was about to do.

  The Cure for Everything. Not just Lucknow's.

  She pulled out the cutters and started working on the fence. The gene chart. Autism. The way hisvoice had sounded, shrieking Jamarikuma! None of this was right.

  She crawled through the hole in the fence and they saw her right away. The singing and conversation stopped. She got to her feet, brushed off her knees and went near enough to the closest fire to be seen, but not close enough to be threatening. The Cure for Everything gave Maria a quick, urgent nod but he didn't stand up. Around him, a few heads cocked in recognition of her face, her skin.

  The withered old woman Maria had seen at Xingu hobbled over from one of the other fires, leaning on her walking stick. She frowned at Maria and started speaking in accented Portuguese.

  "We saw you at Xingu. You're the Jamarikuma. What are you doing here?"

  "I'm here to help," said Maria.

  "Help us do what?" said the old woman.

  "You don't have to stay in this place," said Maria. "If you do, you and your children and your grandchildren's children won't ever be allowed to leave."

  The old woman—and half a dozen other older members of the tribe—glanced at the Cure. Not in a particula
rly friendly way.

  "What's this all about?" said the old woman to the Cure, still in Portuguese. "You've got a spirit arguing for you now?"

  He replied in their own language. To Maria he sounded sulky.

  "Do you understand why you're here? " said Maria. "These people …" She gestured at the looming buildings. "They want your blood, your…"Genes might mean souls to them. "You have a—a talent to cure diseases," said Maria. "That's why they want your blood."

  Guarded eyes stared back from around the fire.

  The old woman nodded. "What's so bad about that?"

  "You won't ever be able to go back home," said Maria.

  The old woman snorted. "At home they were trying to shoot us." She spat into the fire. "We're afraid to go back there."

  "But here we're animals." The Cure pushed himself to his feet. "We're prisoners!"

  "We've had this discussion," said the old woman sharply and turned to Maria. "We made a decision months ago. We said he didn't have to stay if he didn't want to, but he stayed anyway, and now he's bringing in spirits to make an argument that no one else agrees with. We're safer right here than we've been for years. No one's shooting at us. So we have to wear their ugly jewelry." She touched the ruby sampler in her ear. "So we lose a little blood now and then. It's just a scratch."

  "But you're in a cage," said Maria.

  "I don't like that part," said the old woman. "But you have to admit, it's a big cage, and mostly it keeps the bandits and murderers out."