Complete Works of Rudyard Kipling (Illustrated)

by Rudyard Kipling

  Men I dismiss to the Mercy greet me not willingly; Crying, ‘Why seekest Thou me first? Are not my kin unslain?’ Shrinking aside from the Sword-edge, blinking the glare of it. Sinking the chin in the neck-bone. How shall that profit them? Yet, among men a ten thousand, few meet me otherwise.

  Yet, among women a thousand, one comes to me mistress-wise. Arms open, breasts open, mouth open — hot is her need on her. Crying, ‘Ho Servant, acquit me, the bound by Love’s promises! Haste Thou! He waits! I would go! Handle me lustily!’ Lo! her eyes stare past my wings, as things unbeheld by her. Lo! her lips summonsing part. I am not whom she calls. Lo! My sword sinks and returns. At no time she heedeth it More than the dust of a journey, her garments brushed clear of it. Lo! Ere the blood-rush has ceased, forward her soul rushes. She is away to her tryst. Who is her pandar? Death!

  TALES OF INDIA: THE WINDERMERE SERIES

  This collection of previously published tales was first published in 1935.

  CONTENTS

  THE STORY OF MUHAMMAD DIN.

  THE HOUSE OF SUDDHOO

  WITHOUT BENEFIT OF CLERGY

  ON GREENHOW HILL

  ‘THE FINEST STORY IN THE WORLD’

  THE MIRACLE OF PURUN BHAGAT

  THE BRIDGE-BUILDERS

  THE CAT THAT WALKED BY HIMSELF

  “THEY”

  THE HOUSE SURGEON

  THE TREE OF JUSTICE

  FRIENDLY BROOK

  MARY POSTGATE

  THE BULL THAT THOUGHT

  THE WISH HOUSE

  THE GARDENER

  THE STORY OF MUHAMMAD DIN.

  “Who is the happy man? He that sees in his own house at home little

  children crowned with dust, leaping and falling and crying.”

  Munichandra, translated by Professor Peterson.

  The polo-ball was an old one, scarred, chipped, and dinted. It stood on the mantelpiece among the pipe-stems which Imam Din, khitmatgar, was cleaning for me.

  “Does the Heaven-born want this ball?” said Imam Din, deferentially.

  The Heaven-born set no particular store by it; but of what use was a polo-ball to a khitmatgar?

  “By Your Honor’s favor, I have a little son. He has seen this ball, and desires it to play with. I do not want it for myself.”

  No one would for an instant accuse portly old Imam Din of wanting to play with polo-balls. He carried out the battered thing into the verandah; and there followed a hurricane of joyful squeaks, a patter of small feet, and the thud-thud-thud of the ball rolling along the ground. Evidently the little son had been waiting outside the door to secure his treasure. But how had he managed to see that polo-ball?

  Next day, coming back from office half an hour earlier than usual, I was aware of a small figure in the dining-room — a tiny, plump figure in a ridiculously inadequate shirt which came, perhaps, half-way down the tubby stomach. It wandered round the room, thumb in mouth, crooning to itself as it took stock of the pictures. Undoubtedly this was the “little son.”

  He had no business in my room, of course; but was so deeply absorbed in his discoveries that he never noticed me in the doorway. I stepped into the room and startled him nearly into a fit. He sat down on the ground with a gasp. His eyes opened, and his mouth followed suit. I knew what was coming, and fled, followed by a long, dry howl which reached the servants’ quarters far more quickly than any command of mine had ever done. In ten seconds Imam Din was in the dining-room. Then despairing sobs arose, and I returned to find Imam Din admonishing the small sinner who was using most of his shirt as a handkerchief.

  “This boy,” said Imam Din, judicially, “is a budmash, a big budmash. He will, without doubt, go to the jail-khana for his behavior.” Renewed yells from the penitent, and an elaborate apology to myself from Imam Din.

  “Tell the baby,” said I, “that the Sahib is not angry, and take him away.” Imam Din conveyed my forgiveness to the offender, who had now gathered all his shirt round his neck, string-wise, and the yell subsided into a sob. The two set off for the door. “His name,” said Imam Din, as though the name were part of the crime, “is Muhammad Din, and he is a budmash.” Freed from present danger, Muhammad Din turned round, in his father’s arms, and said gravely: — ”It is true that my name is Muhammad Din, Tahib, but I am not a budmash. I am a MAN!”

  From that day dated my acquaintance with Muhammad Din. Never again did he come into my dining-room, but on the neutral ground of the compound, we greeted each other with much state, though our conversation was confined to “Talaam, Tahib” from his side and “Salaam Muhammad Din” from mine. Daily on my return from office, the little white shirt, and the fat little body used to rise from the shade of the creeper-covered trellis where they had been hid; and daily I checked my horse here, that my salutation might not be slurred over or given unseemly.

  Muhammad Din never had any companions. He used to trot about the compound, in and out of the castor-oil bushes, on mysterious errands of his own. One day I stumbled upon some of his handiwork far down the ground. He had half buried the polo-ball in dust, and stuck six shrivelled old marigold flowers in a circle round it. Outside that circle again, was a rude square, traced out in bits of red brick alternating with fragments of broken china; the whole bounded by a little bank of dust. The bhistie from the well-curb put in a plea for the small architect, saying that it was only the play of a baby and did not much disfigure my garden.

  Heaven knows that I had no intention of touching the child’s work then or later; but, that evening, a stroll through the garden brought me unawares full on it; so that I trampled, before I knew, marigold-heads, dust-bank, and fragments of broken soap-dish into confusion past all hope of mending. Next morning I came upon Muhammad Din crying softly to himself over the ruin I had wrought. Some one had cruelly told him that the Sahib was very angry with him for spoiling the garden, and had scattered his rubbish using bad language the while. Muhammad Din labored for an hour at effacing every trace of the dust-bank and pottery fragments, and it was with a tearful apologetic face that he said, “Talaam Tahib,” when I came home from the office. A hasty inquiry resulted in Imam Din informing Muhammad Din that by my singular favor he was permitted to disport himself as he pleased. Whereat the child took heart and fell to tracing the ground-plan of an edifice which was to eclipse the marigold-polo-ball creation.

  For some months, the chubby little eccentricity revolved in his humble orbit among the castor-oil bushes and in the dust; always fashioning magnificent palaces from stale flowers thrown away by the bearer, smooth water-worn pebbles, bits of broken glass, and feathers pulled, I fancy, from my fowls — always alone and always crooning to himself.

  A gayly-spotted sea-shell was dropped one day close to the last of his little buildings; and I looked that Muhammad Din should build something more than ordinarily splendid on the strength of it. Nor was I disappointed. He meditated for the better part of an hour, and his crooning rose to a jubilant song. Then he began tracing in dust. It would certainly be a wondrous palace, this one, for it was two yards long and a yard broad in ground-plan. But the palace was never completed.

  Next day there was no Muhammad Din at the head of the carriage-drive, and no “Talaam Tahib” to welcome my return. I had grown accustomed to the greeting, and its omission troubled me. Next day, Imam Din told me that the child was suffering slightly from fever and needed quinine. He got the medicine, and an English Doctor.

  “They have no stamina, these brats,” said the Doctor, as he left Imam Din’s quarters.

  A week later, though I would have given much to have avoided it, I met on the road to the Mussulman burying-ground Imam Din, accompanied by one other friend, carrying in his arms, wrapped in a white cloth, all that was left of little Muhammad Din.

  THE HOUSE OF SUDDHOO

  A stone’s throw out on either hand

  From that well-ordered road we tread,

  And all the world is wild and strange;

  Churel and ghoul and Djinn and spriter />
  Shall bear us company to-night,

  For we have reached the Oldest Land

  Wherein the Powers of Darkness range.

  From the Dusk to the Dawn.

  The house of Suddhoo, near the Taksali Gate, is two-storied, with four carved windows of old brown wood, and a flat roof. You may recognize it by five red hand-prints arranged like the Five of Diamonds on the whitewash between the upper windows. Bhagwan Dass, the bunnia, and a man who says he gets his living by seal-cutting, live in the lower story with a troop of wives, servants, friends, and retainers. The two upper rooms used to be occupied by Janoo and Azizun and a little black-and-tan terrier that was stolen from an Englishman’s house and given to Janoo by a soldier. To-day, only Janoo lives in the upper rooms. Suddhoo sleeps on the roof generally, except when he sleeps in the street. He used to go to Peshawar in the cold weather to visit his son, who sells curiosities near the Edwardes’ Gate, and then he slept under a real mud roof. Suddhoo is a great friend of mine, because his cousin had a son who secured, thanks to my recommendation, the post of head-messenger to a big firm in the Station. Suddhoo says that God will make me a Lieutenant-Governor one of these days. I daresay his prophecy will come true. He is very, very old, with white hair and no teeth worth showing, and he has outlived his wits — outlived nearly everything except his fondness for his son at Peshawar. Janoo and Azizun are Kashmiris, Ladies of the City, and theirs was an ancient and more or less honorable profession; but Azizun has since married a medical student from the North-West and has settled down to a most respectable life somewhere near Bareilly. Bhagwan Dass is an extortionate and an adulterator. He is very rich. The man who is supposed to get his living by seal-cutting pretends to be very poor. This lets you know as much as is necessary of the four principal tenants in the house of Suddhoo. Then there is Me, of course; but I am only the chorus that comes in at the end to explain things. So I do not count.

  Suddhoo was not clever. The man who pretended to cut seals was the cleverest of them all — Bhagwan Dass only knew how to lie — except Janoo. She was also beautiful, but that was her own affair.

  Suddhoo’s son at Peshawar was attacked by pleurisy, and old Suddhoo was troubled. The seal-cutter man heard of Suddhoo’s anxiety and made capital out of it. He was abreast of the times. He got a friend in Peshawar to telegraph daily accounts of the son’s health. And here the story begins.

  Suddhoo’s cousin’s son told me, one evening, that Suddhoo wanted to see me; that he was too old and feeble to come personally, and that I should be conferring an everlasting honor on the House of Suddhoo if I went to him. I went; but I think, seeing how well-off Suddhoo was then, that he might have sent something better than an ekka, which jolted fearfully, to haul out a future Lieutenant-Governor to the City on a muggy April evening. The ekka did not run quickly. It was full dark when we pulled up opposite the door of Ranjit Singh’s Tomb near the main gate of the Fort. Here was Suddhoo and he said that, by reason of my condescension, it was absolutely certain that I should become a Lieutenant-Governor while my hair was yet black. Then we talked about the weather and the state of my health, and the wheat crops, for fifteen minutes, in the Huzuri Bagh, under the stars.

  Suddhoo came to the point at last. He said that Janoo had told him that there was an order of the Sirkar against magic, because it was feared that magic might one day kill the Empress of India. I didn’t know anything about the state of the law; but I fancied that something interesting was going to happen. I said that so far from magic being discouraged by the Government it was highly commended. The greatest officials of the State practiced it themselves. (If the Financial Statement isn’t magic, I don’t know what is.) Then, to encourage him further, I said that, if there was any jadoo afoot, I had not the least objection to giving it my countenance and sanction, and to seeing that it was clean jadoo — white magic, as distinguished from the unclean jadoo which kills folk. It took a long time before Suddhoo admitted that this was just what he had asked me to come for. Then he told me, in jerks and quavers, that the man who said he cut seals was a sorcerer of the cleanest kind; that every day he gave Suddhoo news of the sick son in Peshawar more quickly than the lightning could fly, and that this news was always corroborated by the letters. Further, that he had told Suddhoo how a great danger was threatening his son, which could be removed by clean jadoo; and, of course, heavy payment. I began to see how the land lay, and told Suddhoo that I also understood a little jadoo in the Western line, and would go to his house to see that everything was done decently and in order. We set off together; and on the way Suddhoo told me he had paid the seal-cutter between one hundred and two hundred rupees already; and the jadoo of that night would cost two hundred more. Which was cheap, he said, considering the greatness of his son’s danger; but I do not think he meant it.

  The lights were all cloaked in the front of the house when we arrived. I could hear awful noises from behind the seal-cutter’s shop-front, as if some one were groaning his soul out. Suddhoo shook all over, and while we groped our way upstairs told me that the jadoo had begun. Janoo and Azizun met us at the stair-head, and told us that the jadoo-work was coming off in their rooms, because there was more space there. Janoo is a lady of a freethinking turn of mind. She whispered that the jadoo was an invention to get money out of Suddhoo, and that the seal-cutter would go to a hot place when he died. Suddhoo was nearly crying with fear and old age. He kept walking up and down the room in the half light, repeating his son’s name over and over again, and asking Azizun if the seal-cutter ought not to make a reduction in the case of his own landlord. Janoo pulled me over to the shadow in the recess of the carved bow-windows. The boards were up, and the rooms were only lit by one tiny lamp. There was no chance of my being seen if I stayed still.

  Presently, the groans below ceased, and we heard steps on the staircase. That was the seal-cutter. He stopped outside the door as the terrier barked and Azizun fumbled at the chain, and he told Suddhoo to blow out the lamp. This left the place in jet darkness, except for the red glow from the two huqas that belonged to Janoo and Azizun. The seal-cutter came in, and I heard Suddhoo throw himself down on the floor and groan. Azizun caught her breath, and Janoo backed to one of the beds with a shudder. There was a clink of something metallic, and then shot up a pale blue-green flame near the ground. The light was just enough to show Azizun, pressed against one corner of the room with the terrier between her knees; Janoo, with her hands clasped, leaning forward as she sat on the bed; Suddhoo, face down, quivering, and the seal-cutter.

  I hope I may never see another man like that seal-cutter. He was stripped to the waist, with a wreath of white jasmine as thick as my wrist round his forehead, a salmon-colored loin-cloth round his middle, and a steel bangle on each ankle. This was not awe-inspiring. It was the face of the man that turned me cold. It was blue-gray in the first place. In the second, the eyes were rolled back till you could only see the whites of them; and, in the third, the face was the face of a demon — a ghoul — anything you please except of the sleek, oily old ruffian who sat in the day-time over his turning-lathe downstairs. He was lying on his stomach, with his arms turned and crossed behind him, as if he had been thrown down pinioned. His head and neck were the only parts of him off the floor. They were nearly at right angles to the body, like the head of a cobra at spring. It was ghastly. In the centre of the room, on the bare earth floor, stood a big, deep, brass basin, with a pale blue-green light floating in the centre like a night-light. Round that basin the man on the floor wriggled himself three times. How he did it I do not know. I could see the muscles ripple along his spine and fall smooth again; but I could not see any other motion. The head seemed the only thing alive about him, except that slow curl and uncurl of the laboring back-muscles. Janoo from the bed was breathing seventy to the minute; Azizun held her hands before her eyes; and old Suddhoo, fingering at the dirt that had got into his white beard, was crying to himself. The horror of it was that the creeping, crawly thing made no sound — on
ly crawled! And, remember, this lasted for ten minutes, while the terrier whined, and Azizun shuddered, and Janoo gasped, and Suddhoo cried.

  I felt the hair lift at the back of my head, and my heart thump like a thermantidote paddle. Luckily, the seal-cutter betrayed himself by his most impressive trick and made me calm again. After he had finished that unspeakable triple crawl, he stretched his head away from the floor as high as he could, and sent out a jet of fire from his nostrils. Now, I knew how fire-spouting is done — I can do it myself — so I felt at ease. The business was a fraud. If he had only kept to that crawl without trying to raise the effect, goodness knows what I might not have thought. Both the girls shrieked at the jet of fire and the head dropped, chin down, on the floor with a thud; the whole body lying then like a corpse with its arms trussed. There was a pause of five full minutes after this, and the blue-green flame died down. Janoo stooped to settle one of her anklets, while Azizun turned her face to the wall and took the terrier in her arms. Suddhoo put out an arm mechanically to Janoo’s huqa, and she slid it across the floor with her foot. Directly above the body and on the wall, were a couple of flaming portraits, in stamped paper frames, of the Queen and the Prince of Wales. They looked down on the performance, and, to my thinking, seemed to heighten the grotesqueness of it all.