Complete Works of Rudyard Kipling (Illustrated)

by Rudyard Kipling

  From the Rutton Daulat the warden unlocked doors that led into a hall of audience — the Chutter Mahal — built by Raja Chutter Lal, who was killed more than two hundred years ago in the latter days of Shah Jehan for whom he fought. Two rooms, each supported on double rows of pillars, flank the open space, in the centre of which is a marble reservoir. Here the Englishman looked anxiously for some of the atrocities of the West, and was pleased to find that, with the exception of a vase of artificial flowers and a clock, there was nothing that jarred with the exquisite pillars, and the raw blaze of colour in the roofs of the rooms. In the middle of these impertinent observations, something sighed — sighed like a distressed ghost. Unaccountable voices are at all times unpleasant, especially when the hearer is some hundred feet or so above ground in an unknown Palace in an unknown land. A gust of wind had found its way through one of the latticed balconies, and had breathed upon a thin plate of metal, some astrological instrument, slung gongwise on a tripod. The tone was as soft as that of an Æolian harp, and, because of the surroundings, infinitely more plaintive.

  There was an inlaid ivory door, set in lintel and posts crusted with looking-glass — all apparently old work. This opened into a darkened room where there were gilt and silver charpoys, and portraits, in the native fashion, of the illustrious dead of Boondi. Beyond the darkness was a balcony clinging to the sheer side of the Palace, and it was then that the Englishman realised to what a height he had climbed without knowing it. He looked down upon the bustle of the Treasury and the stream of life flowing into and out of the Gate of the Fishes where the big drums lie. Lifting his eyes, he saw how Boondi City had built itself, spreading from west to east as the confined valley became too narrow and the years more peaceable. The Boondi hills are the barrier that separates the stony, uneven ground near Deoli from the flats of Kotah, twenty miles away. From the Palace balcony the road to the eye is clear to the banks of the Chumbul River, which was the Debatable Ford in times gone by and was leaped, as all rivers with any pretensions to a pedigree have been, by more than one magic horse. Northward and easterly the hills run out to Indurgarh, and southward and westerly to territory marked “disputed” on the map in the present year of grace. From this balcony the Raja can see to the limit of his territory eastward, his empire all under his hand. He is, or the Politicals err, that same Ram Singh who was installed by Tod in 1821, and for whose success in killing his first deer, Tod was, by the Queen-Mother of Boondi, bidden to rejoice. To-day the people of Boondi say: “This Durbar is very old; so old that few men remember its beginning, for that was in our father’s time.” It is related also of Boondi that, on the occasion of the Queen’s Jubilee, they said proudly that their ruler had reigned for sixty years, and he was a man. They saw nothing astonishing in the fact of a woman having reigned for fifty. History does not say whether they jubilated; for there are no Englishmen in Boondi to write accounts of demonstrations and foundation-stone laying to the daily newspaper, and Boondi is very, very small. In the early morning you may see a man pantingly chased out of the city by another man with a naked sword. This is the mail and the mail-guard; and the effect is as though runner and swordsman lay under a doom — the one to fly with the fear of death always before him, as men fly in dreams, and the other to perpetually fail of his revenge.

  The warden unlocked more doors and led the Englishman still higher, but into a garden — a heavily timbered garden with a tank for gold fish in the midst. For once the impassive following smiled when they saw that the Englishman was impressed.

  “This,” said they, “is the Rang Bilas.” “But who made it?” “Who knows? It was made long ago.” The Englishman looked over the garden-wall, a foot-high parapet, and shuddered. There was only the flat side of the Palace, and a drop on to the stones of the zigzag scores of feet below. Above him was the riven hillside and the decaying wall of Taragarh, and behind him this fair garden, hung like Mahomet’s coffin, but full of the noise of birds and the talking of the wind in the branches. The warden entered into a lengthy explanation of the nature of the delusion, showing how — but he was stopped before he was finished. His listener did not want to know “how the trick was done.” Here was the garden, and there were three or four storeys climbed to reach it. At one end of the garden was a small room, under treatment by native artists who were painting the panels with historical pictures, in distemper. Theirs was florid polychromatic art, but skirting the floor was a series of frescoes in red, black, and white, of combats with elephants, bold and temperate as good German work. They were worn and defaced in places; but the hand of some bygone limner, who did not know how to waste a line, showed under the bruises and scratches, and put the newer work to shame.

  Here the tour of the Palace ended; and it must be remembered that the Englishman had not gone the depth of three rooms into one flank. Acres of building lay to the right of him, and above the lines of the terraces he could see the tops of green trees. “Who knew how many gardens, such as the Rang Bilas, were to be found in the Palace?” No one answered directly, but all said that there were many. The warden gathered up his keys, and, locking each door behind him as he passed, led the way down to earth. But before he had crossed the garden the Englishman heard, deep down in the bowels of the Palace, a woman’s voice singing, and the voice rang as do voices in caves. All Palaces in India excepting dead ones, such as that of Amber, are full of eyes. In some, as has been said, the idea of being watched is stronger than in others. In Boondi Palace it was overpowering — being far worse than in the green shuttered corridors of Jodhpur. There were trap-doors on the tops of terraces, and windows veiled in foliage, and bull’s-eyes set low in unexpected walls, and many other peep-holes and places of vantage. In the end, the Englishman looked devoutly at the floor, but when the voice of the woman came up from under his feet, he felt that there was nothing left for him but to go. Yet, excepting only this voice, there was deep silence everywhere, and nothing could be seen.

  The warden returned to the Chutter Mahal to pick up a lost key. The brass table of the planets was sighing softly to itself as it swung to and fro in the wind. That was the last view of the interior of the Palace, the empty court, and the swinging, sighing astrolabe.

  About two hours afterwards, when he had reached the other side of the valley and seen the full extent of the buildings, the Englishman began to realise first that he had not been taken through one-tenth of the Palace; and secondly, that he would do well to measure its extent by acres, in preference to meaner measures. But what made him blush hotly, all alone among the tombs on the hillside, was the idea that he with his ridiculous demands for eggs, firewood, and sweet drinking water should have clattered and chattered through any part of it at all.

  He began to understand why Boondi does not encourage Englishmen.

  XVIII

  OF THE UNCIVILISED NIGHT AND THE DEPARTURE TO THINGS CIVILISED. SHOWING HOW A FRIEND MAY KEEP AN APPOINTMENT TOO WELL.

  “Let us go hence my songs, she will not hear. Let us go hence together without fear.” But Ram Baksh the irrepressible sang it in altogether a baser key. He came by night to the pavilion on the lake, while the sepoys were cooking their fish, and reiterated his whine about the devildom of the country into which the Englishman had dragged him. Padre Martum Sahib would never have thus treated the owner of sixteen horses, all fast and big ones, and eight superior “shutin-tongas.” “Let us get away,” said Ram Baksh. “You are not here for shikar, and the water is very bad.” It was indeed, except when taken from the lake, and then it only tasted fishy. “We will go, Ram Baksh,” said the Englishman. “We will go in the very early morning, and in the meantime here is fish to stay your stomach with.”

  When a transparent piece of canvas, which fails by three feet to reach ceiling or floor, is the only bar between the East and the West, he would be a churl indeed who stood upon invidious race distinctions. The Englishman went out and fraternised with the Military — the four-rupee soldiers of Boondi who guarded him. They were armed, o
ne with an old Tower musket crazy as to nipple and hammer, one with a native-made smooth-bore, and one with a composite contrivance — English sporting muzzle-loader stock with a compartment for a jointed cleaning-rod, and hammered octagonal native barrel, wire-fastened, a tuft of cotton on the foresight. All three guns were loaded, and the owners were very proud of them. They were simple folk, these men-at-arms, with an inordinate appetite for broiled fish. They were not always soldiers they explained. They cultivated their crops until called for any duty that might turn up. They were paid now and again, at intervals, but they were paid in coin and not in kind.

  The munshis and the vakils and the runners had departed after seeing that the Englishman was safe for the night, so the freedom of the little gathering on the bund was unrestrained. The chowkidar came out of his cave into the firelight. He took a fish and incontinently choked, for he was a feeble old man. Set right again, he launched into a very long and quite unintelligible story while the sepoys said reverently: “He is an old man and remembers many things.” As he babbled, the night shut in upon the lake and the valley of Boondi. The last cows were driven into the water for their evening drink, the waterfowl and the monkeys went to bed, and the stars came out and made a new firmament in the untroubled bosom of the lake. The light of the fire showed the ruled lines of the bund springing out of the soft darkness of the wooded hill on the left and disappearing into the solid darkness of a bare hill on the right. Below the bund a man cried aloud to keep wandering pigs from the gardens whose tree-tops rose to a level with the bund-edge. Beyond the trees all was swaddled in gloom. When the gentle buzz of the unseen city died out, it seemed as though the bund were the very Swordwide Bridge that runs, as every one knows, between this world and the next. The water lapped and muttered, and now and again a fish jumped, with the shatter of broken glass, blurring the peace of the reflected heavens.

  “And duller should I be than some fat weed That rolls itself at ease on Lethe’s wharf.”

  The poet who wrote those lines knew nothing whatever of Lethe’s wharf. The Englishman had found it, and it seemed to him, at that hour and in that place, that it would be good and desirable never to return to the Commissioners and the Deputy Commissioners any more, but to lie at ease on the warm sunlit bund by day, and, at night, near a shadow-breeding fire, to listen for the strangled voices and whispers of the darkness in the hills. Thus after as long a life as the chowkidar’s, dying easily and pleasantly, and being buried in a red tomb on the borders of the lake. Surely no one would come to reclaim him, across those weary, weary miles of rock-strewn road.... “And this,” said the chowkidar, raising his voice to enforce attention, “is true talk. Everybody knows it, and now the Sahib knows it. I am an old man.” He fell asleep at once, with his head on the clay pipe that was doing duty for a whole huqa among the company. He had been talking for nearly a quarter of an hour.

  See how great a man is the true novelist! Six or seven thousand miles away, Walter Besant of the Golden Pen had created Mr. Maliphant — the ancient of figure-heads in the All Sorts and Conditions of Men, and here, in Boondi, the Englishman had found Mr. Maliphant in the withered flesh. So he drank Walter Besant’s health in the water of the Burra Talao. One of the sepoys turned himself round, with a clatter of accoutrements, shifted his blanket under his elbow, and told a tale. It had something to do with his khet, and a gunna which certainly was not sugar-cane. It was elusive. At times it seemed that it was a woman, then changed to a right of way, and lastly appeared to be a tax; but the more he attempted to get at its meaning through the curious patois in which its doings or its merits were enveloped, the more dazed the Englishman became. None the less the story was a fine one, embellished with much dramatic gesture which told powerfully against the firelight. Then the second sepoy, who had been enjoying the pipe all the time, told a tale, the purport of which was that the dead in the tombs round the lake were wont to get up of nights and go hunting. This was a fine and ghostly story; and its dismal effect was much heightened by some clamour of the night far up the lake beyond the floor of stars.

  The third sepoy said nothing. He had eaten too much fish and was fast asleep by the side of the chowkidar.

  They were all Mahometans, and consequently all easy to deal with. A Hindu is an excellent person, but ... but ... there is no knowing what is in his heart, and he is hedged about with so many strange observances.

  This Hindu or Musalman bent, which each Englishman’s mind must take before he has been three years in the country, is, of course, influenced by Province or Presidency. In Rajputana generally, the Political swears by the Hindu, and holds that the Mahometan is untrustworthy. But a man who will eat with you and take your tobacco, sinking the fiction that it has been doctored with infidel wines, cannot be very bad after all.

  That night when the tales were all told and the guard, bless them, were snoring peaceably in the starlight, a man came stealthily into the enclosure of canvas and woke the Englishman, muttering “Sahib, Sahib,” in his ear. It was no robber but some poor devil with a petition — a grimy, welted paper. He was absolutely unintelligible, and stammered almost to dumbness. He stood by the bed, alternately bowing to the earth and standing erect, his arms spread aloft, and his whole body working as he tried to force out some rebellious word in a key that should not wake the men without. What could the Englishman do? He was no Government servant, and had no concern with petitions. The man clicked and choked and gasped in his desperate desire to make the Sahib understand. But it was no use; and in the end he departed as he had come-bowed, abject, and unintelligible.

  Let every word written against Ganesh be rescinded. It was by his ordering that the Englishman saw such a dawn on the Burra Talao as he had never before set eyes on. Every fair morning is a reprint, blurred perhaps, of the First Day; but this splendour was a thing to be put aside from all other days and remembered. The stars had no fire in them and the fish had stopped jumping, when the black water of the lake paled and grew grey. While he watched it seemed to the Englishman that voices on the hills were intoning the first verses of Genesis. The grey light moved on the face of the waters till, with no interval, a blood-red glare shot up from the horizon and, inky black against the intense red, a giant crane floated out towards the sun. In the still-shadowed city the great Palace Drum boomed and throbbed to show that the gates were open, while the dawn swept up the valley and made all things clear. The blind man who said, “The blast of a trumpet is red,” spoke only the truth. The breaking of the red dawn is like the blast of a trumpet.

  “What,” said the chowkidar, picking the ashes of the overnight fire out of his beard, “what, I say, are five eggs or twelve eggs to such a Raj as ours? What also are fowls — what are” ... “There was no talk of fowls. Where is the fowl-man from whom you got the eggs?” “He is here. No, he is there. I do not know. I am an old man, and I and the Raj supply everything without price. The fowl-man will be paid by the State — liberally paid. Let the Sahib be happy. Wah. Wah.”

  Experience of forced labour in Himalayan villages had made the Englishman very tender in raising supplies that were given gratis; but the fowl-man could not be found, and the value of his wares was, later, paid to Ganesh — Ganesh of Situr, for that is the name of the village full of priests, through which the Englishman had passed in ignorance two days before. A double handful of sweet smelling flowers made the receipt.

  Boondi was wide-awake before half-past seven in the morning. Her hunters, on foot and on horse, were filing towards the Deoli Gate. They would hunt tiger and deer they said, even with matchlocks and muzzle loaders as uncouth as those the Sahib saw. They were a merry company and chaffed the Quarter-Guard at the gate unmercifully when a bullock-cart, laden with the cases of the “Batoum Naphtha and Oil Company” blocked the road. One of them had been a soldier of the Queen, and, excited by the appearance of a Sahib, did so rebuke and badger the Quarter-Guard for their slovenliness that they threatened to come out of the barracks and destroy him.

  So,
after one last look at the Palace high up the hillside, the Englishman was borne away along the Deoli Road. The peculiarity of Boondi is the peculiarity of the covered pitfall. One does not see it till one falls into it. A quarter of a mile from the gate, town and Palace were invisible. But the Englishman was grieved at heart. He had fallen in love with Boondi the beautiful, and believed that he would never again see anything half so fair. The utter untouchedness of the town was one-half the charm and its association the other. Read Tod, who is far too good to be chipped or sampled; read Tod luxuriously on the bund of the Burra Talao, and the spirit of the place will enter into you and you will be happy.