“But what will your God say?” asked the Jesuit, scandalised at the levity.
“Oh! he knows everything. He knows that we forget, and can’t attend, and do it all wrong, but He is very wise and very strong,” was the reply.
“Well, that doesn’t excuse you.”
“Of course it does. He just lies back and laughs,” said the Good People of Somewhere Else, and fell to pelting each other with blossoms.
I forget what is the precise bearing of this anecdote. But to return to the temple. Hidden away behind a mass of variegated gorgeousness was a row of very familiar figures with gold crowns on their heads. One does not expect to meet Krishna the Butter Thief and Kali the husband beater so far east as Japan.
“What are these?”
“They are other gods,” said a young priest, who giggled deprecatingly at his own creed every time he was questioned about it. “They are very old. They came from India in the past. I think they are Indian gods, but I do not know why they are here.”
I hate a man who is ashamed of his faith. There was a story connected with those gods, and the priest would not tell it to me. So I sniffed at him scornfully, and went my way. It led me from the temple straight into the monastery, which was all made of delicate screens, polished floors, and brown wood ceilings. Except for my tread on the boards there was no sound in the place till I heard some one breathing heavily behind a screen. The priest slid back what had appeared to me a dead wall, and we found a very old priest half-asleep over his charcoal handwarmer. This was the picture. The priest in olive-green, his bald head, pure silver, bowed down before a sliding screen of white oiled paper which let in dull silver light. To his right a battered black lacquer stand containing the Indian ink and brushes with which he feigned to work. To the right of these, again, a pale yellow bamboo table holding a vase of olive-green crackle, and a sprig of almost black pine. There were no blossoms in this place. The priest was too old. Behind the sombre picture stood a gorgeous little Buddhist shrine, — gold and vermilion.
“He makes a fresh picture for the little screen here every day,” said the young priest, pointing first to his senior, and then to a blank little tablet on the wall. The old man laughed pitifully, rubbed his head, and handed me his picture for the day. It represented a flood over rocky ground; two men in a boat were helping two others on a tree half-submerged by the water. Even I could tell that the power had gone from him. He must have drawn well in his manhood, for one figure in the boat had action and purpose as it leaned over the gunwale; but the rest was blurred, and the lines had wandered astray as the poor old hand had quavered across the paper. I had no time to wish the artist a pleasant old age, and an easy death in the great peace that surrounded him, before the young man drew me away to the back of the shrine, and showed me a second smaller altar facing shelves on shelves of little gold and lacquer tablets covered with Japanese characters.
“These are memorial tablets of the dead,” he giggled. “Once and again the priest he prays here — for those who are dead, you understand?”
“Perfectly. They call ‘em masses where I come from. I want to go away and think about things. You shouldn’t laugh, though, when you show off your creed.”
“Ha, ha!” said the young priest, and I ran away down the dark polished passages with the faded screens on either hand, and got into the main courtyard facing the street, while the Professor was trying to catch temple fronts with his camera.
A procession passed, four abreast tramping through the sloshy mud. They did not laugh, which was strange, till I saw and heard a company of women in white walking in front of a little wooden palanquin carried on the shoulders of four bearers and suspiciously light. They sang a song, half under their breaths — a wailing, moaning song that I had only heard once before, from the lips of a native far away in the north of India, who had been clawed past hope of cure by a bear, and was singing his own death-song as his friends bore him along.
“Have makee die,” said my ‘rickshaw coolie. “Few-yu-ne-ral.”
I was aware of the fact. Men, women, and little children poured along the streets, and when the death-song died down, helped it forward. The half-mourners wore only pieces of white cloth about their shoulders. The immediate relatives of the dead were in white from head to foot. “Aho! Ahaa! Aho!” they wailed very softly, for fear of breaking the cadence of the falling rain, and they disappeared. All except one old woman, who could not keep pace with the procession, and so came along alone, crooning softly to herself. “Aho! Ahaa! Aho!” she whispered.
The little children in the courtyard were clustered round the Professor’s camera. But one child had a very bad skin disease on his innocent head, — so bad that none of the others would play with him, — and he stood in a corner and sobbed and sobbed as though his heart would break. Poor little Gehazi!
No. XIV
EXPLAINS IN WHAT MANNER I WAS TAKEN TO VENICE IN THE RAIN, AND CLIMBED INTO A DEVIL FORT; A TIN-POT EXHIBITION, AND A BATH. OF THE MAIDEN AND THE BOLTLESS DOOR, THE CULTIVATOR AND HIS FIELDS, AND THE MANUFACTURE OF ETHNOLOGICAL THEORIES AT RAILROAD SPEED. ENDS WITH KIOTO.
“There’s a deal o’ fine confused feedin’ about sheep’s head.”
— Christopher North.
“Come along to Osaka,” said the Professor.
“Why? I’m quite comfy here, and we shall have lobster cutlets for tiffin; and, anyhow, it is raining heavily, and we shall get wet.”
Sorely against my will — for it was in my mind to fudge Japan from a guide-book while I enjoyed the cookery of the Oriental at Kobé — I was dragged into a ‘rickshaw and the rain, and conveyed to a railway station. Even the Japanese cannot make their railway stations lovely, though they do their best. Their system of baggage-booking is borrowed from the Americans; their narrow-gauge lines, locos, and rolling stock are English; their passenger-traffic is regulated with the precision of the Gaul, and the uniforms of their officials come from the nearest ragbag. The passengers themselves were altogether delightful. A large number of them were modified Europeans, and resembled nothing more than Tenniel’s picture of the White Rabbit on the first page of Alice in Wonderland. They were dressed in neat little tweed suits with fawn-coloured overcoats, and they carried ladies’ reticules of black leather and nickel platings. They wore paper and celluloid stuck-up collars which must have been quite thirteen inches round the neck, and their boots were number fours. On their hands — their wee-wee hands — they had white cotton gloves, and they smoked cigarettes from fairy little cigarette cases. That was young Japan — the Japan of the present day.
“Wah, wah, God is great,” said the Professor. “But it isn’t in human nature for a man who sprawls about on soft mats by instinct to wear Europe clothes as though they belonged to him. If you notice, the last thing that they take to is shoes.”
A lapis-lazuli coloured locomotive which, by accident, had a mixed train attached to it happened to loaf up to the platform just then, and we entered a first-class English compartment. There was no stupid double roof, window shade, or abortive thermantidote. It was a London and South-Western carriage. Osaka is about eighteen miles from Kobé, and stands at the head of the bay of Osaka. The train is allowed to go as fast as fifteen miles an hour and to play at the stations all along the line. You must know that the line runs between the hills and the shore, and the drainage-fall is a great deal steeper than anything we have between Saharunpur and Umballa. The rivers and the hill torrents come down straight from the hills on raised beds of their own formation, which beds again have to be bunded and spanned with girder bridges or — here, perhaps, I may be wrong — tunnelled.
The stations are black-tiled, red-walled, and concrete-floored, and all the plant from signal levers to goods-truck is English. The official colour of the bridges is a yellow-brown most like unto a faded chrysanthemum. The uniform of the ticket-collectors is a peaked forage cap with gold lines, black frock-coat with brass buttons, very long in the skirt, trousers with black mohair braid, and butt
oned kid boots. You cannot be rude to a man in such raiment.
But the countryside was the thing that made us open our eyes. Imagine a land of rich black soil, very heavily manured, and worked by the spade and hoe almost exclusively, and if you split your field (of vision) into half-acre plots, you will get a notion of the raw material the cultivator works on. But all I can write will give you no notion of the wantonness of neatness visible in the fields, of the elaborate system of irrigation, and the mathematical precision of the planting. There was no mixing of crops, no waste of boundary in footpath, and no difference of value in the land. The water stood everywhere within ten feet of the surface, as the well-sweeps attested. On the slopes of the foot-hills each drop between the levels was neatly riveted with unmortared stones, and the edges of the watercuts were faced in like manner. The young rice was transplanted very much as draughts are laid on the board; the tea might have been cropped garden box; and between the lines of the mustard the water lay in the drills as in a wooden trough, while the purple of the beans ran up to the mustard and stopped as though cut with a rule.
On the seaboard we saw an almost continuous line of towns variegated with factory chimneys; inland, the crazy-quilt of green, dark-green and gold. Even in the rain the view was lovely, and exactly as Japanese pictures had led me to hope for. Only one drawback occurred to the Professor and myself at the same time. Crops don’t grow to the full limit of the seed on heavily worked ground dotted with villages except at a price.
“Cholera?” said I, watching a stretch of well-sweeps.
“Cholera,” said the Professor. “Must be, y’know. It’s all sewage irrigation.”
I felt that I was friends with the cultivators at once. These broad-hatted, blue-clad gentlemen who tilled their fields by hand — except when they borrowed the village buffalo to drive the share through the rice-slough — knew what the scourge meant.
“How much do you think the Government takes in revenue from vegetable gardens of that kind?” I demanded.
“Bosh,” said he, quietly, “you aren’t going to describe the land-tenure of Japan. Look at the yellow of the mustard!”
It lay in sheets round the line. It ran up the hills to the dark pines. It rioted over the brown sandbars of the swollen rivers, and faded away by mile after mile to the shores of the leaden sea. The high-peaked houses of brown thatch stood knee-deep in it, and it surged up to the factory chimneys of Osaka.
“Great place, Osaka,” said the guide. “All sorts of manufactures there.”
Osaka is built into and over and among one thousand eight hundred and ninety-four canals, rivers, dams, and watercuts. What the multitudinous chimneys mean I cannot tell. They have something to do with rice and cotton; but it is not good that the Japs should indulge in trade, and I will not call Osaka a “great commercial entrepot.” “People who live in paper houses should never sell goods,” as the proverb says.
Because of his many wants there is but one hotel for the Englishman in Osaka, and they call it Juter’s. Here the views of two civilisations collide and the result is awful. The building is altogether Japanese; wood and tile and sliding screen from top to bottom; but the fitments are mixed. My room, for instance, held a tokonoma, made of the polished black stem of a palm and delicate woodwork, framing a scroll picture representing storks. But on the floor over the white mats lay a Brussels carpet that made the indignant toes tingle. From the back verandah one overhung the river which ran straight as an arrow between two lines of houses. They have cabinet-makers in Japan to fit the rivers to the towns. From my verandah I could see three bridges — one a hideous lattice-girder arrangement — and part of a fourth. We were on an island and owned a watergate if we wanted to take a boat.
Apropos of water, be pleased to listen to a Shocking Story. It is written in all the books that the Japanese though cleanly are somewhat casual in their customs. They bathe often with nothing on and together. This notion my experience of the country, gathered in the seclusion of the Oriental at Kobé, made me scoff at. I demanded a tub at Juter’s. The infinitesimal man led me down verandahs and upstairs to a beautiful bath-house full of hot and cold water and fitted with cabinet-work, somewhere in a lonely out-gallery. There was naturally no bolt to the door any more than there would be a bolt to a dining-room. Had I been sheltered by the walls of a big Europe bath, I should not have cared, but I was preparing to wash when a pretty maiden opened the door, and indicated that she also would tub in the deep, sunken Japanese bath at my side. When one is dressed only in one’s virtue and a pair of spectacles it is difficult to shut the door in the face of a girl. She gathered that I was not happy, and withdrew giggling, while I thanked heaven, blushing profusely the while, that I had been brought up in a society which unfits a man to bathe à deux. Even an experience of the Paddington Swimming Baths would have helped me; but coming straight from India Lady Godiva was a ballet-girl in sentiment compared to this Actæon.
It rained monsoonishly, and the Professor discovered a castle which he needs must see. “It’s Osaka Castle,” he said, “and it has been fought over for hundreds of years. Come along.”
“I’ve seen castles in India. Raighur, Jodhpur — all sorts of places. Let’s have some more boiled salmon. It’s good in this station.”
“Pig,” said the Professor.
We threaded our way over the four thousand and fifty-two canals, etc., where the little children played with the swiftly running water, and never a mother said “don’t,” till our ‘rickshaw stopped outside a fort ditch thirty feet deep, and faced with gigantic granite slabs. On the far side uprose the walls of a fort. But such a fort! Fifty feet was the height of the wall, and never a pinch of mortar in the whole. Nor was the face perpendicular, but curved like the ram of a man-of-war. They know the curve in China, and I have seen French artists, introduce it into books describing a devil-besieged city of Tartary. Possibly everybody else knows it too, but that is not my affair; life as I have said being altogether new to me. The stone was granite, and the men of old time had used it like mud. The dressed blocks that made the profile of the angles were from twenty feet long, ten or twelve feet high, and as many in thickness. There was no attempt at binding, but there was no fault in the jointing.
“And the little Japs built this!” I cried, awe-stricken at the quarries that rose round me.
“Cyclopean masonry,” grunted the Professor, punching with a stick a monolith of seventeen feet cube. “Not only did they build it, but they took it. Look at this. Fire!”
The stones had been split and bronzed in places, and the cleavage was the cleavage of fire. Evil must it have been for the armies that led the assault on these monstrous walls. Castles in India I know, and the forts of great Emperors I had seen, but neither Akbar in the north, nor Scindia in the south, had built after this fashion — without ornament, without colour, but with a single eye to savage strength and the utmost purity of line. Perhaps the fort would have looked less forbidding in sunlight. The grey, rain-laden atmosphere through which I saw it suited its spirit. The barracks of the garrison, the commandant’s very dainty house, a peach-garden, and two deer were foreign to the place. They should have peopled it with giants from the mountains, instead of — Gurkhas! A Jap infantryman is not a Gurkha, though he might be mistaken for one as long as he stood still. The sentry at the quarter-guard belonged, I fancy, to the 4th Regiment. His uniform was black or blue, with red facings, and shoulder-straps carrying the number of the regiment in cloth. The rain necessitated an overcoat, but why he should have carried knapsack, blanket, boots, and binoculars I could not fathom. The knapsack was of cowskin with the hair on, the boots were strapped soles, cut on each side, while a heavy country blanket was rolled U-shape over the head of the knapsack, fitting close to the back. In the place usually occupied by the mess-tin was a black leather case shaped like a field-glass. This must be a mistake of mine, but I can only record as I see. The rifle was a side-bolt weapon of some kind, and the bayonet an uncommonly good sword one, locked
to the muzzle, English fashion. The ammunition pouches, as far as I could see under the greatcoat, ran on the belt in front, and were double-strapped down. White spatterdashes — very dirty — and peaked cap completed the outfit. I surveyed the man with interest, and would have made further examination of him but for fear of the big bayonet. His arms were well kept, — not speckless by any means, — but his uniform would have made an English colonel swear. There was no portion of his body except the neck that it pretended to fit. I peeped into the quarter-guard. Fans and dainty tea-sets do not go with one’s notions of a barrack. One drunken defaulter of certain far-away regiments that I could name would not only have cleared out that quarter-guard, but brought away all its fittings except the rifle-racks. Yet the little men, who were always gentle, and never got drunk, were mounting guard over a pile that, with a blue fire on the bastions, might have served for the guard-gates of Hell.
I climbed to the top of the fort and was rewarded by a view of thirty miles of country, chiefly pale yellow mustard and blue-green pine, and the sight of the very large city of Osaka fading away into mist. The guide took most pleasure in the factory chimneys. “There is an exposition here — an exposition of industrialities. Come and see,” said he. He took us down from that high place and showed us the glory of the land in the shape of corkscrews, tin mugs, egg-whisks, dippers, silks, buttons, and all the trumpery that can be stitched on a card and sold for five-pence three farthings. The Japanese unfortunately make all these things for themselves, and are proud of it. They have nothing to learn from the West as far as finish is concerned, and by intuition know how to case and mount wares tastefully. The exposition was in four large sheds running round a central building which held only screens, pottery, and cabinet-ware loaned for the occasion. I rejoiced to see that the common people did not care for the penknives, and the pencils, and the mock jewellery. They left those sheds alone and discussed the screens, first taking off their clogs that the inlaid floor of the room might not suffer. Of all the gracious things I beheld, two only remain in my memory, — one a screen in grey representing the heads of six devils instinct with malice and hate; the other, a bold sketch in monochrome of an old woodcutter wrestling with the down-bent branch of a tree. Two hundred years have passed since the artist dropped his pencil, but you may almost hear the tough wood jar under the stroke of the chopper, as the old man puts his back into the task and draws in the labouring breath. There is a picture by Legros of a beggar dying in a ditch, which might have been suggested by that screen.
Complete Works of Rudyard Kipling (Illustrated) Page 674