Nebula Awards Showcase 2010

by Bill Fawcett

  She felt that she would burst if she did not speak her heart to him. “Victor. Will I ever see you again?”

  He avoided her gaze. “I am afraid, Miss Bennet, that this is unlikely. My mind is set on banishing that vile creature from the world of men. Only then can I hope to return home and marry my betrothed Elizabeth.”

  Mary looked away from him. A young mother was adjusting her son’s collar before putting him on the coach. “Ah, yes. You are affianced. I had almost forgotten.”

  Frankenstein pressed her hand. “Miss Bennet, you must forgive me the liberties I have taken with you. You have given me more of friendship than I deserve. I wish you to find the companion you seek, and to live your days in happiness. But now, I must go.”

  “God be with you, Mr. Frankenstein.” She twisted her gloved fingers into a knot.

  He bowed deeply, and hurried to have a few more words with the draymen. Henry Clerval arrived just as the men climbed to their cart and drove the baggage away. Clerval, surprised at seeing Mary, greeted her warmly. He expressed his great sorrow at the loss of her sister, and begged her to convey his condolences to the rest of her family. Ten minutes later the two men climbed aboard the coach and it left the inn, disappearing down the Matlock high street.

  Mary stood in the inn yard. She did not feel she could bear to go back to Pemberley and face her family, the histrionics of her mother. Instead she reentered the inn and made the barkeep seat her in the ladies’ parlor and bring her a bottle of port.

  The sun declined and shadows stretched over the inn yard. The evening papers arrived from Nottingham. The yard boy lit the lamps. Still, Mary would not leave. Outside on the pavements, the bootblack sat in the growing darkness with his arms draped over his knees and head on his breast. She listened to the hoofs of the occasional horse striking the cobbles. The innkeeper was solicitous. When she asked for a second bottle, he hesitated, and wondered if he might send for someone from her family to take her home.

  “You do not know my family,” she said.

  “Yes, miss. I only thought—”

  “Another port. Then leave me alone.”

  “Yes, miss.” He went away. She was determined to become intoxicated. How many times had she piously warned against young women behaving as she did now? Virtue is its own reward. She had an apothegm for every occasion, and had tediously produced them in place of thought. Show me a liar, and I’ll show thee a thief. Marry in haste, repent at leisure. Men should be what they seem.

  She did not fool herself into thinking that her current misbehavior would make any difference. Perhaps Bingley or Darcy had been dispatched to find her in Lambton. But within an hour or two she would return to Pemberley, where her mother would scold her for giving them an anxious evening, and Lizzy would caution her about the risk to her reputation. Lydia might even ask her, not believing it possible, if she had an assignation with some man. The loss of Kitty would overshadow Mary’s indiscretion, pitiful as it had been. Soon all would be as it had been, except Mary would be alive and Kitty dead. But even that would fade. The shadow of Kitty’s death would hang over the family for some time, but she doubted that anything of significance would change.

  As she lingered over her glass, she looked up and noticed, in the now empty taproom, a man sitting at the table farthest from the lamps. A huge man, wearing rough clothes, his face hooded and in shadow. On the table in front of him was a tankard of ale and a few coppers. Mary rose, left the parlor for the taproom, and crossed toward him.

  He looked up, and the faint light from the ceiling lamp caught his black eyes, sunken beneath heavy brows. He was hideously ugly. “May I sit with you?” she asked. She felt slightly dizzy.

  “You may sit where you wish.” The voice was deep, but swallowed, unable to project. It was almost a whisper.

  Trembling only slightly, she sat. His wrists and hands, resting on the table, stuck out past the ragged sleeves of his coat. His skin was yellowish brown, and the fingernails livid white. He did not move. “You have some business with me?”

  “I have the most appalling business.” Mary tried to look him in the eyes, but her gaze kept slipping. “I want to know why you defiled my sister’s grave, why you have stolen her body, and what you have done with her.”

  “Better you should ask Victor. Did he not explain all to you?”

  “Mr. Frankenstein explained who—what—you are. He did not know what had become of my sister.”

  The thin lips twitched in a sardonic smile. “Poor Victor. He has got things all topsy-turvy. Victor does not know what I am. He is incapable of knowing, no matter the labors I have undertaken to school him. But he does know what became, and is to become, of your sister.” The creature tucked the thick black hair behind his ear, a sudden unconscious gesture that made him seem completely human for the first time. He pulled the hood further forward to hide his face.

  “So tell me.”

  “Which answer do you want? Who I am, or what happened to your sister?”

  “First, tell me what happened to—to Kitty.”

  “Victor broke into the vault and stole her away. He took the utmost care not to damage her. He washed her fair body in diluted carbolic acid, and replaced her blood with a chemical admixture of his own devising. Folded up, she fit neatly within a cedar trunk sealed with pitch, and is at present being shipped to Scotland. You witnessed her departure from this courtyard an hour ago.”

  Mary’s senses rebelled. She covered her face with her hands. The creature sat silent. Finally, without raising her head, she managed, “Victor warned me that you were a liar. Why should I believe you?”

  “You have no reason to believe me.”

  “You took her!”

  “Though I would not have scrupled to do so, I did not. Miss Bennet, I do not deny I have an interest in this matter. Victor did as I have told you at my bidding.”

  “At your bidding? Why?”

  “Kitty—or not so much Kitty, as her remains—is to become my wife.”

  “Your wife! This is insupportable! Monstrous!”

  “Monstrous.” Suddenly, with preternatural quickness, his hand flashed out and grabbed Mary’s wrist.

  Mary thought to call for help, but the bar was empty and she had driven the innkeeper away. Yet his grip was not harsh. His hand was warm, instinct with life. “Look at me,” he said. With his other hand he pushed back his hood.

  She took a deep breath. She looked.

  His noble forehead, high cheekbones, strong chin, and wide-set eyes might have made him handsome, despite the scars and dry yellow skin, were it not for his expression. His ugliness was not a matter of lack of proportion—or rather, the lack of proportion was not in his features. Like his swallowed voice, his face was submerged, as if everything was hidden, revealed only in the eyes, the twitch of a cheek or lip. Every minute motion showed extraordinary animation. Hectic sickliness, but energy. This was a creature who had never learned to associate with civilized company, who had been thrust into adulthood with the passions of a wounded boy. Fear, self-disgust, anger. Desire.

  The force of longing and rage in that face made her shrink. “Let me go,” she whispered.

  He let go her wrist. With bitter satisfaction, he said, “You see. If what I demand is insupportable, that is only because your kind has done nothing to support me. Once, I falsely hoped to meet with beings who, pardoning my outward form, would love me for the excellent qualities which I was capable of bringing forth. Now I am completely alone. More than any starving man on a deserted isle, I am cast away. I have no brother, sister, parents. I have only Victor, who, like so many fathers, recoiled from me the moment I first drew breath. And so, I have commanded him to make of your sister my wife, or he and all he loves will die at my hand.”

  “No. I cannot believe he would commit this abomination.”

  “He has no choice. He is my slave.”

  “His conscience could not support it, even at the cost of his life.”

  “You give him too m
uch credit. You all do. He does not think. I have not seen him act other than according to impulse for the last three years. That is all I see in any of you.”

  Mary drew back, trying to make some sense of this horror. Her sister, to be brought to life, only to be given to this fiend. But would it be her sister, or another agitated, hungry thing like this?

  She still retained some scraps of skepticism. The creature’s manner did not bespeak the isolation which he claimed. “I am astonished at your grasp of language,” Mary said. “You could not know so much without teachers.”

  “Oh, I have had many teachers.” The creature’s mutter was rueful. “You might say that, since first my eyes opened, mankind has been all my study. I have much yet to learn. There are certain words whose meaning has never been proved to me by experience. For example: Happy. Victor is to make me happy. Do you think he can do it?”

  Mary thought of Frankenstein. Could he satisfy this creature? “I do not think it is in the power of any other person to make one happy.”

  “You jest with me. Every creature has its mate, save me. I have none.”

  She recoiled at his self-pity. Her fear faded. “You put too much upon having a mate.”

  “Why? You know nothing of what I have endured.”

  “You think that having a female of your own kind will ensure that she will accept you?” Mary laughed. “Wait until you are rejected, for the most trivial of reasons, by one you are sure has been made for you.”

  A shadow crossed the creature’s face. “That will not happen.”

  “It happens more often than not.”

  “The female that Victor creates shall find no other mate than me.”

  “That has never prevented rejection. Or if you should be accepted, then you may truly begin to learn.”

  “Learn what?”

  “You will learn to ask a new question: Which is worse, to be alone, or to be wretchedly mismatched?” Like Lydia and Wickham, Mary thought. Like Collins and his poor wife Charlotte. Like her parents.

  The creature’s face spasmed with conflicting emotions. His voice gained volume. “Do not sport with me. I am not your toy.”

  “No. You only seek a toy of your own.”

  The creature was not, apparently, accustomed to mockery. “You must not say these things!” He lurched upward, awkwardly, so suddenly that he upended the table. The tankard of beer skidded across the top and spilled on Mary, and she fell back.

  At that moment the innkeeper entered the bar room with two other men. They saw the tableau and rushed forward. “Here! Let her be!” he shouted. One of the other men grabbed the creature by the arm. With a roar the creature flung him aside like an old coat. His hood fell back. The men stared in horror at his face. The creature’s eyes met Mary’s, and with inhuman speed he whirled and ran out the door.

  The men gathered themselves together. The one whom the creature had thrown aside had a broken arm. The innkeeper helped Mary to her feet. “Are you all right, miss?”

  Mary felt dizzy. Was she all right? What did that mean?

  “I believe so,” she said.

  When Mary returned to Pemberley, late that night, she found the house in an uproar over her absence. Bingley and Darcy both had been to Lambton, and had searched the road and the woods along it throughout the afternoon and evening. Mrs. Bennet had taken to bed with the conviction that she had lost two daughters in a single week. Wickham condemned Mary’s poor judgment, Lydia sprang to Mary’s defense, and this soon became a row over Wickham’s lack of an income and Lydia’s mismanagement of their children. Mr. Bennet closed himself up in the library.

  Mary told them only that she had been to Matlock. She offered no explanation, no apology. Around the town the story of her conflict with the strange giant in the inn was spoken of for some time, along with rumors of Robert Piggot the butcher’s son, and the mystery of Kitty’s defiled grave—but as Mary was not a local, and nothing of consequence followed, the talk soon passed away.

  That winter, Mary came upon the following story in the Nottingham newspaper.

  GHASTLY EVENTS IN SCOTLAND

  Our northern correspondent files the following report. In early November, the body of a young foreigner, Mr. Henry Clerval of Geneva, Switzerland, was found upon the beach near the far northern town of Thurso. The body, still warm, bore marks of strangulation. A second foreigner, Mr. Victor Frankstone, was taken into custody, charged with the murder, and held for two months. Upon investigation, the magistrate Mr. Kirwan determined that Mr. Frankstone was in the Orkney Islands at the time of the killing. The accused was released in the custody of his father, and is assumed to have returned to his home on the continent.

  A month after the disposition of these matters, a basket, weighted with stones and containing the body of a young woman, washed up in the estuary of the River Thurso. The identity of the woman is unknown, and her murderer undiscovered, but it is speculated that the unfortunate may have died at the hands of the same person or persons who murdered Mr. Clerval. The woman was given Christian burial in the Thurso Presbyterian churchyard.

  The village has been shaken by these events, and prays God to deliver it from evil.

  Oh, Victor, Mary thought. She remembered the pressure of his hand, through her dressing gown, upon her thigh. Now he had returned to Switzerland, there, presumably, to marry his Elizabeth. She hoped that he would be more honest with his wife than he had been with her, but the fate of Clerval did not bode well. And the creature still had no mate.

  She clipped the newspaper report and slipped it into the drawer of her writing table, where she kept her copy of Samuel Galton’s The Natural History of Birds, Intended for the Amusement and Instruction of Children, and the Juvenile Anecdotes of Priscilla Wakefield, and a Dudley locust made of stone, and a paper fan from the first ball she had ever attended, and a dried wreath of flowers that had been thrown to her, when she was nine years old, from the top of a tree by one of the town boys playing near Meryton common.

  After the death of her parents, Mary lived with Lizzy and Darcy at Pemberley for the remainder of her days. Under a pen name, she pursued a career as a writer of philosophical speculations, and sent many letters to the London newspapers. Aunt Mary, as she was called at home, was known for her kindness to William, and to his wife and children. The children teased Mary for her nearsightedness, her books, and her piano. But for a woman whose experience of the world was so slender, and whose soul it seemed had never been touched by any passion, she came at last to be respected for her understanding, her self-possession, and her wise counsel on matters of the heart.

  SCIENCE FICTION IN THE 1970S: THE TALE OF THE NERDY DUCKLING

  KEVIN J. ANDERSON

  Just before the decade of the 1970s began, those of us with a science-fiction mind-set experienced our greatest moment of triumph and possibility: It was July 20, 1969. Neil Armstrong and Buzz Aldrin had set foot on the Moon—only six weeks after the very last episode of the original Star Trek was broadcast on TV.

  I was seven years old, having grown up on a diet of SF books, movies, and comics.

  Every TV station—on all three networks!—broadcast the suspenseful coverage. Excitement hung in the air, my parents and my neighbors were glued to their television sets, and I sat watching the grainy picture. Bleeps and static and time delays distorted the sound. Armstrong climbed down the ladder, then stepped onto the lunar surface. Where no man had gone before.

  Though I was the only SF fan in the room, I felt less excited than my fellow observers. I was puzzled. “Haven’t we done that already?” I’d been reading about space travel and setting foot on alien worlds for some time, and in this instance there were no underground cities, no Selenites, no secret alien bases. To a kid, it was something of a disappointment. But at least we made it. Science fiction had convinced us all that reaching the planets and stars was inevitable. Humanity’s destiny.

  Little did we know that on December 19, 1972, a mere two years into the new decade, the Apoll
o 17 moon mission would return to Earth, and mankind would never go back—at least not in the next forty years. What science fiction enthusiast would ever have believed that scenario? We came, we saw, we went home, we lost interest. Not a very good SF premise.

  Also, one of the greatest and most influential editors in the genre, John W. Campbell, died on July 11, 1971.

  Yes, indeed, it looked like dark times ahead for the future of science fiction.

  Perhaps due to the fact that the highly anticipated future was stolen right out from under our imaginations, the genre itself was forced to shout louder and shine brighter. By the end of the 1970s, SF had caught its breath and surged forward to become one of the most powerful forces in entertainment. Science fiction stopped being a fringe genre read only by nerdy ducklings, socially maladjusted boys with thick glasses (yes, I was one of them), and the whole world had to pay attention.

  How to summarize a decade of creativity in only a few pages? Exhaustive essays and analyses can be found elsewhere, written by people with far greater expertise in the period. I can only offer my subjective take, a view on the genre from a young and enthusiastic fan who had aspirations of becoming an author himself, and who by 1979 had just begun to receive his first rejection slips from Stanley Schmidt at Analog and Ed Ferman at The Magazine of Fantasy & Science Fiction.

  As the decade opened, the New Wave movement in science fiction that began in the late 1960s reached its peak (and I was admittedly too young to grok it). New Wave works dominated the major SF awards ballots. Turning away from fast-paced tales set on imaginative worlds, a group of authors used highly experimental and artistic techniques—with nary a bug-eyed monster in sight—to gain literary respectability for our frowned-upon genre. Paramount among these architects of the New Wave were Samuel R. Delany, Michael Moorcock, J. G. Ballard, Brian Aldiss, Thomas Disch, Ursula Le Guin, Barry N. Malzberg, and Harlan Ellison.