Tender Is the Night

by F. Scott Fitzgerald

  In the summer father and son walked downtown together to have their shoes shined--Dick in his starched duck sailor suit, his father always in beautifully cut clerical clothes--and the father was very proud of his handsome little boy. He told Dick all he knew about life, not much but most of it true, simple things, matters of behavior that came within his clergyman's range. "Once in a strange town when I was first ordained, I went into a crowded room and was confused as to who was my hostess. Several people I knew came toward me, but I disregarded them because I had seen a gray-haired woman sitting by a window far across the room. I went over to her and introduced myself. After that I made many friends in that town."

  His father had done that from a good heart--his father had been sure of what he was, with a deep pride of the two proud widows who had raised him to believe that nothing could be superior to "good instincts," honor, courtesy, and courage.

  The father always considered that his wife's small fortune belonged to his son, and in college and in medical school sent him a check for all of it four times a year. He was one of those about whom it was said with smug finality in the gilded age: "very much the gentleman, but not much get-up-and-go about him."

  ... Dick sent down for a newspaper. Still pacing to and from the telegram open on his bureau, he chose a ship to go to America. Then he put in a call for Nicole in Zurich, remembering so many things as he waited, and wishing he had always been as good as he had intended to be.

  XIX

  FOR an hour, tied up with his profound reaction to his father's death, the magnificent facade of the homeland, the harbor of New York, seemed all sad and glorious to Dick, but once ashore the feeling vanished, nor did he find it again in the streets or the hotels or the trains that bore him first to Buffalo, and then south to Virginia with his father's body. Only as the local train shambled into the low-forested clayland of Westmoreland County did he feel once more identified with his surroundings; at the station he saw a star he knew, and a cold moon bright over Chesapeake Bay; he heard the rasping wheels of buckboards turning, the lovely fatuous voices, the sound of sluggish primeval rivers flowing softly under soft Indian names.

  Next day at the churchyard his father was laid among a hundred Divers, Dorseys, and Hunters. It was very friendly leaving him there with all his relations around him. Flowers were scattered on the brown unsettled earth. Dick had no more ties here now and did not believe he would come back. He knelt on the hard soil. These dead, he knew them all, their weather-beaten faces with blue flashing eyes, the spare violent bodies, the souls made of new earth in the forest-heavy darkness of the seventeenth century.

  "Good-by, my father--good-by, all my fathers."

  On the long-roofed steamship piers one is in a country that is no longer here and not yet there. The hazy yellow vault is full of echoing shouts. There are the rumble of trucks and the clump of trunks, the strident chatter of cranes, the first salt smell of the sea. One hurries through, even though there's time; the past, the continent, is behind; the future is the glowing mouth in the side of the ship; the dim, turbulent alley is too confusedly the present.

  Up the gangplank and the vision of the world adjusts itself, narrows. One is a citizen of a commonwealth smaller than Andorra, no longer sure of anything. The men at the purser's desk are as oddly shaped as the cabins; disdainful are the eyes of voyagers and their friends. Next the loud mournful whistles, the portentous vibration and the boat, the human idea--is in motion. The pier and its faces slide by and for a moment the boat is a piece accidentally split off from them; the faces become remote, voiceless, the pier is one of many blurs along the water front. The harbor flows swiftly toward the sea.

  With it flowed Albert McKisco, labelled by the newspapers as its most precious cargo. McKisco was having a vogue. His novels were pastiches of the work of the best people of his time, a feat not to be disparaged, and in addition he possessed a gift for softening and debasing what he borrowed, so that many readers were charmed by the ease with which they could follow him. Success had improved him and humbled him. He was no fool about his capacities--he realized that he possessed more vitality than many men of superior talent, and he was resolved to enjoy the success he had earned. "I've done nothing yet," he would say. "I don't think I've got any real genius. But if I keep trying I may write a good book." Fine dives have been made from flimsier spring-boards. The innumerable snubs of the past were forgotten. Indeed, his success was founded psychologically upon his duel with Tommy Barban, upon the basis of which, as it withered in his memory, he had created, afresh, a new self-respect.

  Spotting Dick Diver the second day out, he eyed him tentatively, then introduced himself in a friendly way and sat down. Dick laid aside his reading and, after the few minutes that it took to realize the change in McKisco, the disappearance of the man's annoying sense of inferiority, found himself pleased to talk to him. McKisco was "well-informed" on a range of subjects wider than Goethe's--it was interesting to listen to the innumerable facile combinations that he referred to as his opinions. They struck up an acquaintance, and Dick had several meals with them. The McKiscos had been invited to sit at the captain's table but with nascent snobbery they told Dick that they "couldn't stand that bunch."

  Violet was very grand now, decked out by the grand couturieres, charmed about the little discoveries that well-bred girls make in their teens. She could, indeed, have learned them from her mother in Boise but her soul was born dismally in the small movie houses of Idaho, and she had had no time for her mother. Now she "belonged"--together with several million other people--and she was happy, though her husband still shushed her when she grew violently naive.

  The McKiscos got off at Gibraltar. Next evening in Naples Dick picked up a lost and miserable family of two girls and their mother in the bus from the hotel to the station. He had seen them on the ship. An overwhelming desire to help, or to be admired, came over him: he showed them fragments of gaiety; tentatively he bought them wine, with pleasure saw them begin to regain their proper egotism. He pretended they were this and that, falling in with his own plot, and drinking too much to sustain the illusion, and all this time the women thought only that this was a windfall from heaven. He withdrew from them as the night waned and the train rocked and snorted at Cassino and Frosinone. After weird American partings in the station at Rome, Dick went to the Hotel Quirinal, somewhat exhausted.

  At the desk he suddenly stared and upped his head. As if a drink were acting on him, warming the lining of his stomach, throwing a flush up into his brain, he saw the person he had come to see, the person for whom he had made the Mediterranean crossing.

  Simultaneously Rosemary saw him, acknowledging him before placing him; she looked back startled, and, leaving the girl she was with, she hurried over. Holding himself erect, holding his breath, Dick turned to her. As she came across the lobby, her beauty all groomed, like a young horse dosed with black-seed oil and hoofs varnished, shocked him awake; but it all came too quick for him to do anything except conceal his fatigue as best he could. To meet her starry-eyed confidence he mustered an insincere pantomime implying, "You would turn up here--of all the people in the world."

  Her gloved hands closed over his on the desk; "Dick--we're making 'The Grandeur that was Rome'--at least we think we are; we may quit any day."

  He looked at her hard, trying to make her a little self-conscious, so that she would observe less closely his unshaven face, his crumpled and slept-in collar. Fortunately, she was in a hurry.

  "We begin early because the mists rise at eleven--phone me at two."

  In his room Dick collected his faculties. He left a call for noon, stripped off his clothes and dove literally into a heavy sleep.

  He slept over the phone call but awoke at two, refreshed. Unpacking his bag, he sent out suits and laundry. He shaved, lay for half an hour in a warm bath and had breakfast. The sun had dipped into the Via Nazionale and he let it through the portieres with a jingling of old brass rings. Waiting for a suit to be pressed, h
e discovered from the Corriere della Sera that "una novella di Sainclair Lewis 'Wall Street'51 nella quale l'autore analizza la vita sociale di una piccola citta Americana." Then he tried to think about Rosemary.

  At first he thought nothing. She was young and magnetic, but so was Topsy. He guessed that she had had lovers and had loved them in the last four years. Well, you never knew exactly how much space you occupied in people's lives. Yet from this fog his affection emerged--the best contacts are when one knows the obstacles and still wants to preserve a relation. The past drifted back and he wanted to hold her eloquent giving-of-herself in its precious shell, till he enclosed it, till it no longer existed outside him. He tried to collect all that might attract her--it was less than it had been four years ago. Eighteen might look at thirty-four through a rising mist of adolescence; but twenty-two would see thirty-eight with discerning clarity. Moreover, Dick had been at an emotional peak at the time of the previous encounter; since then there had been a lesion of enthusiasm.

  When the valet returned he put on a white shirt and collar and a black tie with a pearl; the cords of his reading-glasses passed through another pearl of the same size that swung a casual inch below. After sleep, his face had resumed the ruddy brown of many Riviera summers, and to limber himself up he stood on his hands on a chair until his fountain pen and coins fell out. At three he called Rosemary and was bidden to come up. Momentarily dizzy from his acrobatics, he stopped in the bar for a gin-and-tonic.

  "Hi, Doctor Diver!"

  Only because of Rosemary's presence in the hotel did Dick place the man immediately as Collis Clay. He had his old confidence and an air of prosperity and big sudden jowls.

  "Do you know Rosemary's here?" Collis asked.

  "I ran into her."

  "I was in Florence and I heard she was here so I came down last week. You'd never know Mama's little girl." He modified the remark, "I mean she was so carefully brought up and now she's a woman of the world--if you know what I mean. Believe me, has she got some of these Roman boys tied up in bags! And how!"

  "You studying in Florence?"

  "Me? Sure, I'm studying architecture there. I go back Sunday--I'm staying for the races."

  With difficulty Dick restrained him from adding the drink to the account he carried in the bar, like a stock-market report.

  XX

  WHEN Dick got out of the elevator he followed a tortuous corridor and turned at length toward a distant voice outside a lighted door. Rosemary was in black pajamas; a luncheon table was still in the room; she was having coffee.

  "You're still beautiful," he said. "A little more beautiful than ever."

  "Do you want coffee, youngster?"

  "I'm sorry I was so unpresentable this morning."

  "You didn't look well--you all right now? Want coffee?"

  "No, thanks."

  "You're fine again. I was scared this morning. Mother's coming over next month, if the company stays. She always asks me if I've seen you over here, as if she thought we were living next door. Mother always liked you--she always felt you were someone I ought to know."

  "Well, I'm glad she still thinks of me."

  "Oh, she does," Rosemary reassured him. "A very great deal."

  "I've seen you here and there in pictures," said Dick. "Once I had 'Daddy's Girl' run off just for myself!"

  "I have a good part in this one if it isn't cut."

  She crossed behind him, touching his shoulder as she passed. She phoned for the table to be taken away and settled in a big chair.

  "I was just a little girl when I met you, Dick. Now I'm a woman."

  "I want to hear everything about you."

  "How is Nicole--and Lanier and Topsy?"

  "They're fine. They often speak of you----"

  The phone rang. While she answered it Dick examined two novels--one by Edna Ferber,52 one by Albert McKisco. The waiter came for the table; bereft of its presence Rosemary seemed more alone in her black pajamas.

  "... I have a caller.... No, not very well. I've got to go to the costumer's for a long fitting.... No, not now...."

  As though with the disappearance of the table she felt released, Rosemary smiled at Dick--that smile as if they two together had managed to get rid of all the trouble in the world and were now at peace in their own heaven....

  "That's done," she said. "Do you realize I've spent the last hour getting ready for you?"

  But again the phone called her. Dick got up to change his hat from the bed to the luggage stand, and in alarm Rosemary put her hand over the mouthpiece of the phone. "You're not going!"

  "No."

  When the communication was over he tried to drag the afternoon together saying: "I expect some nourishment from people now."

  "Me too," Rosemary agreed. "The man that just phoned me once knew a second cousin of mine. Imagine calling anybody up for a reason like that!"

  Now she lowered the lights for love. Why else should she want to shut off his view of her? He sent his words to her like letters, as though they left him some time before they reached her.

  "Hard to sit here and be close to you, and not kiss you." Then they kissed passionately in the centre of the floor. She pressed against him, and went back to her chair.

  It could not go on being merely pleasant in the room. Forward or backward; when the phone rang once more he strolled into the bedchamber and lay down on her bed, opening Albert McKisco's novel. Presently Rosemary came in and sat beside him.

  "You have the longest eyelashes," she remarked.

  "We are now back at the Junior Prom. Among those present are Miss Rosemary Hoyt, the eyelash fancier----"

  She kissed him and he pulled her down so that they lay side by side, and then they kissed till they were both breathless. Her breathing was young and eager and exciting. Her lips were faintly chapped but soft in the corners.

  When they were still limbs and feet and clothes, struggles of his arms and back, and her throat and breasts, she whispered, "No, not now--those things are rhythmic."

  Disciplined he crushed his passion into a corner of his mind, but bearing up her fragility on his arm until she was poised half a foot above him, he said lightly:

  "Darling--that doesn't matter."

  Her face had changed with his looking up at it; there was the eternal moonlight in it.

  "That would be poetic justice if it should be you," she said. She twisted away from him, walked to the mirror, and boxed her disarranged hair with her hands. Presently she drew a chair close to the bed and stroked his cheek.

  "Tell me the truth about you," he demanded.

  "I always have."

  "In a way--but nothing hangs together."

  They both laughed but he pursued.

  "Are you actually a virgin?"

  "No-o-o!" she sang. "I've slept with six hundred and forty men--if that's the answer you want."

  "It's none of my business."

  "Do you want me for a case in psychology?"

  "Looking at you as a perfectly normal girl of twenty-two, living in the year nineteen twenty-eight, I guess you've taken a few shots at love."

  "It's all been--abortive," she said.

  Dick couldn't believe her. He could not decide whether she was deliberately building a barrier between them or whether this was intended to make an eventual surrender more significant.

  "Let's go walk in the Pincio," he suggested.

  He shook himself straight in his clothes and smoothed his hair. A moment had come and somehow passed. For three years Dick had been the ideal by which Rosemary measured other men and inevitably his stature had increased to heroic size. She did not want him to be like other men, yet here were the same exigent demands, as if he wanted to take some of herself away, carry it off in his pocket.

  Walking on the greensward between cherubs and philosophers, fauns and falling water, she took his arm snugly, settling into it with a series of little readjustments, as if she wanted it to be right because it was going to be there forever. She plucked
a twig and broke it, but she found no spring in it. Suddenly seeing what she wanted in Dick's face she took his gloved hand and kissed it. Then she cavorted childishly for him until he smiled and she laughed and they began having a good time.

  "I can't go out with you tonight, darling, because I promised some people a long time ago. But if you'll get up early I'll take you out to the set to-morrow."

  He dined alone at the hotel, went to bed early, and met Rosemary in the lobby at half-past six. Beside him in the car she glowed away fresh and new in the morning sunshine. They went out through the Porta San Sebastiano and along the Appian Way until they came to the huge set of the Forum, larger than the Forum itself. Rosemary turned him over to a man who led him about the great props: the arches and tiers of seats and the sanded arena. She was working on a stage which represented a guard-room for Christian prisoners, and presently they went there and watched Nicotera, one of many hopeful Valentinos, strut and pose before a dozen female "captives," their eyes melancholy and startling with mascara.

  Rosemary appeared in a knee-length tunic.

  "Watch this," she whispered to Dick. "I want your opinion. Everybody that's seen the rushes says----"

  "What are the rushes?"

  "When they run off what they took the day before. They say it's the first thing I've had sex appeal in."

  "I don't notice it."

  "You wouldn't! But I have."

  Nicotera in his leopard skin talked attentively to Rosemary while the electrician discussed something with the director, meanwhile leaning on him. Finally the director pushed his hand off roughly and wiped a sweating forehead, and Dick's guide remarked: "He's on the hop again, and how!"

  "Who?" asked Dick, but before the man could answer the director walked swiftly over to them.

  "Who's on the hop--you're on the hop yourself." He spoke vehemently to Dick, as if to a jury. "When he's on the hop he always thinks everybody else is, and how!" He glared at the guide a moment longer, then he clapped his hands: "All right--everybody on the set."