Handel
Page 55
Theatre Royal, Drury Lane see Drury Lane (Theatre Royal)
Theile, Johann, (I)
Thirty Years War, (I), (II)
Thomaskirche, Leipzig, (I)
Thomson, J., (I)
Thornhill, Sir James, (I), (II)
Three Choirs festival, (I), (II)
Tocco, Leonardo di, Prince of Monte Mileto, (I)
Toland, John, (I)
Tonkünstler Sozietat, (I)
Tonson, Jacob, (I)
Torelli, Giuseppe, (I)
Tories, (I), (II), (III)
Trapassi, Pietro see Metastasio
Travers, John, (I)
Tunbridge Wells, (I), (II), (III), (IV)
Tunder, Franz, (I)
Turin, (I), (II), (III), (IV)
Turner, Sir Edward, (I), (II)
Tyers, Jonathan, (I), (II), (III), (IV)
Universal Spectator, (I), (II)
Urbino, (I)
Urio, Francesco, (I)
Utrecht Conference and Treaty, (I)
Valentine (trumpet player), (I)
Valentini, (I)
Valeriani, Belisario: La caccia in Etolia, (I)
Valesio, Francesco, (I)
Vanbrugh, John, (I), (II), (III), (IV), (V), (VI)
The Relapse, (I)
Varo (bass), (I), (II)
Vauxhall Gardens, (I), (II), (III), (IV)
statue of Handel, (I)
Venice, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII), (XIII), (XV), (XV), (XVI)
Handel in, (I), (II), (III), (IV), (V)
Venturini, Francesco, (I)
Veracini, Francesco Maria, (I), (II)
Adriano in Siria, (I)
As You Like It, (I)
Opus 1 violin sonata, (I)
Partenio, (I)
Verdi, Giuseppe, (I), (II), (III), (IV)
Aida, (I)
Vernon, Admiral, (I)
Verrio, Antonio, (I)
Vico, Diana, (I)
Vico, Giambattista, (I)
Vienna, (I), (II), (III), (IV), (V), (VI), (VII), (VIII)
Vignanello, (I)
Vincent, Richard, (I)
Vinci, Leonardo, (I), (II), (III)
Vivaldi, Antonio, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII)
Rosmira fedele, (I)
Senna Festeggiante, La, (I)
Vogler, Georg Joseph, (I)
Wade, General George, (I), (II), (III)
Wagner, Cosima, (I)
Wagner, Richard, (I), (II)
Die Meistersinger, (I)
Wake, Archbishop, (I)
Waldegrave, Lord, (I)
Walker, Ernest, (I)
Walpole, Lady Catherine, (I)
Walpole, Horace, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X)
Walpole, Sir Robert, (I), (II), (III), (IV), (V), (VI), (VII), (VIII)
Walsh, John (father and son, publishers), (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI)
Waltz, Gustavus, (I)
War of the Austrian Succession, (I), (II)
War of Jenkins’s Ear, (I), (II)
War of the Spanish Succession, (I), (II), (III), (IV), (V)
Warton, Joseph, (I)
Weber, Carl Maria, (I)
Webster, John: The Duchess of Malfi, (I)
Wedderkopp, Magnus von, (I)
Weekly Packet, (I)
Weeley, Samuel, (I), (II), (III), (IV)
Weidemann, Carl Friedrich, (I), (II)
Weimarische Zeitung, (I)
Weissenfels, (I), (II), (III), (IV)
Weldon, John, (I), (II)
Wentworth, Lucy, Lady, (I), (II)
Wentworth, Lord, (I)
Westerby, Herbert, (I)
Westminster Abbey, (I), (II), (III)
Coronation of George II, (I)
funeral of Queen Caroline, (I)
funeral of Handel, (I)
Handel’s supposed centenary celebration, (I)
Westminster Hospital, (I), (II)
Westphalia, Peace of, (I)
Wharton, Duke of, (I)
Whigs, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X)
White, Elizabeth, (I)
White’s coffee house, (I), (II)
Whitehall, (I)
Whitehall Evening Post, (I), (II)
Wiesener, Dr, (I)
Willes, Edward, (I)
William III, King, (I), (II)
Winchelsea, Lord, (I)
Windsor Apollo Society, (I)
Winnington, Sir Thomas, (I)
Woffington, Peg, (I)
Wolfenbüttel, (I)
Wood, Henry, (I)
Worman, Mr, (I)
Wyche, Cyril, (I)
Wyche, Sir John, (I)
Young, Cecilia, (I)
Young, Esther, (I), (II)
Younger, Mrs, (I)
Zachow, Friedrich Wilhelm, (I), (II)
Zambeccari, Count Francesco, (I), (II)
Zamboni, Giovanni Giacomo, (I), (II), (III), (IV), (V), (VI)
Zanella, (I)
Zeffirelli, Franco, (I)
Zeno, Apostolo, (I), (II), (III), (IV), (V)
Ambleto, (I), (II)
Gianguir, (I)
Rivali generosi, I, (I)
Teuzzoni, (I)
Ziani, Marcantonio
L’Antigona delusa da Alceste, (I)
La Costanza in Trionfo, (I)
Index of Handel’s Works
The following items may be used as a guide to search for information in the eBook.
INSTRUMENTAL WORKS
Alexander’s Feast Concerto, (I), (II)
Concerti Grossi Opus 3, (I), (II), (III)
No. 3, (I), (II)
No. 4, (I)
No. 7, (I)
Concerti Grossi Opus 6, (I), (II), (III)
No. 3, (I)
No. 4, (I)
No. 5, (I)
No, (I), (II)
No. 7, (I), (II)
No. 8, (I)
No. 11, (I)
No. 12, (I)
Music for the Royal Fireworks, (I), (II), (III)
Organ Concertos Opus 4, (I), (II)
No. 1 in G minor, (I), (II)
No. 4 in F, (I)
Organ Concertos Opus 7, (I)
No. 1 in B flat, (I)
No. 2 in A, (I)
No. 3, (I)
No. 4 in D minor, (I)
Suites de Pièce pour le Clavecin (First Set), (I)
Terpsichore, (I)
Trio Sonatas Opus 2, (I), (II), (III), (IV)
Trio Sonatas Opus 5, (I), (II)
Water Music, (I)
VOCAL WORKS
Aci, Galatea e Polifemo, (I), (II), (III)
Acis and Galatea, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII), (XIII), (XV), (XV), (XVI), (XVII), (XVIII), (XIX), (XX), (XXI), (XXII), (XXIII)
Admeto, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII)
Agrippina, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII), (XIII), (XV), (XV), (XVI), (XVII)
Agrippina condotta a morire, (I)
Alceste, (I), (II), (III)
Alcina, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII)
Alessandro, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII), (XIII)
Alessandro Severo, (I)
Alexander Balus, (I), (II), (III)
Alexander’s Feast, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII), (XIII), (XV), (XV), (XVI)
Allegro, I Penseroso ed Il Moderate, L’, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI)
Almira, (I), (II)
Amadigi, (I), (II), (III), (IV), (V)
Amarilli vezzosa, (I)
Apollo e Dafne or La terra è liberata, (I)
Arianna, (I), (II), (III), (IV)
Ariodante, (I), (II), (III), (IV), (V), (VI), (VII), (VII
I), (IX), (X)
Armida abbandonata, (I), (II)
Arminio, (I), (II)
Arsace, (I)
‘As pants the hart’, (I), (II)
Atalanta, (I), (II), (III), (IV)
Athalia, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII), (XIII)
Belshazzar, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII), (XIII), (XV), (XV)
Berenice, (I), (II)
Birthday Ode (Eternal Source of Light Divine), (I), (II), (III), (IV), (V)
Brockes Passion, (I), (II), (III), (IV), (V), (VI), (VII)
Cannons Anthems/Chandos Anthems, (I), (II), (III), (IV)
Caroline Te Deum, (I), (II)
Cecilia, volgi uno sguardo, (I), (II)
Chandos Anthems see Cannons Anthems
Choice of Hercules, The, (I), (II), (III)
Coelestis dum spirat aura, (I)
Coronation Anthems, (I), (II), (III), (IV), (V)
Deborah, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII), (XIII), (XIV)
Deidamia, (I), (II)
Della guerra amorosa, (I)
Dettingen Te Deum, (I), (II), (III)
Diana cacciatrice, (I)
Dido and Aeneas, (I), (II)
Didone abbandonata, (I)
Dite mie pianti, (I)
Dixit Dominus, (I), (II), (III), (IV), (V), (VI)
Donna che in ciel, (I)
Echeggiate festeggiate, (I), (II)
Elpidia, (I), (II)
Esther, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII), (XIII), (XV), (XV), (XVI), (XVII)
Eternal Source of Light Divine see Birthday Ode
Ezio, (I), (II), (III), (IV)
Faramondo, (I), (II), (III)
Flavio, (I), (II), (III), (IV)
Floridante, (I), (II), (III), (IV), (V), (VI), (VII), (VIII)
Florindo, (I)
Foundling Hospital Anthem, (I), (II)
Funeral Anthem (The Ways of Zion do Mourn), (I), (II), (III), (IV), (V), (VI), (VII)
Giove in Argo, (I)
Giulio Cesare, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII), (XIII), (XV), (XV)
Giustino, (I), (II), (III), (IV), (V)
Hendel, non può mia musa, (I)
Hercules, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X)
Imeneo, (I), (II), (III)
Israel in Egypt, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII), (XIII), (XV), (XV), (XVI), (XVII), (XVIII), (XIX), (XX), (XXI)
Italian Cantatas, (I)
Jephtha, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII)
Joseph, (I), (II), (III), (IV)
Joshua, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X)
Judas Maccabaeus, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII), (XIII), (XV), (XV), (XVI), (XVII), (XVIII), (XIX), (XX)
King shall rejoice, The, (I)
Laudate Pueri, (I), (II)
Let thy hand be strengthened, (I), (II)
Lotario, (I), (II), (III), (IV)
Lucrezia, La (or O numi eterni), (I)
Lungi da me, pensier tiranno, (I)
Messiah, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII), (XIII), (XV), (XV), (XVI), (XVII), (XVIII), (XIX), (XX), (XXI), (XXII), (XXIII), (XXIV), (XXV), (XXVI), (XXVII), (XXVIII), (XXIX), (XXX), (XXXI), (XXXII), (XXXIII), (XXXIV), (XXXV), (XXXV1), (XXXVII); Hallelujah Chorus, (I), (II)
Muzio Scevola, (I), (II), (III), (IV), (V)
My heart is inditing, (I), (II), (III)
Nero, (I)
Nisi Dominus, (I), (II)
O come chiare e belle, (I)
O qualis de coelo sonus, (I)
Occasional Oratorio, The, (I), (II), (III), (IV), (V), (VI), (VII), (VIII)
Ode for St Cecilia’s Day, (I), (II), (III), (IV), (V), (VI), (VII), (VIII)
Oreste, (I)
Orlando, (I), (II), (III), (IV), (V), (VI), (VII), (VIII)
Ormisda, (I)
Ottone, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X)
Parnasso in Festa, Il, (I), (II), (III), (IV)
Partenope, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX)
Pastor Fido, Il, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX)
Poro, (I), (II), (III), (IV), (V), (VI), (VII), (VIII)
Radamisto, (I), (II), (III), (IV), (V)
Resurrezione, La, (I), (II), (III)
Riccardo Primo, (I), (II), (III), (IV)
Rinaldo, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII), (XIII)
Rodelinda, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII), (XIII), (XV), (XV)
Rodrigo (Vincer se stesso è la maggior vittoria), (I), (II), (III), (IV), (V)
Saeviat tellus inter rigores, (I)
Salve Regina, (I)
Samson, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII), (XIII), (XV), (XV)
Saul, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII), (XIII), (XV), (XV), (XVI), (XVII), (XVIII)
Scipione, (I), (II), (III), (IV)
Se pari è la tua fe, (I), (II)
Semele, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII), (XIII), (XV), (XV), (XVI), (XVII), (XVIII)
Sento là che ristretto, (I)
Serse, (I), (II), (III), (IV), (V)
Silla, (I), (II)
Sing unto God, (I)
Siroe, (I), (II), (III), (IV), (V), (VI), (VII)
Solomon, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI)
‘Song on the Victory over the Rebels, A’, (I)
Sosarme, (I), (II), (III), (IV), (V), (VI), (VII)
‘Stand round, my brave boys’, (I), (II)
Susanna, (I), (II), (III), (IV), (V), (VI), (VII), (VIII)
Tamerlano, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI)
Teseo, (I), (II), (III), (IV), (V), (VI), (VII)
Theodora, (I), (II), (III), (IV), (V), (VI), (VII), (VIII), (IX), (X), (XI), (XII), (XIII), (XV), (XV)
Tolomeo, (I), (II), (III), (IV)
Trionfo del Tempo, Il (The Triumph of Time and Truth), (I), (II), (III), (IV), (V), (VI), (VII), (VIII)
Tu fedel, tu costante, (I), (II)
Udite il mio consiglio, (I)
Una alma innamorata, (I)
Utrecht Te Deum and Jubilate, (I), (II), (III), (IV), (V), (VI)
Ways of Zion do Mourn, The see Funeral Anthem
Zadok the Priest, (I), (II), (III)
Picture Section