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Wanted Women

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by Deborah Scroggins




  Wanted Women

  Faith, Lies, and the War on Terror:

  The Lives of Ayaan Hirsi Ali and

  Aafia Siddiqui

  Deborah Scroggins

  Dedication

  For my mother,

  Gloria Baker Scroggins

  and in memory of my father,

  Frank William Scroggins (1933–2010)

  Epigraph

  Pledge, O Sister

  To the sister believer whose clothes the criminals have stripped off.

  To the sister believer whose hair the oppressors have shaved.

  To the sister believer who’s body has been abused by the human dogs.

  To the sister believer whose . . .

  Pledge, O Sister

  Covenant, O Sister . . . to make their women widows and their children orphans.

  Covenant, O Sister . . . to make them desire death and hate appointments and prestige.

  Covenant, O Sister . . . to slaughter them like lambs and let the Nile, al-Asi, and Euphrates rivers flow with their blood.

  Covenant, O Sister . . . to be a pick of destruction for every godless and apostate regime.

  Covenant, O Sister . . . to retaliate for you against every dog who touch you even with a bad word.

  —Introduction to a military manual found in the home of an al-Qaeda member in Manchester, England, May 10, 2000

  Man is a child wandering lost in the forests of symbols.

  —Charles Baudelaire, “Correspondences,” Flowers of Evil, 1861

  Contents

  Cover

  Title Page

  Dedication

  Epigraph

  Principal Characters

  INTRODUCTION: Why I Followed Them

  PART I - Regarding the West

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-one

  Chapter Twenty-two

  Chapter Twenty-three

  Chapter Twenty-four

  Chapter Twenty-five

  Chapter Twenty-six

  Chapter Twenty-seven

  Chapter Twenty-eight

  Chapter Twenty-nine

  Chapter Thirty

  Chapter Thirty-one

  Chapter Thirty-two

  Chapter Thirty-three

  Chapter Thirty-four

  Chapter Thirty-five

  Chapter Thirty-six

  Chapter Thirty-seven

  Chapter Thirty-eight

  PART II - Acting

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-one

  Chapter Twenty-two

  Chapter Twenty-three

  PART III - Being Regarded

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-one

  Chapter Twenty-two

  Chapter Twenty-three

  Chapter Twenty-four

  Chapter Twenty-five

  Chapter Twenty-six

  Chapter Twenty-seven

  Chapter Twenty-eight

  Chapter Twenty-nine

  Chapter Thirty

  Chapter Thirty-one

  Chapter Thirty-two

  Chapter Thirty-three

  Chapter Thirty-four

  Chapter Thirty-five

  Chapter Thirty-six

  Chapter Thirty-seven

  Chapter Thirty-eight

  Chapter Thirty-nine

  Chapter Forty

  Note on Sources

  Notes

  Index

  Acknowledgments

  Photo Insert

  About the Author

  Also by Deborah Scroggins

  Credits

  Copyright

  About the Publisher

  Principal Characters

  Aafia Siddiqui’s Story

  ALI ABDUL AZIZ ALI (aka Ammar al-Baluchi): Aafia’s second husband, the nephew of Khalid Sheikh Mohammed

  IJAZ UL-HAQ: Minister of religious affairs from 2004 to 2008; family friend of the Siddiquis’; son of Pakistan’s military dictator Muhammad Zia ul-Haq

  GENERAL MUHAMMAD ZIA UL-HAQ: Ruler of Pakistan from 1977 to 1988; friend and patron of the Siddiqui family

  AGA NAEEM KHAN: Amjad Khan’s father; Aafia’s former father-in-law

  MAJID KHAN: The computer programmer from Baltimore for whom Aafia is alleged to have opened a U.S. post office box in order to further Khalid Sheikh Mohammed’s 2003 plan to attack gas stations and other targets

  DR. MOHAMMED AMJAD KHAN: Aafia’s first husband, a Pakistani anesthesiologist who did his residency in Boston

  ZAHERA KHAN: Amjad Khan’s mother; Aafia’s former mother-in-law

  KHALID KHAWAJA: A former Pakistani Air Force and Inter-Services Intelligence (ISI) officer who became an advocate for Aafia and other allegedly missing persons in Pakistan

  KHALID SHEIKH MOHAMMED (aka KSM): The al-Qaeda mastermind who planned the 9/11 attacks as well as the 2003 plot to attack gas stations and other targets with which Aafia is alleged to have assisted

  SAIFULLAH PARACHA: Uzair Paracha’s father, currently a prisoner at the U.S. base in Guantánamo Bay, Cuba, accused by U.S. military prosecutors of having helped KSM and al-Qaeda

  UZAIR PARACHA: A young businessman convicted of providing material support to terrorists after being found to have helped Majid Khan and Aafia in their scheme to bring Khan back to the United States

  YVONNE RIDLEY: A British journalist and convert to Islam who held a press conference in July 2008 alleging that Aafia might be “Prisoner 650” secretly held at the U.S. air base in Bagram, Afghanistan

  GRAND MUFTI MUHAMMAD SHAFI: The highest religious authority in Pakistan and Ismat Siddiqui’s religious teacher

  DR. FOWZIA SIDDIQUI: Aafia’s sister, a U.S.-trained neurologist

  ISMAT JEHAN SIDDIQUI: Aafia’s mother

  MUHAMMAD ALI SIDDIQUI: Aafia’s brother, a Houston architect

  DR. MUHAMMAD SUALEH SIDDIQUI: Aafia’s father, a neurosurgeon

  GRAND MUFTI MUHAMMAD RAFI USMANI: A son of Grand Mufti Muhammad Shafi and spiritual adviser to the Siddiqui family

  MUFTI MUHAMMAD TAQI USMANI: A son of Grand Mufti Muhammad
Shafi, the leading authority on Islamic finance and member of Muhammad Zia ul-Haq’s Council of Islamic Ideology

  Ayaan Hirsi Ali’s Story

  ASHA ARTAN: Ayaan’s mother

  MOHAMUD MOHAMED ARTAN: A cousin whom Ayaan says she secretly married while in Somalia in 1990

  MOHAMMED BOUYERI: The murderer of Theo van Gogh

  SINAN CAN: A researcher for the Zembla television program that nearly cost Ayaan her Dutch citizenship

  LEON DE WINTER: A Dutch novelist and friend of Ayaan

  NIALL FERGUSON: A bestselling British historian and Ayaan’s lover

  LEO LOUWÉ—A Dutch volunteer who befriended Ayaan and Haweya in Lunteren

  HIRSI MAGAN ISSE—Ayaan’s father, a Somali politician and rebel leader

  ARRO HIRSI MAGAN: Ayaan’s half sister, a gynecologist

  HAWEYA HIRSI MAGAN: Ayaan’s sister

  IJAABO HIRSI MAGAN: Ayaan’s half sister

  MAHAD HIRSI MAGAN: Ayaan’s brother

  HERMAN PHILIPSE: A philosophy professor at Utrecht University who was Ayaan’s friend and lover; later defended her in the wake of the controversy over van Gogh’s murder

  OSMAN MUSSE QUARRE: A Canadian man who paid for Ayaan’s ticket to Europe after she married him in 1992

  JOS VAN DONGEN: A correspondent for the television program Zembla who made the television program that nearly cost Ayaan her Dutch citizenship

  THEO VAN GOGH: The Dutch filmmaker who made “Submission” with Ayaan and was murdered by Mohammed Bouyeri

  MARCO VAN KERKHOVEN: A science journalist who lived with Ayaan from 1996 to 2001

  RITA VERDONK: A Liberal Party member and minister of immigration and integration; ruled in 2006 that Ayaan was no longer Dutch

  MARYAN FARAH WARSAME: Ayaan’s stepmother, one of the first Somali women to gain a Western university education and enter government

  INTRODUCTION:

  Why I Followed Them

  It began with a coincidence. On November 3, 2004, I was standing in line for a security check at the Atlanta airport when I read in the newspaper that the Dutch filmmaker Theo van Gogh had been murdered in Amsterdam.

  The article said van Gogh had been bicycling to work when a younger, bearded man wearing traditional Arab clothes and a prayer cap cycled up next to him. Brandishing a pistol, the stranger fired eight shots and then pulled two knives from his robe. With the larger knife he sawed off the filmmaker’s head. With the smaller one he pinned a five-page letter to van Gogh’s body.

  The letter was addressed to a Dutch-Somali politician named Ayaan Hirsi Ali, who had collaborated with van Gogh to produce a short film about how Islam mistreated women. In a kind of incantation, the murderer predicted that Ayaan Hirsi Ali would be destroyed, the Netherlands would be destroyed, Europe would be destroyed, and finally the United States would fall before the might of Islam.

  The words made me shiver, and not just because such lurid crimes weren’t supposed to happen in easygoing Amsterdam. The fate of Theo van Gogh, a great-great-grandnephew of the nineteenth-century painter Vincent van Gogh, recalled the beheading two years earlier of Daniel Pearl, a reporter in Pakistan for the Wall Street Journal. The U.S. government had recently announced that Khalid Sheikh Mohammed, the “superterrorist” who was said to have planned the 9/11 attacks, had also murdered Pearl. I happened to be on my way just then to the very city where Pearl had been killed. My assignment for Vogue magazine was to discover more about a mysterious Pakistani woman named Aafia Siddiqui, whom the FBI had accused of working for Khalid Sheikh Mohammed (or “KSM,” as books and newspapers often called him, after the shorthand of the world’s intelligence services).

  There was also something else about the story from Amsterdam that focused my attention. The treatment of women in Islam—the subject of the film that was said to have sparked van Gogh’s murder—was a topic I had followed for a long time. I had felt for years that the suppression of women was as basic to the ideology of radical Islam as racism had been to the old American South or as anti-Semitism was to Nazi Germany. Whenever political Islam took power, as I had seen as a reporter in Africa and the Middle East, women were the first victims. Under the banner of Islam, women lost much of the freedom they had once possessed to dress as they pleased, to marry whom they chose, and to travel, work, and generally order their lives without male permission. Men, meanwhile, gained the right, wherever the new theocracies flourished, to police and control women.

  Men often welcomed the changes. It was only later, typically, that the puritanical Islamists made it clear that they also claimed a God-given right to rule other men—sometimes, indeed, while supposedly hastening an apocalypse that the most fanatical Islamists believed in dearly. Any serious struggle against such people, I believed, would have to be based on the principle that universal human rights must not be canceled in the name of some allegedly higher law.

  Yet I knew very well that ordinary Muslims were deeply suspicious of Westerners who claimed to want to liberate them. In the nineteenth century, Western imperialists had cited the emancipation of Muslim women as an excuse to invade and conquer Muslim lands. When President George W. Bush’s wife, Laura Bush, said after the United States invaded Afghanistan that “the fight against terrorism is also a fight for the rights and dignity of women,” many Muslims rejected her rhetoric as more of the same. And in fact, neither male nor female Muslims outside the United States seemed to have any inalienable rights in the shadowy war that Vice President Dick Cheney called “the dark side.”

  This darkness seemed to have swallowed Aafia Siddiqui alive. The woman I was going to Pakistan to investigate had been born in Karachi, and she was said to be brilliant as well as pious. She had lived in Boston for a decade while earning degrees at the Massachusetts Institute of Technology and Brandeis University. She had married a Pakistani doctor and eventually had three young children by him. But she had also returned to Pakistan and divorced him. And after the FBI named her in 2003 as the only known female operative of al-Qaeda, Aafia and her children had vanished.

  Sometimes her family said they thought she was dead. Or they said they believed the United States was holding her and her children in a secret U.S. prison. Washington denied this and kept issuing warnings, some of which mentioned Aafia by name, that Osama bin Laden’s followers might start using women to attack the West and that future attacks might involve weapons of mass destruction.

  In a photograph that her family released, Aafia seemed the image of sweet triumph as she graduated from MIT in 1995. She wore a scholarly cap and gown and held a bouquet of red roses as her long black hair blew prettily against her heart-shaped face. Why, I wondered, would a woman who had the freedom to be whatever she wanted join a hate-filled, all-male movement dedicated to controlling women—if she actually had joined al-Qaeda? Why would a first-class scientist with a Ph.D. from a university founded by Jews go to work for a man and a movement who apparently delighted in chopping off Jewish heads—if in fact she had? And why would a woman who had everything that most Pakistani women only dream about choose to throw all that away in order to massacre Americans? Could the FBI’s charges possibly be true?

  Muslims, meanwhile, seemed unafraid of Aafia Siddiqui. Instead, it was Ayaan Hirsi Ali who filled them with fear and rage.

  Like Aafia, Ayaan was small, even delicate. But while Aafia Siddiqui was demurely attractive, the Somali-born Ayaan Hirsi Ali had a striking, pantherlike beauty. The newspaper article about van Gogh’s murder said that she had written the script for the ten-minute film that had apparently gotten him killed. In it, some fictional Muslim women tell God about the rapes, beatings, and incest they have suffered at the hands of Muslim men. Beneath transparent veils, the actresses’ naked bodies are inscribed with verses from the Quran that are used to justify women’s submission.

  For the average Dutch viewer, the idea that such verses were still taken seriously probably came as a greater shock than the fact that they were painted on female flesh. But Muslims regar
d the Quran as the literal word of God, and some very conservative Muslims believe they are forbidden to depict the human body. Most Islamic religious art tries to glorify the written Quran, and from a Muslim standpoint it was deeply disrespectful of Ayaan to portray the holy scriptures on naked human skin. As a born Muslim herself, moreover, Ayaan must have known that to use such scenes to blame the Quran for rape and incest would be nothing less than incendiary.

  What sort of rage, I wondered, had provoked her to make the film? What kind of bravery, or foolishness, had made her promise to produce a sequel?

  Some reports attributed her anger to the traditional female circumcision she had undergone as a child and to the forced marriage she said had led her to seek asylum in the Netherlands. I had spent enough time in Somalia to feel sure that such an explanation couldn’t be the whole story. Nearly every Somali woman is circumcised, yet most of them would defend their religion and their customs to the death—at least against outsiders. What made Ayaan Hirsi Ali different?

 

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