Complete Works of F Marion Crawford

by F. Marion Crawford

  Corona was a woman, and very young. She had not the knowledge or the experience to understand his value, and she had taken a personal dislike to him when she first appeared in society. He was too smooth for her; she thought him false. She preferred a rougher type. Her husband, on the other hand, had a boundless admiration for the cardinal-statesman; and perhaps the way in which Astrardente constantly tried to impress his wife with a sense of the great man’s virtues, indirectly contributed to increase her aversion. Nevertheless, when he sent word that he desired to be received by her, she did not hesitate a moment, but expressed her willingness at once. Punctually as the gun of Sant Angelo roared out the news that the sun was on the meridian, Cardinal Antonelli entered Corona’s house. She received him in the great drawing-room. There was an air of solemnity about the meeting. The room itself, divested of a thousand trifles which had already been sent into the country, looked desolate and formal; the heavy curtains admitted but little light; there was no fire on the hearth; Corona stood all in black — a very incarnation of mourning — as her visitor trod softly across the dark carpet towards her.

  The Cardinal’s expressive face was softened by a look of gentle sympathy, as he came forward and took her hand in both of his, and gazed for a moment into her beautiful eyes.

  “I am an ambassador, Duchessa,” he said softly. “I come to tell you how deeply our Holy Father sympathises in your great sorrow.”

  Corona bent her head respectfully, and motioned to the Cardinal to be seated.

  “I beg that your Eminence will convey to his Holiness my most sincere gratitude for this expression of his paternal kindness to one so unhappy.”

  “Indeed I will not fail to deliver your message, Duchessa,” answered the Cardinal, seating himself by her side in one of the great arm-chairs which had been placed together in the middle of the room. “His Holiness has promised to remember you in his august prayers; and I also, for my own part, entreat you to believe that my poor sympathy is wholly with you in your distress.”

  “Your Eminence is most kind,” replied Corona, gravely.

  It seemed as though there were little more to be said in such a case. There was no friendship between the two, no bond of union or fellowship: it was simply a formal visit of condolence, entailed as a necessity by Corona’s high position. The Pope had sent her a gift at her wedding; he sent her a message of sympathy at her husband’s death. Half-a-dozen phrases would be exchanged, and the Cardinal would take his leave, accompanied by a file of the Duchessa’s lackeys — and so it would all be over. But the Cardinal was a statesman, a diplomatist, and one of the best talkers in Europe; moreover, he never allowed an opportunity of pursuing his ends to pass unimproved.

  “Ah, Duchessa!” he said, folding his hands upon his knee and looking down, “there is but one Consoler in sorrow such as yours. It is vain for us mortals to talk of any such thing as alleviating real mental suffering. There are consolations — many of them — for some people, but they are not for you. To many the accidents of wealth, of youth, of beauty, seem to open the perspective of a brilliant future at the very moment when all the present appears to be shrouded in darkness; but if you will permit me, who know you so little, to say it frankly, I do not believe that any of these things which you possess in such plentiful abundance will lessen the measure of your grief. It is not right that they should, I suppose. It is not fitting that noble minds should even possess the faculty of forgetting real suffering in the unreal trifles of a great worldly possession, which so easily restore the weak to courage, and natter the vulgar into the forgetfulness of honourable sorrow. I am no moraliser, no pedantic philosopher. The stoic may have shrugged his heavy shoulders in sullen indifference to fate; the epicurean may have found such bodily ease in his excessive refinement of moderate enjoyment as to overlook the deepest afflictions in anticipating the animal pleasure of the next meal. I cannot conceive of such men as those philosophising diners; nor can I imagine by what arguments the wisest of mankind could induce a fellow-creature in distress to forget his sufferings. Sorrow is sorrow still to all finely organised natures. The capacity for feeling sorrow is one of the highest tests of nobility — a nobility of nature not found always in those of high blood and birth, but existing in the people, wherever the people are good.”

  The Cardinal’s voice became even more gentle as he spoke. He was himself of very humble origin, and spoke feelingly. Corona listened, though she only heard half of what he said; but his soft tone soothed her almost unconsciously.

  “There is little consolation for me — I am quite alone,” she said.

  “You are not of those who find relief in worldly greatness,” continued the Cardinal. “But I have seen women, young, rich, and beautiful, wear their mourning with wonderful composure. Youth is so much, wealth is so much more, beauty is such a power in the world — all three together are resistless. Many a young widow is not ashamed to think of marriage before her husband has been dead a month. Indeed they do not always make bad wives. A woman who has been married young and is early deprived of her husband, has great experience, great knowledge of the world. Many feel that they have no right to waste the goods given them in a life of solitary mourning. Wealth is given to be used, and perhaps many a rich young widow thinks she can use it more wisely in the company of a husband young as herself. It may be; I cannot tell. These are days when power of any sort should be used, and perhaps no one should even for a moment think of withdrawing from the scene where such great battles are being fought. But one may choose wisely a way of using power, or one may choose unwisely. There is much to be done.”

  “How?” asked Corona, catching at his expression of an idea which pursued her. “Here am I, rich, alone, idle — above all, very unhappy. What can I do? I wish I knew, for I would try and do it.”

  “Ah! I was not speaking of you, Duchessa,” answered the statesman. “You are too noble a woman to be easily consoled. And yet, though you may not find relief from your great sorrow, there are many things within your reach which you might do, and feel that in your mourning you have done honour to your departed husband as well as to yourself. You have great estates — you can improve them, and especially you can improve the condition of your peasants, and strengthen their loyalty to you and to the State. You can find many a village on your lands where a school might be established, an asylum built, a road opened — anything which shall give employment to the poor, and which, when finished, shall benefit their condition. Especially about Astrardente they are very poor; I know the country well. In six months you might change many things; and then you might return to Rome next winter. If it pleases you, you can do anything with society. You can make your house a centre for a new party — the oldest of all parties it is, but it would now be thought new here. We have no centre. There is no salon in the good old sense of the word — no house where all that is intelligent, all that is powerful, all that is influential, is irresistibly drawn. To make a centre of that kind would be a worthy object, it seems to me. You would surround yourself with men of genius; you would bring those together who cannot meet elsewhere; you would give a vigorous tone to a society which is fast falling to decay from inanition; you could become a power, a real power, not only in Rome, but in Europe; you could make your house famous as the point from which, in Rome, all that is good and great should radiate to the very ends of the earth. You could do all this in your young widowhood, and you would not dishonour the memory of him you loved so dearly.”

  Corona looked earnestly at the Cardinal as he enlarged upon the possibilities of her life. What he said seemed true and good. It opened to her a larger field than she had dreamed of half an hour ago. Especially the plan of working for the improvement of her estates and people attracted her. She wanted to do something at once — something good, and something worth doing.

  “I believe you are right,” she said. “I shall die if I am idle.”

  “I know I am right,” returned the Cardinal, in a tone of conviction. “Not that I propose
all this as an unalterable plan for you. I would not have you think I mean to lay down any system, or even to advise you at all. I was merely thinking aloud. I am too happy if my thoughts please you — if anything I say can even for a moment relieve your mind from the pressure of this sudden grief. It is not consolation I offer you. I am not a priest, but a man of action; and it is action I propose to you, not as an anodyne for sorrow, but simply because it is right that in these days we should all strive with a good will. Your peasants are many of them in an evil case: you can save them and make them happy, even though you find no happiness for yourself. Our social world here is falling to pieces, going astray after strange gods, and especially after Madame Mayer and her lares and penates, young Valdarno and Del Ferice: it is in your power to create a new life here, or at least to contribute greatly towards reestablishing the social balance. I say, do this thing, if you will, for it is a good thing to do. At all events, while you are building roads — and perhaps schools — at Astrardente, you can think over the course you will afterwards pursue. And now, my dear Duchessa, I have detained you far too long. Forgive me if I have wearied you, for I have great things at heart, and must sometimes speak of them though I speak feebly. Count on me always for any assistance you may require. Bear with me if I weary you, for I was a good friend of him we both mourn.”

  “Thank you — you have given me good thoughts,” said Corona, simply.

  So the courtly Cardinal rose and took his leave, and once more Corona was left alone. It was a strange thing that, while he disclaimed all power to comfort her, and denied that consolation was possible in her case, she had nevertheless listened to him with interest, and now found herself thinking seriously of what he had said. He seemed to have put her thoughts into shape, and to have given direction to that sense of power she had already begun to feel. For the first time in her life she felt something like sympathy for the Cardinal, and she lingered for some minutes alone in the great reception-room, wondering whether she could accomplish any of the things he had proposed to her. At all events, there was nothing now to hinder her departure; and she thought with something like pleasure of the rocky Sabines, the solitude of the mountains, the simple faces of the people about her place, and of the quiet life she intended to lead there during the next six months.

  But the Cardinal went on his way, rolling along through the narrow streets in his great coach. Leaning far back in his cushioned seat, he could just catch a glimpse of the people as he passed, and his quick eyes recognised many, both high and low. But he did not care to show himself, for he felt himself disliked, and deep in his finely organised nature there lay a sensitiveness which was wounded by the popular hatred. It hurt him to see the lowering glances of the poor man, and to return the forced bow of the rich man who feared him. He often longed to be able to explain many things to them both, to the rich and to the poor; and then, knowing how impossible it was that he should be understood by either, he sighed somewhat bitterly, and hid himself still deeper in his carriage. Few men in the midst of the world have stood so wholly alone as Cardinal Antonelli.

  To-day, however, he had an appointment which he anticipated with a sort of interest quite new to him. Anastase Gouache was coming to begin his portrait, and Anastase was an object of curiosity to him. It would have surprised the young Frenchman had he guessed how carefully he was watched, for he was a modest fellow, and did not think himself of very much importance. He allowed Donna Tullia and her friends to come to his studio whenever they pleased, and he listened to their shallow talk, and joined, occasionally in the conversation, letting them believe that he sympathised with them, simply because his own ideas were unsettled. It was a good thing for him to paint a portrait of Donna Tullia, for it made him the fashion, and he had small scruple in agreeing with her views so long as he had no fixed convictions of his own. She and her set regarded him as a harmless boy, and looked upon his little studio as a convenience, in payment whereof they pushed him into society, and spread abroad the rumour that he was the rising artist of the day. But the great Cardinal had seen him more than once, and had conceived a liking for his delicate intellectual face and unobtrusive manner. He had watched him and caused him to be watched, and his interest had increased, and finally he had taken a fancy to have a portrait of himself painted by the young fellow. This was the day appointed for the first sitting; and when the Cardinal reached his lodgings, high up in the Vatican pile, he found Anastase Gouache waiting for him in the small ante-chamber.

  The prime minister was not luxuriously lodged. Four rooms sufficed him — to wit, the said ante-chamber, bare and uncarpeted, and furnished with three painted wooden box benches; a comfortable study lined throughout with shelves and lockers, furnished with half-a-dozen large chairs and a single writing-table, whereon stood a crucifix and an inkstand; beyond this a bedroom and a small dining-room: that was all. The drawers of the lockers and bookcases contained a correspondence which would have astonished Europe, and a collection of gems and precious stones unrivalled in the world; but there was nothing in the shape of ornament visible to the eye, unless one were to class under that head a fairly good bust of Pius IX, which stood upon a plain marble pedestal in one corner. Gouache followed the great man into this study. He was surprised by the simplicity of the apartment; but he felt in sympathy with it, and with the Cardinal himself; and with the intuitive knowledge of a true artist, he foresaw that he was to paint a successful portrait.

  The Cardinal busied himself with some papers while the painter silently made his preparations.

  “If your Eminence is ready?” suggested Gouache.

  “At your service, my friend,” replied the Cardinal, blandly. “How shall I sit? The portrait must be taken in full face, I think.”

  “By all means. Here, I think — so; the light is very good at this hour, but a little later we shall have the sun. If your Eminence will look at me — a little more to the left — I think that will do. I will draw it in in charcoal and your Eminence can judge.”

  “Precisely,” returned the Cardinal. “You will paint the devil even blacker than he is.”

  “The devil?” repeated Gouache, raising his eyebrows with a slight smile.

  “I was not aware—”

  “And yet you have been in Rome four years!”

  “I am very careful,” returned Gouache. “I never by any chance hear any evil of those whom I am to paint.”

  “You have very well-bred ears, Monsieur Gouache. I fear that if I had attended some of the meetings in your studio while Donna Tullia was having her portrait painted, I should have heard strange things. Have they all escaped you?”

  Gouache was silent for a moment. It did not surprise him to learn that the omniscient Cardinal was fully acquainted with the doings in his studio, but he looked curiously at the great man before he answered. The Cardinal’s small gleaming eyes met his with the fearlessness of superiority.

  “I remember nothing but good of your Eminence,” the painter replied at last, with a laugh; and applying himself to his work, he began to draw in the outline of the Cardinal’s head. The words he had just heard, implying as they did a thorough knowledge of the minutest details of social life, would have terrified Madame Mayer, and would perhaps have driven Del Ferice out of the Papal States in fear of his life. Even the good-natured and foolish Valdarno might reasonably have been startled; but Anastase was made of different stuff. His grandfather had helped to storm the Bastille, his father had been among the men of 1848; there was revolutionary blood in his veins, and he distinguished between real and imaginary conspiracy with the unerring certainty of instinct, as the bloodhound knows the track of man from the slot of meaner game. He laughed at Donna Tullia, he distrusted Del Ferice, and to some extent he understood the Cardinal. And the statesman understood him, too, and was interested by him.

  “You may as well forget their chatter. It does me no harm, and it amuses them. It does not seem to surprise you that I should know all about it, however. You have good nerves, Mons
ieur Gouache.”

  “Of course your Eminence can send me out of Rome to-morrow, if you please,” answered Gouache, with perfect unconcern. “But the portrait will not be finished so soon.”

  “No — that would be a pity. You shall stay. But the others — what would you advise me to do with them?” asked the Cardinal, his bright eyes twinkling with amusement.