Bouvard and Pecuchet

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Bouvard and Pecuchet Page 25

by Gustave Flaubert


  They deliberated as to the different kinds of death. Poison makes you suffer. In order to cut your throat you require too much courage. In the case of asphyxia, people often fail to effect their object.

  Finally, Pécuchet carried up to the garret two ropes belonging to their gymnastic apparatus. Then, having fastened them to the same cross-beam of the roof, he let a slip-knot hang down from the end of each, and drew two chairs underneath to reach the ropes.

  This method was the one they selected.

  They asked themselves what impression it would cause in the district, what would become of their library, their papers, their collections. The thought of death made them feel tenderly about themselves. However, they did not abandon their project, and by dint of talking about it they grew accustomed to the idea.

  On the evening of the 24th of December, between ten and eleven o'clock, they sat thinking in the museum, both differently attired. Bouvard wore a blouse over his knitted waistcoat, and Pécuchet,297 through economy, had not left off his monk's habit for the past three months.

  As they were very hungry (for Marcel, having gone out at daybreak, had not reappeared), Bouvard thought it would be a healthful thing for him to drink a quart bottle of brandy, and for Pécuchet to take some tea.

  While he was lifting up the kettle he spilled some water on the floor.

  "Awkward!" exclaimed Bouvard.

  Then, thinking the infusion too small, he wanted to strengthen it with two additional spoonfuls.

  "This will be execrable," said Pécuchet.

  "Not at all."

  And while each of them was trying to draw the work-box closer to himself, the tray upset and fell down. One of the cups was smashed—the last of their fine porcelain tea-service.

  Bouvard turned pale.

  "Go on! Confusion! Don't put yourself about!"

  "Truly, a great misfortune! I attribute it to my father."

  "Your natural father," corrected Pécuchet, with a sneer.

  "Ha! you insult me!"

  "No; but I am tiring you out! I see it plainly! Confess it!"

  And Pécuchet was seized with anger, or rather with madness. So was Bouvard. The pair began shrieking, the one excited by hunger, the other by alcohol. Pécuchet's throat at length emitted no sound save a rattling.

  "It is infernal, a life like this. I much prefer death. Adieu!"298

  He snatched up the candlestick and rushed out, slamming the door behind him.

  Bouvard, plunged in darkness, found some difficulty in opening it. He ran after Pécuchet, and followed him up to the garret.

  The candle was on the floor, and Pécuchet was standing on one of the chairs, with a rope in his hand. The spirit of imitation got the better of Bouvard.

  "Wait for me!"

  And he had just got up on the other chair when, suddenly stopping:

  "Why, we have not made our wills!"

  "Hold on! That's quite true!"

  Their breasts swelled with sobs. They leaned against the skylight to take breath.

  The air was chilly and a multitude of stars glittered in a sky of inky blackness.

  The whiteness of the snow that covered the earth was lost in the haze of the horizon.

  They perceived, close to the ground, little lights, which, as they drew near, looked larger, all reaching up to the side of the church.

  Curiosity drove them to the spot. It was the midnight mass. These lights came from shepherds' lanterns. Some of them were shaking their cloaks under the porch.

  The serpent snorted; the incense smoked. Glasses suspended along the nave represented three crowns of many-coloured flames; and, at the end of the perspective at the two sides of the tabernacle, immense wax tapers were pointed with red flames. Above the heads of the crowd and the broad-brimmed hats of the women, beyond the chanters, the priest299 could be distinguished in his chasuble of gold. To his sharp voice responded the strong voices of the men who filled up the gallery, and the wooden vault quivered above its stone arches. The walls were decorated with the stations of the Cross. In the midst of the choir, before the altar, a lamb was lying down, with its feet under its belly and its ears erect.

  The warm temperature imparted to them both a strange feeling of comfort, and their thoughts, which had been so tempestuous only a short time before, became peaceful, like waves when they are calmed.

  They listened to the Gospel and the Credo, and watched the movements of the priest. Meanwhile, the old, the young, the beggar women in rags, the mothers in high caps, the strong young fellows with tufts of fair down on their faces, were all praying, absorbed in the same deep joy, and saw the body of the Infant Christ shining, like a sun, upon the straw of a stable. This faith on the part of others touched Bouvard in spite of his reason, and Pécuchet in spite of the hardness of his heart.

  There was a silence; every back was bent, and, at the tinkling of a bell, the little lamb bleated.

  The host was displayed by the priest, as high as possible between his two hands. Then burst forth a strain of gladness inviting the whole world to the feet of the King of Angels. Bouvard and Pécuchet involuntarily joined in it, and they felt, as it were, a new dawn rising in their souls.

  FOOTNOTES:

  [1] Roughly speaking, about 93 acres.—Translator.

  [2] Cuscute—dodder.

  [3] One hectare contains 2 acres 1 rood 38 perches.—Translator.

  [4] The [Text missing in original.—Transcriber.]

  [5] Raspail, the author of the work here referred to, was called in to attend Gustave Flaubert's sister Caroline before her death in 1846.—Translator.

  [6] A decalitre contains over two gallons.—Translator.

  [7] A myriamètre is over six miles.—Translator.

  [8] This would, roughly speaking, be about eleven yards.—Translator.

  [9]

  Oui, prince, je languis, je brûle pour Thésée—

  Je l'aime!

  [10] The Vinegar Merchant's Wheelbarrow.

  [11]

  Des flammes de les yeux inonde ma paupière.

  Chante-moi quelque chant, comme parfois, le soir,

  Tu m'en chantais, avec des pleurs dans ton œil noir.

  [12]

  Soyons heureux! buvons! car la coupe est remplie,

  Car cette heure est à moi, et le reste est folie!

  [13]

  N'est-ce pas qu'il est doux

  D'aimer, et savoir qu'on vous aime à genoux?

  [14]

  Oh! laisse-moi dormir et rêver sur ton sein,

  Doña Sol, ma beauté, mon amour!

  [15]

  Que dans tous vos discours la passion emue

  Aille chercher le cœur, l'échauffe et le remue.

  [16] La savate—a military practice of beating with an old shoe soldiers unskilful at drill.—Translator.

  [17]

  A nous l'animal timide!

  Atteignons le cerf rapide!

  Oui! nous vaincons!

  Courons! courons! courons!

  Transcriber's Notes:

  Page 12: Bartholemée sic

  Page 15: Bartholemée sic

  Page 36: The text of the second footnote on this page is missing in the original edition of the book.

  Page 111: Single opening quote changed to double quote (... returned Pécuchet, "has disappeared...")

  Page 114: Heurteaux amended to Heurtaux

  Page 133: Heurteaux amended to Heurtaux

  Page 150: Full stop added after "well-balanced idea"

  Page 167: comma added after Mauprat

  Page 218: abbê amended to abbé

  Page 221: parlimentary amended to parliamentary

  Page 250: Loadstone sic

  Page 259: Full stop added after "imagination"

  Page 276: Comma added after "Yet"

  Small discrepancies between the Table of Contents and the chapter headings have been retained.

  Hyphenation has been standardised. Where the hyphenated and unhyphenated version of a word occur a
n equal number of times, both have been retained: cocoa-nuts/cocoanuts; cross-beam/crossbeam; foot-warmer/footwarmer; night-cap/nightcap; sugar-loaves/sugarloaves; tri-coloured/tricoloured; wash-house/washhouse.

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