Swords v. Cthulhu

by Jesse Bullington

  It also doesn’t take you long to realize that you can’t speak well with the stones in your mouth, so you go over the plan then and there. Samanda tells you that the Shining Trapezohedron is guarded by an entity known as the Yellow King. “Maybe a man, maybe a monster, possibly a god, but certainly something that we can rob.”

  As you step into the sea, the water feels cold and briny around you until you are completely submerged, and then, suddenly, it is as if the water isn’t there at all. The temperature turns normal, your movements are no longer sluggish, and you silently thank the Seer with Many Faces for its intervention on your behalf, though past experience has taught you that such intervention seldom comes without a price.

  The bottom of the ocean is a remarkably beautiful place, more verdant and strange than any non-aquatic garden. You pass coral reefs as vibrant as any flower, tenanted by fish and eels and squid in every color of the rainbow. As the ocean floor drops away from the land, translucent serpents and fish that glow with their own inner light swim by you in the depths.

  Finally, at the bottom of the sea, you come to a sunken city. It is a nameless place, built before men, and its massive carvings show cephalopods and crustaceans and things with the heads of dolphins. The steps you ascend to its shattered columns are larger than any steps humans would ever have carved.

  At the top you find yourselves in broad and strangely angled avenues, now covered over by barnacles and other sea growths. Ahead of you, what looked to be paving stones suddenly rise up and skitter forward on spindly legs. Enormous blue crabs with eyes that glow in the dimness of the sea bottom, their pincers poised for destruction. One of them rises up near Samanda, reaching out toward her with its gargantuan claw, and you have to make a decision.

  If you go to her aid, refer to passage V.

  If you leave her to her fate, refer to passage VIII.

  III

  The Doll Mage spends the night in Lankhende before leaving the city alone the next morning, without contracting any mercenaries or bodyguards to assist in her journey.

  You trail her for most of the next day, and it is only as night begins to fall that you suddenly feel the strange sensation, the invisible tugging that seems to come from within your muscles. Once, you had a wound stitched up by a barber after a particularly fierce battle, and though pain and booze had numbed your senses, you still had been able to feel the tugging as the thread was pulled tight. This feels like that, and you realize that you can no longer move. Then you do move, but not at all in the way that you had intended.

  Your motions jerky, you stand up, step out of your hiding place, and walk out to where the Doll Mage has made her camp. She sits, smiling up at you pleasantly. “I know you’ve been following me since the Jeweled Remora,” she says, “but you seemed capable enough at it, and I thought you might prove useful.”

  You see that she is holding a doll, a tiny effigy of cloth and wax, and you notice with a start that it looks like you. “I’ll give you leave to talk,” she says, “so that you can tell me whether you’d like to assist me by choice, or if we’ll do this the other way.”

  She pulls out a black stitch from across the doll’s mouth, and suddenly you find your voice. You tell her that you’ll happily help her of your own volition, especially now that you know the alternative.

  She tells you that her name is Ivrian, and that she has the first part of a riddle that is supposed to help guide her to the Shining Trapezohedron: “A destination that few men seek.” You take her to cave of the Seer of Many Faces, the only person you know of — if person it can indeed be called — who may know the rest. The cave is long and damp, and at the back of it the Seer waits in a chair that seems to have grown up from the stone of the cave itself. The Seer appears to have been formed from shadow or tar. Only its face is visible, and that is a mirror, in which each supplicant sees only herself.

  “A destination that few men seek,” the Seer says, “but that all men find. That is your riddle, and the answer is death, for death is what awaits you if you persist in your folly — but only for the lucky among you, for the riddle is itself a lie, and in the lie is the answer you desire. For some unlucky few, death is a destination that is never found, and they persist forever in something worse than death. If you go to where those unfortunate souls languish, you will find your prize, but I warn you against it, for the pursuit will cost you dearly, and success more dearly still.”

  But neither of you can be dissuaded, and from the Seer’s cryptic remarks Ivrian discerns where you must head: the Forbidden Plateau.

  The journey is long, and on the way she explains to you the nature of her magic, teaching you how to make the effigies of wax and cloth. “We are all just puppets, really,” she tells you, “dancing on something’s strings. Our passions, our desires, the burdens that we carry. A doll mage simply learns how to pluck those strings.”

  The Forbidden Plateau waits at the top of three thousand, nine hundred and ninety-nine steps; a place that grows thick with fungus and mushrooms the like of which you have never seen. Huge beds of fungus, in purples and blues and greens, mushrooms that stretch up taller than trees, raining down glittering spores from the gills on their undersides. At first it is beautiful, until you notice the bodies, dozens upon dozens of corpses lying amid the fungus, with fungus grown up around and through them, mushrooms sprouting from their eyes, their mouths. The bodies of all those who have visited the Plateau before you.

  Before you arrived, Ivrian warned you that you must not eat even a bite. “Once you eat of the fungus,” she told you, “you do not die, but you also no longer live. The fungus becomes your body, and only your bones remain.”

  As you pick your way carefully among the fruiting bodies, toward the far end of the Plateau where a distant temple waits, you find your stomach growling. The fungus looks so delicious, and in spite of the evidence of your eyes, you can’t quite believe Ivrian’s story. One bite, after all, could never do so much harm.

  If you eat of the fungus, refer to passage VI.

  If you refrain, refer to passage IX.

  IV

  Over the course of your travels, Vlana has impressed you with her skill with a blade, and you assume that your best chance of survival is at her side. You draw your own, shorter sword and stand back-to-back as the ghouls surround you. The one who previously spoke barks something else in Ghulese, and Vlana shouts back at him a choice insult about his parentage. Then, in one quick motion, she steps forward and severs his bony head from his shoulders.

  It is an odd sight, to watch the ghoul’s head come off. Because the muscles and tendons that connect the bone are invisible, it is like watching the sword part air, and then the skull seems to simply decide that it no longer has any interest in the body, and rolls away. The blood of the ghouls must be as transparent as their flesh, for there is no visible spray. The body simply stumbles, and then falls to the ground.

  “They can be killed!” Vlana shouts, and then the battle is joined.

  You fight as swiftly and as fiercely as you know how, your sword arm improved by Vlana’s schooling over the recent days. But you are nothing compared to her. She carves through the ghouls like a shark through minnows. Heartseeker flashes, and bony limbs and skulls leap free of their bondage and scatter across the ground.

  Unfortunately, you haven’t the leisure to sit back and admire Vlana’s handiwork. Two ghouls approach you at the same time, wielding wickedly hooked blades. You parry each one, but they force you backward, until you feel a column against your back. With nothing else left to do, you duck, and the ghoul’s black blade bites into the column above your head, while you stick your sword into the invisible guts of your other opponent, snatching up his weapon even as it slips from bony fingers. The metal tingles under your grasp, but still you use it to slice the throat of your other foe, and you feel a spray of cold blood strike your face, though you cannot see it.

  Panting, you turn back to Vlana, and you see only a street strewn with the dead, though it
is difficult indeed to tell a dead ghoul from a live one, except by the places where they’ve been hacked to pieces. Casting about, you spot Vlana, lying where she has fallen, pierced through and through with various ghoulish weapons. You walk over to her body, but she is already gone. There is nothing left for you but to heft Heartseeker and continue on through Ghulende to the throne of the Yellow King.

  The throne isn’t difficult to find. It stands at the far end of the city, alone on a raised platform next to a vast black chasm that splits open the earth. You encounter no other ghoulish interference, and when you reach the throne, you have no doubt at all that you’ve arrived at the right place.

  The Yellow King himself looks at home among the ghouls who make up his court. He appears as a plague corpse, wrapped head to foot in winding sheets, with a crown of candles upon his brow. In his left hand he holds a scepter, topped with an object that can only be the Shining Trapezohedron. The gem is nearly black in color, striated with bands of red, and as you gaze at it, the world seems to tilt beneath you for a moment before you pull your eyes away.

  With Heartseeker in your hand, you feel braver than you otherwise might, and you advance on the Yellow King with your shoulders back, your head high. It is difficult to make out any expression on the corpse-gaunt face, but it seems to you that he smiles as you approach.

  He doesn’t speak, but simply holds out the scepter, offering you the stone. You sense a trap, but you have little fear of this gaunt creature after those you have just faced, and Vlana’s sword in your hand steels you. You reach out and take the stone from the scepter, and even as you do, the Yellow King seems to wither further, his bones turning to dust, his flesh crumpling inward, until only the winding sheet is left, and then even it blows away into the chasm.

  You have attained your goal, and the Shining Trapezohedron is now in your grasp, but even as you touch it, you feel seized by a compulsion at once to gaze into it and to cast it into the abyss.

  If you cast the Shining Trapezohedron away, refer to passage X.

  If you gaze into the Shining Trapezohedron, refer to passage XI.

  V

  You’ll need Samanda to retrieve the stone, and as you interpose yourself between her and the crab, she nods to you and slips to the side, making her way down the boulevard and toward the center of the aquatic city. The claw that was meant for her you block with your sword, but there are other crabs rising up all around. Without thinking, you open your mouth to call out for her help, and the ocean rushes in. You snap your jaws closed, tasting the brine of deep sea water.

  At the other end of the street, Samanda’s ankle is caught in the grip of a gigantic crab. Desperately, you swing your blade at the claws that surround you, but they are too many. As you fight for your life, you see the magic pebble slip out of Samanda’s mouth and drift away through the water, you see her body go limp as she floats instead of falling, the water once more granted its power over her.

  As the crabs close around you, you wonder if drowning would perhaps be a more pleasant end than the one that you face, but unfortunately for you, you aren’t given the choice.

  You have died.

  VI

  When Ivrian isn’t looking, you break off a piece of the fungus and pop it into your mouth. The moment you do so, you wonder why you waited so long. It is the most exquisite flavor you have ever tasted.

  By the time Ivrian realizes what you’ve done and comes to stop you, you hardly notice that she is even there. You try to explain to her, around mouthfuls of fungus, that you have never before known happiness. You hold the fungus out to her, and she strikes it away, and you’re only distantly surprised to see part of your hand break off with it. Ivrian is surprised though, or disgusted, or maybe terrified. You find it hard to tell what her expressions mean anymore, but she flees. Still, you are untroubled. You know that she won’t get far. You are the Plateau now, the fungal beds that spread across its entire length and breadth, and those like you won’t ever let her reach the Yellow King.

  You lie back in contentment, as you feel the hyphae begin to grow through you. It will be a long time now before the pain begins, and longer still before it ever stops.

  You haven’t died, but you’ll soon wish that you had.

  VII

  Deciding that discretion is the better part of valor, you hope that you can make your way to the throne of the Yellow King while the ghouls are busy digesting Vlana. As she rushes into battle, you turn and dart between two verdigris-colored skeletons and into a dark alleyway.

  The alley you have chosen for your escape leans perilously, and once you’re inside it, you find that it is plagued with sudden switchbacks, so that in no time at all you’ve lost your way. The fog causes the sounds of clashing steel to echo and re-echo, sounding at every moment like they are just around the next bend, or over the next wall.

  As the sounds of conflict fade, you take a few tentative steps forward, and peer out from a ruined archway. Before you, the fog discloses a grisly scene. Several ghouls lie strewn about the street, looking no different in death than they did in life, but the vast majority of the throng are gathered in the center of the road, tearing pieces from Vlana’s fallen body.

  Apparently, your flight has taken you in a circle and returned you back again to the place from whence you departed.

  Heartseeker has fallen from Vlana’s grasp and lies outside the ring of feeding ghouls, and you step forward to lift it, but even as you do, you feel a clammy hand fasten around your wrist, and the ghouls who were waiting on either side of the archway are suddenly upon you, pressing you to the ground, their cold teeth sinking into your warm flesh.

  You have died.

  VIII

  As more and more of the enormous crabs rise from the city streets, you realize that you didn’t sign on for this. You’d apologize to Samanda if you could, but your mouth is full of magic rock. Even as you dart past her, the claw of the enormous crab fastens around her waist, and the pebble is squeezed from her mouth. You take comfort in the knowledge that she’ll probably drown before the crabs can tear her apart.

  The crabs are surprisingly quick for such huge beasts, and several times you have to deflect snapping claws with the blade of your sword. At the end of the lane, a creature so massive that it makes its brethren look regular-sized rises up before you, the entire end of the street yawning upward into a gargantuan blue carapace. Your blade licks out and slices off a wavering eyestalk, and then you’re stepping atop the monster even as it levers itself upward, and using its height to boost you onto the avenue above.

  You find yourself in a broad thoroughfare lined with cyclopean pillars that must have once reached to the heavens, if this city ever existed above the waves. At its far end, you see the gates of some temple or fane. As you pass through, you discover that the interior is not an interior at all, but that some ancient cataclysm has rent the building, destroying the roof and bringing down most of the walls, so that the temple is now open to the sea and to a massive chasm that splits the seabed behind it. Here you find the throne of the Yellow King, and the King himself asleep upon it. Samanda was right when she hypothesized that the King might not be a man. What lies upon the throne is an enormous worm, fat as a maggot, its yellow flesh the color of infection.

  Next to the throne is a heap of gold and jewels, and atop the heap the treasure that you seek, what can only be the Shining Trapezohedron. Black and shot through with red, it seems to call out to you, and you slip noiselessly across the temple floor toward your prize. You had believed that you might need Samanda’s skills to steal the stone, but it seems now that you may be stealthy enough after all, and you reach the pile of treasure without the King so much as stirring.

  You reach out one shaking hand, close your fist around the Trapezohedron, and as you do so, you hear a sound behind you, a sound out of place in the soundless depths of the ocean. You turn, and you see that the worm that is the Yellow King terminates in a human face, and that face is directing its mocking laught
er at you, and you realize that, while you’ve gotten what you came for, you’ve also fallen into a trap.

  If you cast the Shining Trapezohedron away, refer to passage X.

  If you gaze into the Shining Trapezohedron, refer to passage XI.

  IX

  You fight the unnatural pull of the mushrooms that surround you, and follow Ivrian through the strange fields of the Plateau. As you near the temple steps, however, you notice that the fungus seems to have shifted slightly. Each time you look away, the topography has changed when you look back. Before you can point the phenomenon out to Ivrian, one of the corpses tears itself free from its fungal bed and lunges at you. Your sword comes up and slices off an arm. The sensation is oddly repellent, not the clean bite of a normal blade cutting normal flesh.

  All around you, the bodies within the fungus are rising up. Mushrooms in vivid blues and greens and purples burst from their bodies as they clamber, shamble, or even crawl toward you, and you know, even as you try to fend them off, that the fungus is what controls them, what makes them move, and that gives you an idea.

  “Ivrian,” you shout, “their bones are still intact!”

  And she, to her credit, sees what you mean immediately, plucks a fingerbone from the putrefying mass of the arm you just hacked off, and from it begins fashioning a hasty doll. In moments, one of the fungus people is fighting at your side, and shortly thereafter another has joined it, and then another.

  The creatures are not formidable in combat, too slow and too soft, but they cannot be slain as any living foe can, by cutting off a head or stopping a heart. No matter what you do to them, they keep coming, and even with your reinforcements, you know that you won’t last long. You turn to Ivrian, to tell her that one of you has to make it to the temple, just in time to see two of the creatures hauling her down. You slash at them, reducing them to quivering masses, but by the time you reach her, it’s too late, she has already swallowed the fungus they jammed in her mouth.