by Sally Cline
Federal Art Project, Alabama, 1
Felder Avenue, Montgomery, 1, 2
Ferber, Edna, 1
Fine Art School, Baltimore, 1
Finney, Eben, 1
Finney, Margaret (‘Peaches’), 1, 2, 3, 4
First World War (1914-18), 1, 2, 3
Fitzgerald, Annabel (FSF’s aunt), 1, 2
Fitzgerald, Annabel (later Sprague) (FSF’s sister), 1, 2, 3;
FSF’s advice to, 1;
as godmother, 1, 2;
marriage, 1;
quarrels over inheritance, 1
Fitzgerald, Edward, 1, 2, 3, 4
Fitzgerald, Frances Scott (‘Scottie’), 1
birth, 1, 2, 3;
family background, 1, 2;
Catholicism, 1, 2;
infancy, 1, 2, 3, 4, 5;
nannies/governesses, 1, 2, 3, 4, 5, 6;
in France (1924/5), 1, 2, 3, 4, 5, 6, 7;
in France (1926), 1, 2, 3;
in Washington (1927), 1, 2;
ZSF’s letters from Hollywood, 1;
at Ellerslie (1927/8), 1, 2, 3, 4;
ZSF’s art used for, 1, 2, 3, 4, 5;
in France (1928), 1, 2, 3;
in France (1929/30), 1, 2, 3, 4;
education, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11;
ballet classes, 1, 2, 3;
friends, 1, 2, 3, 4, 5, 6, 7;
care of, 1, 2, 3, 4, 5, 6;
family memories, 1, 2, 3, 4;
and ZSF’s breakdown, 1, 2, 3, 4, 5;
visits ZSF in clinic, 1, 2, 3, 4, 5, 6, 7;
ZSF’s letters from clinic, 1;
graduates from Ethel Walker, 1;
at Vassar, 1, 2, 3, 4;
and Sheilah Graham, 1;
campaigns for ZSF’s release, 1;
and FSF’s death, 1;
journalism, 1, 2;
marriage (1943), 1;
and ZSF’s art, 1;
visits ZSF in Montgomery (1940), 1;
on ZSF’s death, 1;
similarities to FSF, 1;
daughter-mother relationship, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23
Fitzgerald, Francis Scott Key
Life: family background, 1, 2, 3, 4, 5;
childhood, 1, 2;
schooldays, 1, 2;
early influences, 1;
Princeton University, 1, 2;
war service, 1, 2, 3, 4;
meets ZSF, 1, 2, 3, 4, 5, 6;
as copywriter, 1, 2;
first story published (1919), 1;
engagement, 1, 2;
affairs with May Steiner, Helen Dent, Rosalinde Fuller, 1;
This Side of Paradise published, 1, 2, 3;
wedding, 1, 2;
in New York (1920), 1;
affair with Gene Bankhead, 1;
in Westport, Conn., 1, 2, 3;
visits Montgomery (1920), 1, 2;
in New York (1920), 1;
works on Beautiful and Damned, 1, 2, 3, 4, 5;
European tour (1921), 1;
returns to St Paul, 1;
Scottie born, 1;
Beautiful and Damned published, 1, 2;
moves to Great Neck, 1;
in France (1924), 1, 2;
ZSF’s relationship with Jozan, 1, 2, 3;
in Italy (1924-5), 1;
Great Gatsby published, 1, 2;
in Paris (1925), 1, 2;
meets Hemingway, 1, 2;
violence towards ZSF, 1, 2;
on Riviera (1925), 1, 2, 3, 4;
in Los Angeles (1927), 1;
at Ellerslie, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10;
novel-writer’s block, 1, 2, 3, 4, 5, 6, 7, 8, 9;
in Paris (1928), 1;
European trip (1929), 1;
questions ZSF’s sexuality, 1, 2, 3;
becomes indifferent to ZSF, 1, 2, 3;
North Africa trip (1930), 1;
in Paris (1930), 1;
ZSF’s first breakdown, 1, 2, 3, 4, 5, 6, 7;
involvement in ZSF’s treatment, 1, 2, 3;
writes analytical memo, 1;
affair with Bijou O’Conor, 1;
ZSF discharged, 1;
in Montgomery (1931), 1;
in Hollywood, 1, 2, 3, 4;
in Florida (1932), 1;
ZSF’s second breakdown, 1, 2, 3;
implicated in ZSF’s breakdown, 1, 2, 3;
and Save Me The Waltz, 1, 2, 3, 4, 5;
tries to curtail ZSF’s writing, 1, 2, 3, 4, 5, 6, 7, 8, 9;
wields authority over ZSF, 1, 2, 3, 4, 5, 6;
hospitalized for alcoholism, 1, 2, 3;
discusses troubles with ZSF (1933), 1;
considers divorce, 1;
ZSF’s third breakdown (1934), 1, 2, 3, 4, 5, 6, 7, 8;
and Cary Ross Gallery exhibition, 1;
affairs (1934-5), with Dorothy Parker, 1,
with Beatrice Dance, 1;
edits ZSF’s stories, 1;
mother’s death, 1;
in Hollywood (1937), 1;
affair with Sheilah Graham, 1, 2, 3, 4;
refuses ZSF’s release from Highland, 1;
begins Last Tycoon, 1, 2;
ZSF released (1940), 1;
heart attacks, 1, 2;
death, 1;
obituaries, 1;
Last Tycoon published (1941), 1
Writing: ‘Absolution’, 1, 2;
‘Adjuster, The’, 1, 2;
All The Sad Young Men, 1;
autobiographical fiction, 1, 2, 3, 4, 5, 6, 7, 8;
‘Babes in the Woods’, 1, 2;
‘Babylon Revisited’, 1, 2, 3, 4;
‘Baby Party’, 1;
Basil Duke Lee tales, 1, 2, 3;
Beautiful and Damned, The, 1, 2, 3, 4, 5
as autobiography, 1, 2;
film rights, 1;
jacket, 1;
marriage, treatment of, 1;
May Steiner portrayed in, 1;
Nathan portrayed in, 1;
publication, 1, 2;
reviews of, 1, 2, 3;
sales, 1;
Scandalabra and, 1;
serial rights, 1, 2;
Zelda helps with, 1;
ZSF plagiarized, 1, 2, 3
‘Benediction’, 1, 2;
‘Bernice Bobs Her Hair’, 1;
Boy Who Killed His Mother, 1, 2;
‘Camel’s Back, The’, 1;
‘Captured Shadow, The’, 1;
childhood memories used, 1;
‘Crack-Up, The’, 1, 2, 3, 4;
‘Crazy Sunday’, 1;
‘Cruise of the Rolling Junk, The’ (series), 1;
‘Cut-Glass Bowl, The’, 1;
‘Dalyrimple Goes Wrong’, 1, 2;
‘Death of My Father, The’, 1;
‘Debutante, The’, 1, 2;
fallen aviator theme, 1, 2, 3, 4;
Fie! Fie! Fi-Fi!, 1;
Flappers and Philosophers, 1;
Flight of the Rocket (later Beautiful and Damned), 1, 2;
‘Freshest Boy, The’, 1;
Girl from Lazy J (play), 1;
Great Gatsby, The, 1, 2, 3, 4, 5, 6
characterization, 1;
dedication, 1, 2;
as movie, 1;
names of characters, 1;
publication, 1, 2;
reviews, 1, 2;
Rosalinde Fuller portrayed in, 1;
sales, 1, 2, 3;
Sara Murphy portrayed in, 1;
serialization, 1;
theatrical production, 1;
title, choice of, 1;
ZSF draws pictures of, 1;
ZSF plagiarized, 1;
ZSF portrayed in, 1, 2, 3
‘Handle With Care’, 1;
‘Head and Shoulders’, 1, 2, 3;
His Honor the Sultan (musical comedy), 1;
‘Home to Babylon’, 1;
‘Ice Palace, The’, 1, 2, 3, 4;
influences on, 1, 2;
‘IOU’, 1;
&n
bsp; ‘Jacob’s Ladder’, 1;
‘Jelly Bean, The’, 1, 2;
Josephine Perry stories, 1;
journalism, 1;
‘Last of the Belles, The’, 1;
Last Tycoon, The, 1, 2, 3, 4, 5, 6;
‘Lees of Happiness, The’, 1, 2;
‘Lipstick’ (screenplay), 1, 2, 3;
‘Love in the Night’, 1;
‘Magnetism’, 1, 2;
marital relationships in, 1;
‘May Day’, 1;
‘Myra Meets His Family’, 1, 2, 3;
‘Mystery of the Raymond Mortgage, The’, 1;
‘New Leaf, A’, 1;
‘Night at the Fair, A’, 1;
‘Nightmare’, 1;
‘Not in the Guidebook’, 1;
novel-writing block, 1, 2, 3, 4, 5, 6, 7, 8, 9;
‘Offshore Pirate, The’, 1, 2, 3;
‘One Trip Abroad’, 1;
‘On Your Own’, 1;
‘Pasting It Together’, 1;
Pat Hobby stories, 1;
plagiarizes ZSF, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13;
plays, 1;
‘Porcelain and Pink’, 1;
‘Rich Boy, The’, 1, 2;
‘Romantic Egotist, The’, 1;
‘Rough Crossing, The’, 1;
‘Scandal Detectives, The’, 1, 2;
scriptwriting, 1, 2, 3, 4, 5, 6, 7;
‘Sensible Thing, The’, 1;
serious fiction vs entertainment, 1, 2;
Southern fiction, 1;
‘Swimmers, The’, 1;
Tales of the Jazz Age, 1;
Tender Is The Night, 1, 2, 3, 4, 5, 6, 7
autobiographical material, 1, 2;
drafts, 1;
film script, 1, 2;
Hemingway portrayed in, 1;
homosexuality in, 1, 2;
Jozan portrayed in, 1;
Kelly version, 1, 2;
Lois Moran portrayed in, 1, 2, 3;
Melarky version, 1, 2, 3, 4;
mental illness in, 1, 2;
movie rights, 1;
Murphys portrayed in, 1;
reviews, 1, 2;
Rosalinde Fuller portrayed in, 1;
sales, 1;
and Save Me The Waltz, 1;
serialization, 1, 2;
Tommy Hitchcock portrayed in, 1;
ZSF and, 1, 2, 3;
ZSF plagiarized in, 1, 2, 3, 4, 5;
ZSF portrayed in, 1
This Side of Paradise
critical acclaim, 1, 2;
hero’s name, 1;
New Yorkers presented in, 1;
publication, 1, 2;
royalties, 1;
sales, 1, 2, 3;
UK publication, 1;
ZSF plagiarized in, 1, 2;
ZSF portrayed in, 1, 2, 3;
ZSF’s response to, 1, 2
‘Two Wrongs’, 1;
Vegetable, The (play), 1, 2, 3, 4;
ZSF as model, 1, 2, 3
Character: charm and intuitiveness, 1;
determination to succeed, 1;
egotism, 1, 2, 3;
extravagance, 1, 2, 3, 4;
as father, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16;
generosity, 1, 2, 3, 4;
hero worship, 1, 2, 3;
historicizes himself, 1;
hypochondria, 1;
intimacy, talent for, 1;
intrusive questions, 1, 2, 3, 4, 5, 6;
jealousy, 1, 2, 3, 4, 5, 6;
logic, 1;
men, attitude to, 1;
narcissism, 1;
outrageous behaviour, 1, 2, 3, 4;
as outsider, 1;
puritanism, 1, 2;
self-dramatization, 1, 2;
self-image, 1;
sense of honour, 1;
and success, 1;
and travelling, 1;
women, attitude to, 1, 2
Health: 1;
alcoholism, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10;
depression, 1, 2;
heart attacks, 1, 2;
nervous attacks, 1, 2, 3;
TB, 1, 2, 3
Other references: and abstract thought, 1;
artistic superiority, 1, 2, 3, 4, 5r, 6, 7;
‘authorship’ of ZSF’s writing, 1, 2, 3, 4, 5, 6, 7;
borrows from publisher/agent, 1, 2, 3, 4, 5, 6, 7;
career, 1, 2, 3;
Catholicism, 1, 2, 3, 4, 5, 6;
debts, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13;
drinking, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32;
earnings, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15;
friendships, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12;
Hemingway, relationship with, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10;
and homosexuality, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11;
identity, 1;
and Jozan, 1;
and lesbianism, 1;
library, 1;
and Lois Moran, 1, 2, 3, 4, 5;
marital discord, 1, 2, 3, 4, 5, 6, 7, 8;
marital role, 1;
marital sexual relationship, 1, 2, 3;
and New York, 1;
personal appearance, 1, 2, 3, 4, 5, 6;
popularity, 1;
portrayed on Follies curtain, 1;
and power, 1;
responsibility, 1, 2;
and rich people, 1;
sacrifice, 1;
and Sara Murphy, 1, 2;
and Sayre family, 1, 2, 3, 4, 5, 6, 7;
sexuality, 1, 2, 3, 4, 5, 6, 7;
sexual problems, 1, 2, 3;
spelling, 1, 2, 3, 4, 5;
supports ZSF, 1, 2, 3, 4;
wants more children, 1, 2;
ZSF, relationship with, 1, 2, 3, 4, 5;
and ZSF’s ballet, 1, 2, 3, 4, 5, 6, 7;
on ZSF’s seduction, 1, 2, 3;
and ZSF’s sexuality, 1, 2, 3, 4, 5
Fitzgerald, J.C, 1
Fitzgerald, Mary McQuillan (‘Mollie’), 1, 2, 3, 4, 5, 6, 7
Fitzgerald, Zelda Sayre
Life: birth, 1;
family background, 1, 2, 3, 4, 5;
childhood, 1, 2, 3, 4, 5;
education, 1, 2, 3, 4, 5;
teenage years, 1, 2;
early boyfriends, 1, 2, 3;
seduction by Sellers, 1, 2, 3;
meets FSF, 1, 2, 3, 4, 5, 6;
correspondence with FSF, 1, 2, 3, 4, 5, 6, 7, 8;
diaries considered for publication, 1, 2;
engagement, 1, 2, 3;
wedding, 1, 2;
in New York (1920), 1;
fountain plunge, 1, 2, 3;
flirts with FSF’s friends, 1, 2;
in Westport, Conn., 1, 2;
Montgomery visit (1920), 1, 2;
social life, 1;
returns to New York (1920), 1;
pregnancy (1920), 1, 2;
Europe trip (1921), 1;
in St Paul for birth, 1;
reviews Beautiful and Damned, 1;
abortion (1922), 1;
Ferris wheel ride, 1, 2;
in France (1924), 1, 2;
and Jozan, 1, 2, 3, 4;
dangerous exploits, 1, 2, 3, 4, 5;
in Italy (1924-5), 1, 2;
moves to Great Neck (1922-4), 1;
in Paris (1925), 1, 2;
meets Hemingway, 1, 2;
paints steadily, 1;
FSF violent towards, 1, 2;
on Riviera (1925), 1;
‘cure’ at Salies-de-Béarn, 1, 2;
on Riviera (1926), 1, 2, 3;
operation (1926), 1;
returns to America, 1;
in California (1927), 1;
burns clothes, 1;
at Ellerslie, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11;
in Paris (1928), 1;
ballet lessons, 1, 2, 3, 4, 5;
European trip (1929), 1, 2, 3;
declines
ballet company offer, 1, 2, 3, 4;
questions FSF’s sexuality, 1, 2, 3, 4, 5;
friendship with lesbian group, 1, 2;
North Africa trip (1930), 1;
first breakdown (1930), 1, 2, 3, 4, 5;
at Malmaison Clinic, 1, 2, 3;
at Valmont Clinic, 1;
at Prangins Clinic, 1, 2, 3, 4, 5, 6;
schizophrenia diagnosed, 1, 2, 3, 4, 5, 6;
escape attempts, 1, 2;
analytical letters to FSF, 1, 2, 3;
writing in clinic, 1, 2, 3;
begs for release, 1, 2, 3, 4;
tries reconciliation as way of release, 1, 2, 3;
lesbian attachments, 1;
Bleuler’s recommendations, 1, 2, 3;
Annecy trip (1931), 1;
release from Prangins (1931), 1;
recovers in Montgomery, 1;
writes stories, 1;
investigates divorce, 1;
father’s death, 1;
in Florida (1932), 1;
symptoms re occur, 1, 2, 3;
in Phipps Clinic, 1, 2, 3, 4, 5, 6, 7, 8;
sends Save Me The Waltz to Scribner’s, 1, 2;
at La Paix, 1, 2;
Save Me The Waltz published (1932), 1, 2;
Scandalabra, 1, 2, 3, 4;
discusses troubles with FSF (1933), 1, 2, 3;
burns clothes and sets fire to La Paix, 1;
brother’s suicide, 1, 2, 3;
re-enters Phipps Clinic (1934), 1;
at Craig House (1934), 1, 2, 3;
Cary Ross Gallery show, 1;
at Sheppard Pratt, 1, 2, 3, 4, 5;
suicide attempts, 1, 2, 3;
at Highland Hospital, 1, 2, 3, 4, 5;
attends Scottie’s graduation (1938), 1;
Sayre family campaigns for release, 1;
paints hospital screens, 1, 2;
release (1940), 1;
lives with mother, 1, 2, 3;
FSF dies (1940), 1, 2;
art after FSF’s death, 1, 2;
seminars on FSF’s writing, 1;
returns to Highland Hospital (1944), 1;
plans to publish book of paper dolls, 1;
Red Cross work, 1;
Scottie’s wedding (1943), 1;
grandson born (1946), 1;
returns to Highland Hospital (1946), 1, 2, (1947), 3;
Caesar’s Things in 1948, 1, 2;
granddaughter born (1948), 1;
death (1948), 1
Writing: 1, 2, 3, 4, 5;
‘All About the Downs Case’, 1, 2;
‘Auction-Model 1934’, 1;
authorship, 1, 2, 3, 4, 5, 6, 7, 8;
autobiographical fiction, 1, 2, 3, 4;
Caesar’s Things, 1, 2, 3
adultery in, 1;
autobiographical links, 1, 2, 3, 4, 5;
FSF portrayed in, 1, 2;
Gerald Murphy portrayed in, 1;
jealousy in, 1;
Jozan portrayed in, 1, 2, 3, 4;
marital roles in, 1, 2;
Murphys portrayed in, 1;
religious symbolism, 1;
ZSF’s seduction in, 1
College Humor pieces, 1, 2, 3, 4, 5, 6, 7;
‘Cotton Belt’, 1;
‘Couple of Nuts, A’, 1;
‘Crime Passionel’, 1;