The Vampire Armand tvc-6

by Anne Rice

  Back and forth she rocked on the piano bench, her hair flying, her face lifted, her mind having no need to see the keys she struck, to plot the course of her hands that raced from right to left, that never lost control of the torrent.

  Out of her sealed lips there came a low humming, a grinding humming right in tune with the melodies that gushed from the keys. She arched her back and lowered her head, her hair falling down on the backs of her racing hands. On she went, on into thunder, on into certainty, on into refusal, on into defiance, on into affirmation, yes, yes, yes, yes, yes.

  The man made his move for her.

  The frantic boy, leaving me in desperation, darted to come between them, and the man slammed him aside with such fury that the boy was knocked flat and sprawling on the floor.

  But before the man's hands could reach her shoulders, before he could so much as touch her-and she went now into the First Movement again, ah, ah aaaah! the Appassionata all over again in all its power-I had hold of him, and spun him round to face me.

  "Kill her, will you?" I whispered. "Well, we shall see."

  "Yes!" he cried out, face sweating, protuberant eyes glistening. "Kill her! She's vexed me to utter madness, that's what she's done, and she'll die!" Too incensed even to question my presence, he tried to push me aside, his sights fixed already once again on her. "Damn you, Sybelle, stop that music, stop it!"

  Her melody and chords were in the mode of thunder again. Flinging her hair from side to side, she charged onward.

  I forced him backwards, my left hand catching his shoulder, my right pushing his chin up out of my way as I nuzzled in against his throat, tore it open and let the blood come into my mouth. It was scalding and rich and full of his hatred, full of bitterness, fall of his blasted dreams and vengeful fancies.

  Oh, the heat of it. I took it in in deep draughts, seeing it all, how he had loved her, nourished her, she his talented sister, he the clever, vicious-tongued and tone-deaf brother, guiding her towards the pinnacle of his precious and refined universe, until a common tragedy had broken her ascent and left her mad, turning from him, from memory, from ambition, locked forever in mourning for the victims of that tragedy, their loving and applauding parents, struck down on a winding road through a dark and distant valley in the very nights before her greatest triumph, her debut as full-fledged genius of the piano for all the wide world.

  I saw their car rattling and plummeting through the darkness. I heard the brother in the back seat chattering, his sister beside him fast asleep. I saw the car strike the other car. I saw the stars above in cruel and silent witness. I saw the bruised and lifeless bodies. I saw her stunned face as she stood unharmed, her clothes torn, by the side of the road. I heard him cry out in horror. I heard him curse in disbelief. I saw the broken glass. Broken glass everywhere glittering beautifully in the light of headlamps. I saw her eyes, her pale blue eyes. I saw her heart close.

  My victim was dead. He slipped out of my grasp.

  He was as lifeless as his parents had been in that hot desert place.

  He was dead and crumpled and could never hurt her again, could never pull her long yellow hair, or beat her, or stop her as she played.

  The room was sweetly still except for her playing. She had come again to the Third Movement, and she swayed gently with its quieter beginning, its polite and measured steps.

  The boy danced for joy. In his fine little djellaba, his feet bare, his round head covered with thick black curls, he was the Arab angel leaping into the air, dancing, crying out, "He's dead, he's dead, he's dead." He clapped his hands, he rubbed them together, he clapped them again, he flung them up. "He's dead, he's dead, he's dead, he'll never hurt her, he'll never vex her, he's double-vexed forever, he's dead, he's dead."

  But she didn't hear him. On she played, making her way through these slumberish low notes, humming softly and then parting her lips to make a monosyllabic song.

  I was fall with his blood. I felt it washing through me. I loved it, I loved every drop of it. I regained my breath from the effort of having so quickly consumed it, and then I walked slowly, quietly as I could, as if she could hear when she could not, and stood at the end of the piano looking at her.

  What a small tender face she had, so girlish with deep-set, huge and pale blue eyes. But look at the bruises on her face. Look at the blood- red scratches on her cheek. Look at the field of tiny red bleeding pinpoint wounds on her temple where a shock of her hair had been ripped right out by the roots.

  She didn't care. The greenish-black bruises on her bare arms meant nothing to her. She played on.

  How delicate her neck was, even with the blackish swelling imprint of his fingers, and how graceful her small bony shoulders, barely holding up the sleeves of her thin flowered cotton dress. Her strong ashen eyebrows came together in the sweetest frown of concentration as she gazed before her at nothing but her lilting, peaking music, her long clean fingers alone envincing her titanic and indomitable strength.

  She let her gaze drift to me, and she smiled as if she had seen something that momentarily pleased her; she bowed her head once, twice, three times in rapid time with the music, but as though she were nodding to me.

  "Sybelle," I whispered. I put my fingers to my lips and kissed them and blew the kiss to her, as her fingers marched on.

  But then her vision misted, and she was off again, the Movement demanding speed from her, her head jerked back with the effort of her assault on the keys. And the Sonata sprang once again into its most triumphant life.

  Something more powerful than the light of the sun engulfed me. It was a power so total that it utterly surrounded me and sucked me up out of the room, out of the world, out of the sound of her playing, out of my senses.

  "Noooo, don't take me now!" I screamed. But an immense and empty blackness swallowed the sound.

  I was flying, weightless, with my burnt black limbs outstretched, and in a Hell of excrutiating pain. This cannot be my body, I sobbed, seeing the black flesh sealed to my muscles like leather, seeing every tendon of my arms, my fingernails bent and blackened like bits of burnt horn. No, not my body, I cried, Oh, Mother help me, help me! Benjamin, help me.

  I began to fall. Oh, there was no one who could help me now but one Being.

  "God, give me the courage," I cried. "God if it's begun, give me the courage, God, I can't give up my reason, God, let me know where I am, God, let me understand what is happening, God, where is the church, God, where is the bread and the wine, God, where is she, God help me, help me."

  Down and down I fell, past spires of glass, past grids of blind windows. Past rooftops and pointed towers. I fell through the harsh and wild wailing of the wind. I fell through the stinging torrent of snow. I fell and I fell. I fell past the window where the unmistakable figure of Benjamin stood with his tiny hand on the drape, his black eyes fixed on me for one split second, his mouth open, tiny Arab angel. I fell down and down, the skin shriveling and tightening on my legs so that I couldn't bend them, tightening on my face so that I couldn't open my mouth, and with an agonizing explosion of raw pain, I struck hard-packed snow.

  My eyes were open and fire flooded them.

  The sun had fully risen.

  "I shall die now. I shall die!" I whispered. "And in this last moment of burning paralysis, when all the world is gone and there is nothing left, I hear her music! I hear her playing the final notes of the Appas- sionatal I hear her. I hear her tumultuous song."

  4

  I DIDN'T DIE. Not by any means. I awoke to hear her playing, but she and her piano were very far away. In the first few hours after twilight, when the pain was at its worst, I used the sound of her music, used the search for it, to keep myself from screaming in madness because nothing could make the pain stop.

  Deeply encased in snow, I couldn't move and couldn't see, save what my mind could see if I chose to use it, and wishing to die, I used nothing. I only listened to her playing the Appassionata, and sometimes I sang along with her in my dreams.<
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  All the first night and the second, I listened to her, that is, when she was disposed to play. She would stop for hours, to sleep perhaps. I couldn't know. Then she would begin again and I'd begin with her.

  I followed her Three Movements until I knew them, as she must know them, by heart. I knew the variations she worked into her music; I knew how no two musical phrases she played were ever the same.

  I listened to Benjamin calling for me, I heard his crisp little voice, speaking very rapidly and very much in New York style, saying, "Angel, you've not done with us, what are we to do with him? Angel, come back. Angel, I'll give you cigarettes. Angel, I have plenty of good cigarettes. Come back. Angel, that's just a joke. I know you can get; your own cigarettes. But this is really vexing, you leaving this dead body, Angel. Come back."

  There were hours when I heard nothing of either of them. My mind hadn't the strength to reach out telepathically to them, just to see them, one through the eyes of the other. No. That kind of strength was gone.

  I lay in mute stillness, burnt as much by all that I'd seen and felt as by any sunlight, hurt and empty inside, and dead of mind and heart, save for my love for them. It was easy enough, wasn't it, in blackest misery to love two pretty strangers, a mad girl and a mischievous streetwise boy who cared for her? There was no history to it, my killing her brother. Bravo, and finished. There was five hundred years of history to the pain of everything else.

  There were hours when only the city talked to me, the great clattering, rolling, rustling city of New York, with its traffic forever clanking, even in the thickest snow, with its layers upon layers of voices and lives rising up to the plateau on which I lay, and then beyond it, vastly beyond it in towers such as the world before this time has never beheld.

  I knew things but I didn't know what to make of them. I knew that the snow covering me was growing ever deeper, and ever harder, and I didn't understand how such a thing as ice could keep away from me the rays of the sun.

  Surely, I must die, I thought. If not this coming day, then the next. I thought of Lestat holding up the Veil. I thought of His Face. But the zeal had left me. All hope had left me.

  I will die, I thought. Morning by morning, I will die.

  But I didn't.

  In the city far below, I heard others of my kind. I didn't really try to hear them, and so it was not their thoughts that came to me, but now and then their words. Lestat and David were there, Lestat and David thought that I was dead. Lestat and David mourned for me. But far worse horrors plagued Lestat because Dora and the world had taken the Veil, and the city was now crowded with believers. The Cathedral could scarce control the multitudes.

  Other immortals came, the young, the feeble and sometimes, most horribly, the very ancient, wanting to view this miracle, slipping into the nighttime Church among the mortal worshipers and looking with crazed eyes on the veil.

  Sometimes they spoke of poor Armand or brave Armand or St. Armand, who in his devotion to the Crucified Christ had immolated himself at this very Church door!

  Sometimes they did the same. And just before the sun was to rise again, I'd have to hear them, hear their last desperate prayers as they waited for the lethal light. Did they fare better than I? Did they find their refuge in the arms of God? Or were they screaming in agony, agony such as I felt, unendurably burnt and unable to break away from it, or were they lost as I was, remnants in alleyways or on distant roofs? No, they came and they went, whatever their fate.

  How pale it all was, how far away. I felt so sad for Lestat that he had bothered to weep for me, but I was to die here. I was to die sooner or later. Whatever I had seen in that moment when I'd risen into the sun didn't matter. I was to die. That was all there was.

  Piercing the snowy night, electronic voices spoke of the miracle, that Christ's Face upon a Veil of linen had cured the sick and left its imprint on other cloths pressed to it. Then came an argument of clergymen and skeptics, a perfect din.

  I followed the sense of nothing. I suffered. I burned. I couldn't open my eyes, and when I tried, my eyelashes scratched my eyes and the agony was too much to bear. In darkness, I waited for her.

  Sooner or later, without fail, there came her magnificent music, with all its new and wondrous variations, and nothing mattered to me then, not the mystery of where I was, or what I might have seen, or what it was that Lestat and David meant to do.

  It was not until the seventh night perhaps that my senses were fully restored to me, and the fall horror of my state was understood.

  Lestat was gone. So was David. The Church had been shut up. From the murmurings of mortals I soon realized that the Veil had been taken away.

  I could hear the minds of all the city, a din that was unsupportable. I shut myself off from it, fearing the vagrant immortal who'd home in on me if he caught but one spark from my telepathic mind. I couldn't endure the thought of some attempted rescue by immortal strangers. I couldn't endure the thought of their faces, their questions, their possible concern or merciless indifference. I hid myself from them, coiled up in my cracked and tightened flesh. Yet I heard them, as I heard the mortal voices around them, speaking of miracles and redemption and the love of Christ.

  Besides, I had enough to think about to figure my present predicament and how it had come to be.

  I was lying on a roof. That is where my fall had left me, but not under the open sky, as I might have hoped or supposed. On the contrary, my body had tumbled down a slope of metal sheeting, to lodge beneath a torn and rusted overhang, where it had been repeatedly buried in the wind-stirred snow.

  How had I gotten here? I could only suppose.

  By my own will, and with the first explosion of my blood in the light of the morning sun, I had been driven upwards, as high perhaps as I could go. For centuries I'd known how to climb to airy heights and how to move there, but I'd never pushed it to a conceivable limit, but with my zeal for death, I had strained with all my available strength to move Heavenward. My fall had been from the greatest height.

  The building beneath me was empty, abandoned, dangerous, without heat or light.

  Not a sound issued from its hollow metal stairwells or its battered, crumbling rooms. Indeed the wind played the structure now and then as if it were a great pipe organ, and when Sybelle was not at her piano it was to this music I listened, shutting out the rich cacophony of the city above, beyond and below.

  Now and then mortals crept inside the lower floors of the building. I felt a sudden wrenching hope. Would one be fool enough to wander to this rooftop where I might lay hands on him and drink the blood I needed merely to crawl free of the overhang which protected me and thereby give myself unsheltered to the sun? As I lay now, the sun could scarce reach me. Only a dull white light scorched me through the snowy shroud in which I was wound, and with the lengthening of each night this newly inflicted pain would mellow into the rest.

  But nobody ever came up here.

  Death would be slow, very slow. It might have to wait until the warm weather came and the snow melted.

  And so each morning, as I longed for death, I came to accept that I would wake, more burnt perhaps then ever, but all the more concealed by the winter blizzard, as I had been concealed all along, from the hundreds of lighted windows that looked down upon this roof from above.

  When it was deadly quiet, when Sybelle slept and Benji had ceased praying to me and talking to me at the window, the worst happened. I thought, in a cold listless broken way, of those strange things that had befallen me when I'd been tumbling through space, because I could think of nothing else.

  How utterly real it had been, the altar of Santa Sofia and the bread I'd broken in my hands. I'd known things, so many things, things which I couldn't recall any longer or put into words, things which I could not articulate here in this narrative even as I sought to relive the tale.

  Real. Tangible. I had felt the altar cloth and seen the wine spill, and before that the bird rise out of the egg. I could hear the sound o
f the cracking of the shell. I could hear my Mother's voice. And all the rest.

  But my mind didn't want these things anymore. It didn't want them.

  The zeal had proved fragile. It was gone, gone like the nights with my Master in Venice, gone like the years of wandering with Louis, gone like the festive months on The Night Island, gone like those long shameful centuries with the Children of Darkness when I had been a fool, such a pure fool.

  I could think of the Veil, I could think of Heaven, I could think of my standing at the Altar and working the miracle with the Body of Christ in my hands. Yes, I could think of all of it. But the totality had been too terrible, and I was not dead, and there was no Memnoch pleading with me to become his helper, and no Christ with arms outstretched against the backdrop of God's unending light.

  It was sweeter by far to think of Sybelle, to remember that her room of rich red and blue Turkey carpets and darkly varnished overblown paintings had been every bit as real as Santa Sofia of Kiev, to think of her oval white face when she'd turned to glance at me, to think of the sudden brightness of her moist, quick eyes.

  One evening, as my eyes actually opened, as the lids truly drew back over the orbs of my eyes so that I could see through the white cake of ice above me, I realized I was healing.

  I tried to flex my arms. I could raise them ever so slightly, and the encasing ice shattered; what an extraordinary electric sound.

  The sun simply couldn't reach me here, or not enough to work against the preternatural fury of the powerful blood my body contained. Ah, God, to think of it, five hundred years of growing ever stronger and stronger, and born from the blood of Marius in the first place, a monster from the start who never knew his own strength.

  It seemed for a moment that my rage and despair could grow no greater. It seemed the fiery pain in all my body could be no worse.

  Then Sybelle started to play. She began to play the Appassionata, and nothing else mattered.

  It wouldn't matter again until her music had stopped. The night was warmer than usual; the snow had melted slightly. There seemed no immortals anywhere near. I knew that the Veil had been spirited away to the Vatican in Rome. No cause now, was there, for immortals to come here?