Jean Sibelius and His World
Page 52
Thaden, Edward, 7, 15
Thirty Years’ War, 6
Tolstoy, Leo, 18–19, 52n59, n61
Topelius, Zachris, 233
Törne, Bengt de, 4, 90, 119, 171n28; Sibelius: A Close-Up, 175, 331
Toscanini, Arturo, 166, 333
Tovey, Donald Francis, 150–51, 301n64, 273
Tracey, Minnie, 160–61
Tudor music, 130
Tukiainen, Aimo, 353n7
Turgenev, Ivan, 19
Tyrväinen, Helena, 252n15
Vallgren, Ville, 16
Van Gogh, Vincent, 133
Varèse, Edgard, 100
Vasilenko, Sergey, 53n80
Vaughan Williams, Ralph, 129, 147, 153n18, 155 n47, 157n94
Vehanen, Kosti, 170n15
Velisurmaaja (folk ballad), 323
Verdi, Giuseppe, 48, 147
Verlaine, Paul, “Art Poètique,” 337n6
Verrocchio, Andrea del, 351
Vidal, Pierre, 29
Vienna, 29, 92, 287, 297n5; architecture in, 276, 280–81, 285; Sibelius’s student days in, 19, 24, 46, 47, 62, 98, 101, 259, 274
Vieuxtemps, Henri, 18
Viipuri Library, 235, 236, 236, 248
visual arts, 19–20, 49, 77, 258, 259, 263, 348; see also painting; sculpture
Volkov, Solomon, 38
United States, 119, 158–68, 169n3, 247, 332; Adorno in, 330; architecture in, 276–77, 286–88, 290–96; eugenics in, 138, 143, 155n52, n53; performances of Sibelius’s works in, 111, 158, 160–62, 166–68, 173, 258, 260; Schoenberg in, 182; Sibelius in, 159, 162; Sibelius Society in, 162–64
Wagner, Cosima, 298n11
Wagner, Otto, 281, 287
Wagner, Richard, 29, 37, 42, 57n180, 100, 108, 119, 163, 258–60, 321, 329; British music and, 130, 131, 135, 145; Gesamtkunstwerk ideology of, 280, 282; leitmotif system of, 91, 266; Strauss and, 259, 261–63, 299n18, 327; works: Albumblatt, 169n6; Parsifal, 100, 102, 103; Siegfried, 57n181; Tristan und Isolde, 160
Wahlström, George E., 162
Ward, Charles B., “The Band Played On,” 156n80
Warlock, Peter, 128
Wasenius, Karl Fredrik, 45, 46, 82–83
Wasilieff, Mitrofan, 5, 18
Watteau, Antoine, 262; Embarquement pour Cythère, 299n16
Webb, Beatrice and Sidney, 155n49
Weber, Carl Maria von, 321
Weber, Max, 102
Webern, Anton, 281
Wegelius, Martin, 46, 117, 307, 317
Weingartner, Felix, 99
Wellesley College, 139, 156n59
Wells, H. G., 139, 155n49
Welsch, Wolfgang, 94
Westinghouse Corporation, 167
White, Diana, 225n39
Widor, Charles-Marie, 100
Wieniawsky, Henryk, 95
Wihuri-Sibelius Prize, 54n104
Wilde, Oscar, 130–31, 134, 145
Wilhelm II, Kaiser of Germany, 307
Wilson, Colin St. John, 244, 246
Winckelmann, Johann Joachim, 262
Winter War, 171n28, 238, 242–43, 254n65, 353n7
Witte, Sergei, 14
Wittgenstein, Ludwig, 262, 296
Wood, Henry, 126–27, 130, 153n9, n17
World of Art (Mir iskusstva) group, 20
World War I, 17, 53n80, 140, 163, 256, 297, 298n9
World War II, 25, 156n74, 157n85, 171n28, 239, 242–43, 256–57, 332
Wright, Frank Lloyd, 277, 290–96, 292, 293, 294, 302n82
Yale University, 161, 162
Young Finland (Nuori Suomi), 228
Young Finnish Party (Nuorsuomalainen Puolue), 16
Yrjö-Koskinen, Yrjö Sakari (Georg Zakarias Forsman), 16
Ysaÿe, Eugène, 160
Zeitschrift für Sozialforschung, 331
Zemlinsky, Alexander, 281
Zola, Émile, 46
Notes on the Contributors
Byron Adams, professor of composition and musicology at the University of California, Riverside, has been published widely on English music, and has broadcast over the BBC. He is co-editor of Vaughan Williams Essays, and contributed entries on William Walton and Sylvia Townsend Warner to the second edition of the revised New Grove Dictionary of Music and Musicians. His articles, reviews, and essays have appeared in journals such as 19th-Century Music, Music and Letters, and the John Donne Journal, and have been included in volumes such as Queer Episodes in Music and Modern Identity (University of Illinois Press, 2002), The Cambridge Companion to Elgar (2004), and Walt Whitman and Modern Music (Garland, 2000). In 2000, he was presented with the Philip Brett Award by the American Musicological Society.
Leon Botstein is president and Leon Levy Professor in the Arts of Bard College. He is the author of Judentum und Modernität (1991) and Jefferson’s Children: Education and the Promise of American Culture (1997). He is the editor of The Compleat Brahms (1999) and The Musical Quarterly, as well as the co-editor, with Werner Hanak, of Vienna: Jews and the City of Music, 1870–1938 (2004). The music director of the American Symphony Orchestra and conductor laureate of the Jerusalem Symphony Orchestra, he has recorded works by, among others, Szymanowski, Hartmann, Bruch, Dukas, Foulds, Toch, Dohnányi, Bruckner, Chausson, Richard Strauss, Mendelssohn, Popov, Shostakovich, and Liszt for Telarc, CRI, Koch, Arabesque, and New World Records. For his contributions to music he has received the Austrian Cross of Honor for Science and Art and the Award for Distinguished Service to the Arts from the American Academy of Arts and Letters.
Philip Ross Bullock is university lecturer in Russian at the University of Oxford and tutor and fellow at Wadham College, Oxford. He is the author of The Feminine in the Prose of Andrey Platonov (2005), Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England (2009), and The Correspondence of Jean Sibelius and Rosa Newmarch, 1906-1939 (forth-coming 2011), as well as numerous articles on aspects of nineteenth- and twentieth-century Russian literature, music, and culture. He is the recipient of a number of awards and fellowships, including a British Academy Postdoctoral Fellowship (2001), the Edward T. Cone Membership in Music Studies at the Institute for Advanced Study, Princeton (2007), the Philip Brett Award of the American Musicological Society (2009), and a Philip Leverhulme Prize (2009).
Susan H. Gillespie is vice president for Special Global Initiatives at Bard College and founding director of Bard’s Institute for International Liberal Education. Her published translations of novels, nonfiction works, poems, and works on musicology and philosophy include Music in German Philosophy (University of Chicago Press, 2011) and The Correspondence of Paul Celan & Ilana Shmueli (Sheep Meadow Press, 2011).
Glenda Dawn Goss is the author and editor of various books on Renaissance and American music as well as on Jean Sibelius. Her most recent volume, Sibelius: A Composer’s Life and the Awakening of Finland, received the ASCAP-Deems Taylor Award in 2010. Along with an award-winning Guide to Research and two Sibelius letter editions, she has also produced a critical edition of Kullervo (2005). Former editor-in-chief of the Sibelius works, she currently teaches at the Sibelius Academy, Helsinki.
Daniel M. Grimley is a university lecturer in music at Oxford and is the tutorial fellow in Music at Merton College, having taught previously at the universities of Surrey and Nottingham. He has published widely on Scandinavian music, Finnish music, the work of Edward Elgar and Ralph Vaughan Williams, and music and landscape. His books include Grieg: Music, Landscape, and Norwegian Identity (Boydell & Brewer, 2006) and Carl Nielsen and the Idea of Modernism (Boydell, 2010), and he edited the Cambridge Companion to Sibelius (2004). Future projects include a study of music and landscape in Nordic music, 1890–1930.
Jeffrey Kallberg is professor of music history and associate dean for arts and letters at the University of Pennsylvania. In the Nordic realm, he writes on concepts of modernism in Scandinavian music, and has plans for a broader study of song in the early twentieth century. He also publishes widely on Chopin’s music and its cultural contexts.
Annika Lin
dskog is a lecturer in Swedish at University College London, and has published on collective identity and cultural practice, with particular interests in landscape and cultural history. She gained her first degrees from Sweden and Germany, before undertaking a master’s degree in music, culture, and politics at Cardiff. She has taught at universities in Wales, Ireland, and Belgrade before moving to London, where she is also a keen amateur choral singer.
Tomi Mäkelä is the author of several books and essays on Finnish music from Fredrik Pacius to Kaija Saariaho and on German modernism from Max Reger to Otto Preminger, as well as on aspects of virtuosity and music education. He studied music and musicology in Lahti, Vienna, Helsinki, and Berlin, wrote his doctoral dissertation in West Berlin under the guidance of Carl Dahlhaus, and has worked in a variety of academic environments in Finland and Germany (including a research project on exiled musicians in California) as well as writing for press and radio. From 1996 to 2008 he was professor of musicology at Magdeburg, and since 2009 he has taught at the Martin Luther University of Halle-Wittenberg. An English translation of his monograph Jean Sibelius: Poesie in der Luft (Breitkopf & Härtel, 2007) is forthcoming from Boydell & Brewer.
(Irma) Margareta Martin is a freelance translator of Finnish and Swedish texts into English. Her published translations include Voices at the Late Hour by two-time Finlandia Prize winner Bo Carpelan, and Rich and Respectable by popular novelist Eeva Joenpelto. She was the longtime editor of the newsletters of the Scandinavian American Foundation of Georgia and the Atlanta Suomi Finland Society (of which she is currently writing a history). Her articles on cultural topics have also appeared in Hufvudstadsbladet (Helsinki) and New World Finn (Duluth MN).
Sarah Menin is an architectural academic. Her research concerns the work of Alvar Aalto and its parallels with the music of Sibelius, addressing the place of the psyche in the sphere of architecture and the creative imagination. She has published widely, and her books include Nature and Space, with Flora Samuel; An Architecture of Invitation, with Stephen Kite; and Constructing Place: Mind and Matter. Dr. Menin is visiting fellow at Newcastle University, and continues to practice architecture.
Max Paddison is professor of music aesthetics at the University of Durham. He has published extensively on Adorno, aesthetics, and critical theory, and also on contemporary music, the avant-garde, and the concept of modernism. He is author of Adorno’s Aesthetics of Music (Cambridge University Press, 1993); Adorno, Modernism and Mass Culture (Kahn & Averill, 1996); and joint editor (with Irène Deliège) of Contemporary Music: Theoretical and Philosophical Perspectives (Ashgate, 2010).
Timo Virtanen completed his doctoral studies in 2005 at the Sibelius Academy in Helsinki with a dissertation on Jean Sibelius’s Third Sym phony. He joined the editorial staff of the complete critical edition Jean Sibelius Works (JSW) in 1997, and since 2006 has worked as editor-in-chief of the project. Virtanen has also been appointed as docent of music philology at the Sibelius Academy. His editions of Sibelius’s Symphonies nos. 1 and 3 (JSW I/2 and I/4) were published in 2008 and 2009, and a volume containing the two versions of Cassazione, op. 6, will appear in 2011.
OTHER PRINCETON UNIVERSITY PRESS VOLUMES PUBLISHED
IN CONJUNCTION WITH THE BARD MUSIC FESTIVAL
Brahms and His World
edited by Walter Frisch (1990)
Mendelssohn and His World
edited by R. Larry Todd (1991)
Richard Strauss and His World
edited by Bryan Gilliam (1992)
Dvoák and His World
edited by Michael Beckerman (1993)
Schumann and His World
edited by R. Larry Todd (1994)
Bartók and His World
edited by Peter Laki (1995)
Charles Ives and His World
edited by J. Peter Burkholder (1996)
Haydn and His World
edited by Elaine R. Sisman (1997)
Tchaikovsky and His World
edited by Leslie Kearney (1998)
Schoenberg and His World
edited by Walter Frisch (1999)
Beethoven and His World
edited by Scott Burnham and Michael P. Steinberg (2000)
Debussy and His World
edited by Jane F. Fulcher (2001)
Mahler and His World
edited by Karen Painter (2002)
Janáek and His World
edited by Michael Beckerman (2003)
Shostakovich and His World
edited by Laurel E. Fay (2004)
Aaron Copland and His World
edited by Carol J. Oja and Judith Tick (2005)
Franz Liszt and His World
edited by Christopher H. Gibbs and Dana Gooley (2006)
Edward Elgar and His World
edited by Byron Adams (2007)
Prokofiev and His World
edited by Simon Morrison (2008)
Brahms and His World (revised edition) edited by Walter Frisch and Kevin C. Karnes (2009)
Richard Wagner and His World
edited by Thomas S. Grey (2009)
Alban Berg and His World
edited by Christopher Hailey (2010)