The Man Who Made Husbands Jealous trc-4

by Jilly Cooper

  Tapping the baton given him by Toscanini, Rannaldini held out his arms. The leader put his violin under his chin, bow quaking in his hand, as Rannaldini gave the upbeat for the start of the funereally slow third movement.

  Eyes missing nothing, gesticulating exquisitely with his beautiful hands, the right one keeping time, the left exhorting his musicians on, he let them have their heads. Economical with his movements, even his stick hand twitching no more than the tail of a cat watching a bird through a window, Rannaldini lulled them into a false sense of security. Perhaps the audience in Vienna had been right, after all.

  Then he unleashed his fury, like a Fascist police squad moving in on a defenceless mob with cudgels, finding fault after fault with the performance until the women were in tears, the men grey and shaking, and shredded India rubber covered the floor where they’d erased Oswaldo’s instructions on their scores and replaced them with Rannaldini’s.

  Able to identify a wrong note ten miles away, he singled out an oboe player. ‘You make a hundred meestakes.’

  ‘It’s difficult that bit,’ stammered the player.

  ‘Rubbish,’ thundered Rannaldini.

  Strolling down from the rostrum he picked up the oboe and played it perfectly.

  ‘You haven’t practised. You’re fired.’ He handed back the oboe.

  Then he noticed Bob Harefield’s charming Humpty Dumpty face with its tired bruised eyes, and shouted that he would not conduct on Sunday unless the twenty-four musicians Bob had hired in his absence were fired as well.

  ‘I no Okkay them,’ he screamed.

  ‘But every seat is sold, Maestro, and what about the BBC and Catchitune?’ said the manager of the Mozart Hall, almost in tears.

  ‘It weel ’ave to be cancelled,’ snarled Rannaldini. ‘I weel not play with peegs.’ Howling, he turned on his orchestra and would have kicked over a few music-stands if his handmade black shoes hadn’t been new.

  ‘I ’ear you murder Beethoven Nine. Poor Beethoven I ’ope they didn’t restore his ’earing in ’eaven. I ’ave tape of Radio Three programme last week when you abort The Creation.’

  ‘We got very good reviews for both,’ protested Bob, putting a comforting arm round the shoulder of the sacked oboist.

  ‘Reviewers are stupid peegs, and I want heem sacked,’ Rannaldini pointed at the front-desk violinist who’d rushed in late.

  ‘We can’t sack him,’ whispered Bob. ‘His wife’s just left him.’

  ‘Sensible woman,’ said Rannaldini, then, his voice rising to a shriek, ‘I want heem fired.’

  A diversion was caused by the cleaner who started hoovering again at the back of the stalls.

  ‘Another sensible woman,’ said Rannaldini, ‘trying to obliterate this cacophony.’

  A further diversion was caused by the arrival of Hermione swathed in mink to sing in the fourth movement.

  ‘I refuse to put those poor furriers out of business,’ she was saying to her entourage of agent, secretary, make-up girl, seamstress and lighting specialist. ‘I, for one, believe people come before animals.’

  Having kissed her on both cheeks, Rannaldini calmed down a little.

  ‘We will move on to the last movement, since Mrs Harefield has done you the honour of turning up and, unlike you, knows the score.’

  Hermione was a nightmare to work with. Beneath the façade of gushing serenity, she was ruthlessly egotistical, always making a fuss about dressing rooms and acoustics, taking against members of the orchestra, or other soloists, creating fearful anxiety as to whether she would go on at all, leaving everyone drained because she’d milked them of so many compliments. Then, once she opened her mouth, her performance would be flawless.

  Today as she flapped around, fussing about being properly lit, her husband Bob went quietly round the orchestra smoothing feathers. Holding the score, eating an apple to moisten her throat, Hermione listened unmoved while Rannaldini bawled out a beautiful little blond female flautist who, out of terror, had fluffed the introductory bars before Hermione’s entrance.

  Waiting for the nod to bring her in, Hermione stood on Rannaldini’s left, as she had so often in the past while he was making her famous in every capital in the world. It still gave Rannaldini a charge. Hermione couldn’t act for the percussionist’s toffee. She always sacrificed acting for beauty of tone. She irritated the hell out of Rannaldini, but when she opened her mouth and that ripple of angelic sound soared full and clear above the orchestra, he could forgive her anything. In return she seemed to be making love to him with her huge brown eyes, grateful to him for conjuring up magic she was unaware she possessed.

  The orchestra watched her wonderful bosom rising and falling with a mixture of lust and dislike, but at the end they gave her a round of applause and even the odd bravo because she expected it.

  ‘Excellent, Mrs Harefield.’ Rannaldini’s flat bitchy voice could sink to reverberatingly seductive depths when he was in a conciliatory mood.

  ‘But as for you lot, go ’ome and practise. This is the score.’ Picking it off the floor, he hurled it into the orchestra, narrowly missing a lady clarinetist. ‘Now steek to eet, and eef you ’aven’t learn it properly by tomorrow, I won’t go on on Sunday.’ And he stalked out, leaving Hermione, who was expecting lunch at San Lorenzo, mouthing in outrage.

  ‘What can we do?’ asked the manager of the Mozart Hall in despair. ‘You can’t sack all those musicians.’

  Bob shrugged. ‘Rannaldini’s just jackbooting around because he’s been away and he can’t bear his orchestra playing well for someone else. Also,’ Bob dropped his voice, ‘Cecilia — wife number two — is in London. She’s come over for Lucia at Covent Garden, so he wanted an excuse to storm out early and take her to lunch and double bed at The Savoy. She lives in New York, but he always sleeps with her when she comes over, or if he’s in New York.’

  ‘What’s she like?’ asked the leader of the orchestra, forgetting his hangover.

  ‘Little black mamba in little black numbers. Eats men for breakfast, or would if she wasn’t always on a diet.’ Bob shook with laughter.

  ‘Goodness,’ said the sacked oboe player, momentarily roused out of his despondency, ‘Does Hermione know?’

  ‘Christ, no! Why upset her? Cecilia’s supposed to be going down to Bagley Hall this evening to some end-of-term concert. Boris Levitsky’s the music master so the standard may have improved a little. I suppose Rannaldini may roll up as well, and Hermione. They’ll all fly in different helicopters.’

  ‘That guy’s a saint,’ said the leader of the orchestra, as Bob moved off to calm Hermione down.

  17

  Bagley Hall was a chic progressive boarding-school set amid rolling green parkland on the edge of the Rutminster-Gloucestershire border. The parents, who tended to be arty or from the media, had chosen the school mostly because they heard the music was wonderful, and they believed that their somewhat problematical darlings wouldn’t come to much harm amid such remote rural surroundings. The former assumption was certainly true since Boris Levitsky had become music master. Last seen threatening to beat up Lysander for comforting his wife Rachel after they met in a London chemist’s, Boris had shortly afterwards left the London Met, where he had worked as an assistant conductor, in an attempt to save his marriage.

  Boris had loathed being an assistant conductor, which meant he was a glorified understudy, who took rehearsals, memorized scores and kept a tailcoat hanging in a cupboard backstage, ready to come on at a moment’s notice — but alas the moment never came.

  This, with the added frustration of never getting any of his compositions published or performed, had driven Boris into the ego boost of an affaire with Chloe the mezzo.

  Envious of Boris’s genius both as composer and conductor and not wanting competition at the London Met, Rannaldini had actively helped him to get the job at Bagley Hall, not least because he felt his daughter Natasha, and less so his son Wolfgang, who was in his last year and musically disinclined, co
uld do with some decent teaching.

  Boris found teaching much worse than being an assistant conductor. It was so draining that he had no effort left for composition. He was thirty-one and he was aware of time running out, particularly now that Europe, after the collapse of the Berlin Wall, was flooded with Russian musicians. His novelty value was ebbing away. He would never achieve recognition.

  Now the concert hall was filling up. Through the thick green velvet curtains, Boris could see Kitty Rannaldini, so sweet and downtrodden being ignored by her stepdaughter, Natasha. A voluptuous sixteen year old, almost incestuously in love with her father, Natasha had inherited both Cecilia’s and Rannaldini’s histrionic temperaments but not alas their talent. Her voice was powerful, but harsh. Assuming it must be good, however, she never listened to criticism.

  Boris’s best pupil was Marcus Campbell-Black, who at seventeen played the piano with such sensitivity and imagination that there was little left to teach him. Through the curtain, Boris could see Marcus’s father, the legendarily handsome Rupert. Only dragged here on sufferance by his wife Taggie, Rupert was determined to leave early. He didn’t want to be buttonholed by his ex-wife Helen, who was sitting in the row behind.

  Rupert had not forgiven Helen for not sending Marcus to his old school, Harrow. Convinced that there was no money in playing the piano as a career, it had taken Rupert a long time to get over the shock, four years ago, when Marcus had timidly announced that he wanted to become a concert pianist.

  Today Rupert was worrying about the recession. At Venturer, the local ITV company of which he was a director, advertising had slumped. The bloodstock market had also taken ä dive. Finally he had been up all night with a sick filly, who was a distinct possibility for the Guineas and The Oaks and he wanted to get back to her.

  He was, therefore, the only adult not thrown into turmoil because Rannaldini had just telephoned Natasha to say he would be attending the concert after all. Parents and teachers were all in a tizz in case one of their darlings was discovered. The pupils, on the other hand, were more excited by the presence of Georgie Maguire and Guy Seymour who were becoming cult figures since the launching of Rock Star. Natasha Rannaldini, who saw herself as the victim of a broken home, thought ‘Rock Star’ was the most wonderful song, and that the reason she wasn’t as popular at Bagley Hall as Flora Seymour was because she didn’t have parents as happy as Guy and Georgie. Amazed to see them arriving with her dreary stepmother, whom she usually passed off as the younger children’s au pair, Natasha was forced to speak to Kitty in order to meet them.

  ‘Shame your father isn’t here to hear you singing,’ said Guy.

  ‘But he will be.’ From under heavy eyelids, Natasha shot a spiteful glance at Kitty. ‘He just rang to say he’s on his way.’

  For a second, Guy thought Kitty would black out with horror as she remembered she hadn’t turned on the central heating in the tower, or put clean sheets on Rannaldini’s bed there or in her bedroom, in case he deigned to sleep with her this evening. There was nothing special for supper, and Rannaldini’s guard-dogs were still down in the village with their handler. He liked a pack welcome.

  ‘I must go,’ she mumbled white-lipped, ‘I’ll get a taxi.’

  ‘You will not.’ Firmly Guy took her arm. ‘It’s Rannaldini’s fault for arriving a day early. He can join us at The Heavenly Host.’

  Georgie, still smarting because Rannaldini had dismissed ‘Rock Star’ as derivative, was even more livid that Guy hadn’t let her wash her hair. She’d had to make up in the car and now, in the crowded, overheated hall, was terrified that her pale skin would grow red and blotchy. She was also piqued that while everyone else’s children were crowding around asking for autographs, Flora, whom she hadn’t seen since before the American tour, hadn’t showed up.

  Although she had only been at the school one term, Flora had already established herself as the Bagley Hall wild child, determined to buck the system. Wolfie Rannaldini had a massive crush on her, so did Marcus Campbell-Black, but he was too shy to do anything about it. Like most of the girls in the school, Flora had a massive crush on Boris Levitsky, who had sallow skin, wonderful slitty dark grey eyes and high cheek-bones. With his long blue jacket and shaggy black hair in a pony-tail, he would be perfectly cast as Mr Christian in Mutiny on the Bounty.

  The concert had been due to start at five o’clock. It was now five-thirty, and there was still no sign of Rannaldini. The orchestra had tuned up and up. Parents were looking at their watches. Many of them had long drives home and would be forced to stumble out in the middle, ruining the concert, which was probably Rannaldini’s intention, thought Boris darkly. Determined to impress his old mentor, he was getting increasingly strung up. He was very tired, because sustained by vodka he was playing the fiddle in a Soho night-club to make ends meet.

  Out in the hall, distraction was provided by the arrival of the great diva, Hermione Harefield, who’d just rolled up with Bob and plonked herself down between Kitty and Guy in the seat that was being kept for Rannaldini. It was twenty-five to six. Miss Bottomley, the headmistress, vast and Sapphic, had just risen furiously to announce that the concert could be delayed no longer, when Rannaldini’s helicopter landed on the lawn outside, squashing a lot of daffodils. Kitty watched him jump down like a cat, bronzed and impossibly glamorous, with his thick pewter hair hardly ruffled by the wind, and her heart failed, as it always did. Georgie, prepared to detest him because of Hermione’s jibes, thought he was the most attractive man she had ever seen. It was not just the good looks, but the total lack of contrition.

  ‘Sorry to hold you up, Sabine,’ he called out blithely to an apoplectic Miss Bottomley, as he swept up the aisle asphyxiating everyone with Maestro. ‘We had engine trouble.’ Then, glancing up at Boris, who was fuming in the wings, ‘Carry on, Boris.’

  Always engine trouble when Cecilia’s in town, thought Kitty despairingly.

  ‘Over here, Rannaldini. We’ve saved you a seat,’ called Hermione in her deep thrilling voice.

  In fact she hadn’t. It merely meant that Helen Campbell-Black had to move into the row in front and sit next to her ex-husband, Rupert, who had in the past been infinitely more promiscuous and far later for every engagement than Rannaldini, but who was now glaring at him with all the chilling disapproval of the reformed rake.

  ‘Fucking Casanouveau,’ he murmured to Taggie. ‘Can’t imagine him as a schoolboy. Must have spent his time in the biology lab dissecting live rats.’

  Moving down the row to join Hermione, Rannaldini’s eyes fell on a cringing Kitty.

  ‘Friday is a work day,’ he murmured as he sat down beside her. ‘I assume everything’s in order at home for you to play truant like this.’

  ‘I fort you was coming tomorrow,’ stammered Kitty. ‘I fort Natasha would like one of us to be here.’

  ‘Hush,’ said Hermione loudly, ‘Boris wishes to begin.’

  Boris had a hole in his dark blue jacket, buttons off his white frilled shirt, a nappy pin holding up his trousers, and his unruly black hair was escaping from its black bow. Mounting the rostrum, he bent to kiss the score of Brahms’ Academic Overture, lifted his stick and began immediately. If Rannaldini was all icy precision, Boris was all fire and romantic enthusiasm. The orchestra played as though they were possessed. Bob Harefield, who never stopped talent-spotting and was now leaning against the wall at the back of the hall, took out his notebook.

  Rannaldini, on the other hand, closed his eyes and ostentatiously winced at any wrong note. Rupert Campbell-Black was not much better behaved, his golden head lolling on his present wife’s shoulder as he gently snored in counterpoint to the music, until his ex-wife woke him up to listen to Marcus playing the last movement of Mozart’s E Flat Piano Concerto. This Marcus did so exquisitely, and looked so touching, with his faun’s face, big hazel eyes and gleaming dark red hair, that the audience, despite being kept late by Rannaldini, demanded an encore.

  Mopping his brow, looking much ha
ppier, Boris tapped the rostrum.

  ‘Marcus will now play a little composition of my own. I ’op you all like him.’

  The audience wasn’t sure, and started looking bewildered and at their watches, not understanding the music one bit.

  ‘Sounds as though the stable cat’s got loose on the piano. Awful lot of wrong notes,’ muttered Rupert.

  ‘I think they’re meant to be, because it’s modern,’ whispered Taggie.

  ‘Hush,’ said Rupert’s ex-wife furiously.

  Rannaldini, who’d repeatedly refused to programme Boris’s music, felt totally vindicated, and smirking, pretended to go to sleep again. Through almost closed eyes he was aware of Kitty, plump, white and quivering like a blancmange. It was cruel to compare her with the other very young wife in the room, but Rannaldini did so. Staring at Taggie Campbell-Black, he decided she was very desirable, particularly in that red cashmere polo-neck which had brought a flush to her cheeks. And what breasts, and what legs in that black suede mini-skirt! Her succulent thighs must be twice as long and half the width of Kitty’s. She was reputed to be a marvellous cook, and to be adored by all Rupert’s children, which was more than could be said for Kitty. How amusing to take Taggie off Rupert, thought Rannaldini, who liked long-distance challenges. As if willed by his lust, Taggie turned round and smiled without thinking because he looked familiar. Then, realizing they hadn’t been introduced, she turned away, and Rannaldini suddenly encountered such a murderous glare from Rupert that he hastily looked up the row at Helen. She was stunning, too. Rupert certainly knew how to pick them. Rannaldini wished he had brought Cecilia to redress the balance, but he had exhausted her so much at The Savoy she couldn’t be bothered to get out of bed.

  And now it was Natasha’s turn to sing ‘Hark, Hark the Lark’. Her voice was strident and she hadn’t practised enough. Marcus played the accompaniment, and, being a kind boy, speeded up to get her through the difficult bits. The audience, who didn’t know any better, seeing in their programme that she was a Rannaldini, gave her huge applause, led by Hermione.