The Essential G. K. Chesterton

by G. K. Chesterton

  THE POET AND THE CHEESE

  There is something creepy in the flat Eastern Counties; a brush of the white feather. There is a stillness, which is rather of the mind than of the bodily senses. Rapid changes and sudden revelations of scenery, even when they are soundless, have something in them analogous to a movement of music, to a crash or a cry. Mountain hamlets spring out on us with a shout like mountain brigands. Comfortable valleys accept us with open arms and warm words, like comfortable innkeepers. But travelling in the great level lands has a curiously still and lonely quality; lonely even when there are plenty of people on the road and in the market-place. One's voice seems to break an almost elvish silence, and something unreasonably weird in the phrase of the nursery tales, "And he went a little farther and came to another place," comes back into the mind.

  In some such mood I came along a lean, pale road south of the fens, and found myself in a large, quiet, and seemingly forgotten village. It was one of those places that instantly produce a frame of mind which, it may be, one afterwards decks out with unreal details. I dare say that grass did not really grow in the streets, but I came away with a curious impression that it did. I dare say the marketplace was not literally lonely and without sign of life, but it left the vague impression of being so. The place was large and even loose in design, yet it had the air of something hidden away and always overlooked. It seemed shy, like a big yokel; the low roofs seemed to be ducking behind the hedges and railings; and the chimneys holding their breath. I came into it in that dead hour of the afternoon which is neither after lunch nor before tea, nor anything else even on a half-holiday; and I had a fantastic feeling that I had strayed into a lost and extra hour that is not numbered in the twenty-four.

  I entered an inn which stood openly in the market-place yet was almost as private as a private house. Those who talk of "public-houses" as if they were all one problem would have been both puzzled and pleased with such a place. In the front window a stout old lady in black with an elaborate cap sat doing a large piece of needlework. She had a kind of comfortable Puritanism about her; and might have been (perhaps she was) the original Mrs. Grundy. A little more withdrawn into the parlour sat a tall, strong, and serious girl, with a face of beautiful honesty and a pair of scissors stuck in her belt, doing a small piece of needlework. Two feet behind them sat a hulking labourer with a humorous face like wood painted scarlet, with a huge mug of mild beer which he had not touched, and probably would not touch for hours. On the hearthrug there was an equally motionless cat; and on the table a copy of 'Household Words'.

  I was conscious of some atmosphere, still and yet bracing, that I had met somewhere in literature. There was poetry in it as well as piety; and yet it was not poetry after my particular taste. It was somehow at once solid and airy. Then I remembered that it was the atmosphere in some of Wordsworth's rural poems; which are full of genuine freshness and wonder, and yet are in some incurable way commonplace. This was curious; for Wordsworth's men were of the rocks and fells, and not of the fenlands or flats. But perhaps it is the clearness of still water and the mirrored skies of meres and pools that produces this crystalline virtue. Perhaps that is why Wordsworth is called a Lake Poet instead of a mountain poet. Perhaps it is the water that does it. Certainly the whole of that town was like a cup of water given at morning.

  After a few sentences exchanged at long intervals in the manner of rustic courtesy, I inquired casually what was the name of the town. The old lady answered that its name was Stilton, and composedly continued her needlework. But I had paused with my mug in air, and was gazing at her with a suddenly arrested concern. "I suppose," I said, "that it has nothing to do with the cheese of that name." "Oh, yes," she answered, with a staggering indifference, "they used to make it here."

  I put down my mug with a gravity far greater than her own. "But this place is a Shrine!" I said. "Pilgrims should be pouring into it from wherever the English legend has endured alive. There ought to be a colossal statue in the market-place of the man who invented Stilton cheese. There ought to be another colossal statue of the first cow who provided the foundations of it. There should be a burnished tablet let into the ground on the spot where some courageous man first ate Stilton cheese, and survived. On the top of a neighbouring hill (if there are any neighbouring hills) there should be a huge model of a Stilton cheese, made of some rich green marble and engraven with some haughty motto: I suggest something like 'Ver non semper viret; sed Stiltonia semper virescit.'" The old lady said, "Yes, sir," and continued her domestic occupations.

  After a strained and emotional silence, I said, "If I take a meal here tonight can you give me any Stilton?"

  "No, sir; I'm afraid we haven't got any Stilton," said the immovable one, speaking as if it were something thousands of miles away.

  "This is awful," I said: for it seemed to me a strange allegory of England as she is now; this little town that had lost its glory; and forgotten, so to speak, the meaning of its own name. And I thought it yet more symbolic because from all that old and full and virile life, the great cheese was gone; and only the beer remained. And even that will be stolen by the Liberals or adulterated by the Conservatives. Politely disengaging myself, I made my way as quickly as possible to the nearest large, noisy, and nasty town in that neighbourhood, where I sought out the nearest vulgar, tawdry, and avaricious restaurant.

  There (after trifling with beef, mutton, puddings, pies, and so on) I got a Stilton cheese. I was so much moved by my memories that I wrote a sonnet to the cheese. Some critical friends have hinted to me that my sonnet is not strictly new; that it contains "echoes" (as they express it) of some other poem that they have read somewhere. Here, at least, are the lines I wrote:

  SONNET TO A STILTON CHEESE

  Stilton, thou shouldst be living at this hour And so thou art. Nor losest grace thereby; England has need of thee, and so have I— She is a Fen. Far as the eye can scour, League after grassy league from Lincoln tower To Stilton in the fields, she is a Fen. Yet this high cheese, by choice of fenland men, Like a tall green volcano rose in power.

  Plain living and long drinking are no more, And pure religion reading 'Household Words', And sturdy manhood sitting still all day Shrink, like this cheese that crumbles to its core; While my digestion, like the House of Lords, The heaviest burdens on herself doth lay.

  I confess I feel myself as if some literary influence, something that has haunted me, were present in this otherwise original poem; but it is hopeless to disentangle it now.

  THE THING

  The wind awoke last night with so noble a violence that it was like the war in heaven; and I thought for a moment that the Thing had broken free. For wind never seems like empty air. Wind always sounds full and physical, like the big body of something; and I fancied that the Thing itself was walking gigantic along the great roads between the forests of beech.

  Let me explain. The vitality and recurrent victory of Christendom have been due to the power of the Thing to break out from time to time from its enveloping words and symbols. Without this power all civilisations tend to perish under a load of language and ritual. One instance of this we hear much in modern discussion: the separation of the form from the spirit of religion. But we hear too little of numberless other cases of the same stiffening and falsification; we are far too seldom reminded that just as church-going is not religion, so reading and writing are not knowledge, and voting is not self-government. It would be easy to find people in the big cities who can read and write quickly enough to be clerks, but who are actually ignorant of the daily movements of the sun and moon.

  The case of self-government is even more curious, especially as one watches it for the first time in a country district. Self-government arose among men (probably among the primitive men, certainly among the ancients) out of an idea which seems now too simple to be understood. The notion of self-government was not (as many modern friends and foes of it seem to think) the notion that the ordinary citizen is to be consulted as one c
onsults an Encyclopaedia. He is not there to be asked a lot of fancy questions, to see how he answers them. He and his fellows are to be, within reasonable human limits, masters of their own lives. They shall decide whether they shall be men of the oar or the wheel, of the spade or the spear. The men of the valley shall settle whether the valley shall be devastated for coal or covered with corn and vines; the men of the town shall decide whether it shall be hoary with thatches or splendid with spires. Of their own nature and instinct they shall gather under a patriarchal chief or debate in a political market-place. And in case the word "man" be misunderstood, I may remark that in this moral atmosphere, this original soul of self-government, the women always have quite as much influence as the men. But in modern England neither the men nor the women have any influence at all. In this primary matter, the moulding of the landscape, the creation of a mode of life, the people are utterly impotent. They stand and stare at imperial and economic processes going on, as they might stare at the Lord Mayor's Show.

  Round about where I live, for instance, two changes are taking place which really affect the land and all things that live on it, whether for good or evil. The first is that the urban civilisation (or whatever it is) is advancing; that the clerks come out in black swarms and the villas advance in red battalions. The other is that the vast estates into which England has long been divided are passing out of the hands of the English gentry into the hands of men who are always upstarts and often actually foreigners.

  Now, these are just the sort of things with which self-government was really supposed to grapple. People were supposed to be able to indicate whether they wished to live in town or country, to be represented by a gentleman or a cad. I do not presume to prejudge their decision; perhaps they would prefer the cad; perhaps he is really preferable. I say that the filling of a man's native sky with smoke or the selling of his roof over his head illustrate the sort of things he ought to have some say in, if he is supposed to be governing himself. But owing to the strange trend of recent society, these enormous earthquakes he has to pass over and treat as private trivialities. In theory the building of a villa is as incidental as the buying of a hat. In reality it is as if all Lancashire were laid waste for deer forests; or as if all Belgium were flooded by the sea. In theory the sale of a squire's land to a moneylender is a minor and exceptional necessity. In reality it is a thing like a German invasion. Sometimes it is a German invasion.

  Upon this helpless populace, gazing at these prodigies and fates, comes round about every five years a thing called a General Election. It is believed by antiquarians to be the remains of some system of self-government; but it consists solely in asking the citizen questions about everything except what he understands. The examination paper of the Election generally consists of some such queries as these: "I. Are the green biscuits eaten by the peasants of Eastern Lithuania in your opinion fit for human food? II. Are the religious professions of the President of the Orange Free State hypocritical or sincere? III. Do you think that the savages in Prusso-Portuguese East Bunyipland are as happy and hygienic as the fortunate savages in Franco-British West Bunyipland? IV. Did the lost Latin Charter said to have been exacted from Henry III reserve the right of the Crown to create peers? V. What do you think of what America thinks of what Mr. Roosevelt thinks of what Sir Eldon Gorst thinks of the state of the Nile? VI. Detect some difference between the two persons in frock-coats placed before you at this election."

  Now, it never was supposed in any natural theory of self-government that the ordinary man in my neighbourhood need answer fantastic questions like these. He is a citizen of South Bucks, not an editor of 'Notes and Queries'. He would be, I seriously believe, the best judge of whether farmsteads or factory chimneys should adorn his own sky-line, of whether stupid squires or clever usurers should govern his own village. But these are precisely the things which the oligarchs will not allow him to touch with his finger. Instead, they allow him an Imperial destiny and divine mission to alter, under their guidance, all the things that he knows nothing about. The name of self-government is noisy everywhere: the Thing is throttled.

  The wind sang and split the sky like thunder all the night through; in scraps of sleep it filled my dreams with the divine discordances of martyrdom and revolt; I heard the horn of Roland and the drums of Napoleon and all the tongues of terror with which the Thing has gone forth: the spirit of our race alive. But when I came down in the morning only a branch or two was broken off the tree in my garden; and none of the great country houses in the neighbourhood were blown down, as would have happened if the Thing had really been abroad.

  THE MAN WHO THINKS BACKWARDS

  The man who thinks backwards is a very powerful person to-day: indeed, if he is not omnipotent, he is at least omnipresent. It is he who writes nearly all the learned books and articles, especially of the scientific or skeptical sort; all the articles on Eugenics and Social Evolution and Prison Reform and the Higher Criticism and all the rest of it. But especially it is this strange and tortuous being who does most of the writing about female emancipation and the reconsidering of marriage. For the man who thinks backwards is very frequently a woman.

  Thinking backwards is not quite easy to define abstractedly; and, perhaps, the simplest method is to take some object, as plain as possible, and from it illustrate the two modes of thought: the right mode in which all real results have been rooted; the wrong mode, which is confusing all our current discussions, especially our discussions about the relations of the sexes. Casting my eye round the room, I notice an object which is often mentioned in the higher and subtler of these debates about the sexes: I mean a poker. I will take a poker and think about it; first forwards and then backwards; and so, perhaps, show what I mean.

  The sage desiring to think well and wisely about a poker will begin somewhat as follows: Among the live creatures that crawl about this star the queerest is the thing called Man. This plucked and plumeless bird, comic and forlorn, is the butt of all the philosophies. He is the only naked animal; and this quality, once, it is said, his glory, is now his shame. He has to go outside himself for everything that he wants. He might almost be considered as an absent-minded person who had gone bathing and left his clothes everywhere, so that he has hung his hat upon the beaver and his coat upon the sheep. The rabbit has white warmth for a waistcoat, and the glow-worm has a lantern for a head. But man has no heat in his hide, and the light in his body is darkness; and he must look for light and warmth in the wild, cold universe in which he is cast. This is equally true of his soul and of his body; he is the one creature that has lost his heart as much as he has lost his hide. In a spiritual sense he has taken leave of his senses; and even in a literal sense he has been unable to keep his hair on. And just as this external need of his has lit in his dark brain the dreadful star called religion, so it has lit in his hand the only adequate symbol of it: I mean the red flower called Fire. Fire, the most magic and startling of all material things, is a thing known only to man and the expression of his sublime externalism. It embodies all that is human in his hearths and all that is divine on his altars. It is the most human thing in the world; seen across wastes of marsh or medleys of forest, it is veritably the purple and golden flag of the sons of Eve. But there is about this generous and rejoicing thing an alien and awful quality: the quality of torture. Its presence is life; its touch is death. Therefore, it is always necessary to have an intermediary between ourselves and this dreadful deity; to have a priest to intercede for us with the god of life and death; to send an ambassador to the fire. That priest is the poker. Made of a material more merciless and warlike than the other instruments of domesticity, hammered on the anvil and born itself in the flame, the poker is strong enough to enter the burning fiery furnace, and, like the holy children, not be consumed. In this heroic service it is often battered and twisted, but is the more honourable for it, like any other soldier who has been under fire.

  Now all this may sound very fanciful and mystical, but it is the ri
ght view of pokers, and no one who takes it will ever go in for any wrong view of pokers, such as using them to beat one's wife or torture one's children, or even (though that is more excusable) to make a policeman jump, as the clown does in the pantomime. He who has thus gone back to the beginning, and seen everything as quaint and new, will always see things in their right order, the one depending on the other in degree of purpose and importance: the poker for the fire and the fire for the man and the man for the glory of God.

  This is thinking forwards. Now our modern discussions about everything, Imperialism, Socialism, or Votes for Women, are all entangled in an opposite train of thought, which runs as follows:—A modern intellectual comes in and sees a poker. He is a positivist; he will not begin with any dogmas about the nature of man, or any day-dreams about the mystery of fire. He will begin with what he can see, the poker; and the first thing he sees about the poker is that it is crooked. He says, "Poor poker; it's crooked." Then he asks how it came to be crooked; and is told that there is a thing in the world (with which his temperament has hitherto left him unacquainted)—a thing called fire. He points out, very kindly and clearly, how silly it is of people, if they want a straight poker, to put it into a chemical combustion which will very probably heat and warp it. "Let us abolish fire," he says, "and then we shall have perfectly straight pokers. Why should you want a fire at all?" They explain to him that a creature called Man wants a fire, because he has no fur or feathers. He gazes dreamily at the embers for a few seconds, and then shakes his head. "I doubt if such an animal is worth preserving," he says. "He must eventually go under in the cosmic struggle when pitted against well-armoured and warmly protected species, who have wings and trunks and spires and scales and horns and shaggy hair. If Man cannot live without these luxuries, you had better abolish Man." At this point, as a rule, the crowd is convinced; it heaves up all its clubs and axes, and abolishes him. At least, one of him.