The Essential G. K. Chesterton

by G. K. Chesterton

  "Looks a cannibal sort of chap, don't he?" said the constable confidentially to Cutler.

  Cutler made no answer, but said sharply a moment after: "We must attend to the...the death..." and his voice escaped from articulation.

  "The two deaths," came in the voice of the priest from the farther side of the room. "This poor fellow was gone when I got across to him." And he stood looking down at old Parkinson, who sat in a black huddle on the gorgeous chair. He also had paid his tribute, not without eloquence, to the woman who had died.

  The silence was first broken by Cutler, who seemed not untouched by a rough tenderness. "I wish I was him," he said huskily. "I remember he used to watch her wherever she walked more than--anybody. She was his air, and he's dried up. He's just dead."

  "We are all dead," said Seymour in a strange voice, looking down the road.

  They took leave of Father Brown at the corner of the road, with some random apologies for any rudeness they might have shown. Both their faces were tragic, but also cryptic.

  The mind of the little priest was always a rabbit-warren of wild thoughts that jumped too quickly for him to catch them. Like the white tail of a rabbit he had the vanishing thought that he was certain of their grief, but not so certain of their innocence.

  "We had better all be going," said Seymour heavily; "we have done all we can to help."

  "Will you understand my motives," asked Father Brown quietly, "if I say you have done all you can to hurt?"

  They both started as if guiltily, and Cutler said sharply: "To hurt whom?"

  "To hurt yourselves," answered the priest. "I would not add to your troubles if it weren't common justice to warn you. You've done nearly everything you could do to hang yourselves, if this actor should be acquitted. They'll be sure to subpoena me; I shall be bound to say that after the cry was heard each of you rushed into the room in a wild state and began quarrelling about a dagger. As far as my words on oath can go, you might either of you have done it. You hurt yourselves with that; and then Captain Cutler must have hurt himself with the dagger."

  "Hurt myself!" exclaimed the Captain, with contempt. "A silly little scratch."

  "Which drew blood," replied the priest, nodding. "We know there's blood on the brass now. And so we shall never know whether there was blood on it before."

  There was a silence; and then Seymour said, with an emphasis quite alien to his daily accent: "But I saw a man in the passage."

  "I know you did," answered the cleric Brown with a face of wood, "so did Captain Cutler. That's what seems so improbable."

  Before either could make sufficient sense of it even to answer, Father Brown had politely excused himself and gone stumping up the road with his stumpy old umbrella.

  As modern newspapers are conducted, the most honest and most important news is the police news. If it be true that in the twentieth century more space is given to murder than to politics, it is for the excellent reason that murder is a more serious subject. But even this would hardly explain the enormous omnipresence and widely distributed detail of "The Bruno Case," or "The Passage Mystery," in the Press of London and the provinces. So vast was the excitement that for some weeks the Press really told the truth; and the reports of examination and cross-examination, if interminable, even if intolerable are at least reliable. The true reason, of course, was the coincidence of persons. The victim was a popular actress; the accused was a popular actor; and the accused had been caught red-handed, as it were, by the most popular soldier of the patriotic season. In those extraordinary circumstances the Press was paralysed into probity and accuracy; and the rest of this somewhat singular business can practically be recorded from reports of Bruno's trial.

  The trial was presided over by Mr Justice Monkhouse, one of those who are jeered at as humorous judges, but who are generally much more serious than the serious judges, for their levity comes from a living impatience of professional solemnity; while the serious judge is really filled with frivolity, because he is filled with vanity. All the chief actors being of a worldly importance, the barristers were well balanced; the prosecutor for the Crown was Sir Walter Cowdray, a heavy, but weighty advocate of the sort that knows how to seem English and trustworthy, and how to be rhetorical with reluctance. The prisoner was defended by Mr Patrick Butler, K.C., who was mistaken for a mere flaneur by those who misunderstood the Irish character--and those who had not been examined by him. The medical evidence involved no contradictions, the doctor, whom Seymour had summoned on the spot, agreeing with the eminent surgeon who had later examined the body. Aurora Rome had been stabbed with some sharp instrument such as a knife or dagger; some instrument, at least, of which the blade was short. The wound was just over the heart, and she had died instantly. When the doctor first saw her she could hardly have been dead for twenty minutes. Therefore when Father Brown found her she could hardly have been dead for three.

  Some official detective evidence followed, chiefly concerned with the presence or absence of any proof of a struggle; the only suggestion of this was the tearing of the dress at the shoulder, and this did not seem to fit in particularly well with the direction and finality of the blow. When these details had been supplied, though not explained, the first of the important witnesses was called.

  Sir Wilson Seymour gave evidence as he did everything else that he did at all--not only well, but perfectly. Though himself much more of a public man than the judge, he conveyed exactly the fine shade of self-effacement before the King's justice; and though everyone looked at him as they would at the Prime Minister or the Archbishop of Canterbury, they could have said nothing of his part in it but that it was that of a private gentleman, with an accent on the noun. He was also refreshingly lucid, as he was on the committees. He had been calling on Miss Rome at the theatre; he had met Captain Cutler there; they had been joined for a short time by the accused, who had then returned to his own dressing-room; they had then been joined by a Roman Catholic priest, who asked for the deceased lady and said his name was Brown. Miss Rome had then gone just outside the theatre to the entrance of the passage, in order to point out to Captain Cutler a flower-shop at which he was to buy her some more flowers; and the witness had remained in the room, exchanging a few words with the priest. He had then distinctly heard the deceased, having sent the Captain on his errand, turn round laughing and run down the passage towards its other end, where was the prisoner's dressing-room. In idle curiosity as to the rapid movement of his friends, he had strolled out to the head of the passage himself and looked down it towards the prisoner's door. Did he see anything in the passage? Yes; he saw something in the passage.

  Sir Walter Cowdray allowed an impressive interval, during which the witness looked down, and for all his usual composure seemed to have more than his usual pallor. Then the barrister said in a lower voice, which seemed at once sympathetic and creepy: "Did you see it distinctly?"

  Sir Wilson Seymour, however moved, had his excellent brains in full working-order. "Very distinctly as regards its outline, but quite indistinctly, indeed not at all, as regards the details inside the outline. The passage is of such length that anyone in the middle of it appears quite black against the light at the other end." The witness lowered his steady eyes once more and added: "I had noticed the fact before, when Captain Cutler first entered it." There was another silence, and the judge leaned forward and made a note.

  "Well," said Sir Walter patiently, "what was the outline like? Was it, for instance, like the figure of the murdered woman?"

  "Not in the least," answered Seymour quietly.

  "What did it look like to you?"

  "It looked to me," replied the witness, "like a tall man."

  Everyone in court kept his eyes riveted on his pen, or his umbrella-handle, or his book, or his boots or whatever he happened to be looking at. They seemed to be holding their eyes away from the prisoner by main force; but they felt his figure in the dock, and they felt it as gigantic. Tall as Bruno was to the eye, he seemed to swell talle
r and taller when an eyes had been torn away from him.

  Cowdray was resuming his seat with his solemn face, smoothing his black silk robes, and white silk whiskers. Sir Wilson was leaving the witness-box, after a few final particulars to which there were many other witnesses, when the counsel for the defence sprang up and stopped him.

  "I shall only detain you a moment," said Mr Butler, who was a rustic-looking person with red eyebrows and an expression of partial slumber. "Will you tell his lordship how you knew it was a man?"

  A faint, refined smile seemed to pass over Seymour's features. "I'm afraid it is the vulgar test of trousers," he said. "When I saw daylight between the long legs I was sure it was a man, after all."

  Butler's sleepy eyes opened as suddenly as some silent explosion. "After all!" he repeated slowly. "So you did think at first it was a woman?"

  Seymour looked troubled for the first time. "It is hardly a point of fact," he said, "but if his lordship would like me to answer for my impression, of course I shall do so. There was something about the thing that was not exactly a woman and yet was not quite a man; somehow the curves were different. And it had something that looked like long hair."

  "Thank you," said Mr Butler, K.C., and sat down suddenly, as if he had got what he wanted.

  Captain Cutler was a far less plausible and composed witness than Sir Wilson, but his account of the opening incidents was solidly the same. He described the return of Bruno to his dressing-room, the dispatching of himself to buy a bunch of lilies-of-the-valley, his return to the upper end of the passage, the thing he saw in the passage, his suspicion of Seymour, and his struggle with Bruno. But he could give little artistic assistance about the black figure that he and Seymour had seen. Asked about its outline, he said he was no art critic--with a somewhat too obvious sneer at Seymour. Asked if it was a man or a woman, he said it looked more like a beast--with a too obvious snarl at the prisoner. But the man was plainly shaken with sorrow and sincere anger, and Cowdray quickly excused him from confirming facts that were already fairly clear.

  The defending counsel also was again brief in his cross-examination; although (as was his custom) even in being brief, he seemed to take a long time about it. "You used a rather remarkable expression," he said, looking at Cutler sleepily. "What do you mean by saying that it looked more like a beast than a man or a woman?"

  Cutler seemed seriously agitated. "Perhaps I oughtn't to have said that," he said; "but when the brute has huge humped shoulders like a chimpanzee, and bristles sticking out of its head like a pig--"

  Mr Butler cut short his curious impatience in the middle. "Never mind whether its hair was like a pig's," he said, "was it like a woman's?"

  "A woman's!" cried the soldier. "Great Scott, no!"

  "The last witness said it was," commented the counsel, with unscrupulous swiftness. "And did the figure have any of those serpentine and semi-feminine curves to which eloquent allusion has been made? No? No feminine curves? The figure, if I understand you, was rather heavy and square than otherwise?"

  "He may have been bending forward," said Cutler, in a hoarse and rather faint voice.

  "Or again, he may not," said Mr Butler, and sat down suddenly for the second time.

  The third, witness called by Sir Walter Cowdray was the little Catholic clergyman, so little, compared with the others, that his head seemed hardly to come above the box, so that it was like cross-examining a child. But unfortunately Sir Walter had somehow got it into his head (mostly by some ramifications of his family's religion) that Father Brown was on the side of the prisoner, because the prisoner was wicked and foreign and even partly black. Therefore he took Father Brown up sharply whenever that proud pontiff tried to explain anything; and told him to answer yes or no, and tell the plain facts without any jesuitry. When Father Brown began, in his simplicity, to say who he thought the man in the passage was, the barrister told him that he did not want his theories.

  "A black shape was seen in the passage. And you say you saw the black shape. Well, what shape was it?"

  Father Brown blinked as under rebuke; but he had long known the literal nature of obedience. "The shape," he said, "was short and thick, but had two sharp, black projections curved upwards on each side of the head or top, rather like horns, and--"

  "Oh! the devil with horns, no doubt," ejaculated Cowdray, sitting down in triumphant jocularity. "It was the devil come to eat Protestants."

  "No," said the priest dispassionately; "I know who it was."

  Those in court had been wrought up to an irrational, but real sense of some monstrosity. They had forgotten the figure in the dock and thought only of the figure in the passage. And the figure in the passage, described by three capable and respectable men who had all seen it, was a shifting nightmare: one called it a woman, and the other a beast, and the other a devil....

  The judge was looking at Father Brown with level and piercing eyes. "You are a most extraordinary witness," he said; "but there is something about you that makes me think you are trying to tell the truth. Well, who was the man you saw in the passage?"

  "He was myself," said Father Brown.

  Butler, K.C., sprang to his feet in an extraordinary stillness, and said quite calmly: "Your lordship will allow me to cross-examine?" And then, without stopping, he shot at Brown the apparently disconnected question: "You have heard about this dagger; you know the experts say the crime was committed with a short blade?"

  "A short blade," assented Brown, nodding solemnly like an owl, "but a very long hilt."

  Before the audience could quite dismiss the idea that the priest had really seen himself doing murder with a short dagger with a long hilt (which seemed somehow to make it more horrible), he had himself hurried on to explain.

  "I mean daggers aren't the only things with short blades. Spears have short blades. And spears catch at the end of the steel just like daggers, if they're that sort of fancy spear they had in theatres; like the spear poor old Parkinson killed his wife with, just when she'd sent for me to settle their family troubles--and I came just too late, God forgive me! But he died penitent--he just died of being penitent. He couldn't bear what he'd done."

  The general impression in court was that the little priest, who was gobbling away, had literally gone mad in the box. But the judge still looked at him with bright and steady eyes of interest; and the counsel for the defence went on with his questions unperturbed.

  "If Parkinson did it with that pantomime spear," said Butler, "he must have thrust from four yards away. How do you account for signs of struggle, like the dress dragged off the shoulder?" He had slipped into treating his mere witness as an expert; but no one noticed it now.

  "The poor lady's dress was torn," said the witness, "because it was caught in a panel that slid to just behind her. She struggled to free herself, and as she did so Parkinson came out of the prisoner's room and lunged with the spear."

  "A panel?" repeated the barrister in a curious voice.

  "It was a looking-glass on the other side," explained Father Brown. "When I was in the dressing-room I noticed that some of them could probably be slid out into the passage."

  There was another vast and unnatural silence, and this time it was the judge who spoke. "So you really mean that when you looked down that passage, the man you saw was yourself--in a mirror?"

  "Yes, my lord; that was what I was trying to say," said Brown, "but they asked me for the shape; and our hats have corners just like horns, and so I--"

  The judge leaned forward, his old eyes yet more brilliant, and said in specially distinct tones: "Do you really mean to say that when Sir Wilson Seymour saw that wild what-you-call-him with curves and a woman's hair and a man's trousers, what he saw was Sir Wilson Seymour?"

  "Yes, my lord," said Father Brown.

  "And you mean to say that when Captain Cutler saw that chimpanzee with humped shoulders and hog's bristles, he simply saw himself?"

  "Yes, my lord."

  The judge leaned back in his c
hair with a luxuriance in which it was hard to separate the cynicism and the admiration. "And can you tell us why," he asked, "you should know your own figure in a looking-glass, when two such distinguished men don't?"