Inkdeath ti-3

by Cornelia Funke

  Meggie stared at the castle gates. She thought she could hear Mo's voice talking about Sootbird. And if he does… last time he saw me I was half-dead. And another encounter will be the worse for him.

  The Bluejay. Stop thinking of him by that name, Meggie thought. Stop it!

  "Come on!" Farid took her hand. "Silvertongue said I was to take you to Roxane. Won't she just be glad to see me! But I expect she'll put on a friendly act if you're there, too."

  "No." Meggie freed her hand from his, good as it felt to be holding hands with him again at last. "I'm staying here. I'm staying right here until Mo comes out again."

  Farid sighed and rolled his eyes, but he knew her well enough not to argue with her.

  "Oh, wonderful!" he said, lowering his voice. "If I know Silvertongue, he's sure to spend forever looking at those wretched books. So at least let me kiss you, or the guards will soon be wondering why we're still standing around."

  7. A DANGEROUS VISIT

  The question, given God's omniscient view,

  Is: Must what He foresees perforce come true?

  Or is free choice of action granted me

  To do a thing or else to let it be?

  Geoffrey Chaucer, The Canterbury Tales (modernized)

  Humble. Humility and servility. He wasn't good at it. Did you ever notice that in the other world, Mortimer? he asked himself. Bow your head, don't stand too straight, let them look down on you even if you're taller than they are. Act as if you think it perfectly natural for them to rule and everyone else to work.

  It was so hard.

  "Ah, you're the bookbinder Balbulus is expecting," one of the guards had said, glancing at his black clothes. "What was all that with the boy just now? Don't you like our pillory?"

  Head lower, Mortimer! Go on. Pretend to be afraid. Forget your anger, forget the boy and his whimpering. "It won't happen again."

  "Exactly! He… he comes from far away," Fenoglio was quick to add. "He has yet to get used to our new governor's rule. But if you'll allow us… Balbulus can be very impatient." Then he had bowed and hastily drew Mo on with him.

  Ombra Castle… It was difficult not to forget everything else when he stepped into the great courtyard. He remembered so many of the scenes from Fenoglio's book set here.

  "Heavens above, that was a close thing!" whispered Fenoglio as they led the horse to the stables. "I don't want to have to remind you again: You're here as a bookbinder! Play the Bluejay just once more and you're a dead man! Damn it, Mortimer, I ought never to have agreed to bring you here. Look at all those soldiers. It's like being in the Castle of Night!"

  "Oh no, I assure you there's a difference," Mo replied quietly, trying not to look up at the heads impaled on pikes that adorned the walls. Two belonged to a couple of the Black Prince's men, although he wouldn't have recognized them if the Strong Man hadn't told him about their fate. "Although I didn't imagine the castle quite like this from your original description in Inkheart," he whispered to Fenoglio.

  "You're telling me?" Fenoglio murmured. "First Cosimo had it all rebuilt, now the Milksop's leaving his mark on the place. He's had the gold-mockers' nests torn down, and look at all the shacks they've put up to hoard their loot! I wonder if the Adderhead's noticed yet how little of it ever reaches the Castle of Night. If he has, his brother-in-law will soon be in trouble."

  "Yes, the Milksop is pretty brazen about it." Mo lowered his head as a couple of grooms came toward them. Even they were armed. His knife wouldn't be much use if anyone actually did recognize him. "We stopped a few convoys intended for the Castle of Night," he continued quietly when they had passed, "and the contents of the chests always proved rather disappointing."

  Fenoglio stared at him. "You're really doing it?"

  "Doing what?"

  The old man looked nervously around, but no one seemed to be taking any notice of them. "Well, all the things they sing about!" he whispered. "I mean… most of the songs are poor stuff, badly written, but the Bluejay is still my character, so… what does it feel like? What does it feel like, playing him?"

  A maid carried two slaughtered geese past them. The birds' blood dripped onto the courtyard paving stones. Mo turned his head away. "Playing? Is that what it still feels like to you – some kind of game?" His reply sounded touchier than he had intended.

  Sometimes he'd really have given anything to read the thoughts in Fenoglio's head. And, who knew, maybe he would indeed read them some day in black and white, and find himself there on the page with words spun around him, like a fly caught in an old spider's web.

  "I admit it's turned into a dangerous game, but I'm really glad you took the part! Because wasn't I right? This world needs the Blue -"

  Mo interrupted Fenoglio – and put his fingers to his lips. A troop of soldiers passed them, and Fenoglio bit back the name he had first written down on a piece of parchment not so long ago. But the smile with which he watched the soldiers pass was the smile of a man who had hid an explosive device in his enemies' house and was enjoying mingling with them knowing they had no idea he had planted that bomb.

  Wicked old man.

  Mo realized that the Inner Castle didn't look as Fenoglio had described it anymore, either. He quietly repeated the words he had once read: "The Laughing Prince's wife had laid out the garden because she was tired of the gray stones all around her. She planted flowers from foreign lands, and when they came into bloom they made her dream of distant seas, strange cities, and mountains where dragons lived. She allowed gold-breasted birds to breed, birds that perched in the trees like feathered fruits, and planted a seedling from the Wayless Wood, a tree with leaves that could talk to the moon."

  Fenoglio looked at him in surprise.

  "Oh, I know your book by heart," said Mo. "Have you forgotten how often I read aloud from it after your words had swallowed up my wife?"

  The gold-breasted birds had left the Inner Courtyard, too. The Milksop's statue was reflected in a stone basin, and if the tree that talked to the moon ever existed, then it had been felled. Dog pens stood where there had once been a garden, and the new lord of Ombra's hounds pressed their noses to the silvered wire fencing. It's a long time since this was your story, old man, thought Mo as he and Fenoglio walked toward the Inner Castle. But, then, who was telling it now? Orpheus, maybe? Or had the Adderhead taken over as narrator, using blood and iron instead of pen and ink?

  Tullio took them to Balbulus; Tullio the furry-faced servant said in Fenoglio's book to be the offspring of a brownie father and a moss-woman mother.

  "How are you?" Fenoglio asked him as Tullio led them down the corridors. As if it had ever interested him how his creations were doing.

  Tullio answered with a shrug of his shoulders. "They hunt me," he said, his voice barely audible. "Our new master's friends – and he has a lot of them. They chase me along the passages and shut me in with the hounds, but Violante protects me. She protects me even though her son is one of the worst of them."

  "Her son?" Mo asked.

  "Yes, didn't Meggie tell you about him?" Fenoglio whispered back. "Jacopo, a real little devil. His grandfather in miniature, although he's getting to look more like his father every day. Not that he ever shed a tear for Cosimo. Far from it. They say he daubed Cosimo's bust in the crypt with Balbulus's paints, and in the evenings he sits beside the Milksop or on Sootbird's lap instead of keeping his mother company. It's said he even spies on her for his grandfather, the Adderhead."

  Mo had read nothing in Fenoglio's book about the door outside which Tullio finally stopped, rather breathless after climbing so many steep flights of stairs. He instinctively put out his hand to stroke the letters that covered it. "They're so beautiful, Mo," Meggie had murmured as the two of them sat high in their prison in the Castle of Night. "Intertwined as if someone had written them on the wood in liquid silver."

  Tullio raised his small, furry fist and knocked. The voice calling them in could belong to no one but Balbulus. Cold, self-satisfied, arrogant… T
he words Meggie had used to describe the best illuminator in this world were not nice ones. Tullio stood on tiptoe, took hold of the door handle – and then let go of it again in alarm.

  "Tullio!" The voice echoing up the staircase sounded very young, but it seemed used to giving orders. "Where are you, Tullio? You must come and hold the torches for Sootbird."

  "Jacopo!" Tullio breathed the word as if it were the name of an infectious illness. He ducked and instinctively tried to shelter behind Mo's back.

  A boy of perhaps six or seven came running upstairs. Mo had never seen Cosimo the Fair. The Milksop had had all his statues smashed, but Battista still had a few coins with his picture on them. A face almost too beautiful to be real, that was how everyone described him. His son had obviously inherited that beauty, although as yet it was only developing on his still round, childish face. But it was not an endearing face. The boy's eyes were watchful, and his mouth was as sullen as an old man's. His black tunic had an embroidered pattern showing his grandfather's emblematic adder with its flickering tongue, and even his belt was set with silver snakes, but around his neck dangled a silver nose – the Piper's trademark.

  Fenoglio cast Mo a glance of alarm and stood in front of him, as if that would hide him from the boy.

  You must come and hold the torches for Sootbird. Now what, Mo? He instinctively glanced down the stairs, but Jacopo had come alone, and this castle was large. His hand went to his belt all the same.

  "Who's that?" Only the defiance in the clear voice sounded like a little boy's. Jacopo was breathing heavily from all that stair-climbing.

  "He's… er… he's the new bookbinder, my prince!" replied Fenoglio, bowing. "I'm sure you remember how often Balbulus has complained of the clumsiness of our local bookbinders!"

  "And this one's better?" Jacopo folded his little arms. "He doesn't look like a bookbinder. Bookbinders are old and all pale because they sit indoors the whole time."

  "Oh, we go out now and then, too," replied Mo. "We go out to buy the best leather, new stamps, good knives, or to dry parchment in the sun if it's damp…"

  He found it difficult to feel afraid of the boy, although he had heard so much that was bad about him. Cosimo's son reminded him of a boy he had known at school who was unlucky enough to be the headmaster's son. He used to stalk around the school yard like a copy of his father – and he was afraid of everything and everyone in the world. That's all very well, Mortimer, Mo told himself, but he was only a headmaster's son. This is the grandson of the Adderhead, so take care.

  Jacopo frowned and looked disapprovingly at him. Obviously, he didn't like the fact that Mo was so much taller than he was. "You didn't bow! You have to bow to me."

  Mo felt Fenoglio's warning glance and bowed his head. "My prince."

  It was difficult. He would rather have chased Jacopo along the castle corridors in fun, the way he used to chase Meggie in Elinor's house, just to see if the child in him would emerge, carefully hidden as it was behind his grandfather's mannerisms.

  Jacopo acknowledged his bow with a magnanimous nod, and Mo bowed his head again so that the boy wouldn't see his smile.

  "My grandfather is having trouble with a book," remarked Jacopo in his arrogant voice. "A lot of trouble. Perhaps you can help him."

  Trouble with a book. Mo felt his heart miss a beat. In his mind's eye he saw the Book before him again, felt the paper between his fingers. All those blank pages.

  "My grandfather has had lots of bookbinders hanged already because of that book." Jacopo looked at Mo as if working out the size of the noose to fit his neck. "He even had one flayed because the man had promised he could make the book better. Will you try all the same? But you'd have to ride to the Castle of Night with me so that my grandfather can see I was the one who found you, not the Milksop."

  Mo managed to get out of answering that as the door covered with letters opened and a man came out, an expression of annoyance on his face.

  "What's all this?" he snapped at Tullio. "First there's a knock but no one comes in, then so much talk that my brush slips. So, as you all clearly have not come to see me, I would be greatly obliged if you'd continue your conversation somewhere else. There are more than enough rooms in this castle where no real work is done."

  Balbulus… Meggie had described him very well. The slight lisp, the short nose and plump cheeks, the dark brown hair already receding from his forehead, although he was still quite a young man. An illuminator – and from what Mo had seen of his work, one of the best there had ever been, in either this world or his own. Mo forgot Jacopo and Fenoglio, he forgot the pillory and the boy in it, the soldiers down in the courtyard, and even Sootbird. All he wanted was to go through that door. Even the glimpse of the workshop that he caught over Balbulus's shoulder made his heart beat as fast as a schoolboy's. He felt the same excitement as when he first held a book illustrated by Balbulus in his hand, when he was a prisoner threatened with death in the Castle of Night. This man's work had made him forget all that. Letters flowing as easily as if there were no more natural occupation for the human hand than writing, and then the pictures. Living, breathing parchment!

  "I'll talk to people where and when I like! I'm the Adderhead's grandson!" Jacopo's voice was shrill. "I'm going to tell my uncle how impertinent you've been again. I'm going to tell him this minute! I'll say he ought to take all your brushes away from you!" With one last glance at Balbulus he turned. "Come on, Tullio. Or I'll shut you in with the hounds!"

  The little servant went to Jacopo's side, head hunched between his shoulders, and the Adderhead's grandson inspected Mo again from head to foot before turning and hurrying down the stairs again – suddenly just a child after all, in a hurry to see a show.

  "We ought to get out, Mortimer!" Fenoglio whispered to him. "You should never have come to this place! Sootbird is here. It's not good, not good at all."

  But Balbulus was already impatiently beckoning the new bookbinder into his workshop. What did Mo care about Sootbird? He could think of nothing but what awaited him behind the door with the silver letters all over it.

  He had spent so many hours of his life poring over the art of illumination, bending close to stained pages until his back ached, following every brushstroke with a magnifying glass and wondering how such marvels could be captured on parchment. All the tiny faces, all the fantastic creatures, landscapes, flowers, miniature dragons, insects, so real that they seemed to be crawling off the pages. Letters as artfully entwined as if their lines had begun to grow only on that parchment.

  Was all that waiting for him on the desks in there?

  Maybe. But Balbulus stood in front of his work as if he were its guardian, and his eyes were so expressionless that Mo wondered how a man who bent so cold a gaze on the world could paint such pictures. Pictures so full of strength and fire…

  "Inkweaver." Balbulus nodded to Fenoglio with a look that seemed to sum him up: the unshaven chin, the bloodshot eyes, the weariness in the old man's heart. And what, Mo wondered, will he see in me?

  "So you're the bookbinder?" Balbulus inspected him as thoroughly as if he planned to capture him on parchment. "Fenoglio tells me truly wonderful things about your skill."

  "Oh, does he?" Mo couldn't help sounding distracted. He wanted to see those pictures at long last, but once again the illuminator barred his way as if by chance. What did this mean? Let me see your work, thought Mo. You ought to feel flattered that I've risked my neck to come here for its sake. Good heavens, those brushes really were incredibly fine. And then there were the paints…

  Fenoglio dug a warning elbow into his ribs, and Mo reluctantly tore himself away from the sight of all these wonders and looked into Balbulus's expressionless eyes.

  "I'm sorry. Yes, I'm a bookbinder, and I am sure you will want to see a sample of my work. I didn't have particularly good materials available, but…" He put his hand under the cloak that Battista had made (stealing so much black fabric couldn't have been easy), but Balbulus shook his head.
>
  "You don't have to show me any evidence of what you can do," he said, never taking his eyes off Mo. "Taddeo, the librarian in the Castle of Night, has told me at length how impressively you proved your abilities there."

  Lost.

  He was lost.

  Mo sensed Fenoglio's appalled glance on him. Yes, look at me, he thought. Are the words "reckless idiot" written as black as ink on my forehead?

  However, Balbulus smiled. His smile was as hard to fathom as his eyes.

  "Yes, Taddeo has told me about you at length." Meggie had given a good imitation of the way his tongue touched his teeth as he spoke. "Usually he is rather a reserved man, but he positively sung your praises to me in writing. After all, there aren't many of your trade who can bind Death itself in a book, are there?"

  Fenoglio gripped his arm so hard that Mo could feel the old man's fear. Did he think they could simply turn and walk out of the door? A guard would surely have been posted outside some time ago, and even if not, there were soldiers waiting at the bottom of the stairs. How quickly you got used to the way they could appear at any moment, armed with the power to take a man away, imprison him, or kill him with impunity… How Balbulus's colors glowed! Vermilion, sienna, burnt umber… how beautiful they were. Beauty that had lured him into a trap. Most birds were trapped with bread and a few tasty seeds, but the Bluejay could be caught by words and pictures.

  "I really don't know what you're talking about, highly esteemed Balbulus!" stammered Fenoglio. His fingers were still clutching Mo's arm. "The… er… librarian at the Castle of Night? No. No, Mortimer's never worked on the other side of the forest. He comes from… from the north, yes, that's it."