The Rest Is Noise: Listening to the Twentieth Century

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The Rest Is Noise: Listening to the Twentieth Century Page 84

by Alex Ross


  Waits, Tom

  Waldorf-Astoria conference (1949), see Cultural and Scientific Conference for World Peace

  Walker, Junior: “Shotgun,”

  Wallace, Henry, “Century of the Common Man,”

  Walsh, Stephen

  Walter, Bruno

  Walton, Chris

  Walton, William: First Symphony

  Warhol, Andy

  Warsaw Autumn festival

  Waters, Ethel

  Watkins, Glenn

  Waxman, Franz

  Webern, Amalie

  Webern, Anton, atonality and, Five Pieces for Orchestra, in Hitler’s Germany, Im Sommerwind

  musical background of, Quartet for violin, clarinet, tenor saxophone, and piano,, as Schoenberg’s pupil, Second, Cantata, Six Bagatelles for String Quartet, Six Pieces for Orchestra, String Trio, Symphony, twelve-tone music of, Variations for, Orchestra, Variations for Piano

  Wedekind, Frank, Earth Spirit, Pandora’s Box

  Weill, Kurt, and Brecht, as Busoni’s student, in California, The Common Glory, Davy Crockett, dispute with Schoenberg, The Eternal Road, Johnny Johnson, Knickerbocker Holiday, Lady in the Dark, “Mack the Knife,” Mahagonny Songspiel “On the Gestic Character of Music,”, The Protagonist, Railroads on Parade, Rise and Fall of the City of Mahagonny, Royal Palace The Threepenny Opera, The Tsar Has Himself Photographedm, The, Yes-Sayer

  Weimar Republic, cultural life of, Nazism and

  Weininger, Otto, Sex and Character

  Weisgal, Meyer

  Weiss, Milton

  Welles, Orson, Citizen Kane

  Wellesz, Egon

  Werbeck, Walter

  Werfel, Franz

  Weschler, Lawrence

  Wesendonck, Mathilde

  West Side Story (Bernstein)

  Whistler, James Abbott McNeill

  Whiteman, Paul, and premiere of, Rhapsody in Blue

  Whitney Museum

  Who

  whole-tone scale

  Wiéner, Jean

  Wilde, Oscar, Salomé

  Wilder, Billy

  Wilhelm II, Kaiser

  Williams, Hank

  Wilson, Olly

  Wilson, Robert

  Wilson, Woodrow

  Wittgenstein, Ludwig, Tractatus Logico-Philosophicus

  Wolf, Hugo

  Wolfe, Julia

  Wolfes, Felix

  Wolff, Christian

  Wolpe, Stefan, First Piano Sonata, Zeus und Elida

  Wolzogen, Ernst von

  Woman in the Dunes (Teshigahara)

  Wooding, Sam

  Works Progress Administration (WPA)

  World’s Columbian Exposition of 1893

  World War I

  World War II, composers’ experiences in

  Woyzeck, Johann Christian

  Wozzeck, (Berg)

  WPA, see Works Progress Administration

  Wuorinen, Charles

  Wu Zuqiang

  Xenakis, Iannis, Metastaseis, Pithoprakta, in World, War II

  Yale Glee Club

  Yale University

  Yavorsky, Boris

  Yeats, William Butler

  Yevtushenko, Yevgeny

  Youmans, Charles

  Young, La Monte, Compositions of 1960, for Brass The Four Dreams of China, Piano Piece for David Tudor #3, The Second Dream of the High-Tension Line Stepdown Transformer, Trio for Strings, X for Henry Flynt

  Zakharov, Vladimir

  Zankel Hall

  Zappa, Frank

  Zazeela, Marian

  Zed & Two Noughts, A, (Greenaway)

  Zeisl, Eric

  Zeitoper, (Now Opera)

  Zemanová, Mirka

  Zemlinsky, Alexander, Die See-jungfrau

  Zhdanov, Andrei

  Zhilyayev, Nikolai

  Zhou Enlai

  Zhou Long

  Ziegfeld, Florenz

  Ziegler, Hans Severus

  Zillig, Winfried: Das Opfer

  Zimmermann, Bernd Alois, Concerto for Orchestra, Requiem for a Young Poet, Die Soldaten

  Zionism

  Zola, Émile

  Zorn, John

  Zoshchenko, Mikhail

  Zweig, Stefan

  Table of Contents

  Cover

  Copyright

  Contents

  Preface

  PART I: 1900-1933

  1. The Golden Age: Strauss, Mahler, and the Fin de Siècle

  2. Doctor Faust: Schoenberg, Debussy, and Atonality

  3. Dance of the Earth: The Rite , the Folk, le Jazz

  4. Invisible Men: American Composers from Ives to Ellington

  5. Apparition from the Woods: The Loneliness of Jean Sibelius

  6. City of Nets: Berlin in the Twenties

  PART II: 1933-1945

  7. The Art of Fear: Music for All: Music in Stalin’s Russia

  8. Music in FDR’s America

  9. Death Fugue: Music in Hitler’s Germany

  PART III: 1945–2000

  10. Zero Hour: The U.S. Army and German Music

  11. Brave New World: The Cold War and the Avant-Garde of the Fifties

  12. “Grimes! Grimes!”: The Passion of Benjamin Britten

  13. Zion Park: Messiaen, Ligeti, and the Avant-Garde of the Sixties

  14. Beethoven Was Wrong: Bop, Rock, and the Minimalists

  15. Sunken Cathedrals: Music at Century’s End

  Epilogue

  Notes

  Suggested Listening

  Acknowledgments

  Index

 

 

 


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