The Oxford Shakespeare: The Complete Works

by William Shakespeare

  Honigmann, E. A. J., The Lost Years, 2nd edn. (Manchester: Manchester University Press, 1998)

  Schoenbaum, S., William Shakespeare: A Compact Documentary Life (Oxford: Clarendon Press, 1977)

  —William Shakespeare: A Documentary Life (Oxford: Clarendon Press in association with The Scolar Press, 1975)

  —William Shakespeare: Records and Images (London: Scolar Press, 1981)

  —Shakespeare’s Lives, 2nd edn. (Oxford: Clarendon Press, 1991)

  Wells, Stanley, Shakespeare: A Dramatic Life (London: Sinclair-Stevenson, 1994)

  Authorship

  Gibson, H. N., The Shakespeare Claimants: A Critical Survey of the Four Principal Theories Concerning the Authorship of Shakespearean Plays (London: Methuen, 1962)

  Hope, Jonathan, The Authorship of Shakespeare’s Plays: A Sociolinguistic Study (Cambridge: Cambridge University Press, 1994)

  Matus, Irvin Leigh, Shakespeare, in Fact (New York: Continuum, 1994)

  Michell, John, Who Wrote Shakespeare (London: Thames and Hudson, 1996)

  Vickers, Brian, Shakespeare, Co-author: A Historical Study of Five Collaborative Plays (Oxford: Oxford University Press, 2002)

  Language

  Abbott, E. A., A Shakespearian Grammar: An Attempt to Illustrate Some of the Differences between Elizabethan and Modern English, 3rd edn. ([London]: Macmillan, 1870; repr. New York: Dover, 1966)

  Adamson, Sylvia, and others (eds.), Reading Shakespeare’s Dramatic Language: A Guide (London: Arden Shakespeare, 2001)

  Blake, N. F., Shakespeare’s Language: An Introduction (London: Macmillan, 1983)

  Brook, G. L., The Language of Shakespeare (London: Deutsch, 1976)

  Cercignani, Fausto, Shakespeare’s Works and Elizabethan Pronunciation (Oxford: Clarendon Press, 1981)

  Clemen, Wolfgang, The Development of Shakespeare’s Imagery, 2nd edn. (London: Methuen, 1977)

  Crystal, David, and Ben Crystal, Shakespeare’s Words: A Glossary and Language Companion (London: Penguin, 2002)

  Dent, R. W., Shakespeare’s Proverbial Language: An Index (Berkeley CA: University of California Press, 1981)

  Donawerth, Jane, Shakespeare and the Sixteenth-Century Study of Language (Urbana IL: University of Illinois Press, 1984)

  Doran, Madeleine, Shakespeare’s Dramatic Language: Essays (Madison WI: University of Wisconsin Press, 1976)

  Hulme, Hilda M., Explorations in Shakespeare’s Language: Some Problems of Lexical Meaning in the Dramatic Text (London: Longman, 1962)

  Hussey, S. S., The Literary Language of Shakespeare, 2nd edn. (London: Longman, 1992)

  Joseph, Sister Miriam, Shakespeare’s Use of the Arts of Language (New York: Columbia University Press, 1947)

  Kermode, Frank, Shakespeare’s Language (London: Allen Lane, 2000)

  Kökeritz, Helge, Shakespeare’s Pronunciation (New Haven CT: Yale University Press, 1953)

  —Shakespeare’s Names: A Pronouncing Dictionary (New Haven CT: Yale University Press, 1959; repr. 1985)

  McDonald, Russ, Shakespeare and the Arts of Language (Oxford: Oxford University Press, 2001)

  Magnusson, Lynne, Shakespeare and Social Dialogue: Dramatic Language and Elizabethan Letters (Cambridge: Cambridge University Press, 1999)

  Mahood, M. M., Shakespeare’s Wordplay (London: Methuen, 1957)

  Onions, C. T., A Shakespeare Glossary, enlarged and revised throughout by Robert D. Eagleson (Oxford: Clarendon Press, 1986)

  Parker, Patricia, Shakespeare from the Margins: Language, Culture, Context (Chicago IL: University of Chicago Press, I996)

  Partridge, Eric, Shakespeare’s Bawdy: A Literary and Pyschological Essay and a Comprehensive Glossary, 3rd edn. (London : Routledge, 1991)

  Quirk, Randolph, ‘Shakespeare and the English Language’, in his The Linguist and the English Language (London: Edward Arnold, 1974)

  Salmon, Vivian, and Edwina Burness (eds.), A Reader in the Language of Shakespearean Drama (Amsterdam: Benjamins, 1987)

  Schmidt, Alexander, Shakespeare Lexicon, 3rd edn., rev. and enlarged by Gregor Sarrazin, 2 vols (Berlin: Reimer, 1902; repr. New York: Dover, 1971)

  Sipe, Dorothy L., Shakespeare’s Metrics (New Haven CT: Yale University Press, 1968)

  Spurgeon, Caroline F. E., Shakespeare’s Imagery and What It Tells Us (Cambridge: Cambridge University Press, 1993) (First published 1935)

  Trousdale, Marion, Shakespeare and the Rhetoricians (London: Scolar Press, 1982)

  Vickers, Brian, The Artistry of Shakespeare’s Prose (London: Methuen, 1968)

  Williams, Gordon, A Glossary of Shakespeare’s Sexual Language (London: Athlone, 1997)

  Wright, George T., Shakespeare’s Metrical Art (Berkeley CA: University of California Press, 1988)

  —Hearing the Measures: Shakespearean and Other Inflections (Madison WI: University of Wisconsin Press, 2002)

  Sources

  Baldwin, T. W., William Shakspere’s Petty School (Urbana IL: University of Illinois Press, 1943)

  —William Shakspere’s Small Latine and Lesse Greeke, 2 vols (Urbana IL: University of Illinois Press, 1944)

  Bate, Jonathan, Shakespeare and Ovid (Oxford: Clarendon Press, 1993)

  Bullough, Geoffrey (ed.), Narrative and Dramatic Sources of Shakespeare, 8 vols (London: Routledge and Kegan Paul, 1957―73)

  Donaldson, E. Talbot, The Swan at the Well: Shakespeare Reading Chaucer (New Haven CT: Yale University Press, 1985)

  Gillespie, Stuart, Shakespeare’s Books: A Dictionary of Shakespeare Sources (London: Athlone, 2001)

  Hart, Alfred, Shakespeare and the Homilies and Other Pieces of Research into the Elizabethan Drama (Melbourne: Melbourne University Press, 1934; repr. New York: Octagon Books, 1977)

  Lennox, Charlotte, Shakespear Illustrated: Or, The Novels and Histories, on which the Plays of Shakespear Are Founded, 3 vols (London: Miller, 1753―4; repr. New York: AMS Press, 1973)

  Lynch, Stephen J., Shakespearean Intertextuality: Studies in Selected Sources and Plays (Westport CT: Greenwood Press, 1998)

  Milward, Peter, Shakespeare’s Religious Background (London: Sidgwick and Jackson, 1973)

  Miola, Robert S., Shakespeare and Classical Tragedy: The Influence of Seneca (Oxford: Clarendon Press, 1992)

  —Shakespeare and Classical Comedy: The Influence of Plautus and Terence (Oxford: Clarendon Press, 1994)

  —Shakespeare’s Reading (Oxford: Oxford University Press, 2000)

  Muir, Kenneth, The Sources of Shakespeare’s Plays (London: Methuen, 1977)

  Noble, Richmond, Shakespeare’s Biblical Knowledge and Use of ‘The Book of Common Prayer’ as Exemplified in the Plays of the First Folio (London: SPCK, 1935; repr. New York: Gordon Press Publishers, 1972)

  Patterson, Annabel, Reading Holinshed’s Chronicles (Chicago IL: University of Chicago Press, 1994)

  Roe, John, Shakespeare and Machiavelli (Cambridge: D. S. Brewer, 2002)

  Salingar, Leo, Shakespeare and the Traditions of Comedy (London: Cambridge University Press, 1974)

  Scragg, Leah, Shakespeare’s Mouldy Tales (London: Longman, 1992)

  —Shakespeare’s Alternative Tales (London: Longman, 1996)

  Shaheen, Naseeb, Biblical References in Shakespeare’s Plays (London: Associated University Presses, 1999)

  Spencer, T. J. B., Shakespeare’s Plutarch (Harmondsworth: Penguin, 1964)

  Thompson, Ann, Shakespeare’s Chaucer: A Study in Literary Origins (Liverpool: Liverpool University Press, 1978)

  Thompson, J. A. K., Shakespeare and the Classics (London: Allen & Unwin, 1952)

  Whitaker, Virgil K., Shakespeare’s Use of Learning: An Inquiry into the Growth of his Mind and Art (San Marino CA: Huntington Library, 1953)

  Text

  Blayney, Peter W. M., The First Folio of Shakespeare (Washington DC: Folger Library Publications, 1991)

  —‘The Publication of Playbooks’, in John D. Cox and David Scott Kastan (eds.), A New History of Early English Drama (New York: Columbia University Press, 1997)

  De Graz
ia, Margreta, Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus (Oxford: Clarendon Press, 1991)

  —and Peter Stallybrass, ‘The Materiality of the Shakespearean Text’, Shakespeare Quarterly, 44 (1993), 255―83

  Erne, Lukas, Shakespeare as Literary Dramatist (Cambridge: Cambridge University Press, 2003)

  Greg, W. W., The Editorial Problem in Shakespeare: A Survey of the Foundations of the Text, 3rd edn. (Oxford: Clarendon Press, 1954)

  —The Shakespeare First Folio: Its Bibliographical and Textual History (Oxford: Clarendon Press, 1955)

  Hinman, Charlton, The Printing and Proof-Reading of the First Folio of Shakespeare, 2 vols (Oxford: Clarendon Press, 1963)

  Honigmann, E. A. J., The Stability of Shakespeare’s Text (London: Edward Arnold, 1965)

  loppolo, Grace, Revising Shakespeare (Cambridge MA: Harvard University Press, 1991)

  Irace, Kathleen O., Reforming the ‘Bad’ Quartos: Performance and Provenance of Six Shakespearean First Editions (London: Associated University Presses, 1994)

  Jarvis, Simon, Scholars and Gentlemen: Shakespearian and Textual Criticism and Representations of Scholarly Labour, 1725―1765 (Oxford: Clarendon Press, 1995)

  Maguire, Laurie, Shakespearean Suspect Texts: The ‘Bad’ Quartos and Their Contexts (Cambridge: Cambridge University Press, 1996)

  Murphy, Andrew, Shakespeare in Print: A History and Chronology of Shakespeare Publishing (Cambridge: Cambridge University Press, 2003)

  Orgel, Stephen, The Authentic Shakespeare and Other Problems of the Early Modern Stage (London: Routledge, 2002)

  Pollard, A. W., Shakespeare’s Fight with the Pirates and the Problems of the Transmission of His Text, 2nd edn. (Cambridge: Cambridge University Press, 1967)

  Seary, Peter, Lewis Theobald and the Editing of Shakespeare (Oxford: Clarendon Press, 1990)

  Simpson, Percy, Shakespearian Punctuation (Oxford: Clarendon Press, 1911)

  Taylor, Gary, ‘Revising Shakespeare’, Text, 3 (1987), 285―304

  —and John Jowett, Shakespeare Reshaped 1606―1623 (Oxford: Clarendon Press, 1993)

  Walker, Alice, Textual Problems of the First Folio: ‘Richard III’, ‘King Lear’, ‘Troilus and Cressida’, ‘2 Henry IV’, ‘Hamlet’, ‘Othello’ (Cambridge: Cambridge University Press, 1953)

  —Edward Capell and His Editions of Shakespeare, British Academy Shakespeare Lecture (London: British Academy, 1962)

  Wells, Stanley, ‘Modernizing Shakespeare’s Spelling’, in Stanley Wells and Gary Taylor (eds.), Modernizing Shakespeare’s Spelling, with Three Studies in the Text of ‘Henry V’ (Oxford: Clarendon Press, 1979)

  —and Gary Taylor, with John Jowett and William Montgomery, William Shakespeare: A Textual Companion (Oxford: Clarendon Press, 1987)

  Werstine, Paul, ‘Narratives about Printed Shakespeare Texts: “Foul Papers” and “Bad” Quartos’, Shakespeare Quarterly, 41 (1990), 65-86

  —‘Shakespeare’, in D. C. Greetham (ed.), Scholarly Editing: A Guide to Research (New York: MLA, 1995)

  West, Anthony James, The Shakespeare First Folio: The History of the Book, Vols I- (Oxford: Oxford University Press, z oo r-)

  Wilson, F. P., Shakespeare and the New Bibliography, rev. and ed. Helen Gardner (Oxford: Clarendon Press, 1970)

  Performance

  Bate, Jonathan, and Russell Jackson (eds.), Shakespeare: An Illustrated Stage History (Oxford: Oxford University Press, I996)

  Bevington, David M., Action is Eloquence: Shakespeare’s Language of Gesture (Cambridge MA: Harvard University Press, 1984)

  Bulman, James C., Shakespeare, Theory and Performance (London: Routledge, 1996)

  Hill, Errol, Shakespeare in Sable: A History of Black Shakespearean Actors (Amherst MA: University of Massachusetts Press, 1984)

  Hodgdon, Barbara, The Shakespeare Trade: Performances and Appropriations (Philadelphia PA: University of Pennsylvania Press, 1998)

  Howard, Jean E., Shakespeare’s Art of Orchestration: Stage Technique and Audience Response (Urbana IL: University of Illinois Press, 1984)

  Joseph, Bertram, Acting Shakespeare, 2nd rev. edn. (New York: Theatre Arts Books, 1969)

  Salgado, Gamini, Eyewitnesses of Shakespeare: First-Hand Accounts of Performances 1590-1890 (London: University of Sussex Press for Chatto & Windus, 1975)

  Shattuck, Charles H., The Shakespeare Promptbooks: A Descriptive Catalogue (Urbana IL: University of Illinois Press, 1965)

  Shaughnessy, Robert (ed.), Shakespeare in Performance, New Casebooks (Basingstoke: Macmillan, 2000)

  Speaight, Robert, Shakespeare on the Stage: An Illustrated History of Shakespearian Performance (London: Collins, 1973)

  Sprague, A. C., The Doubling of Parts in Shakespeare’s Plays (London: Society for Theatre Research, 1966)

  Stern, Tiffany, Making Shakespeare from Stage to Page (London: Routledge, 2004)

  Styan, J. L., Shakespeare’s Stagecraft (Cambridge: Cambridge University Press, 1967)

  Wells, Stanley (ed.), Shakespeare in the Theatre: An Anthology of Criticism (Oxford: Clarendon Press, 1997)

  —and Sarah Stanton (eds.), The Cambridge Companion to Shakespeare on Stage (Cambridge: Cambridge University Press, 2002)

  Williams, Simon, Shakespeare on the German Stage, Vol. I: 1586-1914 (Cambridge: Cambridge University Press, 1990)

  Shakespeare’s playhouse

  Baldwin, T. W., The Organisation and Personnel of the Company (Princeton NJ: Princeton University Press, 1927; repr. New York: Russell and Russell, 1961)

  Barroll, J. Leeds, Politics, Plague and Shakespeare’s Theater: The Stuart Years (Ithaca NY: Cornell University Press, rpp r)

  Beckerman, Bernard, Shakespeare at the Globe, 1599-1609 (New York: Macmillan, 1962)

  Bentley, G. E., The Jacobean and Caroline Stage, 7 vols (Oxford: Clarendon Press, 1941-68)

  —The Profession of Dramatist in Shakespeare’s Time, 1590-1642 (Princeton NJ: Princeton University Press, 1971)

  —The Profession of Player in Shakespeare’s Time, 1590-1642 (Princeton NJ: Princeton University Press, 1984)

  Berry, Herbert, Shakespeare’s Playhouses (New York: AMS, 1987)

  Chambers, E. K., The Elizabethan Stage, 4 vols (Oxford: Clarendon Press, 1923)

  Cook, Ann Jennalie, The Privileged Playgoers of Shakespeare’s London, 1576-1642 (Princeton NJ: Princeton University Press, 1981)

  Dessen, Alan C., Recovering Shakespeare’s Theatrical Vocabulary (Cambridge: Cambridge University Press, 1995)

  —and Leslie Thomson, A Dictionary of Stage Directions in English Drama, 1580-1642 (Cambridge: Cambridge University Press, 1999)

  Gurr, Andrew, The Shakespearean Stage 1574-1642, 3rd edn. (Cambridge: Cambridge University Press, 1992)