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Collected Poems 1945-1990

Page 13

by R. S. Thomas


  Pavane

  Convergences

  Of the spirit! What

  Century, love? I,

  Too; you remember –

  Brescia? This sunlight reminds

  Of the brocade. I dined

  Long. And now the music

  Of darkness in your eyes

  Sounds. But Brescia,

  And the spreading foliage

  Of smoke! With Yeats’ birds

  Grown hoarse.

  Artificer

  Of the years, is this

  Your answer? The long dream

  Unwound; we followed

  Through time to the tryst

  With ourselves. But wheels roll

  Between and the shadow

  Of the plane falls. The

  Victim remains

  Nameless on the tall

  Steps. Master, I

  Do not wish, I do not wish

  To continue.

  Via Negativa

  Why no! I never thought other than

  That God is that great absence

  In our lives, the empty silence

  Within, the place where we go

  Seeking, not in hope to

  Arrive or find. He keeps the interstices

  In our knowledge, the darkness

  Between stars. His are the echoes

  We follow, the footprints he has just

  Left. We put our hands in

  His side hoping to find

  It warm. We look at people

  And places as though he had looked

  At them, too; but miss the reflection.

  Making

  And having built it

  I set about furnishing it

  To my taste: first moss, then grass

  Annually renewed, and animals

  To divert me: faces stared in

  From the wild. I thought up the flowers

  Then birds. I found the bacteria

  Sheltering in primordial

  Darkness and called them forth

  To the light. Quickly the earth

  Teemed. Yet still an absence

  Disturbed me. I slept and dreamed

  Of a likeness, fashioning it,

  When I woke, to a slow

  Music; in love with it

  For itself, giving it freedom

  To love me; risking the disappointment.

  The Hearth

  In front of the fire

  With you, the folk song

  Of the wind in the chimney and the sparks’

  Embroidery of the soot – eternity

  Is here in this small room,

  In intervals that our love

  Widens; and outside

  Us is time and the victims

  Of time, travellers

  To a new Bethlehem, statesmen

  And scientists with their hands full

  Of the gifts that destroy.

  The Island

  And God said, I will build a church here

  And cause this people to worship me,

  And afflict them with poverty and sickness

  In return for centuries of hard work

  And patience. And its walls shall be hard as

  Their hearts, and its windows let in the light

  Grudgingly, as their minds do, and the priest’s words be drowned

  By the wind’s caterwauling. All this I will do,

  Said God, and watch the bitterness in their eyes

  Grow, and their lips suppurate with

  Their prayers. And their women shall bring forth

  On my altars, and I will choose the best

  Of them to be thrown back into the sea.

  And that was only on one island.

  He

  And the dogfish, spotted like God’s face,

  Looks at him, and the seal’s eye-

  Ball is cold. Autumn arrives

  With birds rattling in brown showers

  From hard skies. He holds out his two

  Hands, calloused with the long failure

  Of prayer: Take my life, he says

  To the bleak sea, but the sea rejects him

  Like wrack. He dungs the earth with

  His children and the earth yields him

  Its stone. Nothing he does, nothing he

  Says is accepted, and the thin dribble

  Of his poetry dries on the rocks

  Of a harsh landscape under an ailing sun.

  Postscript

  As life improved, their poems

  Grew sadder and sadder. Was there oil

  For the machine? It was

  The vinegar in the poets’ cup.

  The tins marched to the music

  Of the conveyor belt. A billion

  Mouths opened. Production,

  Production, the wheels

  Whistled. Among the forests

  Of metal the one human

  Sound was the lament of

  The poets for deciduous language.

  The River

  And the cobbled water

  Of the stream with the trout’s indelible

  Shadows that winter

  Has not erased – I walk it

  Again under a clean

  Sky with the fish, speckled like thrushes,

  Silently singing among the weed’s

  Branches.

  I bring the heart

  Not the mind to the interpretation

  Of their music, letting the stream

  Comb me, feeling it fresh

  In my veins, revisiting the sources

  That are as near now

  As on the morning I set out from them.

  Female

  It was the other way round:

  God waved his slow wand

  And the creature became a woman,

  Imperceptibly, retaining its body,

  Nose, brow, lips, eyes,

  And the face that was like a flower

  On the neck’s stem. The man turned to her,

  Crazy with the crushed smell

  Of her hair; and her eyes warned him

  To keep off. And she spoke to him with the voice

  Of his own conscience, and rippled there

  In the shade. So he put his hands

  To his face, while her forked laughter

  Played on him, and his leaves fell

  Silently round him, and he hung there

  On himself, waiting for the God to see.

  Earth

  What made us think

  It was yours? Because it was signed

  With your blood, God of battles?

  It is such a small thing,

  Easily overlooked in the multitude

  Of the worlds. We are misled

  By perspective; the microscope

  Is our sin, we tower enormous

  Above it the stronger it

  Grows. Where have your incarnations

  Gone to? The flesh is too heavy

  To wear you, God of light

  And fire. The machine replaces

  The hand that fastened you

  To the cross, but cannot absolve us.

  All Right

  I look. You look

  Away. No colour,

  No ruffling of the brow’s

  Surface betrays

  Your feeling. As though I

  Were not here; as

  Though you were your own

  Mirror, you arrange yourself

  For the play. My eyes’

  Adjectives; the way that

  I scan you; the

  Conjunction the flesh

  Needs – all these

  Are as nothing

  To you. Serene, cool,

  Motionless, no statue

  Could show less

  The impression of

  My regard. Madam, I

  Grant the artistry

  Of your part. Let us

  Consider it, then,

  A finished performance.

  Soliloquy

  And God thought:
Pray away,

  Creatures; I’m going to destroy

  It. The mistake’s mine,

  If you like. I have blundered

  Before; the glaciers erased

  My error.

  I saw them go

  Further than you – palaces,

  Missiles. My privacy

  Was invaded; then the flaw

  Took over; they allied themselves

  With the dust. Winds blew away

  Their pasture. Their bones signalled

  From the desert to me

  In vain.

  After the dust, fire;

  The earth burned. I have forgotten

  How long, but the fierce writing

  Seduced me. I blew with my cool

  Breath; the vapour condensed

  In the hollows. The sun was torn

  From my side. Out of the waters

  You came, as subtle

  As water, with your mineral

  Poetry and promises

  Of obedience. I listened to you

  Too long. Within the churches

  You built me you genuflected

  To the machine. Where will it

  Take you from the invisible

  Viruses, the personnel

  Of the darkness that do my will?

  Nocturne by Ben Shahn

  ‘Why look at me like that?’

  ‘Well – it’s your hand on the guitar.’

  ‘Don’t touch it; there is fire in it.’

  ‘But why doesn’t it burn you?’

  ‘It does, it does; but inside me.’

  ‘I see no smoke at your nostrils.’

  ‘But I see green leaves at your lips.’

  ‘They are the thoughts I would conceal.’

  ‘You are the music that I compose.’

  ‘Play me, then, back to myself.’

  ‘It is too late; your face forbids it.’

  ‘The arteries of the tall trees –’

  ‘Are electric, charged with your blood.’

  ‘But my hand now sleeps in my lap.’

  ‘Let it remain so, clawed like my own.’

  H’m

  and one said

  speak to us of love

  and the preacher opened

  his mouth and the word God

  fell out so they tried

  again speak to us

  of God then but the preacher

  was silent reaching

  his arms out but the little

  children the ones with

  big bellies and bow

  legs that were like

  a razor shell

  were too weak to come

  The Kingdom

  It’s a long way off but inside it

  There are quite different things going on:

  Festivals at which the poor man

  Is king and the consumptive is

  Healed; mirrors in which the blind look

  At themselves and love looks at them

  Back; and industry is for mending

  The bent bones and the minds fractured

  By life. It’s a long way off, but to get

  There takes no time and admission

  Is free, if you will purge yourself

  Of desire, and present yourself with

  Your need only and the simple offering

  Of your faith, green as a leaf.

  The Coming

  And God held in his hand

  A small globe. Look, he said.

  The son looked. Far off,

  As through water, he saw

  A scorched land of fierce

  Colour. The light burned

  There; crusted buildings

  Cast their shadows; a bright

  Serpent, a river

  Uncoiled itself, radiant

  With slime.

  On a bare

  Hill a bare tree saddened

  The sky. Many people

  Held out their thin arms

  To it, as though waiting

  For a vanished April

  To return to its crossed

  Boughs. The son watched

  Them. Let me go there, he said.

  Other

  It was perfect. He could do

  Nothing about it. Its waters

  Were as clear as his own eye. The grass

  Was his breath. The mystery

  Of the dark earth was what went on

  In himself. He loved and

  Hated it with a parent’s

  Conceit, admiring his own

  Work, resenting its

  Independence. There were trysts

  In the greenwood at which

  He was not welcome. Youths and girls,

  Fondling the pages of

  A strange book, awakened

  His envy. The mind achieved

  What the heart could not. He began planning

  The destruction of the long peace

  Of the place. The machine appeared

  In the distance, singing to itself

  Of money. Its song was the web

  They were caught in, men and women

  Together. The villages were as flies

  To be sucked empty.

  God secreted

  A tear. Enough, enough,

  He commanded, but the machine

  Looked at him and went on singing.

  The Fair

  The idiot goes round and around

  With his brother in a bumping-car

  At the fair. The famous idiot

  Smile hangs over the car’s edge,

  Illuminating nothing. This is mankind

  Being taken for a ride by a rich

  Relation. The responses are fixed:

  Bump, smile; bump, smile. And the current

  Is generated by the smooth flow

  Of the shillings. This is an orchestra

  Of steel with the constant percussion

  Of laughter. But where he should be laughing

  Too, his features are split open, and look!

  Out of the cracks come warm, human tears.

  Young and Old

  Cold sea, cold sky:

  This is how age looks

  At a thing. The people natter,

  The wind blows. Nothing they do

  Is of worth. The great problems

  Remain, stubborn, unsolved.

  Man leaves his footprints

  Momentarily on a vast shore.

  And the tide comes,

  That the children play with.

  Ours are the first questions

  They shelve. The wind is the blood

  In their veins. Above them the aircraft

  Domesticate the huge sky.

  Boatman

  A brute and

  Unconscionable. He would beat,

  If he had them, all

  Wives, wallowing in their slopped

  Kisses. Whips are too good

  For such. But when I see

  The waves bucking and how he sits

  Them so, I think this man

  A god, deserving the flowers

  The sea women crown him with.

  Harbour

  a harbour with the

  boats going in and out

  at top speed their sirens

  blowing and their funnels trailing

  long smoke and the tousled

  bluejackets of the waves emptying

  their pockets to the wind’s

  hornpipe and far down

  in the murky basements the turning

  of bright bodies smooth

  as a bell mermaids you

  say but I say

  fish

  Madam

  And if you ask her

  She has no name;

  But her eyes say,

  Water is cold.

  She is three years old

  And willing to kiss;

  But her lips say,

  Apples are sour.

  Omens

  The queen sat on the throne of E
ngland,

  Fingering delicately the bright stones

  Of its handrail. The heads rolled

  In the English dust. The queen smiled.

  Meanwhile in America a Red Indian

  Fitted a coloured arrow to his bow

  And took aim. The brush turkey fell

  In a storm of feathers. The Indian went home

  Silently to his skin tent

  By the lake to expiate the sin

  Of its killing. Over the steaming entrails

  He saw the first white man come with his guns and jails.

  Relations

  An ordinary lot:

  The sons dwindling from a rich

  Father to a house in a terrace

  And furniture of the cheap sort;

  The daughters respectable, marrying

  Approved husbands with clean shoes

  And collars; as though dullness

  And nonentity’s quietness

  Were virtues after the crazed ways

  Of that huge man, their father, buying himself

  Smiles, sailing his paper money

  From windows of the Welsh hotel

  He had purchased to drown in drink.

  But one of them was drowned

  Honourably. A tale has come down

  From rescuers, forced to lie off

  By the breakers, of men lined up

  At the rail as the ship foundered,

  Smoking their pipes and bantering. And he

  Was of their company; his tobacco

  Stings my eyes, who am ordinary too.

  Astronauts

  They brought no edifying

  Information back. It was the moon

  Goddess they went to inspect,

  Her gold hair, her gold thighs.

  An absence of beauty

  Oppressed them:

  The flesh that was like

  Pumice, a woman weary

  Of hauling at

  The slow tides.

  Godhead, it

  Seems, is best left

  To itself; it is a fire

  Extinguished, a luminary whose

  Spent light reaches us still.

  Islandmen

  And they come sailing

  From the island through the flocks

  Of the sea with the boat full

  Of their own flocks, brimming fleeces

  And whelk eyes, with the bleating

 

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