Black Man / Thirteen
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Black Man / Thirteen
Richard K. Morgan
Synopsis:
Carl Marsalis is a traitor, a bringer of death, a genetic freak and an unwelcome reminder of all that is dark in the human psyche — he in every sense of the word a Black Man. And right at the moment he’s beyond the UN’s juristiction, banged up in a Florida jail for financing an illegal abortion. So when the US police call, Carl cuts a deal.
The 13s are genetically engineered alpha males, designed to fight the century’s last conflicts. But men bred and designed to fight are dangerous to have aroundin peacetime. Many of them have left for Mars, but one has returned. Somehow he survived the journey to Earth, and now a series of brutal slayings has erupted across America. Only Carl can stop him.
And so begins a frenetic man hunt and a battle for survival. And a search for the truth about what was really done with the world’s last soldiers.
Author’s Notes:
“An accidentally lengthy meditation on elements of the human condition that the Kovacs books always had the capacity to sidestep — namely, the prison of our own flesh, and the inevitable doom of our own mortality. A future of genetic science out of control, geo-politics out of joint, and fresh colonial and racist aspirations for the whole human race.
“It took me two years to pull all this material together (or, some might say, apart) — check it out, see if it’s been worth it.”
From the Hardcover edition:
The future isn’t what it used to be since Richard K. Morgan arrived on the scene. He unleashed Takeshi Kovacs—private eye, soldier of fortune, and all-purpose antihero—into the body-swapping, hard-boiled, urban jungle of tomorrow in Altered Carbon, Broken Angels, and Woken Furies, winning the Philip K. Dick Award in the process. In Market Forces, he launched corporate gladiator Chris Faulkner into the brave new business of war-for-profit. Now, in Thirteen, Morgan radically reshapes and recharges science fiction yet again, with a new and unforgettable hero in Carl Marsalis: hybrid, hired gun, and a man without a country…or a planet.
Marsalis is one of a new breed. Literally. Genetically engineered by the U.S. government to embody the naked aggression and primal survival skills that centuries of civilization have erased from humankind, Thirteens were intended to be the ultimate military fighting force. The project was scuttled, however, when a fearful public branded the supersoldiers dangerous mutants, dooming the Thirteens to forced exile on Earth’s distant, desolate Mars colony. But Marsalis found a way to slip back—and into a lucrative living as a bounty hunter and hit man before a police sting landed him in prison—a fate worse than Mars, and much more dangerous.
Luckily, his “enhanced” life also seems to be a charmed one. A new chance at freedom beckons, courtesy of the government. All Marsalis has to do is use his superior skills to bring in another fugitive. But this one is no common criminal. He’s another Thirteen—one who’s already shanghaied a space shuttle, butchered its crew, and left a trail of bodies in his wake on a bloody cross-country spree. And like his pursuer, he was bred to fight to the death. Still, there’s no question Marsalis will take the job. Though it will draw him deep into violence, treachery, corruption, and painful confrontation with himself, anything is better than remaining a prisoner. The real question is: can he remain sane—and alive—long enough to succeed?
Thirteen
Richard Morgan
ACKNOWLEDGMENTS
This has been a tough one, and I owe a great deal of thanks in a great many places. I have begged, borrowed, and stolen from just about everywhere to get Thirteen written.
It being a novel of science fiction, let’s start with the science:
The original idea for variant thirteen was inspired by the theorizing of Richard Wrangham on the subject of diminishing human aggression, as described by Matt Ridley in his excellent book Nature Via Nurture. I have taken vast fictional liberties with these ideas, and variant thirteen as it emerges in this book is in no way intended to represent either Mr. Wrangham’s or Mr. Ridley’s thoughts on the subject. These gentlemen simply provided me with a springboard—the rather ugly splash that follows is of my making alone.
The concept of artificial chromosome platforms is also borrowed, in this case from Gregory Stock’s fascinating and slightly scary book Redesigning Humans, which, along with Nature Via Nurture and Steven Pinker’s brilliant The Blank Slate and How the Mind Works, served as the bulk inspiration for most of the future genetic science I’ve dreamed up here. Once again, any mangling or misuse of the material I found in these outstanding works must be laid solely at my door.
Yaroshanko intuitive function, though my own invention, owes a large debt of inspiration to very real research done on social networks, as described in Mark Buchanan’s book Small World. And I’m personally indebted to Hannu Rajaniemi at the University of Edinburgh for taking the time to (try to) explain quantum game theory and its potential applications to me, thus giving me the basis for the New Math and its subtle but far-reaching social impact. Thanks also must go to Simon Spanton, star editor, for patiently helping me wrangle the technical logistics of Mars—Earth cryocapping.
In the political sphere, I was heavily influenced by two very perceptive and rather depressing books about the United States, The Right Nation by John Micklethwait and Adrian Woolridge and What’s the Matter with America by Thomas Frank, as well as the brilliant and slightly less depressing Stiffed by Susan Faludi. While these books all fed into the concept of the Secession and the gender themes arising in Thirteen, the Confederated Republic itself (aka Jesusland) was inspired by the now famous Jesusland map meme, created (according to Wikipedia) by one G. Webb on the message board yakyak.org. Way to go, G.! Special personal thanks must also go to Alan Beatts of Borderlands books in San Francisco for listening to my meanderings over whiskey and shwarma, and lending me a little informed American opinion with which to polish up what I had.
For insights into a possible future (and widely misunderstood past) Islam, I’m also indebted to Tariq Ali for The Clash of Fundamentalisms, Karen Armstrong for Islam: A Short History, and the very courageous Irshad Manji for The Trouble with Islam Today. Here also, I have done my fair share of mangling, and the outcomes in Thirteen do not necessarily bear any relation to anything these authors might endorse.
And finally, I owe a massive debt of gratitude to all those who waited with such immense patience, and still told me to take all the time I needed:
Simon Spanton—again!—and Jo Fletcher at Gollancz, Chris Schluep and Betsy Mitchell at Del Rey, my agent Carolyn Whitaker, and last but not least all those well-wishers who e-mailed me during 2006 with messages of condolence, reassurance, and support. This book would not exist without you.
This book is dedicated to the memory of my mother, Margaret Ann Morgan, who taught me to hate bigotry, cruelty, and injustice with an unrelenting rage, and to despise the hypocrisy that looks away or makes comfortable excuses when those same vices crop up closer to home than we’d like.
I miss you.
It seems feasible that over the coming century human nature will be scientifically remodelled. If so, it will be done haphazardly, as an up shot of struggles in the murky realm where big business, organised crime and the hidden parts of government vie for control.
—John Gray, Straw Dogs
Human, to the discontinuous mind, is an absolutist concept. There can be no half measures. And from this flows much evil.
—Richard Dawkins, A Devil’s Chaplain
PROLOGUE: HOMEWARD BOUND
Gleaming steel, gleaming steel…
Larsen blinks and shifts slightly on the automated gurney as it tracks under a linear succession of lighting panels and lateral roof struts. Recognition smears in with
vision, blurry and slow; she’s in the dorsal corridor. Overhead, light angles off each metal beam, sliding from glint to full-blown burst and back as she passes below. She supposes it’s the repeated glare that’s woken her. That, or her knee, which is aching ferociously, even through the accustomed groggy swim of the decanting drugs. One hand rests on her chest, pressing into the thin fabric of the cryocap leotard. Cool air on her skin tells her she’s otherwise naked. An eerie sense of déjà vu steals over her with the knowledge. She coughs a little, tiny remnants of tank gel in the bottom of her pumped-out lungs. She shifts again, mumbles something to herself.
…not again…?
“Again, yes. The cormorant’s legacy, yes, again.”
That’s odd. She didn’t expect another voice, least of all one talking in riddles. Decanting’s usually a wholly mechanized process, the datahead’s programmed to wake them before arrival, and unless something’s gone wrong…
So you’re the big expert on cryocapping now, are you?
She isn’t—her entire previous experience comes down to three test decantings and the one real deal at journey’s end on the voyage out, whence, she supposes, the déjà vu. But still…
…more than three…
…it is not more, it is not…
The vehemence in the retort has a ragged edge on it that she doesn’t like. If she’d heard it in another person’s voice, a test subject’s voice, say, she’d be thinking sedatives, maybe even a call to security. In her own thoughts, it’s suddenly, intimately chilling, like the realization that there’s someone in the house with you, someone you didn’t invite in. Like the thought out of nowhere that you might not be wholly sane.
This is the drugs, Ellie. Let go, ride it out.
Gleaming stee—
The autogurney bumps slightly as it takes a right turn. For some reason, it sets off a violent jolt in her pulse, a reaction that, drugged, she labels almost idly as panic. A tremor of impending doom trickles through her like cold water. They’re going to crash, they’re going to hit something, or something’s going to hit them, something massive and ancient beyond human comprehension tumbling endlessly end-over-end through the empty night outside the ship. Space travel isn’t safe, she was insane to ever think it was, to sign up for the contract and think she could get away with it, there and home again in one piece as if it were no more than a suborbital across the Pacific, you just couldn’t—
Let go, Ellie. It’s the drugs.
Then she realizes where she is. The autosurgeon’s folded arachnoid arms wheel past in one quadrant of her vision as the gurney slots into position on the examination rack. A qualified relief seeps into her. Something’s wrong, but she’s in the right place. Horkan’s Pride is equipped with the finest automated medical systems COLIN knows how to build, she’s read it in a Colony News digest, the whole shipboard AI suite was overhauled a couple of weeks before she left. And look, there’s a limit to what can go wrong with a cryocapped body, right, Ellie? Organic functions slow to a chilled crawl, and so does anything hostile that you might be carrying.
But the panic, the sense of inescapable nemesis, won’t let her go. She feels it dull and insistent, like a dog worrying at an anesthetized limb.
She rolls her head sideways on the gurney, and sees him.
More familiarity, sharper now, jolting through her like current.
Once, on a trip to Europe, she went to the Museo della Sindone in Turin and saw the tortured image printed on cloth that they keep there. She stood in dimness on the other side of the bulletproof glass, surrounded by the reverent murmurs of the faithful. Never a believer of any sort herself, Larsen was still oddly moved by the harsh and hollow lines of the face staring back at her out of the sealed vacuum chamber. It seemed a testament to human suffering that completely short-circuited its divine pretensions, that rendered the devotions paid it beside the point. You looked at that face and you were struck by the sheer stubborn survivability of organic life, the heritage of built-in, bitten-down defiance that the long march of evolution had gifted you with.
It could be the same man. Here, now.
He’s propped against a tall corner cabinet, staring at her, rope-sinewed arms folded across a cage-gaunt chest whose ribs she can see even through the T-shirt he wears, long straight hair hanging either side of narrow features drawn even thinner with pain and want. His mouth is a clamped line, etched in between the sharp chin and blade-boned nose. Hollows cling under the bones in his cheeks.
Her heart surges sluggishly in her chest as she meets his eyes.
“Is it—” With the words, an awful understanding is welling up inside her now, a monstrous recognition that her conscious mind is still sprinting hard ahead to evade. “Is it my knee? My leg?”
Out of somewhere, abruptly, she finds strength, she props herself up on her elbows, she forces herself to look.
Sight collides with recollection.
The scream shrills up out of her, rips momentarily through the cobwebby drapery of the drugs in her system. She can’t know how weak it sounds in the cold dimensions of the surgery, inside her it seems to splinter in her ears, and the knowledge that comes with it is a blackening of vision that threatens to suck her away. She is not, she knows, screaming at what she can see;
Not at the neatly bandaged stump where her right thigh ends twenty centimeters below her hip; not that.
Not at the stabbed-home comprehension that the ache in her knee is a phantom pain in a limb she no longer owns; not that.
She’s screaming at memory.
The memory of the gurney ride along the quiet corridor, the soft bump and turn into the surgery, and then, veiled in the drug haze, the rising whine of the saw blade, the grating slip in tone as it bites, and the small, suckling sizzle of the cauterizing laser that comes after. The memory of the last time, and the sickening, down-plunging understanding that it’s all about to happen again.
“No,” she husks. “Please.”
A long-fingered hand presses warmly down on her forehead. The Turin shroud countenance looms above her.
“Shshshsh…the cormorant knows why…”
Past the face, she sees movement. Knows it from memory for what it is. The stealthy, unflexing spider-leg motions of the autosurgeon as it wakes.
Gleaming steel…
part I. DOWN IN FLAMES
Above all, the hard lessons of this century have taught us that there must be consistent oversight and effective constraint, and that the policing systems thus required must operate with unimpeachable levels of integrity and support.
—Jacobsen Report, August 2091
CHAPTER 1
He finally found Gray in a MarsPrep camp just over the Bolivian border and into Peru, hiding behind some cheap facial surgery and the name Rodriguez. It wasn’t a bad cover in itself, and it probably would have stood standard scrutiny. Security checks in the prep camps were notoriously lax; the truth was that they didn’t much care who you’d been before you signed up. But there were still a few obvious signs you could look for if you knew how, and Carl, with a methodical intensity that was starting to resemble desperation, had been looking for weeks. He knew that Gray was up on the altiplano somewhere, because the trail led there from Bogotá, and because where else, ultimately, was a variant thirteen going to run. He knew this, and he knew it was just a matter of time before the traces showed up and someone called it in. But he also knew, with induction programs everywhere skimping and speeding up to meet increasing demand, that time was on the other man’s side. Something had to give, and soon, or Gray was going to be gone and Carl wasn’t going to get his bounty.
So when the break came, the tiny morsel of data finally fed back from the web of contacts he’d been plying all those weeks, it was hard not to jump. Hard not to dump his painstakingly constructed cover, fire up his Agency credit and badge, and hire the fastest set of all-terrain wheels available in Copacabana. Hard not to tear across the border at Agency speed, raising road dust and rumors all the way to t
he camp, where Gray, of course, if he had any kind of local support, would be long gone.
Carl didn’t jump.
Instead, he called in a couple of local favors and managed to blag a ride across the border with a military liaison unit—some superannuated patrol carrier with a Colony corporation’s logo sun-bleached to fading on the armored sides. The troops were Peruvian regulars, drafted in from dirt-poor families in the coastal provinces and then seconded to corporate security duties. They’d be pulling down little more than standard conscript pay for that, but the interior of the carrier was relatively plush by military standards and it seemed to have air-con. And anyway, they were tough and young, a sort of young you didn’t see so much in the Western world anymore, innocently pleased with their hard-drilled physical competence and cheap khaki prestige. They all had wide grins for him, and bad teeth, and none was older than twenty. Carl figured the good cheer for ignorance. It was a safe bet these kids didn’t know the subcontract rate their high command was extracting from its corporate clients for their services.
Sealed inside the jolting, sweat-smelling belly of the vehicle, brooding on his chances against Gray, Carl would really have preferred to stay silent altogether. He didn’t like to talk, never had. Felt in fact that it was a much-overrated pastime. But there was a limit to how taciturn you could be when you were getting a free ride. So he mustered some lightweight chat about next week’s Argentina—Brazil play-off and threw as little of it into the conversational mix as he thought he could get away with. Some comments about Patricia Mocatta, and the advisability of female captains for teams that were still predominantly male. Player name checks. Tactical comparisons. It all seemed to go down fine.