Book Read Free

Aphra Behn: A Secret Life

Page 78

by Janet Todd


  Ogg, D. England in the Reign of Charles II. Oxford, 1955.

  Oldys, William. ‘Choice Notes’, Notes & Queries, 2nd series, 2. London, 1861, pp. 201–2.

  Oman, Carola. Mary of Modena. Bungay, Suffolk, 1962.

  Orr, Leah. ‘Attribution Problems in the Fiction of Aphra Behn’. Modern Language Review, 108, 1, 2013, 30–51.

  Owen, Susan J. Perspectives on Restoration Drama, Manchester, 2002. Pacheco, Anita. ‘Reading Toryism in Aphra Behn’s Cit-Cuckolding Comedies’. Review of English Studies, 55, 2004, 690–708.

  Pacheco, Nancy, ed. Early Women Writers: 1660–1720. London, 1998. Payne, Deborah C. ‘“And Poets shall by Patron-Princes live”: Aphra Behn and Patronage’, Curtain Calls: British and American Women Writers and the Theater, 1688–1820. Eds Mary Anne Schofield and Cecilia Macheski. Athens, Ohio, 1991.

  Pearson, Jacqueline. The Prostituted Muse: Images of Women and Women Dramatists 1642–1737. Brighton, 1988.

  Plomer, Henry R. A Dictionary of Printers and Booksellers who were at work in England, Scotland and Ireland from 1668 to 1725. Ed. Arundell Esdaile. Oxford, 1922.

  Pocock, J. G. A. Virtue, Commerce, and History: Essays on Political Thought and History. Cambridge, 1985.

  Pollock, L. A. ‘Teach her to Live under Obedience: The Making of Women in the Upper Ranks of Early Modern England’, Continuity and Change, 4, 1989.

  Pontbriant, Comte de. Histoire de la Principauté d’Orange. Avignon, 1891. Postma, Johannes Nenne. The Dutch in the Atlantic Slave Trade 1660–1815. Cambridge, 1990.

  Pratt, Mary Louise. Imperial Eyes: Travel Writing and Transculturation. London, 1992.

  Price, Cecil. Cold Caleb: The Scandalous Life of Ford Grey First Earl of Tankerville 1655–1701. London, 1956.

  Publications of the Catholic Record Society.

  Quaintance, Richard. ‘French Sources of the Imperfect Enjoyment Poems’, Philological Quarterly, 42, 1963, pp. 190–9.

  Ramsaran, J. A. ‘“Oroonoko”: A Study of the Factual Elements’, Notes and Queries, ccv, 1960, p. 144.

  Robinson, John Martin. The Dukes of Norfolk: A Quincentennial History. Oxford, 1982.

  Rogers, Katharine M. ‘Fact and fiction in Aphra Behn’s Oroonoko Studies in the Novel, 20, 1988.

  Rosvall, Toivo David. The Mazarine Legacy: The Life of Hortense Mancini, Duchess Mazarine. New York, 1969.

  Rowen, H. H. John de Witt: Statesman of the True Freedom. Cambridge, 1986.

  Rubik, Margarete. ‘Love’s Merchandize: Metaphors of Trade and Commerce in the Plays of Aphra Behn’. Women’s Writing, 19, 2, 2012, 222–37.

  Salzman, Paul. English Prose Fiction 1558–1700. Oxford. 1985.

  Schwoerer, Lois. ‘Propaganda in the Revolution of 1688–89’, American Historical Review, 82, 1977, pp. 843–74.

  Scott, Jonathan. Algernon Sidney and the English Republic, 1623–1677. Cambridge, 1988.

  ———. Algernon Sidney and the Restoration Crisis, 1677–1683. Cambridge, 1991.

  Sedgwick, Eve Kosofsky. Between Men: English Literature and Male Homosocial Desire. New York, 1985.

  Sharpe, K. and Steven M. Zwicker, eds. Politics and Discourse: The Literature and History of Seventeenth-Century England. Berkeley, 1987.

  Spence, Joseph. Observations, Anecdotes, and Characters. Ed. E. Malone. London, 1820.

  Spufford, Margaret. Small Books and Pleasant Histories: Popular Fiction and its Readership in Seventeenth-Century England. London, 1981.

  Stapleton, M. L. Admired and Understood: The Poetry of Aphra Behn. Newark, Del., 2004.

  Staves, Susan. Players’ Sceptres: Fictions of Authority in the Restoration. Lincoln, Nebraska, 1979.

  Stone, L. The Family, Sex and Marriage in England, 1500–1800. London, 1977.

  Summers, Montague. The Restoration Theatre. London, 1934.

  Taylor, Charles. Sources of the Self: The Making of the Modern Identity. Cambridge, 1989.

  Thickstun, Margaret Olofson. Fictions of the Feminine: Puritan Doctrine and the Representation of Women. Ithaca, 1988.

  Thomas, Patrick. Introduction to Collected Works of Katherine Philips, The Matchless Orinda. Stump Cross, Essex, 1990.

  Thompson, Roger. Unfit for Modest Ears: A Study of Pornographic, Obscene and Bawdy Works Written or Published in England in the Second Half of the Seventeenth Century. London, 1979.

  Thorn-Drury, G., ed. Covent Garden Drollery. London, 1928.

  Thorp, Willard. ‘Henry Nevil Payne, Dramatist and Jacobite Conspirator’, The Parrott Presentation Volume, ed. Hardin Craig. Princeton, 1935.

  Todd, Janet. The Critical Fortunes of Aphra Behn. Rochester, N.Y., 1998.

  ———. Gender, Art and Death. Cambridge, 1993.

  ———. Ed. Aphra Behn Studies. Cambridge 1996.

  Todd, Janet and Elizabeth Spearing, eds. Counterfeit Ladies. London, 1994.

  Todd, Janet and Derek Hughes eds. The Cambridge Companion to Aphra Behn. Cambridge, 2004.

  Treadwell, Michael. ‘London Trade Publishers 1675–1750’, The Library. 6th ser., 4, 1982, pp. 99–134.

  Trumbach, R., ‘Sodomitical Assaults, Gender Role, and Sexual Development in Eighteenth-Century London’, The Pursuit of Sodomy. Eds K. Gerard and G. Hokma. New York, 1989, pp. 408–9.

  Tuck, R. Natural Rights Theories. Cambridge, 1979.

  Underwood, D. Etherege and the Seventeenth-Century Comedy of Manners. New Haven, 1957.

  Van Lennep, William, ed. The London Stage 1660–1800. Carbondale, 1965.

  Vander Motten, J. P. ‘Unpublished Letters of Charles II’, Restoration, Spring 1994, 18, 1, pp. 17–26.

  ———. ‘Thomas Killigrew: A Biographical Note’, Revue belge de philologie et d’histoire, LIII, 1975, 3, pp. 769–75.

  Vander Motten J. P. and René Vermeir, ‘“Reality, and Matter of Fact”: Text and Context in Aphra Behn’s The Fair Jilt’. Review of English Studies, n.s, 66, 274, 2015, 280–99.

  Verney, F. P. and M. M., eds. Memoirs of the Verney Family during the Seventeenth Century. London, 1925.

  Vieth, David M. Attributions in Restoration Poetry: A Study of Rochester’s ‘Poems’ of 1680. New Haven, 1963.

  Virginia Magazine of History and Biography. 2:1, 1894, and 4:1, 1898.

  Wallbank, M. V. ‘Eighteenth-century Public Schools and the Education of the Governing Elite’, History of Education, 8, 1979.

  Walsh, Elizabeth and Richard Jeffries. ‘The Excellent Mrs. Mary Beale’. Inner London Education Authority, 1975.

  Ward, Estelle. Christopher, Duke of Albemarle. London, 1915.

  Wiley, Autrey Neil, ed. Rare Prologues and Epilogues 1642–1700. London, 1940.

  Williamson, James A. English in Guiana 1604–68. Oxford, 1923.

  Wilson, John Harold. Court Satires of the Restoration. Columbus, Ohio, 1976.

  Winn, James Anderson. John Dryden and His World. New Haven, 1987.

  ———. ‘When Beauty Fires the Blood’: Love and the Arts in the Age of Dryden. Ann Arbor, 1992.

  Wiseman, S. J. Aphra Behn. British Council, 1996.

  Woodbridge, Linda. Women and the English Renaissance: Literature and the Nature of Womankind, 1540–1620. Urbana, 1986.

  Woodcock, G. The Incomparable Aphra. London, 1948.

  Woolf, Virginia. A Room of One’s Own. Harmondsworth, 1992.

  Zwicker, Steven M. Politics and Language in Dryden’s Poetry: The Arts of Disguise. Princeton, 1984.

  Index

  Actresses, here–here, here, here, here–here, here, here, here, here

  Adams, John, here

  Adis, Henry, here, here

  Alemán, Mateo, here

  Allin, Thomas, here, here

  Amazons, here, here, here, here, here, here, here

  Amboyna, massacre of, here

  Amery, John, here, here–here, here

  Androgyny, androgynes, hermaphrodites, here, here, here, here–here, here

  Angel, Edward, here, here, here, here

  Anne, Princess, here, here, here, here, here, here, here


  Anti-clericalism, here–here, here, here

  Apollonius, here

  ‘Ariadne’, here

  Aristocracy, aristocratic culture, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here; see also monarchy

  Arlington, see Bennet

  Armstrong, Thomas, here, here

  Astell, Mary, here

  Aston, Walter, here

  Atoms, atomic theory, here, here, here, here, here, here, here

  Attwood, William, here

  Austen, Jane, here

  Baber, John, here–here, here

  Bacon, Nathaniel, here–here, here–here, here, here

  Baggs, Zachary, here, here, here, here

  Bampfield, Joseph, Colonel, here, here, here–here, here, here, here, here, here–here, here, here, here–here passim, here, here, here, here, here

  Banister, James, here, here, here, here, here, here

  Banister, John, here, here

  Barbados, here–here, here, here, here, here, here, here, here, here, here, here, here

  Barker, Jane, here

  Barlow, Francis, here, here

  Barry, Elizabeth, here, here, here, here–here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here

  Barry, Esther, here

  Basso Anthony, here–here

  Beale, Mary, here–here

  Beaumont, Francis and John Fletcher, here, here, here, here, here

  Bedingfeild, Edward, here, here

  Behn, Aphra, birth and early life, here–here, here

  character, personality, here–here, here, here–here

  child-bearing, here, here

  copying, here, here, here, here, here, here

  death, here–here

  desire for fame, here, here, here, here, here, here

  education, here–here, here–here, here, here, here, here–here, here, here

  friends, here–here, here–here, here–here, here

  health, here, here, here, here, here, here–here, here, here, here, here, here, here, here–here

  love, here–here, here–here

  for Hoyle, here, here, here, here

  for women, here, here, here–here, here–here, here

  marriage, here–here

  payment/money, here, here–here; passim, here, here–here, here, here, here, here, here–here, here, here–here, here, here, here, here–here, here, here, here, here, here

  playwriting, here–here, here, here, here, here, here, here–here, here

  poetry, here–here, here, here–here, here

  politics, here–here, here–here, here–here, here, here, here, here, here–here, here, here, here, here, here, here, here–here, here, here–here, here, here–here, here, here, here–here, here, here–here, here–here, here, here–here, here, here–here, here–here, here–here, here

  portraits of, here–here, here

  prison, here, here–here

  as professional, here–here, here, here, here, here, here, here–here, here

  as propagandist, here, here, here, here–here, here, here

  prose, here–here, here

  relations with Colepepers and Sidneys, here–here

  religion, here–here, here, here, here–here, here–here, here–here, here, here, here, here, here, here

  satires and attacks on, here–here, here, here, here, here–here, here–here, here–here, here, here–here, here, here, here, here

  sexuality, here–here, here–here, here, here, here–here, here–here, here

  Surinam, here–here

  as Tory, here, here, here, here, here, here

  translation, here–here, here–here, here, here–here, here–here

  and adaptation and borrowed plots, here, here, here, here, here, here, here, here, here, here–here

  and Samuel Briscoe, here, here, here, here

  and Thomas Brown, here–here, here

  and Dryden, here–here, here–here

  and fictive world, here, here, here, here, here

  and Gildon, here, here

  Works: Abdelazer, here–here, here, here, here, here, here, here, here, here

  ‘Adventure of the Black Lady’, here–here, here

  Aesop’s Fables, here–here

  Agnes de Castro, here–here, here, here, here

  The Amorous Prince, here, here, here–here, here, here, here, here, here, here, here

  ‘Astrea’s Booke’, here–here, here, here, here, here, here, here, here

  A Ballad on Mr. J.H. To Amoret’, here, here

  ‘Cease, cease, Aminta to complain’, here

  The City-Heiress, here, here–here, here, here, here, here, here, here

  ‘Complaint of the poor Cavaliers’, here

  Congratulatory Poem ... On the Happy Birth of the Prince of Wales, here–here, here, here, here

  Congratulatory Poem ... On the Universal Hopes, here, here, here

  Congratulatory Poem to Queen Mary, here–here, here

  Covent Garden Drolery, here–here, here, here, here;

  ‘Damon being asked a reason for Loveing’, here

  The Debauchee, here–here, here, here, here, here, here; and here, here

  ‘Dialogue for an Entertainment’ here

  ‘The Disappointment’, here–here, here, here, here, here, here, here

  A Discovery of New Worlds, here–here, here

  ‘The Dream’, here

  ‘The Dumb Virgin’, here–here, here, here, here, here, here

  The Dutch Lover, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here

  The Emperor of the Moon, here–here, here, here–here, here, here

  ‘Epitaph On the Tombstone of a Child’, here

  ‘Essay on Translated Prose’, here–here

  The Fair Jilt, here, here–here, here, here, here, here, here, here, here

  The False Count, here–here, here, here, here, here, here, here, here, here, here, here, here

  ‘A Farewell to Celladon’, here–here, here, here

  The Feign’d Curtizans, here, here, here–here, here–here, here, here, here, here, here, here, here, here, here; and here, here and here

  The Forc’d Marriage, here, here–here, here, here, here–here, here, here, here, here–here, here, here

  The History of the Nun, here, here, here, here, here–here, here, here, here, here

  The Hostory of Oracles, here–here

  ‘I led my Silvia to a Grove’, here–here

  ‘In Imitation of Horace’, here

  Lady Grey’s Ghost, here

  La Montre, here–here, here, here

  A Letter to a Brother of the Pen in Tribulation’, here, here

  A Letter to Mr. Creech at Oxford’, here

  ‘Letter to the Earl of Kildare’, here

  ‘Love Arm’d’, here, here, here, here

  ‘Love-Letter’, here–here, here, here, here

  Love-Letters between a Nobleman and his Sister Part I, here, here, here, here, here–here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here

  Love-Letters Part II, here–here, here, here, here, here, here

  Love-Letters Part III, here–here, here, here, here–here, here, here

  The Luckey Chance, here, here, here, here–here, here–here, here, here, here, here, here, here, here, here, here, here

  The Luckey Mistake, here, here

  Lycidus, here, here–here, here, here

  ‘Memoirs of the Court of the King of Bantam’, here–here, here

  Miscellany here, here, here–here, here, here

  ‘The Nun, or the Perjured Beauty’, here

  ‘Oenone to Paris’, here–here, here, here

  ‘Of Plants’, here–here, here

  ‘On Desire A Pindarick’, here, here–here, here, here

  ‘O
n a Copy of Verses made in a Dream’, here

  ‘On a Juniper-Tree, cut down to make Busks’, here–here, here

  ‘On the Author of that Excellent Book...’, here

  ‘On the Death of Mr. Grinhil’, here

  ‘On the Death of E. Waller’, here–here

  ‘On the Death of the late Earl of Rochester’, here–here, here, here

  ‘On the first discovery of falseness in Amintas’, here

  Oroonoko here, here–here, here, here, here–here; passim, here, here, here, here, here, here, here, here, here, here, here, here, here–here, here, here

  ‘Our Cabal’, here, here–here, here, here, here, here, here, here, here

  ‘Ovid to Julia’, here

  ‘Paraphrase on the Lords Prayer’, here, here

  ‘Pastoral Pindarick. On ... Dorset’, here, here

  ‘Pastoral to Mr. Stafford’, here, here

  ‘Pindaric to Mr. P. who sings finely’, here

  Pindaric Poem to the Reverend Doctor Burnet, here–here, here–here, here, here

  Pindarick on the Death of Charles II, here–here, here

  Pindarick on the Happy Coronation of ... James II, here, here–here, here–here, here, here, here, here, here

  Poem to Catherine Queen Dowager, here

  Poem to Sir Roger L’Estrange, here, here, here, here–here, here

  Poems upon Several Occasions, here, here–here, here, here

  Prologue and epilogue to Romulus, here, here

  Prologue to Like Father, Like Son, here, here–here, here

  Prologue to Valentinian, here–here

  ‘The Return’, here

  The Revenge, here, here–here, here

  The Roundheads, here, here–here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here

  The Rover, here, here, here–here, here, here, here, here–here; passim, here–here; passim, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here

  [‘A Satyr on Dr. Dryden’], here–here, here, here

  The Second Part of the Rover, here, here–here, here, here–here; passim, here, here, here, here, here, here

  ‘Sence of a Letter sent me’, here

  Seneca Unmasqued, here–here, here, here, here

  ‘Silvio’s Complaint’, here

  Sir Patient Fancy, here, here, here, here–here, here, here, here, here, here, here, here, here, here, here, here, here, here

 

‹ Prev