Field Master. The person appointed by the Master to control the field. Often it is the Master him- or herself.
Fixture. A card sent to all dues-paying members, stating when and where the hounds will meet. A fixture card properly received is an invitation to hunt. This means the card would be mailed or handed to a member by the Master.
Flea-bitten. A gray horse with spots or ticking that can be black or chestnut.
Gone away. The call on the horn when the fox leaves the covert.
Gone to ground. A fox who has ducked into his den, or some other refuge, has gone to ground.
Good night. The traditional farewell to the Master after the hunt, regardless of the time of day.
Gyp. The female hound.
Hilltopper. A rider who follows the hunt but does not jump. Hilltoppers are also called the Second Flight. The jumpers are called the First Flight.
Hoick. The huntsman’s cheer to the hounds. It is derived from the Latin hic haec hoc, which means “here.”
Hold hard. To stop immediately.
Huntsman. The person in charge of the hounds, in the field and in the kennel.
Kennelman. A hunt staff member who feeds the hounds and cleans the kennels. In wealthy hunts there may be a number of kennelmen. In hunts with a modest budget, the huntsman or even the Master cleans the kennels and feeds the hounds.
Lark. To jump fences unnecessarily when hounds aren’t running. Masters frown on this, since it is often an invitation to an accident.
Lieu in. Norman term for go in.
Lift. To take the hounds from a lost scent in the hopes of finding a better scent farther on.
Line. The scent trail of the fox.
Livery. The uniform worn by the professional members of the hunt staff. Usually it is scarlet, but blue, yellow, brown, and gray are also used. The recent dominance of scarlet has to do with people buying coats off the rack as opposed to having tailors cut them. (When anything is mass-produced, the choices usually dwindle, and such is the case with livery.)
Mask. The fox’s head.
Meet. The site where the day’s hunting begins.
MFH. The Master of Foxhounds; the individual in charge of the hunt: hiring, firing, landowner relations, opening territory (in large hunts this is the job of the hunt secretary), developing the pack of hounds, and determining the first cast of each meet. As in any leadership position, the Master is also the lightning rod for criticism. The Master may hunt the hounds, although this is usually done by a professional huntsman, who is also responsible for the hounds in the field and at the kennels. A long relationship between a Master and a huntsman allows the hunt to develop and grow.
Nose. The scenting ability of a hound.
Override. To press hounds too closely.
Overrun. When hounds shoot past the line of a scent. Often the scent has been diverted or foiled by a clever fox.
Ratcatcher. Informal dress worn during cubbing season and bye days.
Stern. A hound’s tail.
Stiff-necked fox. One who runs in a straight line.
Strike hounds. Those hounds that, through keenness, nose, and often higher intelligence, find the scent first and press it.
Tail hounds. Those hounds running at the rear of the pack. This is not necessarily because they aren’t keen; they may be older hounds.
Tallyho. The cheer when the fox is viewed. Derived from the Norman ty a hillaut, thus coming into the English language in 1066.
Tongue. To vocally pursue a fox.
View halloo (halloa). The cry given by a staff member who sees a fox. Staff may also say tallyho or, should the fox turn back, tally-back. One reason a different cry may be used by staff, especially in territory where the huntsman can’t see the staff, is that the field in their enthusiasm may cheer something other than a fox.
Vixen. The female fox.
Walk. Puppies are walked out in the summer and fall of their first year. It’s part of their education and a delight for both puppies and staff.
Whippers-in. Also called whips, these are the staff members who assist the huntsman, who make sure the hounds “do right.”
CHAPTER 1
Leaning over the long glass display case, Marion Maggiolo squinted. “This glare drives me crazy.”
Her older friend, Jane Arnold, “Sister,” Master of The Jefferson Hunt Club, responded, “One only notices it at certain angles.”
Once that was out of her mouth she realized she was talking to a perfectionist, one whom she loved, but a perfectionist nonetheless.
Marion pulled her cellphone out of her jacket pocket, placing it just to the left of the offending glare. “Look at that.”
Sister dutifully bent down to look at the cellphone surface. “I guess the phone blocks the light.”
Both women looked upward at the lighting.
“I wonder if we could change the light so it doesn’t glare off the case.” Marion placed her forefinger on her lips. “Well, we can, but we can’t sacrifice brightness or clarity. People do read these displays. They especially like the photographs.”
The two stood in the Museum of Hounds and Hunting located at Morven Park. This room housed the Huntsman Hall of Fame. Each inductee’s life was written in easy-to-read type; his horn was usually on display along with a coat, a cap, and other items germane to foxhunting and the inductee’s personality. The photograph of each Hall of Famer had been chosen with care by the families as well as the Board of Directors. Only one woman had been inducted. An individual could only be considered for inclusion if he had carried the horn for twenty years. Most had hunted far longer than that, but often the photographs chosen were of the gentlemen and lady in their prime.
Sister and Marion stared at such a man, prime and in his prime, Wesley Carruthers. The photograph showed an impossibly gorgeous man, perhaps early thirties, raising a silver punchbowl, a hand on each handle. He had just won best-in-show at the Virginia Hound Show in 1951.
“Didn’t they call him Weevil?” Marion asked Sister, who was about fifteen years older than herself.
“They did. I was just a kid when he won—I was at the show with Mother. I actually did hunt behind him once or twice. I was still in grade school. Mother wanted me to see as many packs and their huntsmen as possible. I’m forever grateful to her because I learned so much. Just soaked it up.”
“You’ve bred a good pack. You must have absorbed something.”
Sister laughed. “True. A pack is one thing you can’t really buy. Oh, people have, but they inevitably ruin the hounds because they don’t know what they’re doing and, worse, they don’t know their bloodlines.” She held up her hand. “Don’t get me started. You know hounds are my favorite subject.”
“I think there are others,” Marion wryly commented, returning her gaze to Weevil.
Sister stared at the beautiful man as well. “A cross between Gary Cooper and John Wayne, when young.”
Marion studied the strong masculine face, the wide shoulders, tiny hips. “The young John Wayne was wonderful-looking.”
“As was Gary Cooper, a Montana boy.”
“Was he?”
“Was, and Wayne was from Iowa. Now Weevil, he hailed from The Plains, Virginia. Grew up with everyone in Northern Virginia, worked his way up to being huntsman by whipping-in with other packs. Started at the bottom, third whipper-in, kennel assistant. In those days, clubs could afford a lot of help. I think he was First Whipper-in at Green Spring Valley in Maryland, before coming back here to carry the horn for Jefferson Hunt.”
Hunt service, like any profession, contains stepping-stones. Certainly talent is a factor but so are drive, social skills, and physical toughness, especially physical toughness. Many whippers-in today express no desire to become huntsmen. They are happy whipping-in, which means riding hard, knowing the hounds, and working on the edges of the pack. If there’s a problem usually a whipper-in sees it first and tries to correct it, like keeping a pack from running onto a highway in pursuit of the fox that knows exactly what he or
she is doing. A few rich hunts still have large paid staffs. Most hunts feel fortunate to have one paid whipper-in, the rest being honorary, which is to say, amateurs. And often those honorary people are fantastic but hold well-paying jobs or provide taxi service for the kids before and after school. This is the main reason so many current whippers-in don’t aspire to being huntsmen. They can’t afford it. Their jobs are too good. Few hunts could survive without honorary whippers-in, and this included The Jefferson Hunt where Weevil had been huntsman. Jane Arnold, “Sister,” was the Master of Jefferson Hunt, had been for over forty years, but Weevil was long gone by the time she’d moved to central Virginia.
Marion sighed. “He was gorgeous. They never found him, did they?”
“No.” Sister slightly shook her head.
“Murder. No one thought he died a natural death.”
Sister heard footsteps. “Weevil managed to cuckold most male members of the Virginia and Maryland hunts.”
“Let’s go,” Jake Carle, Director of the Hall of Fame, called to them. “If we don’t go now we won’t get a table.” He then walked to the top of the stairwell, crossed to another room, climbed a few steps to the ballroom, and called to Monica Greenberg. “Leesburg.”
“In a minute,” she replied.
“You know where to find us.” He turned, retraced his steps, meeting Sister and Marion.
The three left. Jake had finished his meeting with other board members. Everyone hopped in their cars to drive into Leesburg.
No sooner had they been seated than Monica was directed to their table. As she walked across the restaurant, all eyes followed her. Some recognized her as the sidesaddle rider on the fabulous Winter Party, a sensational team. She carried herself with perfect posture, head held high, attractive enough on the ground but on a horse the effect was pure beauty.
Paying no mind to people’s reactions, she took the offered seat. “Were you talking about me?” she teased.
“We wondered how your history of sidesaddle is coming along.” Jake liked anything historical, as did Sister and Marion.
“When I asked for photographs I had no idea how much material is out there. Most of it in black and white. I thought I’d receive about fifteen photographs. I have sixty-two.”
“Bet the early ones are smashing.” Marion couldn’t wait to see the finished exhibit, pictures framed, biographies next to them.
“I have one from 1860 but quite a few starting in the 1870s and moving onward. Obviously men liked to take photographs of women riding sidesaddle. A well-turned-out lady turns heads.” Monica smiled.
“You certainly did. Still do,” Jake complimented her.
He thought of the three as “the girls” but would never say that. Given that Sister, Marion, and Monica knew exactly who they were, if he had done so they wouldn’t have been offended.
Changing the subject, Monica asked, “Did you all take two cars?”
“We did,” Marion answered.
“Thought so, as I heard three sets of footsteps on the stairs, first one then a few minutes later more.”
No one thought anything of the observation at the time.
As with any group of people who know one another well, and work together, they talked about the museum, about Monica’s efforts for the Washington opera, about Marion’s planned fashion show of hunting attire to raise money for the museum come November.
“Seems far away but it’s only ten weeks.” Marion placed her small notebook by her plate. “First question. Do we have the models wear garters?”
“Chorus girls wear garters,” Monica mischievously said.
This provoked a discussion about achingly proper attire as opposed to comfortable turnout. Boots no longer actually folded over, which was what created the need for a garter in the first place back in the seventeenth century. Far be it from foxhunters to bypass a tradition whether useful or not.
Sister jumped right in. “I wear them on the High Holy Days.”
Jake grimaced. “You would. If ever I have a question about proper turnout, I refer to you, madam.”
She smiled at the good-looking former Keswick Master. “Is that a gentleman’s way of saying I’m older than dirt and remember everything?”
“Sister, you will always command a room.” He grinned at her, proving once again why women adored him.
The garter discussion pooped out. They finally reached what they were all dying to talk about, since it was mid-September.
“How’s your season so far?” Joyce Fendley, who had joined them from her committee meeting, Master of Casanova Hunt, asked.
The table erupted. Everyone babbled at once. The dryness. The heat. Tons of game but the scent wouldn’t hold. On they talked. A group bound by passion, by love of animals, for no one would kill a fox, and without realizing it, by love of one another.
Marion reached in her pocket for her cellphone, wanting to check the weather. Her face registered surprise. “I can’t believe I did that.”
“Did what?” Sister asked.
“I left my cellphone on the display case.”
Jake, overhearing, suggested, “You know where the key is kept. Go back after dinner. It’s a lot closer than driving up from Warrenton tomorrow.”
Marion’s shop, Horse Country, was located at 60 Alexandria Pike in Warrenton, miles away. Clothing, silver, hand-painted china, and horse furnishings could all be found therein. Marion’s idea for a fashion show really was to raise money for the museum, but if seeing runway models encouraged people to come to the store, so much the better.
“Do you know exactly where you left it?” Joyce inquired, having spent time in her life on search missions.
“Right by Wesley Carruthers’s artifacts.”
Jake, overhearing, folded his napkin. “There were so many suspects in his disappearance, I think every man who foxhunted in Virginia and Maryland was questioned by the police.”
“Wasn’t Averell Harriman one of the leading suspects?” Joyce mentioned the wealthy man who performed public service.
“Absurd. Averell would never commit murder.” Jake spoke. “I was a kid at the time but I remember my father paying a lot of attention to this.”
“Some women”—Joyce glanced around the table—“would never have been foolish enough to risk their position no matter how handsome the man.”
“I agree,” Sister added. “But the old gossip trumpets that plenty of ladies did.”
“Well, the real scandal, the one that broke the camel’s back, was when he was supposed to be sleeping with Christine Falconer as well as her daughter Madge.” Marion suppressed a grin.
“No!” Sister exclaimed.
“You hadn’t heard that?” Marion was surprised.
“Dear God,” Sister thought out loud. “He must have been out of his mind.”
“Or they were.” Jake ordered an after-dinner drink.
“Wasn’t Jim Falconer Undersecretary of State?” Joyce inquired. She thought a moment and answered her own question. “He was. All those men had served with distinction in the war, and when Eisenhower swept into office so did they.”
“Did a good job, too. We’ll never see public servants like that again.” Sister’s voice rose slightly. “Sorry. That was an editorial comment.”
Jake waved the apology away. “I think we all feel that way. Look how many presidents we’ve had in the last few decades who have never served their country in uniform, never been in a war, not that I want people to go to war, but if they have to I think they are more reluctant to squander American lives.”
“Hear, hear,” all responded in unison.
As the meal finished, people stood up.
Jake called to Marion, “Look at Weevil’s cowhorn. It’s foxhunting scrimshaw. Quite something.”
—
Driving back to Morven Park, Sister said, “How many times have I looked at that horn and wished I could pick it up and view the entire scene? All I could see was the fox, a few hounds behind.”
Marion considered. “Maybe I should put mirrors around it.”
She drove into Morven Park, the early fall air still warm. The mansion, a great white sepulchre, commanded a level rise above the one thousand acres. The massive Doric columns bore testimony to the power of the place, the solidity of it, the gravitas of Westmoreland Davis himself, a former Virginia governor who had lived there. Five chimneys poked up through the gray roof, multiple flues sticking above the white chimneys. Heating the mansion, always expensive, must have been near impossible before electricity.
Marion closed the door to her Jaguar, as did Sister. The two women fetched the key from behind one of the long green window shutters.
Flipping on lights as they walked in, they reached the Hall of Fame room quickly.
“Right where I left it,” Marion rejoiced, snatching her phone.
Turning it on to see if she still had a charge, she noticed a small red circle by the camera icon.
Sister, looking over her shoulder, watched as Marion touched the camera.
Both women stared, speechless.
“What!” Marion, shocked, finally spoke.
Sister looked at the moving picture. “It can’t be true.”
Marion then looked at the case. The horn was missing. “Sister, it is.”
There in front of them, taking a selfie video, was Weevil, smiling, holding up his horn. He wore a black turtleneck. They couldn’t see what else he was wearing.
“This is impossible. He’s been dead, we think, since 1954.”
“And if he were alive, he’d be about ninety-five. I recall someone at the table saying he was thirty-two when he disappeared. This man,”—Sister pointed to the iPhone—“is in his early thirties.”
Marion looked at the case. The lock wasn’t broken, but she knew it would be easy enough to spring. She pressed the camera on the phone again.
“There may be more.”
There was. Weevil put the horn to his lips and blew “Gone to Ground.”
Marion gasped. “It’s impossible.”
Sister put her arm around Marion’s shoulder. “It may be impossible, but there is Weevil Carruthers blowing ‘Gone to Ground,’ telling us he’s safe and sound. Cheeky devil. Handsome. Handsome. Handsome.”
Crazy Like a Fox Page 2