Henry Miller

by Tropic Of Capricorn [lit]

  some of them have six aliases after their names. Meanwhile the room is crawling like a hive. The room stinks with sweat, dirty feet, old uniforms, camphor, lysol, bad breaths. Half of them will have to be turned away - not that we don't need them, but that even under the worst conditions they just won't do. The man in front of my desk, standing at the rail with palsied hands and bleary eyes, is an ex-mayor of New York City. He's seventy now and would be glad to take anything. He has

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  wonderful letters of recommendation, but we can't take any one over forty-five years of age. Forty-five in New York is the dead line. The telephone rings and it's a smooth secretary from the Y.M.C.A. Wouldn't I make an exception for a boy who has just walked into his office - a boy who was in the reformatory for a year or so. What did he do? He tried to rape his sister. An Italian, of course. O'Mara, my assistant, is putting an applicant through the third degree. He suspects him of being an epileptic. Finally he succeeds and for good measure the boy throws a fit right there in the office. One of the women faints. A beautiful looking young woman with a handsome fur around her neck is trying to persuade me to take her on. She's a whore clean through and I know if I put her on there'll be hell to pay. She wants to work in a certain building uptown - because it is near home, she says. Nearing lunch time and a few cronies are beginning to drop in. They sit around watching me work, as if it were a vaudeville performance. Kronski, the medical student arrives; he says one of the boys I've just hired has Parkinson's disease. I've been so busy I haven't had a chance to go to the toilet. All the telegraph operators, all the managers, suffer from haemorrhoids, so O'Rourke tells me. He's been having electrical massages for the last two years, but nothing works. Lunch time and there are six of us at the table. Some one will have to pay for me, as usual. We gulp it down and rush back. More calls to make, more applicants to interview. The vice-president is raising hell because we can't keep the force up to normal. Every paper in New York and for twenty miles outside New York carries long ads demanding help. All the schools have been canvassed for part time messengers. All the charity bureaux and relief societies have been invoked. They drop out like flies. Some of them don't even last an hour. It's a human flour mill. And the saddest thing about it is that it's totally unnecessary. But that's not my concern. Mine is to do or die, as Kipling says. I plug on, through one victim after another, the telephone ringing like mad, the place smelling more and more vile, the holes getting bigger and bigger. Each one is a human being asking for a crust of bread; I have his height, weight, colour, religion, education, experience, etc.

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  All the data will go into a ledger to be filed alphabetically and then chronologically. Names and dates. Fingerprints too, if we had the time for it. So that what? So that the American people may enjoy the fastest form of communication known to man, so that they may sell their wares more quickly, so that the moment you drop dead in the street your next of kin may be appraised immediately, that is to say within an hour, unless the messenger to whom the telegram is entrusted decides to throw up the job and throw the whole batch of telegrams in the garbage can. Twenty million Christmas blanks, all wishing you a Merry Christmas and a Happy New Year, from the directors and president and vice-president of the Cosmodemonic Telegraph Company, and maybe the telegram reads "Mother dying, come at once", but the clerk is too busy to notice the message and if you sue for damages, spiritual damages, there is a legal department trained expressly to meet such emergencies and so you can be sure that your mother will die and you will have a Merry Christmas and Happy New Year just the same. The clerk, of course, will be fired and after a month or so he will come back for a messenger's job and he will be taken on and put on the night shift near the docks where nobody will recognize him, and his wife will come with the brats to thank the general manager, or perhaps the vice-president himself, for the kindness and consideration shown. And then one day everybody will be heartily surprised that said messenger robbed the till and O'Rourke will be asked to take the night train for Cleveland or Detroit and to track him down if it cost ten thousand dollars. And then the vice-president will issue an order that no more Jews are to be hired, but after three or four days he will let up a bit because there are nothing but Jews coming for the job. And because it's getting so very tough and the timber so damned scarce I'm on the point of hiring a midget from the circus and I probably would have hired him if he hadn't broken down and confessed that he was a she. And to make it worse Valeska takes "it" under her wing, takes "it" home that night and under pretense of sympathy gives "it" a thorough examination, including a vaginal exploration with the index finger of the right hand. And the

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  nostrils. I longed to be free of it all and yet I was irresistibly attracted. I was violent and phlegmatic at the same time. I was like the lighthouse itself - secure in the midst of the most turbulent sea. Beneath me was solid rock, the same shelf of rock on which the towering skyscrapers were reared. My foundations went deep into the earth and the armature of my body was made of steel riveted with hot bolts. Above all I was an eye, a huge searchlight which scoured far and wide, which revolved ceaselessly, pitilessly. This eye so wide awake seemed to have made all my other faculties dormant; all my powers were used up in the effort to see, to take in the drama of the world.

  If I longed for destruction it was merely that this eye might be extinguished. I longed for an earthquake, for some cataclysm of nature which would plunge the lighthouse into the sea. I wanted a metamorphosis, a change to fish, to leviathan, to destroyer. I wanted the earth to open up, to swallow everything in one engulfing yawn. I wanted to see the city buried fathoms deep in the bosom of the sea. I wanted to sit in a cave and read by candlelight. (I wanted that eye extinguished so that I might have a change to know my own body, my own desires. I wanted to be alone for a thousand years in order to reflect on what I had seen and heard - and in order to forget. I wanted something of the earth which was not of man's doing, something absolutely divorced from the human of which I was surfeited. I wanted something purely terrestrial and absolutely divested of idea. I wanted to feel the blood running back into my veins, even at the cost of annihilation. I wanted to shake the stone and the light out of my system. I wanted the dark fecundity of nature, the deep well of the womb, silence, or else the lapping of the black waters of death. I wanted to be that night which the remorseless eye illuminated, a night diapered with stars and trailing comets. To be of night, so frighteningly silent, so utterly incomprehensible and eloquent at the same time. Never more to speak or to listen or to think. To be englobed and encompassed and to encompass and to englobe at the same time. No more pity, no more tenderness. To be human only terrestrially, like a plant or a worm or a

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  brook. To be decomposed, divested of light and stone, variable as the molecule, durable as the atom, heartless as the earth itself.

  It was just about a week before Valeska committed suicide that I ran into Mara. The week or two preceding that event was a veritable nightmare. A series of sudden deaths and strange encounters with women. First of all there was Pauline Janowski, a little Jewess of sixteen or seventeen who was without a home and without friends or relatives. She came to the office looking for a job. It was towards dosing time and I didn't have the heart to turn her down cold. For some reason or other I took it into my head to bring her home for dinner and if possible try to persuade the wife to put her up for a while. What attracted me to her was her passion for Balzac. All the way home she was talking to me about Lost Illusions. The car was packed and we were jammed so tight together that it didn't make any difference what we were talking about because we were both thinking of only one thing. My wife of course was stupefied to see me standing at the door with a beautiful young girl. She was polite and courteous in her frigid way but I could see immediately that it was no use asking her to put the girl up. It was about all she could do to sit through the dinner with us. As soon as we had finished she excused herself and went to the movies. The girl
started to weep. We were still sitting at the table, the dishes piled up in front of us. I went over to her and I put my arms around her. I felt genuinely sorry for her and I was perplexed as to what to do for her. Suddenly she threw her arms around my neck and she kissed me passionately. We stood there for a long while embracing each other and then I thought to myself no, it's a crime, and besides maybe the wife didn't go to the movies at all, maybe she'll be ducking back any minute. I told the kid to pull herself together, that we'd take a trolley ride somewhere. I saw the child's bank lying on the mantelpiece and I took it to the toilet and emptied it silently. There was only about seventy-five cents in it. We got on a trolley and went to the beach. Finally we found a deserted spot and we lay down in the sand. She

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  was hysterically passionate and there was nothing to do but to do it. I thought she would reproach me afterwards, but she didn't. We lay there a while and she began talking about Balzac again. It seems she had ambitions to be a writer herself. I asked her what she was going to do. She said she hadn't the least idea. When we got up to go she asked me to put her on the highway. Said she thought she would go to Cleveland or some place. It was after midnight when I left her standing in front of a gasoline station. She had about thirty-five cents in her pocket-book. As I started homeward I began cursing my wife for the mean son of a bitch that she was. I wished to Christ it was she whom I had left standing on the highway with no place to go to. I knew that when I got back she wouldn't even mention the girl's name.

  I got back and she was waiting up for me. I thought she was going to give me hell again. But no, she had waited up because there was an important message from O'Rourke. I was to telephone him soon as I got home. However, I decided not to telephone. I decided to get undressed and go to bed. Just when I had gotten comfortably settled the telephone rang. It was O'Rourke. There was a telegram for me at the office - he wanted to know if he should open it and read it to me. I said of course. Thetelegram was signed Monica. It was from Buffalo. Said she was arriving at the Grand Central in the morning with her mother's body. I thanked him and went back to bed. No questions from the wife. I lay there wondering what to do. If I were to comply with the request that would mean starting things all over again. I had just been thanking my stars that I had gotten rid of Monica. And now she was coming back with her mother's corpse. Tears and reconciliation. No, I didn't like the prospect at all. Supposing I didn't show up ? What then ? There was always somebody around to take care of a corpse. Especially if the bereaved were an attractive young blonde with sparkling blue eyes. I wondered if she'd go back to her job in the restaurant. If she hadn't known Greek and Latin I would never have been mixed up with her. But my curiosity got the better of me. And then she was so god-damn poor, that too got me. Maybe it wouldn't have been so bad if her hands hadn't smelled

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  greasy. That was the fly in the ointment - the greasy hands. I remember the first night I met her and we strolled through the park. She was ravishing to look at, and she was alert and intelligent. It was just the time when women were wearing short skirts and she wore them to advantage. I used to go to the restaurant night after night just to watch her moving around, watch her bending over to serve or stooping down to pick up a fork. And with the beautiful legs and the bewitching eyes a marvellous line about Homer, with the pork and sauerkraut a verse of Sapho's, the Latin conjugations, the Odes of Pindar, with the dessert perhaps the Rubaiyat or Cynara. But the greasy hands and the frowsy bed in the boarding house opposite the market place - Whew! I couldn't stomach it. The more I shunned her the more clinging she became. Ten page letters about love with footnotes on Thus Spake Zarathustra. And then suddenly silence and me congratulating myself heartily. No, I couldn't bring myself to go to the Grand Central Station in the morning. I rolled over and I fell sound asleep. In the morning I would get the wife to telephone the office and say I was ill. I hadn't been ill now for over a week ~ it was coming to me.

  At noon I find Kronski waiting for me outside the office. He wants me to have lunch with him ... there's an Egyptian girl he wants me to meet. The girl turns out to be a Jewess, but she came from Egypt and she looks like an Egyptian. She's hot stuff and the two of us are working on her at once. As I was supposed to be ill I decided not to return to the office but to take a stroll through the East Side. Kronski was going back to cover me up. We shook hands with the girl and we each went our separate ways. I headed towards the river where it was cool, having forgotten about the girl almost immediately. I sat on the edge of a pier with my legs dangling over the stringpiece. A scow passed with a load of red bricks. Suddenly Monica came to my mind. Monica arriving at the Grand Central Station with a corpse. A corpse f.o.b. New York! It seemed so incongruous and ridiculous that I burst out laughing. What had she done with it? Had she checked it or had she left it on a siding? No doubt she was cursing me out roundly. I wondered what

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  she would really think if she could have imagined me sitting there at the dock with my legs dangling over the stringpiece. It was warm and sultry despite the breeze that was blowing off the river. I began to snooze. As I dozed off Pauline came to my mind. I imagined her walking along the highway with her hand up. She was a brave kid, no doubt about it. Funny that she didn't seem to worry about getting knocked up. Maybe she was so desperate she didn't care. And Balzac! That too was highly incongruous. Why Balzac? Well, that was her affair. Anyway she'd have enough to eat with, until she met another guy. But a kid like that thinking about becoming a writer! Well, why not? Everybody had illusions of one sort or another. Monica too wanted to be a writer. Everybody was becoming a writer. A writer! Jesus, how futile it seemed!

  I dozed off... When I woke up I had an erection. The sun seemed to be burning right into my fly. I got up and I washed my face at a drinking fountain. It was still as hot and sultry as ever. The asphalt was soft as mush, the flies were biting, the garbage was rotting in the gutter. I walked about between the pushcarts and looked at things with an empty eye. I had a sort of lingering hard-on all the while, but no definite object in mind. It was only when I got back to Second Avenue that I suddenly remembered the Egyptian Jewess from lunch time. I remembered her saying that she lived over the Russian Restaurant near Twelfth Street. Still I hadn't any definite idea of what I was going to do. Just browsing about, killing time. My feet nevertheless were dragging me northward, towards Fourteenth Street. When I got abreast of the Russian restaurant I paused a moment and then I ran up the stairs three at a time. The hall door was open. I climbed up a couple of flights scanning the names on the doors. She was on the top floor and there was a man's name under hers. I knocked softly. No answer. I knocked again, a little harder. This time I heard some one moving about. Then a voice dose to the door asking who is it and at the same time the knob turning. I pushed the door open and stumbled into the darkened room. Stumbled right into her arms and felt her naked under the half-opened kimono. She must have come

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  out of a sound sleep and only half realized who was holding her in his arms. When she realized it was me she tried to break away but I had her tight and I began kissing her passionately and at the same time backing her up towards the couch near the window. She mumbled something about the door being open but I wasn't taking any chance on letting her slip out of my arms. So I made a slight detour and little by little I edged her towards the door and made her shove it with her ass. I locked it with my one free hand and then I moved her into the centre of the room and with the free hand I unbuttoned my fly and got my pecker out and into position. She was so drugged with sleep that it was almost like working on an automation. I could see too that she was enjoying the idea of being fucked half asleep. The only thing was that every time I made a lunge she grew more wide awake. And as she grew more conscious she became more frightened. It was difficult to know how to put her to sleep again without losing a good fuck. I managed to tumble her on to the couch without losing ground and she was hot as hell now, twisting and squirming
like an eel. From the time I had started to maul her I don't think she had opened her eyes once. I kept saying to myself- "an Egyptian fuck ... an Egyptian fuck" - and so as not to shoot off immediately I deliberately began thinking about the corpse that Monica had dragged to the Grand Central Station and about the thirty-five cents that I had left with Pauline on the highway. Then bango! a loud knock on the door and with that she opens her eyes and looks at me in utmost terror. I started to pull away quickly but to my surprise she held me tight. "Don't move", she whispered in my ear. "Wait!" There was another loud knock and then I heard Kronski's voice saying "It's me, Thelma ... it's me Izzy." At that I almost burst out laughing. We slumped back again into a natural position and as her eyes softly closed I moved it around inside her, gently so as not to wake her up again. It was one of the most wonderful fucks I ever had in my life. I thought it was going to last forever. Whenever I felt in danger of going off I would stop moving and think - think for example of where I would like to spend my vacation, if I got one, or think of the

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  shirts lying in the bureau drawer, or the patch in the bedroom carpet just at the foot of the bed. Kronski was still standing at the door -1 could hear him changing about from one position to another. Every time I became aware of him standing there I jibbed her a little for good measure and in her half sleep she answered back, humorously, as though she understood what I meant by this put-and-take language. I didn't dare to think what she might be thinking or I'd have come immediately. Sometimes I skirted dangerously close to it, but the saving trick was always Monica and the corpse at the Grand Central Station. The thought of that, the humorousness of it, I mean, acted like a cold douche.