The 12th Planet

by Zecharia Sitchin

But who were these Indo-Europeans who chose Anatolia as their abode? Little in Western knowledge shed light on the subject.

  Once again, the only readily available—and reliable—source proved to be the Old Testament. There the scholars found several references to the "Hittites" as the people inhabiting the mountains of Anatolia. Unlike the enmity reflected in the Old Testament toward the Canaanites and other neighbors whose customs were considered an "abomination," the Hittites were regarded as friends and allies to Israel. Bathsheba, whom King David coveted, was the wife 'of Uriah the Hittite, an officer in King David's army. King Solomon, who forged alliances by marrying the daughters of foreign kings, took as wives the daughters both of an Egyptian pharaoh and of a Hittite king. At another time, an invading Syrian army fled upon hearing a rumor that "the king of Israel hath hired against us the kings of the Hittites and the kings of the Egyptians." These brief allusions to the Hittites reveal the high esteem in which their military abilities were held by other peoples of the ancient Near East.

  With the decipherment of the Egyptian hieroglyphs—and, later on, of the Mesopotamian inscriptions—scholars have come across numerous references to a "Land of Hatti" as a large and powerful kingdom in Anatolia. Could such an important power have left no trace?

  Forearmed with the clues provided in the Egyptian and Mesopotamian texts, the scholars embarked on excavations of ancient sites in Anatolia's hilly regions. The efforts paid off: They found Hittite cities, palaces, royal treasures, royal tombs, temples, religious objects, tools, weapons, art objects. Above all, they found many inscriptions—both in a pictographic script and in cuneiform. The biblical Hittites had come to life.

  A unique monument bequeathed to us by the ancient Near East is a rock carving outside the ancient Hittite capital (the site is nowadays called Yazilikaya, which in Turkish means "inscribed rock"). After passing through gateways and sanctuaries, the ancient worshiper came into an open-air gallery, an opening among a semicircle of rocks, on which all the gods of the Hittites were depicted in procession.

  Marching in from the left is a long procession of primarily male deities, clearly organized in "companies" of twelve. At the extreme left, and thus last to march in this amazing parade, are twelve deities who look identical, all carrying the same weapon. (Fig. 25)

  The middle group of twelve marchers includes some deities who look older, some who bear diversified weapons, and two who are highlighted by a divine symbol. (Fig. 26)

  The third (front) group of twelve is clearly made up of the more important male and female deities. Their weapons and emblems are more varied; four have the divine celestial symbol above them; two are Winged. This group also includes nondivine participants: two bulls holding up a globe, and the king of the Hittites, wearing a skull cap and standing under the emblem of the Winged Disk. (Fig. 27)

  Marching in from the right were two groups of female deities; the rock carvings are, however, too mutilated to ascertain their full original number. We will probably not be wrong in assuming that they, too, made up two "companies" of twelve each.

  The two processions from the left and from the right met at a central panel which clearly depicted Great Gods, for they were all shown elevated, standing atop mountains, animals, birds, or even on the shoulders of divine attendants. (Fig. 28)

  Much effort was invested by scholars (for example, E. Laroche, Le Pantheon de Yazilikaya) to determine from the depictions, the hieroglyphic symbols, as well as from partly legible texts and god names that were actually carved on the rocks, the names, titles, and roles of the deities included in the procession. But it is clear that the Hittite pantheon, too, was governed by the "Olympian" twelve. The lesser gods were organized in groups of twelve, and the Great Gods on Earth were associated with twelve celestial bodies.

  That the pantheon was governed by the "sacred number" twelve is made additionally certain by yet another Hittite monument, a masonry shrine found near the present-day Beit—Zehir. It clearly depicts the divine couple, surrounded by ten other gods—making a total of twelve. (Fig. 29)

  The archaeological finds showed conclusively that the Hittites worshiped gods that were "of Heaven and Earth," all interrelated and arranged into a genealogical hierarchy. Some were great and "olden" gods who were originally of the heavens. Their symbol—which in the Hittite pictographic writing meant "divine" or "heavenly god"—looked like a pair of eye goggles. (Fig. 30) It frequently appeared on round seals as part of a rocket-like object. (Fig. 31)

  Other gods were actually present, not merely on Earth but among the Hittites, acting as supreme rulers of the land, appointing the human kings, and instructing the latter in matters of war, treaties, and other international affairs.

  Heading the physically present Hittite gods was a deity named Teshub, which meant "wind blower." He was thus what scholars call a Storm God, associated with winds, thunder, and lightning. He was also nicknamed Taru ("bull"). Like the Greeks, the Hittites depicted bull worship; like Jupiter after him, Teshub was depicted as the God of Thunder and Lightning, mounted upon a bull. (Fig. 32)

  Hittite texts, like later Greek legends, relate how their chief deity had to battle a monster to consolidate his supremacy. A text named by the scholars "The Myth of the Slaying of the Dragon" identifies Teshub's adversary as the god Yanka. Failing to defeat him in battle, Teshub appealed to the other gods for help, but only one goddess came to his assistance, and disposed of Yanka by getting him drunk at a party.

  Recognizing in such tales the origins of the legend of Saint George and the Dragon, scholars refer to the adversary smitten by the "good" god as "the dragon." But the fact is that Yanka meant "serpent," and that the ancient peoples depicted the "evil" god as such—as seen in this bas-relief from a Hittite site. (Fig. 33) Zeus, too, as we have shown, battled not a "dragon" but a serpent-god. As we shall show later on, there was deep meaning attached to these ancient traditions of a struggle between a god of winds and a serpent deity. Here, however, we can only stress that battles among the gods for the divine Kingship were reported in the ancient texts as events that had unquestionably taken place.

  Fig. 25

  Fig. 26

  Fig. 27

  Fig. 28

  Fig. 29

  Fig. 30

  Fig. 31

  Fig. 32

  Fig. 33

  A long and well-preserved Hittite epic tale, entitled "Kingship in Heaven," deals with this very subject—the heavenly origin of the gods. The recounter of those premortal events first called upon twelve "mighty olden gods" to listen to his tale, and be witnesses to its accuracy:

  Let there listen the gods who are in Heaven,

  And those who are upon the dark-hued Earth!

  Let there listen, the mighty olden gods.

  Thus establishing that the gods of old were both of Heaven and upon Earth, the epic lists the twelve "mighty olden ones," the forebears of the gods; and assuring their attention, the recounter proceeded to tell how the god who was "king in Heaven" came to "dark-hued Earth:"

  Formerly, in the olden days, Alalu was king in Heaven;

  He, Alalu, was seated on the throne.

  Mighty Anu, the first among the gods, stood before him,

  Bowed at his feet, set the drinking cup in his hand.

  For nine counted periods, Alalu was king in Heaven.

  In the ninth period, Anu gave battle against Alalu.

  Alalu was defeated, he fled before Anu—

  He descended to the dark-hued Earth.

  Down to the dark-hued Earth he went;

  On the throne sat Anu.

  The epic thus attributed the arrival of a "king in Heaven" upon Earth to a usurpation of the throne: A god named Alalu was forcefully deposed from his throne (somewhere in the heavens), and, fleeing for his life, "descended to dark-hued Earth." But that was not the end. The text proceeded to recount how Anu, in turn, was also deposed by a god named Kumarbi (Anu's own brother, by some interpretations).

  There is no doubt that this epic, wri
tten a thousand years before the Greek legends were composed, was the forerunner of the tale of the deposing of Uranus by Cronus and of Cronus by Zeus. Even the detail pertaining to the castration of Cronus by Zeus is found in the Hittite text, for that was exactly what Kumarbi did to Anu:

  For nine counted periods Anu was king in Heaven;

  In the ninth period, Anu had to do battle with Kumarbi.

  Anu slipped out of Kumarbi's hold and fled—

  Flee did Anu, rising up to the sky.

  After him Kumarbi rushed, seized him by his feet;

  He pulled him down from the skies.

  He bit his loins; and the "Manhood" of Anu

  with the insides of Kumarbi combined, fused as bronze.

  According to this ancient tale, the battle did not result in a total victory. Though emasculated, Anu managed to fly back to his Heavenly Abode, leaving Kumarbi in control of Earth. Meanwhile, Anu's "Manhood" produced several deities within Kumarbi's insides, which he (like Cronus in the Greek legends) was forced to release. One of these was Teshub, the chief Hittite deity.

  However, there was to be one more epic battle before Teshub could rule in peace.

  Learning of the appearance of an heir to Anu in Kummiya ("heavenly abode"), Kumarbi devised a plan to "raise a rival to the God of Storms." "Into his hand he took his staff; upon his feet he put the shoes that are swift as winds"; and he went from. his city Ur-Kish to the abode of the Lady of the Great Mountain. Reaching her,

  His desire was aroused;

  He slept with Lady Mountain;

  His manhood flowed into her.

  Five times he took her....

  Ten times he took her.

  Was Kumarbi simply lustful? We have reason to believe that much more was involved. Our guess would be that the succession rules of the gods were such that a son of Kumarbi by the Lady of the Great Mountain could have claimed to be the rightful heir to the Heavenly Throne; and that Kumarbi "took" the goddess five and ten times in order to make sure that she conceived, as indeed she did: she bore a son, whom Kumarbi symbolically named Ulli-Kummi ("suppressor of Kummiya"—Teshub's abode).

  The battle for succession was foreseen by Kumarbi as one that would entail fighting in the heavens. Having destined his son to suppress the incumbents at Kummiya, Kumarbi further proclaimed for his son:

  Let him ascend to Heaven for kingship!

  Let him vanquish Kummiya, the beautiful city!

  Let him attack the God of Storms

  And tear him to pieces, like a mortal!

  Let him shoot down all the gods from the sky.

  Did the particular battles fought by Teshub upon Earth and in the skies take place when the Age of Taurus commenced, circa 4000 B.C.? Was it for that reason that the winner was granted association with the bull? And were the events in any way connected with the beginning, at the very same time, of the sudden civilization of Sumer?

  •

  There can be no doubt that the Hittite pantheon and tales of the gods indeed had their roots in Sumer, its civilization, and its gods.

  The tale of the challenge to the Divine Throne by Ulli-Kummi continues to relate heroic battles but of an indecisive nature. At one point, the failure of Teshub to defeat his adversary even caused his spouse, Hebat, to attempt suicide. Finally, an appeal was made to the gods to mediate the dispute, and an Assembly of the Gods was called. It was led by an "olden god" named Enlil, and another "olden god" named Ea, who was called upon to produce "the old tablets with the words of destiny"—some ancient records that could apparently help settle the dispute regarding the divine succession.

  When these records failed to settle the dispute, Enlil advised another battle with the challenger, but with the help of some very ancient weapons. "Listen, ye olden gods, ye who know the olden words," Enlil said to his followers:

  Open ye the ancient storehouses

  Of the fathers and the forefathers!

  Bring forth the Olden Copper lance

  With which Heaven was separated from Earth;

  And let them sever the feet of Ulli-kummi.

  Who were these "olden gods"? The answer is obvious, for all of them—Anu, Antu, Enlil, Ninlil, Ea, Ishkur—bear Sumerian names. Even the name of Teshub, as well as the names of other "Hittite" gods, were often written in Sumerian script to denote their identities. Also, some of the places named in the action were those of ancient Sumerian sites.

  It dawned on the scholars that the Hittites in fact worshiped a pantheon of Sumerian origins, and that the arena of the tales of the "olden gods" was Sumer. This, however, was only part of a much wider discovery. Not only was the Hittite language found to be based on several Indo-European dialects, but it was also found to be subject to substantial Akkadian influence, both in speech and more so in writing. Since Akkadian was the international language of the ancient world in the second millennium B.C., its influence on Hittite could somehow be rationalized.

  But there was cause for true astonishment when scholars discovered in the course of deciphering Hittite that it extensively employed Sumerian pictographic signs, syllables, and even whole words! Moreover, it became obvious that Sumerian was their language of high learning. The Sumerian language, in the words of O. R. Gurney (The Hittites), "was intensively studied at Hattu-Shash [the capital city] and Sumerian-Hittite vocabularies were found there.... Many of the syllables associated with the cuneiform signs in the Hittite period are really Sumerian words of which the meaning had been forgotten [by the Hittites].... In the Hittite texts the scribes often replaced common Hittite words by the corresponding Sumerian or Babylonian word."

  Now, when the Hittites reached Babylon sometime after 1600 B.C., the Sumerians were already long gone from the Near Eastern scene. How was it, then, that their language, literature, and religion dominated another great kingdom in another millennium and in another part of Asia?

  The bridge, scholars have recently discovered, were a people called the Hurrians.

  Referred to in the Old Testament as the Horites ("free people"), they dominated the wide area between Sumer and Akkad in Mesopotamia and the Hittite kingdom in Anatolia. In the north their lands were the ancient "cedar lands" from which countries near and far obtained their best woods. In the east their centers embraced the present-day oil fields of Iraq; in one city alone, Nuzi, archaeologists found not only the usual structures and artifacts but also thousands of legal and social documents of great value. In the west, the Hurrians' rule and influence extended to the Mediterranean coast and encompassed such great ancient centers of trade, industry, and learning as Carchemish and Alalakh.

  But the seats of their power, the main centers of the ancient trade routes, and the sites of the most venerated shrines were within the heartland that was "between the two rivers," the biblical Naharayim. Their most ancient capital (as yet undiscovered) was located somewhere on the Khabur River. Their greatest trading center, on the Balikh River, was the biblical Haran—the city where the family of the patriarch Abraham sojourned on their way from Ur in southern Mesopotamia to the Land of Canaan.

  Egyptian and Mesopotamian royal documents referred to the Hurrian kingdom as Mitanni, and dealt with it on an equal footing-a strong power whose influence spread beyond its immediate borders. The Hittites called their Hurrian neighbors "Hurri." Some scholars pointed out, however, that the word could also be read "Har," and (like G. Contenau in La Civilisation des Hittites et des Hurrites du Mitanni) have raised the possibility that, in the name "Harri," "one sees the name 'Ary' or Aryans for these people."

  There is no doubt that the Hurrians were Aryan or Indo-European in origin. Their inscriptions invoked several deities by their Vedic "Aryan" names, their kings bore Indo-European names, and their military and cavalry terminology derived from the Indo-European. B. Hrozny, who in the 1920s led an effort to unravel the Hittite and Hurrian records, even went so far as to call the Hurrians "the oldest Hindus."

  These Hurrians dominated the Hittites culturally and religiously. The Hittite myt
hological texts were found to be of Hurrian provenance, and even epic tales of prehistoric, semidivine heroes were of Hurrian origin. There is no longer any doubt that the Hittites acquired their cosmology, their "myths," their gods, and their pantheon of twelve from the Hurrians.