McSweeney's Mammoth Treasury of Thrilling Tales

by Michael Chabon

  “People think the government has the skills to launch conspiracies. But if they were good enough, then they’d be good enough to track some guy who brings a suitcase detonator into the country across the Canadian border and has the uranium delivered to him by messenger. Some messenger on a bike! They’d be good enough to avoid having a third of Manhattan blown up! Or they’d be able to infiltrate the cartels. Or they’d be able to repair all of this. So are we going to kiss now?”

  “Later,” she said.

  I was thinking maybe this conversation had come to an end, that there was no important subtext to the conversation, that Cassandra was just another deep-fried intelligence locked away in the past, and maybe I should have gone on my way to pay off the epidemiologist with the new angle. But then, like she was teasing out a little bit of insider information, she said, “Brookhaven.”

  Meaning what? Meaning the laboratory?

  Of course, the Brookhaven theory, like the MIT theory, like the Palo Alto Research Center theory. These rumors just weren’t all that compelling, because everyone had heard them, but for some reason I had this uncanny recognition at the sound of the name of the government facility on Long Island. Then she said that we should go see the man.

  “I don’t know exactly about the beginning, the origin,” Cassandra said, “but I’ve been with someone who does. He’ll be there. Where we’re going.”

  “What are you seeing right now?”

  “Autumn,” she whispered.

  It was a coming-down thing. The imagery of Albertine began to move toward the ephemeral, the passing away, leaves mulching, pumpkin seeds, first frost. Was there some neurotransmitter designated as the seat of memory that necessarily had autumn written into it? A chromosome that contained a sensitivity to fall? When I was a kid there were a couple years we lived in northern California, a charmed place, you know, during the tech boom. Those words seem quaint. Like saying whore with a heart of gold. I couldn’t forget northern California, couldn’t forget the redwoods, seals, rugged beaches, the austere Pacific, and when I heard the words I knew what memory I would have if I took the drug, which was the memory of the first autumn that I didn’t get to see the seasons change. In northern California, watching the mist creep into the bay, watching the Golden Gate engulfed, watching that city disappear. In northern California, I waited till evening; then I’d go over to the used bookstores in town, because there was always someone in the used bookstores who was from back east. So this would be my memory, a memory of reading, of stealing time from time itself, of years passing while I was reading, hanging out in a patched armchair in the used bookstore in northern California and later on, back in Mass. Maybe I was remembering this memory, or maybe I was constructing it.

  We were going over the bridge, the Kosciusko, where there was only foot traffic these days. Down Metropolitan Ave, from Queens to Brooklyn, over by where the tanks used to be. Not far from the cemetery. You know what you might have seen there? Right? Used to be the skyline, you used to see it there every day, caught in traffic, listening to the all-news format, maybe you got bored of the skyline rising above you, maybe it was like a movie backdrop, there it was again, you’d seen it so many times that it meant nothing, skyscrapers like teeth on the insipid grin of enterprise, cemetery and skyscrapers, nice combination. The greatest city in the world? Once my city was the greatest, but this was not the view anymore, on the night that I walked across there with Cassandra. No more view, right? Because there were the debris clouds, and there was the caustic rain that fell on all the neighborhoods, a rain that made everybody sick afterward, a rain that made people choke and puke. People wore gas masks on the Kosciusko. Gas masks were the cut-rate fashion statement. South of Citicorp Center, whose tampon-applicator summit had been blown clean off. There was nothing. Show over. Get it? You could see all the way to Jersey, during the day. If the wind was blowing right. Edgewater. You could see the occasional lights of Edgewater. There was no Manhattan to see, and there was no electricity in Manhattan, where the buildings remained. The generating plant downtown had been obliterated. Emergency lights, not much else.

  People just turned their backs on Manhattan. They forgot about that island, which was the center of nothing, except maybe the center of society ladies with radiation burns crowding the trauma units at the remaining hospitals. Manhattan was just landfill now. And there are no surprises in a landfill. Unless you’re a seagull.

  Outer boroughs, that was where the action was. Like this place we were going. It’d been a smelting plant, and the police cars were lined up around it, the cops were all around it like they were the blue border of imagination. It was a ghost factory, and I dictated these impressions, because the digital recorder was still recording. When I played back my notes, there was a section of the playback that was nothing but a sequence of words about autumn, soaping windows, World Series, school supplies, yellow jackets, presidential elections, hurricane season. Who was I trying to kid? I was pretending I was writing a story about Albertine. I was writing nothing.

  Cassandra was mumbling: “They were fine-tuning some interrogation aids, or they had made a chemical error with some antidepressants. Or they made progress with ECT therapies, or they saw it in the movies and just duplicated the effects. They figured out how to do it with electrodes, or they figured out how to prompt certain kinds of memories, and then they thought perhaps they could coerce certain kinds of testimony with electrodes. They could torture certain foreign nationals, force confessions from these people, and the confession would be freely signed, because the memories would be true. Who’s going to argue with a memory?”

  “How do you know all of this?”

  We stood in front of a loading dock elevator, and the cops were frozen around us, hands on holsters, cops out front, nervous cops, cops everywhere, and the shadows in the elevator shaft danced, because the elevator was coming for us. The elevator was the only light.

  “I can see,” Cassandra said.

  “In the big sense?”

  It was the only time she smiled in the brief period when I knew her. When I was up close enough to see her lesions. People were so busy firing chemicals into their bodies, so busy in the past that they didn’t notice. Their cancers were blossoming. They stopped worrying about whether the syringe was dirty or not. And they stopped going to the clinics or the emergency rooms. They let themselves vanish out of the world, like by doing so they could get closer to some point of origin: your mom on your fourth birthday, smiling, holding out her hands, Darling, it’s your birthday!

  She said, “Think biochemistry,” and she had the eyedropper out again. “Think quantum mechanics. What would happen if you could harness some of the electrical charges in the brain by bombarding it with certain kinds of free particles?” Her eyes were hopelessly blood-shot. She had a mean case of pink eye. And her pupils were dilated.

  “And because it’s all about electrical charges, it’s all about power, right? And about who has the power.”

  I was holding her hand, don’t know why. Trying to stop her from dribbling more of that shit in her eye. I wasn’t under any particular illusion about what was happening. I was lonely. Why hadn’t I gone back up to Massachusetts? Why hadn’t I called my cousins across town to see if they were okay? I was hustling. I knew things, but I didn’t know when to stop researching and when to get down to work. There was always another trapdoor in the history of Albertine, another theory to chase down, some epidemiologist with a new slant. Some street addict, who will tell you things, if you pay.

  I knew, for example, that a certain Eduardo Cortez had consolidated himself as a kingpin of the Albertine trade, at least in Manhattan and Brooklyn, and that he occasionally drove his confederates around in a military convoy. Everyone claimed to have seen the convoy, jeeps and hummers. Certain other dealers in the affected neighborhoods, like Mnemonic X in Fort Greene, the 911 Gang in Long Island City, a bunch of them had been neutralized, as the language goes, in the gangland style. I knew all of this, an
d still I walked into the ghost factory in Greenpoint, like I was somebody, not an Asian kid sent by a soft-core porn mag, who rode up in the elevator with a girl whose skin looked like a relief map, a prostitute in a neighborhood where almost everyone was a prostitute. As Fox, Bob’s dealer, told me, before he disappeared, You’d be amazed what a woman will do for a dealer.

  “When Cortez tied off, you know, everything changed,” Cassandra said. It was one of those elevators that took forever. She’d been thinking what I was thinking before I even got to saying it. Her lips were cracked; her teeth were bad. She had once been brilliant, I could tell, or maybe that’s just how I wanted it to be. Maybe she’d been brilliant, maybe she’d been at a university once. But now we used different words of praise for those we admired, shrewd, tough. And the most elevated term of respect: alive. Cortez was Dominican, alive, and thus he was part of the foul-is-fair demographics of Albertine. He was from nowhere, raised up in a badly depressed economy. Cortez had been a bike messenger, and then a delivery truck driver, and some of his associates insisted that his business was still about message delivery. We just trying to run a business.

  I’d seen the very site of Cortez’s modest childhood recently, took me almost ten hours to get there, which tells you nothing. It’s a big mistake to measure space in time, after all. Because times change. Still, Cortez had the longest subway ride of anyone in the drug trade. If he wanted to go look after his operatives in Brooklyn, he had to get all the way from northern Manhattan to Brooklyn, and most of those lines didn’t run anymore. Under the circumstances, a military convoy was just a good investment.

  Washington Heights. Kids playing stickball in the street using old-fashioned boom microphones for baseball bats. There were gangsters with earpieces on stoops up and down the block. What were the memories of these people like? Did they drop, as the addicts put it? Did they use? And what were Cortez’s memories like? Memories of middleweight prizefighting at the gym up the block? Maybe. Some drinking with the boys. Some whoring around with the streetwalkers on Upper Broadway. Assignations with Catholic girls in the neighborhood? Cortez had a bad speech impediment, everybody said. Would Albertine make it so that he, in memory, could get as far back as the time before speech acquisition, to the sweet days before the neighborhood kids made fun of him for the way he talked? Could he teach his earlier self better how to say the “s” of American English? To speak with authority? One tipster provided by my magazine had offered sinister opinions about the appearance of Cortez, this Cortez of the assumed name. This tipster, whispering into that most rare landline, had offered the theory that the culture of Albertine itself changed when Cortez appeared, just like with the appearance of the original Cortez, great explorer, bearer of a shipload of smallpox. This was, of course, a variation on the so-called diachronous theory of abuse patterns that has turned up a lot in the medical journals recently.

  There were traditional kinds of memories before the appearance of Albertine, namely identity builders, according to these medical theorists. Like that guy at Brooklyn College, the government anthropologist of Albertine, Ernst Wentworth, Ph.D. Even repressed memory syndrome, in his way of thinking, was an identity builder, because in repressed memory syndrome you learn ultimately to empower yourself, in that you are identifying past abusers and understanding the ramifications of their misdeeds. I hate the word empowerment, but this is the terminology Wentworth used. A repetition of stressful memories is, according to his writing, an attempt by an identity to arrive at a solution to stress. Even a calamity, the collapse of a bridge, when remembered by one who has plunged into an icy river, is an identity builder, in that it ultimately engenders the reassurance of the remembering subject. The here and now puts him in the position of being alive all over again, no matter how painful it is to be alive. The Wentworth identity-building theory was the prevailing theory of memory studies, up until Albertine.

  Since Albertine arrived on the scene after the blast, theorists eventually needed to consider the blast in all early Albertine phenomena. Figures, right? One night I felt like I started to understand these theories in a dramatic way, in my heart, or what was left of it. I was at the armory, where I slept in a closet, really—used to be a supply closet, and there were still some supplies in there, some rug-cleaning solvents, some spot removers, extra towels. You never know when you might need this stuff. Anyway, the halls outside the supply closet echo; you could hear every whisper, in the halls of the armory. You could hear people coming and going. It wasn’t and isn’t a great place to live, when you consider that I used to have a studio in the East Village. But compared to living in the great hall itself, where mostly people tried to erect cubicles for themselves, cubicles made out of cardboard or canvas or Sheetrock, the supply closet was not so bad. The process of doling out closets had fallen to an Albertine addict called Bertrand, and when I fixed up Bertrand with Fox and a few other dealers, I got bumped up to the supply closet right away. When moths came after my remaining shirts and sweaters, I had all the insecticide I’d need.

  This night I’m describing, I had a breakthrough of dialectical reasoning: I was hearing the blast. You know the conventional wisdom about combat veterans, loud noises suggesting the sharp crack of submachine-gun fire, all that? I thought just the opposite. That certain silences re-created the blast, because there’s something about fission, you know it’s soundless in a way, it suggests soundlessness, it’s a violence contained in the opposite of violence, big effects from preposterously small changes. Say you were one of the four million who survived, you were far enough away that the blast, heat, and radiation could do their damage before the sound reached you, wherever you were. So it follows that the sound of the explosion would be best summoned up in no sound at all. The pauses in the haggard steps of the insomniacs of the armory walking past the door to my closet, this sound was the structured absence in what all our memories were seeking to suppress or otherwise avoid: the truth of the blast.

  I’m not a philosopher. But my guess was that eventually people would start remembering the blast. You know? How could it be otherwise? I’m not saying I’m the person who came up with the idea; maybe the government mole did. Maybe Ernst Wentworth did. I’m saying, I guess, that all memories verged on being memories of the blast, like footsteps in the echoing corridor outside my supply closet. Memories were like downpours of black raindrops. All noises were examples of the possibility of the noise of the blast, which is the limit of all possibilities of sound, and thus a limit on all possibilities of memory. For a lot of people, the blast was so traumatic they couldn’t even remember where they were that day, and I’m one of those people, in case you were wondering. I know I was heading out to Jersey for a software convention in the New Brunswick area. At least, that’s what I think I was doing. But I don’t know how I got back. When I came to, Manhattan was gone.

  People began to have memories of the blast while high. And people began to die of certain memories on the drug. Makes perfect sense. And this is part of the diachronous theory of abuse patterns that I was just talking about. First, Conrad Dixon, a former academic himself, was found dead in his apartment in the Flatbush section of Brooklyn, no visible sign of death, except that he’d just been seen scamming a bunch of dealers in Crown Heights. Was the death by reason of poisonous additives in the drug cocktail? That’d be a pretty good theory, if he were the only person who died this way, but all at once, a lot of people started dying, and it was my contention, anyhow, that they were remembering the blast. There were the bad memories in an ordinary fit of Albertine remembering, and then there was the memory of this moment of all moments, a sense of the number of people eliminated in the carnage, a sense of the kind of motive of the guy or guys, men or women, who managed to smuggle the dirty uranium device into the country and then have it delivered, etc. An innocent thing when Conrad Dixon, or the others like him, first did what they did. In the early curve of the epidemic, everybody used Albertine alone, because memories are most often experienced alone
. And the recitation of them, that’s like dull plot summaries from movies: Oh, let me tell you about the time that I was in Los Angeles, and I saw such and such a starlet at the table next to me, or about the time I broke my arm trying to white-water raft, whatever your pathetic memory is. It’s all the same, the brimming eyes of your daughter when she was a toddler and accidentally got a bump on her head, I don’t give a fuck, because I know what happened with Conrad Dixon, which is that he put the needle in his arm, and then he was back in midtown and looking down at the lower part of the island where he had spent his entire youth. A good thing, sure, that Conrad, that day, had to take that programmer’s certification test up at Columbia, because instead of becoming a faint shadow on the side of some building on Union Square, he could see the entire neighborhood that he worked in subsumed in perfect light, and he could feel the nausea rising in him, and he could see the cloud’s outstretched arms, and all the information in him was wiped aside, he was a vacuum of facts, a memory vacuum, and again and again, he could see the light, feel the incineration, and he knew something about radiation that he hadn’t known before, about the light on the surface of the stars, giver of all things. He knew that he was sick, knew that again he was going to have to live through the first few days, when everyone was suffering the poisoning of cells, the insides of them liquifying. Don’t make me walk you through it, the point is that Albertine gave back the blast, when Conrad had hoped never to experience the blast again, and Conrad was so stuck in the loop of this recollection that he could do nothing else, but die, because that was the end of the blast; whether in actual space, or on the recollected plane, whether in the past, or the present or the future, whether in ideas or reality, the blast was about death.